Motorola x Oakley Razrwire: A blend of technology and fashion.
At this point in the 2000s, Oakley and Motorola were at the top of their perspective games. Motorola had very popular phones like the Razr and the Slvr while Oakley was pushing boundaries with their Thump sunglasses with integrated headphones. The two brands announced the Razrwire collaboration in 2006 which featured a sleek pair of Oakley sunglasses with a built in Bluetooth headset by Motorola, very high tech for the time!! Featured here is the original commercial and print ad for the glasses!
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Rare Stüssy ads from Asayan Magazine 1997.
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Digging through some issues of The Source to find this crazy early Echo Unlimited ad featuring the Cella Dwella’s.
Scans from The Source September 1994.
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Ralph Lauren’s Gamechanger: Polo Sport
Introduced in 1992, Polo Sport revolutionized the intersection of fashion and athletic wear. Inspired by the growing popularity of sports-inspired attire, Ralph Lauren envisioned a collection that seamlessly blended style with functionality. The Polo Sport line embodied the spirit of athleticism, catering to individuals seeking both performance and fashion in their apparel choices.
From its inception, Polo Sport embraced innovation, incorporating cutting-edge fabrics and technologies to enhance performance. The line offered a wide range of sportswear essentials, including polo shirts, jackets, sweatshirts, and accessories, all bearing the iconic Polo Ralph Lauren logo. The bold use of colors and dynamic designs reflected the energy and dynamism of sports culture, appealing to a diverse audience of athletes and fashion enthusiasts alike.
Scans from GQ November 1992!
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The infamous John Malkovich photographed by Peter Lindbergh for Prada.
Scans from GQ September 1995.
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Comme Des Garçons “Almost Exactly” editorial by Nick Knight.
“Rei Kawakubo’s Autumn/Winter (2004) collection is inspired by “the power of witches. The original witches were benevolent,” she says, “but because
people didn’t understand them, they bullied them.”
“When we first talked,“ explains photographer Nick Knight, of this his first major collaboration with the designer, “it was about fear and the fact that people feared witches because they had a force that they didn’t understand. When you first see these pictures, you don’t really see the people wearing the clothes but, hopefully, there is a presence and power behind them.” Working with three models and then “hacking up their faces - morphing is far too gentle a word for it,” according to Knight, “the idea was to make someone look very strong and then push them back.”
“We met just once before the project and I told him to concentrate on the details”, Kawakubo says for her part. “For me what was so interesting about this collaboration was to see, after I had already been through the hard and painful process of creating the clothes, how Nick Knight transformed fashion into painting. I never imagined such an exquisite interpretation of my work.”
Excerpt and scans from AnOther Magazine A/W 2004.
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Mid 90s Russian Adidas Advertisement.
I always love going through different international publications to see how the advertising is similar or different based on location. The track suit, specifically from Adidas, is a fashion statement synonymous with the young, underground, Russian rave scene. Птюч (Ptyuch), which this ad is featured in, was a Russian underground club and pop culture publication started in 1994. I love the sort of ‘night on the town’ feeling of these images.
Scans from Ptyuch 1996 #12.
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Early Supreme Advertisements.
Supreme was initially in 1994 by James Jebbia as a hub for skateboarders in New York City. Before releasing their own clothing, Supreme started its days as a retailer carrying the latest products from brands like Zoo York, Alien Workshop, Shorties, Fuct, and more. It was around this time in 1994 that Supreme officially released their infamous “classic logo” and “box logo” which is of course inspired by artwork by Barbara Krueger. Their first print ad in Thrasher, the Warhol, Campbell’s soup reference, has to be my favorite though.
Scans from Thrasher 1994-95.
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The Man Who’s Changing Clothes: Designer Issey Miyake makes fashion for tomorrow.
Loving these classic 80s Issey looks and photographs from this feature in Time Magazine. Miyake’s F/W ‘85 collection includes some funky patterns and awesome oversized tailored pieces, my favorite looks however have to be the tie dye looking pieces in red, white, blue, & black. Smash that like button for baby Issey on the final slide.
Scans from Time Magazine October 1985.
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