Statistics
We looked inside some of the posts by christophercoleman and here's what we found interesting.
Average Info
Notes Per Post
52K
Likes Per Post
26K
Reblog Per Post
26K
Reply Per Post
0
Time Between Posts
3 months
Number of Posts By Type
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7
Audio
2
Video
2
Photo
5
Quote
1
Last Seen Tumblr Blogs
Fun Fact
The “We are the 99%” Tumblr blog became the slogan for the Occupy Wall Street movement.
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Daniel Hart - A Ghost Story (Ep. 48)
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DANIEL HART is a performer and composer from Dallas, Texas, who has toured and recorded with bands like St. Vincent, The Polyphonic Spree, Broken Social Scene, Other Lives, and countless others.
In recent years, Hart has been composing music for film and TV. His feature film debut, Ain’t Them Bodies Saints, garnered him critical praise, and Filmmaker Magazine named him one of 2013’s 25 Faces of Independent Film. Hart has scored a dozen feature films over the last four years, including Disney’s Pete’s Dragon and the Natalie Portman-produced documentary Eating Animals. He also composed the music for Showtime's SMILF and Fox’s TV show The Exorcist. In 2017, Daniel Hart composed the original score to A GHOST STORY, released by A24.
David Lowry (Ain’t Them Bodies Saints and Pete’s Dragon) wrote and directed A GHOST STORY, starring Academy Award winner, Casey Affleck, and Academy Award nominee, Rooney Mara. The film is about a recently deceased person who returns to his suburban home, as a ghost, to console his bereft wife, only to find that in his spectral state, he has become unstuck in time and forced to watch passively as the life he knew and the woman he loves slowly slip away.
In this episode, Daniel Hart reveals how a number of key themes came to him by watching early footage of the film repeatedly, how he found himself being recorded playing solo cello for the first time, and how his song, “I Get Overwhelmed” originally written and performed for and by his band Dark Rooms, became a part of A GHOST STORY and how it ended up providing several key elements of the score.
ANNOTATED TRACKS
02:42- "Little Notes" 05:44- "Post Pie" 06:46 - "The Secret in the Wall" 10:43 - "Vivientes Elim" 14:13 - "I Get Overwhelmed"
OTHER TRACKS 00:03 - “Safe Safe Safe SOUNDTRACK
The original soundtrack was release on July 6, 2017 by Milan Records. The score is available on Amazon.com, itunes, and streaming on Spotify and Apple Music.
MORE ABOUT THE COMPOSER You can find out more about and hear more music by Daniel Hart at his official site https://www.danielhartmusic.com/. You can follow Daniel Hart on Twitter @danielmwenda
ABOUT THE ANNOTATOR Produced by Christopher Coleman (@ccoleman) and you can find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.
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FOLLOW US
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Facebook @TheAnnotator
Email [email protected]
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Produced this 3-part, personal project for 32-year-hobbyist-winemaker, Dallas Baker. The music was composed and graciously supplied by Simon Pool ( simonpoolemusic.com)
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"Star Wars: Civilized"
An elegant discussion for a more civilized age.
Dane Walker and I have a 2-hour conversation about the dark and light of this Disney/Star Wars era.
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Happy to be a guest on the first episode the Sound of the Movies podcast where we discuss the life and music of the late, great composer James Horner.
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Color study from the works of director Makoto Shinkai.
5 Centimeters Per Second ( 秒速5センチメートル ) (Images 1, 2)
The Garden of Words ( 言の葉の庭 ) (Images 3, 4)
Children Who Chase Lost Voices ( 星を追う子ども ) (Image 5)
#makoto shinkai#anime#color study#5 centimeters per second#garden of words#children who chase lost voices
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No matter what happens in the films, Star Wars concept art will never cease to amaze me.
Check out this great Star Wars fan art piece by concept artist and illustrator Jessica Rossier!
View more work - https://goo.gl/9JK8b5
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Johan Johannsson
It was reported today that, just yesterday, we lost another great film music composer, JOHAN JOHANNSSON. His film music career had only just begun with memorable scores for films such as: Sicario, The Theory of Everything, and Arrival. Unfortunately, he was replaced on, what was likely to be another memorable effort, Blade Runner 2049. He was only 48. (The same age as me.) While the details of his death haven't been released, it doesn't matter. It is a tragic loss for his family, friends, colleagues, and fans. One of the most common responses, at least for me, at hearing tragic news like this is to dive headlong into the artists work and share about that work with as many as possible. Of course, it would have been better to have done this BEFORE the person has passed, but this is just another part of the tragedy. No one has any idea when such tragedies will strike or to whom, so we carry on as if everyone will be there tomorrow to receive such encouragement or appreciation, should we take them time to give it. I didn't know Johan Johannsson, but I did interview him once.
I was privileged enough to talk with him about his score for THE THEORY OF EVERYTHING (one of my favorites of that year). The quiet and humble nature he exihibits in the interview is being confirmed by many who did know him and are reflecting publicly about the loss today.
In 2016, Johannsson wrote one of the most compelling scores of that year ... to match the high quality of the film itself, ARRIVAL. And following close on it's heals, he released his own project, ORPHEE, which I originally called the perfect companion-piece to Arrival.
