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honestly I always assumed franny was older than oswald, i guess mainly because of her last apperance she just seemed like an older woman, that and the fact her role was confirmed to be close to oswald and keeping him grounded in the new series

Also while im not big on oswald X fanny i think making her be his sister would be rather weird, i think she was closer to a friend or one sided crush at most

Nope Fanny was Created after Oswald in 1927, I tend to agree but as a writer sometimes characters have to evolve be changed even if it's strange, you do what the studio wants,

Especially in this instance it can be a bit of a conflict since well Oswalds a Dad and the bunny kids are confirmed to be hers, so Ortensia is the Step Mom to them, but there's 420 of them,

Like I'd want to agree with the one-sided Crush or friend thing, but then that would make this out to be a baby mama situationship with Oswald.

Which okay yes that'd be kinda funny but I feel like has been over used comedy wise and Fanny deserves better cause I don't picture her as the type to leave her kids without their Dad,

With the concepts, I was basically going off how Disney might've handled the Oswald show. My personal HCs are very different from how I presented them, for example

In my world of Off the Animation Table a Who Framed Roger esque world, Fanny and Ortensia are like sisters and take care of the Bunny Kids and are both of his wives as one of the poly groups Mickey has Fanny show up as a healthy co-parenting Momma since the public can be strange about poly groups if they appear in any Disney Company Productions it's how they go see this is how you behave guys with seperation,

Even though off screen they are still all together lol

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Please Reblog This If It’s Okay To:

Send questions about yourself

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Questions or comments about favorite tropes, headcanons, characters, foods, weather, or anything else you are okay in answering!

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I just learnd about the canceled Oswald show concepts that got leaked and oh my god!! im so sad that it got sent back! While i do agree with some people on fanny looking a bit weird i think it would be exciting to have her finally back and oswald looked so happy for once and had more friends on his own like the duck lady or the turtle plus the backgrounds looked beautiful and ortensia got a more distinct look from minnie and just ohhhh honestly the only real worry i had with it was fanny possibly getting "the bunny lou" treatment as it was reffered to? But Oh it all looked so perfect i was really looking forward to that before i realized it got canceled 😭😭😭

i cant help but ask what did you think of them and what do you assume it could have been about? Since youre a big fan of oswalds and seem to know alot more about him than me hahaha

I was honestly thinking it was possibly as somebody pointed out Coming of Age story that quite possibly it was basically Oswald as a teenager/Young Adult going to the big city to find himself perhaps get a job to achieve the Mechanic shop of his dreams

In the middle of all this meeting and falling inove with Ortensia not sure where Fanny would have come into play because I did find out recently Fanny actually originally had a switch over to being his little sister, before becoming the femme fatale Universal really did not know what they wanted to do with her,

So I question if Fanny was supposed to be his little sister again and yeah honestly I really do not like fannies design or tencias was okay but fanny has always looked like Oswald's doppelganger just like Mickey and Minnie, I mean have you seen her in the Disney Racers series

She looks adorable and not like Minnie's copy I thought they could drape her ears back and give her a cute little bandana with the side curls it'd be very cute design wise and Olay more into the little sister storyline,

I wonder if the other characters were meant to be people he met on his adventures that developed into people he got to know you know the regular customers maybe Turtle lady was supposed to be a regular Customer because she's abnormally fast and tends to burn out her engine in a plot twist because everybody would assume she's super slow,

The one character looked like possibly the lead mechanic of a shop

And maybe sometimes Oswald had to run out into the actual City to attend different jobs

I think it had a lot of potential but Disney's acted very weird with Ozzy where they've had a lot of opportunities to bring him forth and they either cancel the show or just not do anything even though the fans have very much vocalized they wouldn't mind seeing more of Oswald,

Let alone letting Mickey have a big brother and I think that's the other thing that I was like they should have taken the risk maybe they could have mentioned that he has a pretty famous little brother that he's disconnected with I think it would be really funny if they had had an episode where the two ran into each other or he had to begrudgingly as fpr his child star brothers help and Oswald was constantly going he's my half brother or he's adopted because he's got beef for some reason,

