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Now the little moment back in Ep4 with (stupid sauce’d) Ragatha and the Gloink Queen about her being a good mother is “beautiful” has some extra weight to it now given her trauma with her own mother.

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Charlie & The Chocolate Factory Retro-ish Game Adaption Concepts

In short, a game adaption of CaTcF (based on no specific version btw) where it's done in the style of old school games like Spyro, Crash Bandicoot, Mario, Donkey Kong Country, Spongebob Squarepants and many more.

You, as Charlie Bucket, have to navigate the factory and defend yourself against the many creations of Wonka, the Oompa Loompas, and encounter the 4 other factory visitors in two boss battles each. Willy Wonka serves as the final boss.

Sort of a big post, so heads up.

A revision of two old CaTcF game premises I had years back. The first three drawings are the version that's used prominently. The latter three are the earliest version iirc.

As for motivation and drive of the story for this "game"? Was thinking they all got roped into the chaos cause of the ultimate prize that Wonka promised. All of them getting selected for the opportunity to win "the greatest prize ever" and Charlie is like, "oh okay cool what could go wrong?" cause why pass up the opportunity from THE Wonka? What he didn't sign up for was a President Snow and the Hunger Games situation. Elimination til one is left. So Charlie is simply trying to survive the madhouse and acting in self defense. When confronting Wonka, Charlie rejects the prize (ownership of the factory) because of what the crazed candy man caused that day. Wonka doesn't take this lightly and the final boss battle happens.

Charlie move-set (old design)

Charlie can use his scarf as a item launcher for further away targets, a latching rope and swing.

Augustus Gloop Boss Battle 1: Chocolate Room

You gotta deflect the food and candy 🍬 he hucks at you with the regrowing lollipops on either side of the stage. After being hit (the lollipop in your hand crumbles to nothing after use) he jumps down, quakes the ground (obliterating the lollipop plants temporarily) and he jumps around a few times before getting exhausted (stunned). This is when you get another lollipop to hit him into the river. He returns atop the pipe from offscreen and back to his 1st position. Cycle repeats, more rapid fire and he gets progressively more covered in chocolate (rule of three) til the final time. Augustus gets sucked up the pipe and the stage is complete. Move onto the next half of levels til...

Augustus Gloop Boss Battle 2: Mixing Room

In the Chocolate Mixing Room, Augustus Gloop is back, this time with a friend: a giant killer gummy snake (one you'd of avoided in a prior level). Dodge the snake and globs of chocolate thrown at you. The Snake and Gloop retreat into the vats of chocolate and show up in the opposite side; or bait and switch you (cartoon logic like scooby doo door chase). When the snake goes for a charged strike and misses, it knocks itself out momentarily. Use this moment to walk up the snake and hit Augustus. In the flailing recoil, more of the platform is broken off and more dodgy. Repeat til defeat. Now you move on to the new factory area.

Violet Beauregarde Boss Battle 1: Inventing Room

Violet's move-set include rock n roll attacks and avoiding beakers, experimental candies 🍬 and ther science-y stuff that fall or get shattered from the vibrations. Shelves get emptier as the battle progresses. Then, Violet lifts her KISS-inspired rocker mask to enact her explosive gum bubble attack. Burst her bubble before it gets too big. When that happens, it drifts towards you and explodes. Damage to health is certain. Each successful damage hit, she grabs a new piece of gum. Watch out for the bonebreaker candy the machine the Oompa Loompa is operating spits out. Cycle continues, she even tries swinging her guitar at you, til the final time when she takes the wrong bubble gum and blows up into a large blueberry. Move onto the next half of levels before...

Violet Beauregarde Boss Battle 2: Fizzy Room

Avoid Violet, now more rolling than rocking, by jumping over as she barrels on by. Wait for her to lose momentum from the dizziness. By then ride the big bubbles up (when they appear) to the platform above. Wait for the Oompa Loompa pushing the machine to be directly above Violet. That's when you jump on it to knock it down and squish the blueberry juice out of her. She gains momentum with her smaller size, but is easier to make the jump over. Repeat till she’s fully juiced.

Veruca Salt Boss Battle 1: Nut Room

Very "final level of Donkey Kong" inspired with this one. Starts of with her up on the top platform. Her move-set includes throwing gold bricks at you. As she does, make your way to below Veruca's level. Avoid them, then pick one up before they slide down the garbage chute. Use the throwing move w/ the scarf as a launcher for the more long distance throws at a target. Knock her helmet off and the squirrels attack. Chewing the supports as well. Veruca recompenses herself and performs her purse item throwing and ballerina twirl attacks. She’ll get dizzy and stop long enough for a hit. Three levels to get her down til the bottom floor. The 3rd time the platform gets wedged and temporarily blocks the hole but the weight of Veruca standing on it with her gold bar filled purses causes it to collapse.

