celestebunnie

[celestebunnie]

So I’ve been getting a lot of asks lately questioning my characterisation of Inho, and I figured it’s time I just lay it all out. Here’s how I personally interpret his character, and how I view his relationship with Gihun.

To me, Inho is a deeply broken and traumatised person. Not just morally conflicted, but someone who’s spent years building a carefully controlled facade. Underneath the precision and control is someone who harbors a deep resentment for humanity, a philosophy born from intense personal suffering and emotional isolation.

Returning to the Games to become the Frontman wasn’t a power grab—it was a form of emotional self-destruction. A kind of psychological self-harm. He built an identity where he could carry out the unthinkable by pretending it wasn’t really him doing it. He’s compartmentalised so heavily that he views the Frontman and Inho as separate people. A shield. A way to detach from the horrors he’s enforcing. Inho is the man behind the trauma; the Frontman is the role he steps into so he can function within a system that destroyed him. It’s all about control and surviving by suppressing what’s left of his humanity.

His relationship with the VIPs is not one where they are equals or where there is an inkling of respect—far from it. While Il-nam was a peer to them, Inho has always been a player. Player 132. Just another body who survived. To the VIPs, he’s not a partner in their cruelty—he’s a well-dressed dog they keep on a leash. I headcanon their relationship as one that’s exploitative, abusive, and dehumanising. They exert control over him in every way, including sexually, because they don’t see him as a person, just a tool. Just dirt.

And Inho survives that, too, by dissociating. He tells himself it’s happening to the Frontman. That this is the price of keeping them entertained. Keeping them happy. He can endure anything if he keeps believing it isn’t really happening to him.

And then there’s Gihun.

Gihun is the one person who disrupts all of that. He’s proof that pain doesn’t have to rot you from the inside out. That empathy and defiance can survive. Gihun becomes this accidental mirror to Inho’s own buried innocence—something I like to believe Young-il represents. A ghost of who he used to be. The version of him that might have believed in people before everything broke. And without meaning to, Gi-hun speaks to that part of him. Gi-hun becomes the embodiment of an idea Inho no longer believes in: that suffering doesn’t always destroy, that people can still choose kindness in hell.

Which brings me to their relationship.

I love the idea that their dynamic flips post-canon. Gihun, after everything he’s been through, carries this weight of grief and guilt for the people he couldn’t save. He becomes quieter, more guarded. Meanwhile, Inho—freed from the mask—starts to feel again. He’s almost childlike in how he approaches love, like someone experiencing it for the first time. He’s giddy, awkward, overwhelmed. There’s a tenderness to him that he’s terrified to express but desperate to hold onto.

But that tenderness—what Inho starts to feel around Gihun—it terrifies him. Because it’s unfamiliar. It’s fragile. And deep down, he doesn’t believe he deserves it.

Inho is someone who has learned to equate intimacy with danger. Submission, control, violence—those are the currencies he knows. Love? That’s alien. And more than that, it feels like a trap. So as their bond deepens, he does something tragic: he tries to twist it. To make Gi-hun hurt him. To turn their closeness into punishment.

He’ll push. He’ll provoke. He’ll offer himself up not as a man who wants love, but as one who wants to be used. Because that, at least, he understands. That, at least, makes sense in the broken framework he’s built to survive. If Gihun hurts him, then maybe the guilt becomes manageable. Maybe it justifies everything Inho has done. Maybe it makes it easier to believe he can’t be forgiven.

But the tragedy is—Gihun won’t play into that script.

Gihun sees the cracks. He sees the pain beneath the bravado. And even though he’s carrying his own unbearable grief, he refuses to become Inho’s executioner. He won’t give him that out. He doesn’t offer redemption through punishment—but through presence. Through patience. Through refusing to stop seeing him.

He touches Inho with intention, with care. And that’s what makes it so much harder. Because being touched gently doesn’t just feel unfamiliar—it feels dangerous. His body remembers what he worked so hard to forget. Every soft moment risks unearthing something he locked away.

Sometimes Inho flinches at things that aren’t threats. Sometimes he pulls away when he wants nothing more than to lean in. Sometimes Inho weeps and doesn’t know why. Sometimes he shakes under the weight of a kiss. Sometimes he begs without words for it to stop—not because it hurts, but because it doesn’t. And that makes it harder than anything. And sometimes—worst of all—he tries to recreate the conditions of his own abuse. He offers himself up like he’s disposable, hoping Gihun will use him. Hurt him. Confirm his worthlessness.

Because if someone like Gihun—someone who has every reason to walk away—can still choose to stay, to try, then maybe Inho has to face the scariest truth of all: that love might not be something he has to earn through suffering. That maybe—just maybe—he’s still capable of being loved as he is.

While I do enjoy reading bottom!Gihun/top!Inho dynamics (and there’s some really great writing out there that explores that side of them in compelling ways), when it comes to how I personally write them, I’ll always lean toward Inho as the bottom.

For me, it’s not just about preference—it’s about what it means for his character.