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Sad headcanon? Okay ill give sad headcanon

Mickey Mouse in a Who Framed Roger Rabbit world does have a human toon form but he initially was very uncomfortable with it because he looks like young Walt Disney,

If he drops the falsetto he already sort of sounded like his Dad but now he looks like him too,

However the other reasons are a bit funnier i.e not having his tail thus loosing balance and running into door frames going from 2 ft tall to 5 ft 9 his equilibrium is messed up, his brother Oswald would definitely be laughing at his clumsiness.

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Yep that just confirms Disney's a coward (joking) for not giving the mice kids cause look at how cute this is!

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Off the Animation Table Mickey and Minnie: Wedding 1953(WIP)

Redrawing a year old piece and honestly the most difficult part of learning the Disney style with the way I draw is the blocking process, if the base is not laid out properly it just won't end up looking like them like everyone can see in the old art, so I'm taking my sweet time to redo this piece properly so far I am loving Minnie more so now, Mickey needs fine tuning but otherwise I'm loving overall how it's turning out this time,

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He's just standing there menacingly!

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War is over 💥💥💥💥👊👊:D

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Coming across old art digging for another, I may just turn this au into a Chinese Historical drama type book as this was a Ninjago S11 Historical AU

No that's not Zane in the background that was Zayne the 2nd the eldest son basically tattling on his younger siblings for their behavior to his mothers amusement,

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For Pride Month my OC Eleanor Mouse-Disney a Trans individual in my worlds the daughter of Mickey and Minnie Mouse,

It's still deeply disappointing Disney has fallen so far back in the chase to be politically correct and pander to certain groups that they've forgot the very words of their founder,

To ALL who come to this happy place, Welcome

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It's June 1st, the start of pride month and instead of being super excited this year, I feel nothing but disappointment in my own community not for my identity or being a part of this community. Rather, for the current state the community is in because of a vocal minority of people spreading internal queerphobia and hatred that goes against what we're supposed to stand for.

Pride started as a riot, a fight for equal rights, to be seen and treated as human. Yet, all too often I see people in this community invalidating eachother instead of trying to uplift eachother.

For everyone in the community who needs to hear this:

🩷 Trans women are women.

🩵 Trans men are men.

🤍 Nonbinary people deserve labels that make them feel whole—not erased.

💗 Lesbians can have complex pasts and STILL be real lesbians.

💚 Polyamorous people are valid!

💙 Bisexuality and pansexuality are valid, even if you’re currently dating “only one gender.”

💜 Asexual and aromantic people are queer enough, full stop.

💅 Drag is not predatory. Drag is art. And protest. And joy.

✨ Neopronouns are valid!

💖 Allies have a space in this community too.

No one needs permission to identify with a label that helps them breathe easier, that fits them, that expresses who they are.

You are loved, you are valid, and nobody should get to say otherwise. Happy pride month, here's to spreading positivity and acceptance for all queer identities! 🌈

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Get this elder child some coffee and a blanket cause he needs it, but he's the best big brother (even if Mickey and Oswald are mischievous little imps)

Older brother power:

Redraw of this btw lol (from like…2020…good lord)

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That’s It.

I’m tired of seeing everyone repeat the same four points: “1) Nani gives Lilo to the state! 2) Hawaii has a better marine biology program than San Fransisco! 3) Jumba doesn’t get redeemed! 4) Pleakley’s not wearing a dress!”

Those are not the only things that were bad about this remake. You could easily tell it was going to be all that and more beforehand, but most people’s reaction to the trailer was “it’s surprisingly good!” and now they’re acting all surprised. If you didn’t see this coming, enough to purchase a ticket, you’re part of the problem and you don’t get the original movie any more than the people who made this remake did.

