The world is oftentimes such an ugly place, but sometimes it can be so beautiful.
Like, when two choirs, one from Croatia and the other from Zimbabwe, met on the opposite sides of a Lisbon subway station and both sang to each other.
I unfortunately do not know what the Zimbabwe children choir sang to them (although it was so beautiful), but the Croatian klapa Kastav sang 'Kuća puna naroda' (a house full of people).
And let my reward be a house full of people,
my life, give me a voice, so I can embrace you with songs.
I love how some sea shanties are like “man I really cannot tell if you’re still talking about your ship or a woman, but I for sure know that you do want to fuck whatever you’re talking about.” That’s some good shit. I love that.
Nosferatu: A Symphony of Horror by F. W. Murnau
(German: Nosferatu – Eine Symphonie des Grauens)
from 1922
We’ll be starting with the very first movie adaptation of Dracula (that isn’t lost media). The movie is free on YouTube, if anyone wants to watch it themselves.
For the uninitiated, the movie is a black-and-white silent German Expressionist horror film. Well maybe it was a horror film in 1922 but from a modern point of view, the movie, especially the over the top acting is more comical than anything.
As many might know the movie was an unauthorized adaptation and interestingly enough was supposed to be destroyed after they lost the copyright dispute.
Should you watch it?
Eh, sure. It has a lot of funny moments and again it’s free on YouTube.
Especially the people, that really like Johnathans and Minas relationship in the novel will enjoy that their relationship is a focal point in the movie.
Characters:
Since the movie was made for a German audience and takes place in Germany instead of England, the character names have all been changed (there are versions of the movie with the book names though).
I’ll be referring to the characters by their book names to avoid confusion (except for Nosferatu, since people know who that is). The movie names are in the brackets.
Jonathan Harker (Thomas Hutter) is just a sweet, cheerful little guy who loves his goth wife.
Mina Murray (Ellen Hutter) is quite different from her book counterpart, her actress constantly looks like she is plagued by visions™ and apparently has psychic anti-vampire powers. She is also my favorite part of the movie.
Count Dracula is obvioulsy Count Orlok aka Nosferatu. There isn’t really much to say about the guy, he is pretty much exactly how you imagine him to be.
Arthur Holmwood (Harding), Lucy Westenra (Ruth), Jack Seward (Dr. Sievers) and Van Helsing (Bulwer) are all relegated to side characters. Mina stays with Lucy and Arthur while Jonathan is away, Jack is also the town doctor apart from owning the asylum and Van Helsing is there to info-dump to the audience on various matters.
Renfield (Knock) is actually Jonathans boss in this version before he gets sent to the asylum.
(No cowboy in this movie, which I think will be a running theme with these adaptations.)
Plot and Book Differences:
The movie follows a lot of the plot beats from the book. The big differences are that the movie begins before Jonathan starts his journey, all of Lucy’s plotlines being dropped and the ending. A new addition is also the theme of plague and disease, which has some very antisemitic undertones (much like Nosferatus design).
The ending takes place in Wisborg (a fictional German town that is used instead of London) instead of back in Transylvania. Nosferatu is also not staked through the heart but killed by the sunrise. Mina also maybe dies at the end or maybe she just faints, it’s a bit unclear. Nosferatu also kills way more people in the movie than Dracula does in the book.
Interesting and/or Funny Moments:
-Mina’s cat:
-Jonathan giving Mina flowers, her saying “Why did you kill them… such beautiful flowers…?!” and Jonathan reacting like that’s the most normal response ever
-The Romainian townsfolk warning Jonathan about a werewolf, cut to a striped hyena they probably filmed at a zoo
-all the scenes where characters talk about how it’s totally the middle of the night while the sun is blaring down on them. (I get that lighting a night scene in 1922 was probably almost impossible)
-this clock:
-Nosferatu just straight up sucking Jonathans thumb after he accidentally cut himself
-Jonathan noticing bitemarks on his neck and being like “must have been mosquitos (shrug)” (This happens after the thumb sucking btw)
-Nosferatu seeing a picture of Mina and unironacally saying “Your wife has a lovely neck…”
-the acutally very cool shadow effects they use for Nosferatu, especially the ones at the end of the movie
-Nosferatu carrying his coffin by himself through the entire town while looking like a kid that got lost in IKEA
"Overgrown with moss and churchyard lichen, you can still see the distinct silhouette of the titan under the spongy grass. Huge arms, now limp, hold the island in a gentle embrace. Once the great protector of the dead, the Mausoleum Collossus has joined the ranks of those it was built to serve."
A really fun sketch commission for @winds-of-eurus !! I was given just the word "gothic" as a prompt and told to make whatever I felt like - here's what I came up with! Thank you for such a cool project :)
More island of ghosts lore!
The Spiritwrangler
Reaper's Pipe
The Lantern
You can check out my Ko-Fi for sketch commissions like this!
Everyone likes to talk about enemies to lovers this, enemies to lovers that, which, valid, but like, the emotional turmoil of lovers to enemies? The pain of facing off against someone you once trusted turning into resentment, the intimate understanding you had becoming a lethal weapon – especially when it would just be so easy to fall back on these lingering feelings? Chef’s kiss.
I know Elon Musk gets a lot of hate, but--and I say this sincerely--I don't think he gets nearly enough. If we work together, we can make sure he's hated even more.
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