While we should be thankful for all of the music we did get from Johannsson (and for those that knew him, the days they did have with him), it's hard not to feel more cheated than grateful ... at least right now.
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Interview on Directory Dial-Up Podcast
I was recently honored to be the very first guest on a new podcast featuring podcasters from Florida called "The Directory Dial-Up". We talk about the inception of both of my current podcasts: The Soundcast and The Annotator!
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Game One Interview
Recently, the French video game site, GAME ONE, interviewed me regarding The Annotator podcast.
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Grant Kirkhope - Mario + Rabbids Kingdom Battle (Ep. 11)
Grant Kirkhope is a BAFTA nominated composer who has created the soundtracks to video games that have sold in excess of 30 million copies including "Ghostbusters”, “GoldenEye 007," “Banjo-Kazooie”, “Perfect Dark.” “Kingdoms of Amalur: Reckoning.” “Sid Meier’s Civilization: Beyond Earth” and “Viva Piñata." One of his most recent projects has been for the hit video game, “Mario + Rabbids Kingdom Battle”
Mario + Rabbids Kingdom Battle follows the most iconic video game character, Mario, and the irreverent Rabbids, on an unexpected journey to save the Mushroom Kingdom, in a new turn-based combat adventure. Developed by Ubisoft Milan and Ubisoft Paris,* Mario + Rabbids Kingdom Battle features Mario, Princess Peach, Yoshi, Luigi and four Rabbid heroes taking on combat, puzzles and exploration across four iconic worlds. Mario + Rabbids Kingdom Battle takes full advantage of the play anywhere, anytime ability of the Nintendo Switch, with battles playable on-the-go or at home. The video game was released on August 29, 2017.
In this episode, Grant Kirkhope shares his story on how he was brought on the game not knowing it was a Mario based game. He also compares and contrasts his midi mock ups with the final recording with live orchestra of the games title theme and his new theme for Bowzer.
ANNOTATED TRACKS
07:14 - Track - “Peach's Castle” Midi / live 12:39 - Track - “Bowser's Theme (Boss Battle)" Midi / live
OTHER TRACKS
00:00 - Track 10 - "Hoppers" 03:14 - Track 16 - "Tower Tweeter" 17:40 - Track 10 - "Hoppers"
SOUNDTRACK
The original scoundtrack to MARIO + RABBIDS KINGDOM BATTLE was released digitally in August 2017 and can be purchased at Amazon.com or iTunes, and can be streamed on Spotify.
MORE ABOUT THE COMPOSER
You can hear find out more and hear more music at GRANT KIRKHOPE'S official site http://grantkirkhope.com
You can follow GRANT KIRKHOPE on Twitter at @grantkirkhope
ABOUT THE ANNOTATOR
Produced by Christopher Coleman (@ccoleman) and you can find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.
FOLLOW US
Twitter @audioannotator
Facebook @TheAnnotator
Email [email protected]
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Pain is the feeling of weakness leaving your body.
- Author Unknown
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Olivier Deriviere - Get Even (Ep. 2)
OLIVIER DERIVIERE has been hailed by MTV as “Game music’s eclectic daredevil”, He has won an IFMCA and CUE AWARD for his work on the video game REMEMBER ME and is widely acclaimed for both his composition and innovative approaches to connecting music with the game experience. Among his more recent original scores include video games such as ASSASSIN’S CREED IV: FREEDOM CRY and SUPERNOVA. Derivière often blends traditional musical elements with unorthodox sound techniques in pursuit of creating an authentic score that fully immerses the player in the gameplay and story.
Olivier Deriviere’s most recent project is the video game, GET EVEN - a psychological thriller by Polish video game developers The Farm 51. In the game, players take the role of Cole Black who awakens in an old abandoned asylum, his sole memory is the attempted rescue of a teenage girl with a bomb strapped to her chest, the rest of his memories wiped away. Players will explore an eerie and destitute world on a mission to discover the truth behind his traumatic memory. GET EVEN’s twisted tale will have players questioning their perceptions of reality and the true meaning of justice as they unravel the mystery of how Cole ended up in the asylum and the fate of that teenage girl.
In this episode, composer OLIVIER DERIVIERE while sharing some of the story points of the game, delivers detailed insights from four tracks of his original score to GET EVEN. He discusses some of his key motifs and how the reflection of important emotional beats found in the narrative are expressed within his score. He also talks about some of the technology and techniques employed to blend sound effect into his music.
ANNOTATED TRACKS
02:00 - Track 1 - “Consequences” 06:19 - Track 8 - “Homicide Case” 09:58 - Track 18 - “Broken Promise” 13:01 - Track 5 - “Reascending the Tower” OTHER TRACKS
00:00 - Track 16 - “For Her” 18:46 - Track 17 - “Making Queries”
GET EVEN SOUNDTRACK
Released by AMEO PUBLISHING. Digital - 19-track, deluxe edition was released on May 26, 2017 You can find the soundtrack at Amazon.com, iTunes or streaming on Spotify.