So I’m done being quiet, this is the Lilo & Stitch 2025 Takedown Post.

And as usual the only good thing about an attempted-remake is that it gives people a reason to think about what made the original so good.

Let’s go in order. But just scroll down to the Heading you Care About if you don’t want to read all this.

1. Cobra Bubbles

In this movie, Cobra Bubbles is a secret agent hunting for aliens and they have a new character take his place as the state social worker.

The Problem They Were Trying to Solve With this Change: “We shouldn’t have a black man or a government worker feel like an insensitive antagonist to Lilo’s family.”

That’s a stupid surface-level one-dimensional misread of the character from the original…and it wouldn’t have been hard, at all, for a child to explain to the 2025 filmmakers that Cobra is not an insensitive antagonist in the original.

Cobra Bubbles is not insensitive and he is not in any way portrayed as a bad guy in the original. Nani sees him that way, Nani sees him as antagonistic, because he’s the representation of Lilo being taken away.

But Nani is wrong about him and learns that she is wrong about him by the end of the movie.

Can we please make a list?

Cobra’s first interaction with the caretaker of the child he was being sent to protect was that she ran out into the road, yelled at a complete stranger, and dented his car.

Then he found her locked out of the home and threatening the child inside with a hammer in her hand.

Then he found out the stove was on while she was out, and she’d left a 7 year-old alone.

The 7 year-old made comments about being disciplined with bricks and a pillow case.

The 7 year-old looks like she might be more than a little emotionally unbalanced because she’s figuring out how to put voodoo spells on her friends to punish them.

He still gave that pair of sisters three days to straighten the ship. When in actuality, in 2002, under HRS §587-73, (don’t play with me) the social worker would’ve been well within his rights to remove the child from the home right then. But instead he gives her three days to fix it. THEN

The 18 year-old loses her job.

The family gets a “dog” who he is implied to know is an alien, right off the bat.

The alien is violent and wreaks havoc across town.

The 7 year-old almost drowns while they surf instead of find a job.

He lets the child and caretaker have one more night together to say goodbye, but when he’s on the way to get her he gets a call that she’s being attacked by aliens, hears a chainsaw, and finds the house on fire.

Do you understand what I’m saying.

Cobra Bubbles had NO BUSINESS being as BIG A SOFTIE AS HE WAS for all of the original movie. He was not only well within his legal rights to take Lilo away from Nani immediately, but he was actually required by law, it was his DUTY, to remove her immediately. But he didn’t do that. Why?

Now listen to me very carefully.

Lilo and Stitch is a movie about how “Family chooses to love and commit to one another selflessly, no matter what the other person can do for them or how hard they make it.” The fancy way they say it is just “Ohana means family: family means nobody gets left behind or forgotten.”

Did you catch that? “No matter how hard they make it.”

Cobra Bubbles was a CIA agent before this. A CIA agent who saved the planet, by doing what? Convincing an alien race to leave them alone. Oh, he didn’t fight them off? No. How? He “convinced” them? He talked it out? Sounds like a pretty compassionate guy, for all his tough exterior. How did he do that?

He could’ve picked any animal that’s actually endangered. The filmmakers chose to make him the guy who convinced aliens to value mosquitos.

MOSQUITOS. Creatures that give nothing, only take. Ugly little bloodsucking monsters. That’s the creature he convinced them to care about enough to save the planet.

NOW do you have any trouble understanding why this is the specific social worker who would give an alien-infested dumpster fire of a dangerous home a chance when two sisters are about to be torn apart?

Do you see that Cobra is just another example of the grace that the movie is always talking about? The love that transforms someone from bad to good simply because it refuses to give up even when it gets nothing out of it? I’m repeating myself because I want you to see why he was a well-done character who NEEDED NO CHANGE.

Cobra Bubbles’ character is not an insensitive monster who doesn’t care who his actions hurt as long as he gets the job done. But you know who that does sound like?

2. Gantu

Gantu is not in the remake at all.