Veruca Salt Boss Battle 2: The Furnace and Garbage Room

Now in a popped and torn up suit, covered in garbage, Veruca is as mad as ever like a bull. Doubling down in her aggression and purse/ballerina spin attacks. To stop and do damage, knock off her helmet she wears with rotten golden eggs 🥚 that get sent down to the room occasionally. She'll get stunned by the stench of the room long enough for you to deal a hit in damage. Cycle repeats till she passes out.

Mike TeaVee Boss Battle 1: TV Room

When you meet Mike, he's already in the TV set and controls an assortment of robots to attack. Stun and trap them in the cylinder via the red button. Complete this before the camera is charged up (indicated by lightbulbs) then zaps whatever is in the tube into cyberspace with Mike. Causing damage by exploding. Repeat til the TV screen overloads and explodes. When thay happens, a massive electrical current surges out of the TV to elsewhere. Continue on, with the electrified Mike causing problems until...

Mike TeaVee Boss Battle 2: Power Room

Charlie has to deal with Mike again, now as living voltage. Three switchboxes act as platforms to jump across to, al9ng with hanging cords above for when Mike zaps across the stage through the TV screens. When the voltage on the ground is gone, that's when you can safely jump to the floor and flip a switch to turn off a portion of the power that powers Mike. Keep this up, he shrinks thinner and thinner, till no more power and reverts to a boy... only now small as a mouse. Scambers off.

After a few more levels, you finally reach the final stretch...

Confronting the Candy Man, Mr. Willy Wonka: The Final Boss

1- Wonka’s Study: you avoid his spinning sucker mallet attack by jumping on the bubbles. Use them to jump on his head to enact damage. By the end, he gets in the glass elevator and crashes out the window. You follow him outside by jumping on the bubbles.

2- a race up to the 2nd battle stage.

3- Running around the rim, avoiding cherry bombs and other attacks. Throw the bombs back when the elevator doors are open. After, he flies even higher. Downing a fizzy lifting drink, you follow.

4- Now in the cloudy sky, avoid the sneak attacks as the Great Glass Elevator rockets back and forth, up and down. Catch the cherry bombs and throw them at the elevator’s engine.

5- Damaged, the elevator falls all the way back down into the factory and...

6- BOOM! the factory begins exploding and collapse into a pile of rubble.

Also, yes the kids make it out alive after the factory is destroyed. All a bit worse for wear, but otherwise ok. Some deformation with their bruised egos. Maybe a bit more wiser on biting more than what they can chew.

Following the boss battle with Wonka, you speed run back through the factory; a mega one level marathon that sums up the 5 main rooms in the game up to now to escort the other kids out. Each of the other 4 aid in the escape via context specific command moments in the trek out of the factory: Augustus can plow through obstacles, Violet has some stretching and twisting ability, Veruca has her purse of many items, Mike can slip through grates and other narrow spots. Classic “boss is now playable, but not as OP as they were in the fight”.

Charlie (final design) Vs The Other Kids

So yeah, that's my pitch for my take of a Charlie and the Chocolate Factory game with the others as bosses.

What did you think?

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New name for a interpretation of Mike TeaVee… Nintenzo Gabriel

Cause of the name Enzo Gabriel is like the Brazilian term for iPad kid or an energetic chaotic child. Learned that from my time in the Owl House fandom some years back when the Brazilian side of the fandom referred to The Collector as Enzo Gabriel.

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"What are they running away from?"

Monsters vs Aliens AU (#23)

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Monsters vs Aliens AU (#22)

Another go for the Alien Robot for this AU with more influence from the source material used, Devil Girl from Mars for the female version of Gallaxhar in the AU, Gallaxitress.

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Monsters Vs Aliens AU (#21)

Was thinking about the MvA AU again and went back and tried out a new look for B.E.T.H.’s face stalk. Making her closer to both the 1962 source material and the Looney Tunes version and especially so with her gelatinous counterpart, B.O.B.

What do you think?

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My own takes of the Distortus Rex from Jurassic World Rebirth.

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The Extended Lore of Sharkboy and Lavagirl (More or Less)

The two short books delve into the waking world and dream realm lore a bit more than the movie. The books have neat little illustrations throughout here and there.

Book 1 is a adaption of the movie, with more context to how Planet Drool runs. Such as Sharkboy and Lavagirl's arrival to existence, which is where the story starts in the book; most of Max’s side is excluded. Sharkboy and Lavagirl are blank slates figuring things out as they go. Lavagirl is initially horrified of being on fire til she realizes she's not harmed and it’s her normal. Not long after, they meet The Imagineer in their giant steampunk robot. He fills them in on the goings on with Planet Drool and sends them to find The Daydreamer. This being how they got to earth in the first place and why they don't know the controls of the shark ship and had to ask Max. As they arrive and reach the outside of Max's class, they see two of him side by side: the waking self, and dream self. Sharkboy and Lavagirl note that whatever is going on in the waking world is strong enough to affect Max's sense and therefore the dream realm (the storm going on outside). Then the story plays out more or less the same.