Inho is someone who’s spent so much of his life exerting control or being controlled in dehumanising, painful ways. His entire existence—especially as the Frontman—has been defined by rigidity, repression, and survival. So when I write him as the one giving up control, it’s not about dominance or submission in a traditional sense—it’s about catharsis.

It’s about him choosing to be vulnerable. About letting someone else take the lead not to hurt him, not to punish him, but to give him something. To care for him. To make him feel good. That, in itself, is radical for someone like him.

To be at the mercy of someone else—not for violence, but for pleasure—is the clearest way I can express how his relationship with Gihun is healing. It’s not about erasing his trauma. It’s about rewriting the narrative. About allowing his body to become a place of comfort, safety, and intimacy again.

[celestebunnie]

Signs In Hell - Good Omens

Throughout the show, we see so many odd signs hung on the walls of Hell, but what do they actually say? Well, this post will tell you exactly that.

Cheer up! Remember - - The worst is yet to come!

For More Efficient Service just rip out your own throat with a stapler.

To Avoid Injury don’t tell me how to do my bloody job!

WE HATE YOU

The Devil Finds WORK FOR IDLE HANDS TO DO so LOOK BUSY!

THIS OFFICE has gone 3 days without anyone saying “The Road to Hell is Paved With Good Intentions.”

Clean up after yourself. Your mother doesn’t work here. YOU DON’T HAVE A MOTHER.

PLEASE do not LICK the WALLS.

Sourced from Good Omens Wiki

[celestebunnie]

I'm a creator and with every drawing that I make, poem that I write, song that I compose and story that I weave, My body looses a little of myself. I will keep creating and let my life drain out of me like a dripping hourglass. My mother will scold me for not taking care of my body and sitting there all day, she would say my bones will break like this but I know that, I know years later I would be sitting on an armchair and the bones would be worn out and ache with every move but it is all worth it. I know my bones will be content with my creations being the reason of my demise

[celestebunnie]

🩸ONE LAST DANCE OF DEATH🩸

[celestebunnie]

Uhh i just finish stormbringer and i didnt quite understood Rimlaine relationship im sorry if this comes off as annoying its just that i read some of your analysis and you explain thing very good, thanks in advance 💗

Their relationship is complicated and contradictory. Ultimately, their lack of communication (both in talking and listening) dug a hole so deep between them that they both had to die before it was fixed.

I'm gonna attempt a timeline to break it down, so you can see what happened. This got way too long despite my best efforts so I'm putting it under a cut:

At an undisclosed time, Rimbaud, a spy/special agent working for France, goes to defeat a mad scientist and ability user, Pan. Pan had created a sort of puppet, named Black No12, who could manipulate gravity and obeyed him blindly. Rimbaud managed to cut the link between them, and Black No12 turned against and killed his creator and master.

Rimbaud took Black No12 under his wing as a fellow spy for France. He trained him and made him his partner. He gave him a name, his name from before he changed his identity to become a spy: Paul Verlaine.

Rimbaud wanted the formerly brainwashed person he found to be independent. Despite his origins, Rimbaud wanted Verlaine to feel human. He was his friend and wanted him to be happy.

Verlaine, on the other hand, was haunted by not being or feeling human. He felt lonely and isolated, and Rimbaud pushing so hard to make him feel human only rubbed salt in the wound. But he didn't tell Rimbaud any of that.

Rimbaud gave Verlaine the hat right before their operation in Japan to retrieve project Arahabaki. The hat had a special ability alloy woven into it meant to make sure no outside instructions could be used to brainwash him again. That was Rimbaud trying to guaranty Verlaine complete agency, one step closer to making him human. This was only a grim reminder of what he was to Verlaine. After the lukewarm reception of his gift, Rimbaud starts to feel permanently cold.

When they got (what they thought was) the artificial human from Project Arahabaki out of the lab, Verlaine was taken by the Bungou Stray Dogs curse of seeing yourself in other people and wanting to save them to save yourself. Verlaine told Rimbaud he was taking the child and going into hiding to raise him as a normal human being, to protect the child from the same pain he felt. Rimbaud, who hadn't realized how his dear friend suffered, still didn't understand and tried to reason with Verlaine that they couldn't possibly turn their backs to their home, and that the child would still be with them in France.

This poor communication resulted in Verlaine feeling trapped and choosing to shoot his only friend in the back. They fought and Rimbaud got the upper hand before he got surrounded by the lab's guards and desperately tried to use Arahabaki to defeat them too. This ended in the Suribachi incident and his loss of memory. Verlaine still had enough strength to stop Arahabaki/Chuuya's rampage before vanishing who knows where.

Fast forward 8 years, Fifteen happens, with Rimbaud, now permanently cold, who got some of his memories back. Rimbaud wants to know more than anything what happened to his partner and friend all those years ago, and is even willing to kill Chuuya (and Dazai) for it. As he dies, he remembers what happened that night while they were escaping, and how Verlaine chose to shoot him in the back over Chuuya. He tells Chuuya that he was probably human all along, and to live no matter what, before vanishing into thin air.