The Problem They Were Trying to Solve With This Change: “It’s going to cost us upwards of 1.5 millions of dollars to design, sculpt, rig, animate, and render a character this big in addition to finding a suitable voice actor to play the part.”

This is a really dumb choice for several reasons. A. Without Gantu, there is no “stakes-raiser” to Lilo and Nani’s story. The movie has no climax without him. For the first and second acts of the movie, it’s about a grieving pair of girls trying to prove themselves to a social worker while the story-equivalent of Beethoven the Destructive St. Bernard wacky Jumba & Pleakley antics get in their way. But when a 40-foot tall alien stomps into their lives and abducts Lilo & Stitch in a spaceship that careens around the island during an explosive sky-chase scene, now you have a high-octane, somebody-could-die climax.

B. Without Gantu, Stitch looks weaker. The climax gave Stitch a reason to come out of the wackadoo puppy he’s been posing as and suddenly remind everybody that he’s a lethal weapon who can survive thousand-foot drops, lava, and astronomic explosions—and a giant alien’s Thanos-dwarfing fist. Take him out and who do we have as a match for Stitch to go up against, even for a moment, and prove how much he’s changed to be willing to risk his freedom and fight?

C. Without Gantu you have no villain to reflect that STITCH is no longer a villain. (So they substituted Jumba.)

But the reason this character is really worth millions is, again, the theme.

I told you Cobra Bubbles was a character who did not put “duty” or even “convenience” or “position” over the real lives of Lilo and Nani. He saw that there was love there, and in his own way, he gave it a chance. And even when he chose to take Lilo away, he did it carefully; he gave them time to say goodbye.

GANTU IS THE OPPOSITE OF COBRA BUBBLES.

Gantu is the insensitive, uncaring, unyielding Captain whose commitment to duty turns into rage and cruelty. Not Cobra.

Nani thinks Cobra is walking in a threatening to tear apart their family in a display of government judgement. But that’s what Gantu literally does.

His first reaction to Stitch is to call for his destruction. Without even waiting to see if “it can be reasoned with” like the Grand Councilwoman suggests. He’s merciless. He mocks Stitch when Stitch is captive. And he knows that he caught Lilo, a human, along with him. He doesn’t care. He even suggests that Stitch eat her as a snack.

There are only two other characters who laugh at others’ misfortune in the movie. One is Stitch, the original villain. Then love changes him. The other is Jumba, who made Stitch. Then love changes him. But Gantu never gets changed. He’s only concerned with his job, and with personally annihilating the flaws he sees in Stitch.

Gantu is unyielding, ungracious, and cruel. And he’s big and powerful enough to be a test for Stitch to prove he’s changed. For the benefits he brings to the story, he’s worth 1.5 million and more. But they cut him anyway.

3. Jumba

In the new movie, Jumba is a villain through-and-through with designs on overthrowing the Galactic Council using Stitch, and instead of being redeemed, he’s sentenced to prison.

The Problem They Were Trying to Solve With This Change: “We can’t spend money on our real villain so we’ll just keep Jumba evil.”

The reason this is dumb is obvious. They created their own problem, and the ‘fix’ makes the movie weaker, not stronger. But here’s how.

In the original, Jumba is introduced as trying to self-protect. He’s on trial, and he lies. But when Stitch is revealed, he’s genuinely passionate about the thing he’s created. And he cares about image. He prefers to be called “evil genius,” and he hates the headlines labelling him “idiot scientist.”

You have to remember he’s part of “Galaxy Defense Industries.” They had him making weapons of destruction anyway. He just got too into it with his genetic Experiments, went a little insane.

I’m not downplaying the fact that Jumba is evil at the start of the movie. He is. It is evil to be outcasted from society and then respond to that with, “well, if they’re going to treat me like an idiot, I’LL SHOW THEM, I won’t care about anything except my passion for mad science!” That’s evil.

But it also explains a lot.