MORE ABOUT THE COMPOSER
You can find out and hear more music by OLIVIER DERIVIERE at his official website OLIVIERDERIVIERE.COM or follow him on twitter @oderiviere
ABOUT THE ANNOTATOR
Produced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.
FOLLOW US
Twitter @audioannotator Facebook @TheAnnotator Email [email protected]
SUBSCRIBE
iTunes
Stitcher Radio
Google Play Podcasts
RSS Feed
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The new podcast is finally up and running. Starting off with an Arthurian-bang!
Daniel Pemberton - King Arthur: Legend of the Sword (Ep. 1)
DANIEL PEMBERTON is an Ivor Novello winning and multi-BAFTA nominated composer well known for embracing a wide range of musical mediums – from electronic to orchestral – throughout his work. He has scored countless Emmy and BAFTA award winning dramas and documentaries such as Upstairs Downstairs, Occupation and Hiroshima – Pemberton moved into the world of film with the period supernatural thriller The Awakening (2011) - catching the ear of RIDLEY SCOTT, who hired the composer to score his feature The Counselor (2013). In 2014, Daniel Pemberton was named ‘Discovery Of The Year’ at the prestigious World Soundtrack Awards 2014. The composer first worked with director GUY RITCHIE in 2015 for The Man From U.N.C.L.E. and, later, that year, collaborated with yet another legendary director – Academy Award winner DANNY BOYLE– on the Oscar nominated film – Steve Jobs (2015).
In this episode, composer DANIEL PEMBERTON shares 5 tracks from his KING ARTHUR SCORE and talks about researching medieval instruments long before starting any of his writing and how he visiting renaissance fairs resulted in finding several unique instruments to employ in his score. Lastly, he talks about the challenge of writing a Medieval yet contemporary score and how KING ARTHUR brought him to the point of heavy breathing and whiskey enabled vocalizations.
ANNOTATED TRACKS
02:29 -Track 2 - “King Arthur: Legend of the Sword” 05:23 -Track 3 - “Growing Up in Londimium” 08:05 -Track 4 - “Jackeye’s Tale” 11:36 - Track 12 - “The Born King” 14:25 - Track 26 - “The Devil & the Huntsmen” OTHER TRACKS
00:14 - “Seasoned Oak” 18:46 - “Journey to the Caves”
KING ARTHUR: LEGEND OF THE SWORD SOUNDTRACK
Released by WATER TOWER MUSIC. Digital - 30-track, deluxe edition was released on May 5, 2017 CD - 26-track edition released on May 19, 2017.
You can find the soundtrack at Amazon.com, iTunes or streaming on Spotify. MORE ABOUT THE COMPOSER
You can find out and hear more music by DANIEL PEMBERTON at his official website DANIELPEMBERTON.COM or follow him on twitter @danielpemberton
ABOUT THE ANNOTATOR
Produced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.COM or you can subscribe via iTunes, Stitcher Radio or whereever you find quality podcasts.
FOLLOW US
Twitter @audioannotator Facebook @TheAnnotator Email [email protected]
SUBSCRIBE
iTunes
Stitcher Radio
Google Play Podcasts
RSS Feed
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Oh. Now this is awesmazing. “Comet is Coming.” The Last Airbender a la Game of Thrones.
‘Avatar’ fan makes amazing ‘Game of Thrones’-style credits sequence
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Star Wars - The Force Awakens soundtrack cover art (fan-made).
Sometimes my fandom (and neglected creative juices get the better of me). Here are the results of the most occurrence of this phenomena.
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"Bruce and Leia" I have no idea what the real title is or who the artist is, but I do know that I need this piece of art .. at least as a t-shirt.
It is a part of a very cool happening...
Hero Complex Gallery and Artist Craig Drake present: KUNG FU THEATER *Not Limited to Kung Fu Co-curated by Craig Drake & Adam Smasher Who: Hero Complex Gallery What: "Kung Fu Theater" When: Opening Reception: Friday, Nov 14th, 7-10pm, Additional Hrs – W-Sun, 11am-6pm Where: Hero Complex Gallery, 2020 South Robertson Blvd., Studio D, Los Angeles, CA 90064 Artwork based on all Asian-influenced sources.... Martial Arts, Anime, Manga, Asian Action Films, Bruce Lee, Ninjas, Samurai, The RAID, Cowboy Bebop Oldboy, Hard Boiled, Voltron, TMNT, Gangnam Style Crouching Tiger, Kung Fu Hustle, Kill Bill, The Matrix Kurosawa, Ang Lee, Tsui Hark, Wong Kar-Wai, Atari, Hayao Miyazaki, Astro Boy, Godzilla, Kaiju, Akira Hello Kitty, Power Rangers, Dragon Ball Z, Nintendo, Final Fantasy, Speed Racer, The Ring, Drifting, Wii, Ghost in the Shell, Aeon Flux, Pokemon, Golgo 13, Appleseed, Ultraman, Sailor Moon, and more!
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Truly one of the best tributes to any director I've seen. A Tribute To The Films Of Hayao Miyazaki
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A Tribute To The Films Of Hayao Miyazaki
A really really amazing video tribute to Hayao Miyazaki and Joe Hisaishi.
Definitely worth watching in Here in HD
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