The ending is slightly different as it’s a bit of an extended look at the ending presented in the film. Another difference is how Lavagirl’s underwater volcano kingdom is visually. In the book’s illustrations it’s more true to the volcanic vents and generally more deep sea themed. The inhabitants of it are themed accordingly.

Book 2, the first sequel before the 2020’s one, follows up on their story where it left off as Sharkboy and Lavagirl journey down deeper into the planet, “Downtown” as it’s called, encountering a large red bear, The Red Menace, and encountering other dream created inhabitants. By the end, they meet the Imagineer again. The inhabitants of Downtown refer to him as The Maker, as he makes things for the town. He goes on to tell Sharkboy and Lavagirl about Planet Drool's history (what things are called changes to whoever is the primary one dreaming it). Much like how dirt layers stake and tell a recorded history (or how a jawbreaker is, heh), same applies to the dreams. The Imagineer long ago was like Max, but he felt he had so much left to dream and do. His waking self had long since passed on, while his dream self remained. Hence why he doesn’t really have much a name, other than the titles previously mentioned. There's some more to it, but these are the more lore heavy bits summarized. Most of the dream stuff down there are based on things from old eras such spacemen, cowboys, a black and white television set, and such (the Red Menace bear shoulda def clued ya in).

Tis all I have to say for now. Will be back if I re-read them and had missed anything.

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Mothra Convinces Godzilla to Help

(With this moment trending on Twitter, thought it’d be funny to translate it to Godzilla universe, specifically Mothra trying convince him and Rodan to help fight Ghidorah).

Based on:

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The Nightmare Sludge

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MechaGodzilla “pranks” Gigan (ft. Anguirus)

Based on the first half of the vid:

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RUBY GILLMAN — TYPHON, THE FATHER of MONSTERS

Couple years ago, I stated my idea for a Ruby Gillman re-write would include the mythological figure as the bigger big bad over Chelsea/Narcissa, thus forcing the krakens and mermaid to converge their efforts against the foe.

This was my best effort to mimic the stylization of the movie, and making sure he wasn’t too goofy looking. Ensuring he was an intimidating threat.

Delve more into the details of the rewrite at a later time, but in this scenario to parallel “Ghidorah The Three-Headed Monster”, Ruby is the Mothra and her efforts to try and convince the others to work together against the incoming threat are ignored. Eventually however, the others join in the fight and it’s a brawl to end all brawls as Typhon gets locked away again in the bottom of the bay.

(Abridged cut of the brawl)

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Breakdancing Little Mike TeaVee

(Note: Is not based on any specific version, just generalized interpretation)

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Commissions Open

Message me if interested

Payment via PayPal

Prices above are in Canadian (CAD)

No NSFW/Kink Art

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The Pink Frosted Sprinkled Donuts Co. 🍩

Smosh X Charlie & the Chocolate Factory AU by @literallyinsanee

This is set at the height of Lesbian Wonka’s success prior some time ago and the competition began growing jealous of her. Growing desperate for solutions to combat it. By the end of the meeting, the plot of stealing her recipes via spies is proposed and executed with great success.

Had thought of it being fun to have the manufacturers of the Pink Frosted Sprinkled Donut be the direct competition with Lesbian Wonka Chocolates & Candies. The Boss (aka Ian Hecox) of the old “[X thing] Sucks” series of skits from waaay back be sort of the Slugworth of this AU.

Follow up to the previous two entries I’ve made: First, second, and third.

Aforementioned skits:

https://m.youtube.com/watch?v=cq4voeNuWEY

https://m.youtube.com/watch?v=fdtwK01ak4s

https://m.youtube.com/watch?v=sYkbbMA3ozQ

https://m.youtube.com/watch?v=tnhafitWzrg

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Incels of Different Classes

Billy Lenz (Black Christmas) meets Erik (Phantom of the Opera)

Inspiration being The Phantom’s roast of Rayman. As for who else would be here? Was thinking Micheal and Jason. Erik mocking him about how he, the front runner of the genre, is outshined by the latter two slasher icons. Along with himself above the rest from his classier and classic story that’ll be adapted again and again, while Billy is one and done. How he stands high over all their low brow gorey blood bath slop.

Wasn’t sure which Phantom to draw (damn lot of iterations) so I went with a look reminiscent of the musical.

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Gummed Up Memories

Smosh X Charlie & the Chocolate Factory AU by @literallyinsanee

Thought it fun to incorporate the “He’s a 10, but he doesn’t chew gum” story for the AU here. Is from the Smosh vid, Acting Out Angela’s Middle School Group Chat: https://m.youtube.com/watch?v=JjM3-tyAAy4&t=77s

Thought it funny to include mention of Angela’s famous moment, 9/11/11 Follow up to the previous two entries I’ve made. Seen here and here.