I said it in another post. Jumba’s whole utility as a character is that he knows who and what Stitch really is, better than anyone. He made him to be a monster who can’t belong and wreaks havoc on everybody else’s ‘place of belonging.’ Jumba is the audience’s insider’s perspective on what is going on in Stitch’s head, at first.

But when he’s redeemed, it happens fast. And why? Because that’s how plain and simple Stitch is, as a character. Jumba knows Stitch is a disgusting little monster with nothing inherently loveable about him, and no “greater purpose.” So when his disgusting monster is loved by someone? When his disgusting monster is willing to ask him, Jumba, for help? Something totally outside his programming, totally not what Jumba thought he’d ever be capable of?

That proves to Jumba, in an instant, that there’s love out there that transforms. And creates a place of belonging.

There were already germs of that, a desire to belong, a compassion, in Jumba after he reached earth.

He doesn’t try to get Nani fired, he offers an explanation for Pleakley’s swollen head.

He claims he won’t hit Lilo (why would he care about collateral damage?)

He sounds sorry for Nani when she’s upset about losing Lilo, and tries to keep Stitch from bothering her.

My point is, Jumba’s redemption isn’t important because it’s cute or because we need to set up the big happy found-family trope everybody loves.

Jumba’s redemption is important because it is just one more PROOF that what’s happened to Stitch is so incredible. The love Jumba finds transforming his monster is enough to transform Jumba, too.

But sure, fine, whatever, make him a soulless one-dimensional talking head. Whatever.

4. Stitch’s Design

In this movie, Stitch is cuter than he is ugly, and he’s half Lilo’s size.

The Problem They Were Trying to Solve With This Change: “Ugly-cute doesn’t come across as well in ‘live action’ animation. And all the Wal-Mart moms remember Stitch as ‘cute.’ Plus we’ll save about 15% in rendering the animation.”

This is crippling to the characterization of Stitch.

Stitch is supposed to be an echo of who Lilo could become now that she’s lost her parents and may be losing Nani. This scene:

Where Jumba points out that Stitch has nothing, and destruction is his only purpose, is the evidence for that. But Chris Sanders, who made this whole story, also point-blank said it. Stitch is a future Lilo, if she loses her family.

So that’s reason number 1 that he should be her same height. But also, practically, no iconic pair of best friends, yin and yang, have visuals where one is smaller than the other. Especially not if one of them is supposed to be disguised as a pet.

The point is, Stitch is not LILO’s pet. He is her best friend, her other half. But between the muzzle-muscles they worked into his upper lip and the darkened dog nose and the butt-scooting across the floor, the remake is trying to make him more pet-like in relation to Lilo.

That’s not what he is.

I said this in another post. But Stitch is supposed to throw food to the back of his head like a gator—his lips are not designed for forming words. His gums and teeth are supposed to look like a shark’s. His nose is supposed to be too big, stamped into his face. His ears are supposed to be like bat ears, not bunny ears. He hunches forward, instead of bending at the waist like a toddler. His eyes can narrow to lizard slits.

He has to look like he can believably be a disgusting monster. Yes, he can also be cute. But he has to first look like a monster. Because that’s what he really is, in the story. If he isn’t, then LILO’s love for him doesn’t look as powerful.

It is easy to love a cat even if it scratches you, because it’s cute. It’s harder to love a life-sized spider that keeps knocking you down and eating your prized possessions and laughing when you get hurt. Stitch is supposed to be closer to the second one, so that Lilo’s love shines brighter.

But also, practically:

She can’t look him in the eye for emotional shots when he’s that short. He’ll always have to awkwardly be standing on a box or a chair or a bed.

How is he going to scoop her up, hero-style, and leap off of an exploding spaceship with her in his arms, when he’s half her size? He could do it: it’ll look stupid, though. So they just don’t have that part in the movie.

She can pick him up. That alone is demeaning and again, the visuals are silly. Not what we’re going for.

