demonscantgothere

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The Rings of Power | Season 2 | Aug 29 - Oct 3, 2024 Cinematography: Cages as Camera Framing by @thequeensjester ❤

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you’re not “behind” on your story. you’re building something. and sometimes building requires standing in the ruins for a bit.

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THE RINGS OF POWER ⤷ S2E8 "Shadow and Flame"

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Írimë Lalwendë. In my headcanon, while all three of her full-blooded siblings have the tawny-gold complexions and creaseless lids of the Vanyar, Lalwen came out 100% Finwë. Her hair took me like three days to do, I would like to sleep forever now.

@starshadeemilyart You wanted a tag in this one?

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Misogyny disguised as an appeal to canonicity

I've seen many excuses in my life for excluding women from narratives. The latest? "Canonicity". This is how some fans — in their eagerness to appear cultured, demanding, or simply "protectors of the work" — hide a latent and ancient misogyny, painted in the colours of textual purism. The Rings of Power series, which dared to make Galadriel a warrior, complex, fierce and, above all, a protagonist, has become the target of the revisionist movement that calls for fidelity to the books only when it comes to men.

It's symptomatic. When we talk about bringing Celeborn into the series, we're talking about "fixing" Galadriel, it's not about deepening a relationship or enriching the world. It's about control. This cursed verb appears in whispers and between the lines of posts and videos: "Galadriel needs to be controlled", "she needs balance", "Celeborn will bring sobriety". And when they talk about balance, what they mean is: she needs to be pruned. Because an angry woman, wounded by pain, brave enough to defy Sauron himself, seems to bother more than the Dark Lord himself.

These criticisms are not innocent. They are symptomatic of a culture that only tolerates women when they are silent, when they are supporting actors, when they love and die for men — never for themselves. And that, for me, is at the heart of this disguised misogyny.

You want "canonicity" so much, but you forget the women who are part of the canon and are solemnly ignored.

Let's talk about Inzilbêth. She is the mother of Pharazôn, the man who defines the last and most tragic days of Númenor. But she's not just any mother. She is a descendant of the Faithful — of those who resist corruption. In a world where Pharazôn represents the pride and arrogance of the Númenorians, Inzilbêth could be a character of dramatic depth: a mother torn between love for her son and horror at the path he is following. She could be the voice of the past, of the ancient faith, of the warning against worshipping the Valar and Sauron himself. But she isn't even mentioned in the debates.

Erendis, Tar-Aldarion's wife, is another powerful figure who lies forgotten in the corners of the Unfinished Tales. She is an abandoned woman, scorned by a man whose nautical ambition speaks louder than any affection. Her story is a cruel mirror of what happens to many women in the stories of men: they are loved while they serve their plot, discarded when they claim their own space. And even though Erendis' timeline predates the events of The Rings of Power, she could be mentioned — as a symbol of the price Númenor has already exacted from its women. A legend told in the courts. A warning whispered on the island's street corners.

And if they really want to keep their feet in the "canon", why don't they talk about Lúthien? The woman who faced Morgoth himself. Who, together with Huan, the dog of Valinor, defeated Sauron. It's not fanfic: it's in the Silmarillion. But female figures are only remembered in fanart or in niche discussions, never clamoured for with the same force as Gil-Galad, Elendil, Isildur, Glorfindel, Anárion, Celebrimbor or even Celeborn. The logic is simple: when the past is male, it's glory. When it's female, it's forgotten myth.

And I'm not saying that the series is immune to criticism. It's far from it. It has problems with pace, the construction of certain arcs, and dialogue that sometimes sounds forced. But it's curious — or rather, revealing — that the most virulent criticism is directed at Galadriel. Not at Sauron, with his still nebulous motivations. Not the aesthetic choice of Númenor or the lack of exploration of certain cultures. Galadriel has become the scapegoat for a wounded masculinity.

The misogyny that hangs over these reviews is not just about what they say, but about what they choose not to say. I never see posts calling for more women in the series. Tolkien's world has incredible and fascinating women. They exist, they have always existed. The problem is that many of you never look at them with the same fervour as you do the warriors.

So, enough. No more pretending that this is about being faithful to the books. If it were, many of you would be asking for Inzilbêth, Erendis, Lúthien, Aredhel, Nienor, Berúthiel, Thuringwethil. But no. You're asking Celeborn to silence Galadriel. You're asking for silence disguised as tradition. And that, my dear, is not Tolkien. That's misogyny.

It's not wrong to want to be faithful to the original material. But it's cowardly to use this as an excuse to erase female voices that were already there — in tales, appendices, half-forgotten stories. The series has a chance to do what many books, series and films have failed to do: give space to women as agents of their own history, and not just as a silent chorus for the tragedies of men.

I want female characters. May they come, with armour or without. With wisdom, pain, fury, tenderness or glory. But let them come.

I want to see Lúthien. I want to see Inzilbêth. I want to see Berúthiel. I want to see the women that Tolkien wrote about and that fandom insists on forgetting and erasing. Because, honestly, there's nothing more "canonical" than the pain, strength and light of these women.

It's time to put aside this lazy and selective reading of Tolkien. Middle-earth is too vast a world to fit only the mould of heroes in armour and beards. It has also been shaped by women — wise, brave, charming and tragic. They have names. They have a voice. They have history. And they deserve to be told and seen.

If The Rings of Power really wants to honour Middle-earth, it shouldn't bend the knee to misogynistic clamour disguised as purism. It should dig deeper, listen to the echoes of those women who are repeatedly forgotten — and let them shine through at last. Because fidelity to Tolkien's work doesn't lie in preserving the fragile masculinity of the fans. It's in recognising the complexity of what Tolkien built — including, above all, the female characters that many insist on ignoring.

And if that bothers you, perhaps the problem was never with the series.

@spatortlove @ffaleruv

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I love writing. I LOVE WRITING. THE ART OF ALL ARTS.

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Annatar

Obsessed with the visual imagery this show used with Annatar

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Dan Stevens in The Guest (2014 dir. Adam Wingard)

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sauron: 9/∞

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this is going to sound like such a little sibling ass take but i genuinely believe that being a little bit annoying is actually a greater sign of maturity and self awareness than being universally likeable and on good terms with everyone

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i feel like the youth should be reminded that the point of shipping is not for a ship to become canon. the point of shipping is to collect all the canon crumbs like starved mice, run away cackling and make some fun little scenarios with them just for the hell of it.

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A meme I made for “Beasts of the Hill and Serpents of the Den” by Helholden

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Belle? Si vous ne revenez pas... | Belle? If you don't come back… - Oui je sais, vous nous tuerez tous. | - Yes I know, you'll kill us all. - Non. J'en mourrais. | - No. I'll die.

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And in the darkness, bind them.

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when a blond elf wearing a green dress with gold chains starts haunting your narrative