One year later, and Verlaine has found Chuuya and decided to try again to take him so they can be lonely together. He's trying to both isolate and protect Chuuya in a twisted sense of responsibility and kinship (and the power of projection). When Verlaine finally loses himself to Guivre, he manages to tell Chuuya about how he stopped Arahabaki 9 years ago in Suribachi so Chuuya could do it to him now. Chuuya understands from this that Verlaine might have felt lonely and oh so bitter about the world, that he might have hated his existence, but he had found friendship in Rimbaud and wished to save the world in his name. One person had been worth it, so he couldn't just destroy it all.

After the fight is over, Verlaine is dying from Guivre's energy having been depleted by Chuuya's efforts. As he dies, Rimbaud appears: Rimbaud has created a singularity with his own ability at the time of his death, maintaining his mind alive in his subspace by absorbing himself as his ability on loop. He's like the Old Boss was in Fifteen, just a puppet, not a human... but he's still Rimbaud. And Rimbaud wanted his friend to live and be happy.

Rimbaud apologizes for not understanding Verlaine's struggle with humanity and incidentally handling it badly. Then, he passed on his ability, now a singularity, onto Verlaine to replace Guivre as his source of life: a lot less powerful, but enough to keep him going. Rimbaud tells him he's glad Verlaine was born because he got to meet him, and disappears for good.

Verlaine realized then, way too late, that he really cared about Rimbaud. Rimbaud spent a whole year as something that wasn't human just for the chance of seeing Verlaine again and apologize to him. That got to Verlaine too. Since then, he's been hiding in the Port Mafia's basement, uncaring of the world, and mourning his friend and the friendship he passed by without knowing.

In the shortest, in-novel words possible:

[celestebunnie]

Can confirm guivre is rimlaine's wingman and third wheeler

Most of these are Guivre speaking abt verlaine, I bet you can guess

All I can think about is Verlaine system with Guivre as an alter

[celestebunnie]

Bsd light novel idea:

Side A: A romantic comedy retelling told by Higuchi to the Black Lizard about how she and Akutagawa met

Side B: The EXACT same story told to the Black Lizard by Akutagawa, presented like the your average three-minute grimdark horror movie slasher opening scene.

[celestebunnie]

LMAOOO HOW DID MY TWEETS GOT TO TUMBLR!?!?😭😭

Most of these are Guivre speaking abt verlaine, I bet you can guess

All I can think about is Verlaine system with Guivre as an alter

[celestebunnie]

Hc that if you pick up Lippman like a cat and just start shaking him violently or just take off his clothes and shoes

You'll find like 50 different weapons

Where does he even hide all those?? He doesn't even has that much space??

Is one of PM's greatest mysteries

[celestebunnie]

I think one of the Worst Things about wanting to find period clothing from other cultures, is trying to find fucking casual/work clothes. Like no, I do not want to see all these fancy intricate kimonos, I want to see jinbei, and field work outfits so I don't put a damn obi on this poor boy so he has a belt to hang his knife from.

[celestebunnie]

Dazai is doomed by narrative

Not in a "he's going to die" but in a "he will never die peacefully"

The first time we see dazai he says "dammit I couldn't die"

He thinks the only way to get peace is to die

The youngest we have seen dazai ( 5 kindergarten au )

He's reading his how to suicede manual that he reads in canon

There's just something soo soo sad that every universe would be doom for him

He knows what happens in each universe, he knows where the book is and he used it's power countless times just to reach the same ending

And that's so terrible that no amount of rewriting in the book would lead to the perfect universe

How beast was the closest he came to making the perfect universe and dying peacefully

Just for chuuya to want to destroy it

Because dazai died

So ultimately he became the reason why no universe could be perfect

There's so tragedy in how he would lead to the Domino effect

[celestebunnie]

PianoLipp Kindergarten au

[celestebunnie]

Reading amazing fanfiction, then forgetting to bookmark it

[celestebunnie]

RanPoe!!✨

[celestebunnie]

Love how tumblr has its own folk stories. Yeah the God of Arepo we’ve all heard the story and we all still cry about it. Yeah that one about the woman locked up for centuries finally getting free. That one about the witch who would marry anyone who could get her house key from her cat and it’s revealed she IS the cat after the narrator befriends the cat.

[celestebunnie]

I'll never shut up about Port Mafia family, you won't even be able to take it away from me even after death

Like wdym Many of them call each other with familiar names ?? Tachihara calls aku big bro , Hirostu Gramps and Higuchi Nee San?? Skk call kouyou ane San ?? Chuuya calls verlaine aniki and aku my boy?? Tachihara , higuchi and Chuuya got chance to leave but didn't cause they found home in pm?? Flags were ready to lay thier life's for pm?? Buraiha trio being each other's light?? Elise making a my family drawing with all the pm members and kyouka even though she left?? Kouyou giving kyouka info on her family?? Mori genuinely caring for pm?? Rimbaud literally being Verlaine's heartbeat and telling Chuuya to live?? Akutagawa siblings??

It's not even a joke anymore

[celestebunnie]

In their safe space