5. Lilo’s Personality

In this movie, Lilo doesn’t like weird stuff, and she screams when she first meets Stitch. There’s no problem that this solves. It’s just laziness and a lack of care about the characters.

I would like to remind you that the original Lilo:

Made her own doll that looks like a shrunken head and pretended a bug laid eggs in her ears.

Makes up stories about a fish that controls the weather and actively deep-sea dives to bring it peanut butter sandwiches.

Has a knee-jerk reaction of using practical voodoo spells on friends who wrong her.

Listens exclusively to Elvis Presley.

Fills baby bottles with coffee.

Believes Nani’s manager is a vampire.

Has fishing nets and seashells in her room for decoration.

takes safari pictures of overweight bleached tourists.

meets a social worker and her first impulse is to ask if he’s killed someone.

Nails the door shut when she’s mad at her big sister.

She’s not friends with pound dogs in that original movie; when they first get there she acts like she’s never been in the kennel before, and originally wants a pet lobster.

I know that we all love that little girl they got to play Lilo, but if you were really being objective, you’d acknowledge that she’s a little girl. She’s not Lilo. She’s a cute little girl.

They did not write Lilo into the 2025 movie. They wrote any old little girl.

You should have known, from the moment she first sees Stitch and her reaction is to scream in the trailer, that THAT IS NOT LILO.

Lilo had a very specific set of characterizations. She was a character with a personality that exploded out of the screen. Every other character in the movie meets Stitch and reacts with disgust.

But not. LILO. She’s the only one to react to him like THIS:

She is literally not like anyone else. She’s doesn’t care that he’s ugly. Or weird. Or blue. Or even bat an eye when he can talk with all those shark teeth.

From Moment One, Lilo chooses Stitch. She chooses to love him. Regardless of what he can do for her. Regardless of how many times he pushes her over or rips up her house or makes her relationship with Nani harder. That is the number one thing about Lilo.

She is desperate for people to stay, but she chooses to love Stitch even though he’s a monster. And she tries to make him better. And her love succeeds in transforming him when nothing else could.

Lilo’s personality traits all mean something in the story. (I.e. she likes Elvis because she’s clinging to the past, she snaps pictures of tourists like they’re safari animals because they’re inherently people who LEAVE and she has issues with LEAVING, etc.) But the thing I think that was so obvious that the moviemakers missed for 2025 is she has to be weird. If she’s not weird, there’s no reason for her not to have friends. And if she has friends, what does she need Stitch for?

But also, Lilo’s personality in the new movie is just boring. Cute. But boring. Cute’s not that great of an accomplishment; any 7 year-old is cute.

6. Nani

I don’t think you guys need to know this. It’s not just that Nani leaves. It’s that “take care of yourself” is the exact opposite of the selfless message of the movie.

In the beginning, Lilo literally argues with Nani after being told she’s “such a pain,” and goes, “why don’t you SELL ME and buy a RABBIT INSTEAD?”

And then breaks down and cries at the thought of Nani wishing she had a rabbit instead of Lilo, later.

Because Lilo is afraid of people leaving. But Nani won’t leave her. Nani loses her job, her own life, because of Lilo. But she’s desperate to keep Lilo anyway, because she loves her. Don’t you understand? The message of the movie was about self-sacrificial love. A love that doesn't care what I get out of the relationship.

Nani starts it. But you know what, David loves her like that, too. And then Lilo transfers it to Stitch, who shows it off to Jumba. It’s a chain reaction, but Nani is spearheading it.

You realize that when their parents died, Nani already would’ve been in high school? With a whole life of her own? Her own friends, her own potential boyfriend, a job she went to, surf competitions (the trophies are in her room.) Lilo would’ve been well aware that that was the status-quo: Nani has her own life. And even a seven year-old can see that that life is being put on hold, but maybe the big sister wants to go back to it, at every turn.

The fact that Nani never does that, never expresses a desire for that, only ever expresses a desire to keep Lilo with her, is huge. It’s the core of the movie.

I don’t think that needs any more explaining.

We could talk more. Like about how Lilo needs to see that Stitch is an alien, because that’s the ultimate test: he’s one of the monsters who destroyed her house, he’s been lying to her and using her as a human shield, he’s a criminal—but she still winds up giving everything up to protect him.

Anyway. My neck hurts and I don’t want to type anymore. But we could talk about the music, the social worker, the grand councilwoman—it just doesn’t matter.

Ya’ll had more than enough details in the trailer to be able to not go see this movie because it was obviously going to ruin everything. But instead you chose to make this twisted corpse “the highest-grossing movie of any Memorial Day.” You bought tickets because they ruined a perfect movie and slapped together an uglier package for you.

Whatever. It was my favorite movie today, it’ll be your Treasure Planet or Tangled tomorrow. Keep riiiight on giving them your money, and keep letting influencers regurgitate the same four obvious facts to you over and over, because they paid Disney to make a talking-point for their content benefit. Whatever.

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I've gotten a couple asks why I describe Julius as Heavy set when in the original Alice comedies it's clear he wasn't

I present The Celebration of Black and White Cartoons episode of House of Mouse

It's not confirmed but I'm pretty darn sure that's Julius they just didn't say, while they couldn't have Oswald they did sneak in another Disney Brother under people's noses.

And look at the fluffy boy! He's definitely put on weight and looks very proud, but yeah, that's why I have Julius or Juju as heavy set.

It also runs in conjunction with him being a mechanic initially running a shop around Kansas City, in 2029 he handed it over to a friend and went to be with his brothers in California even coming out of retirement for a few films with his brothers and to make side character cameos in shows alongside his daughter Willow,

To Mickey and Oswald, that's Juju, their older brother, the stoic and calm eldest sibling who's always the voice of reason amongst them, the two are always threatening each other to call the old cat if one of them toes the line cause Walt may not be around but Julius always will be

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Me: sitting smugly I feel so freaking validated right now yall said I was wrong, but I knew it most likely was something like a divorce. That Cliff Gordon was not innocent that he was a womanizer but oh no I'm the crazy one. Yeah I get the last laugh.

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We love elder brother Julius having to deal with these two🤣🤣🤣

Older brother power:

Redraw of this btw lol (from like…2020…good lord)

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ya got any assumptions what the *new* hybrid oz show will be abt?

To me quite possibly him being a forgotten Disney maybe the journey that more so happened behind the scenes, how Oswald got home,

At least to me it would be smart yet heartbreaking to see the moment Oswald was ripped from Walt Disney and Ub Iwerks in a world where Toons live, maybe have Charles standing there holding his hand as he's trying to get to his creators and they both turn and walk out showing his perspective of the situation

perhaps showing the progression through the years maybe his struggles and if it's not that maybe the reacquisition in 2007

When Mickey shows up as owner of Disney welcoming him with open arms and Oswald's side eyeing, knowing him as the mouse who made him be forgotten and here's Mickey going

Oswald we're brothers, your creators were mine

and now he's got to learn how to be a Disney that he truly belongs like Mickeys telling him,

All the while Mickey has to learn Oswald's quite damaged if they are even more daring perhaps there was some forms of abuse going on, and this leads to trust issues with Oswald

Maybe also has him finding himself again through so many trials and different toons of the studio trying to help him,

and maybe at the end hes like at D23 and Mickey goes I have something I want to show you, takes Oswalds hand and walks out and it's not a massive crowd but there's still a crowd of people calling his name and cheering it's all he's ever wanted that he wasn't forgotten and he has people who love him he has a little brother who fought so much with a genuine heart to bring him back,

And Mickey for the first time steps back pushing him forward, silently saying this isn't me Oz it's you they're here for,

But this is just my assumption of what could be a good storyline but we don't know any real details so the sky is the basic limit at the core and heart I do hope it has Oswald figuring himself out finding out that people love him dearly.