“I think I found it hiding in the corner there and I have no idea what time it is but I called no, I wanted to call you, because I thought of you now, just now when I found it sitting in a corner there somewhere I didn’t think a key belonged but maybe it does because it’s the key to you or my version of you and maybe I left it there where I thought I wouldn’t see it where I thought you could stay now that you had left and it did just what a key ought to do it kept you out until now, until I saw it until I wanted to call”
— Alice R. (via forayforever)
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Babe I miss everything we are
And everything we were
There's nothing to a Friday night like reservations for silence
And a plate full of the clothes you left home
My home
Although it used to be ours
I'd settle for yours
But you're not here
You'll never be in my bed like you used to be
Before we
Lost it all
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This is everything
no slowing
I found out life
doesn’t stop
whether you ask nicely
or beg like a wretched bitch
grasping in the foxhole
goddam shopping cart wheels
even after taking everything
he wanted
he was empty
- I don’t want that
so I keep filling myself with fluff
like Pooh bear
admittedly weak
looking for signs
dinner tipped off the table
when I dared forget
a shadow car held me back
but the lack of storm
was anticlimactic
an itchy wrist
where he wanted me gone
oh god why…
can we slow down
I must look
for something his shape
or at least something
else I can bend to
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What I look like rn
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Paint Box
His muddied hand moves over
the volcanic canvas,
heavy anticipation,
shamanic foreboding,
primordial paint box ready;
hematite, limonite and umber,
charcoal eyes and burnt bones,
the powdered ghost of calcite.
The clutch of lame horse hair
strokes the tufted contours of where
a docile mammoth might ponder,
circling the impulse of a defiant auroch.
The movement might glide over
the whistling trajectory
of spears and rocks, brutal comets,
a cruel omen on trembling grazers.
A brush might sweep over
the first curse of Winter
or the green favour of Spring.
Leaf fall or new shoot
no more than palette choice
The hand pauses,
ready to transcribe time itself,
sealing a soul under animal fat.
The daub of eternity;
the passing of here and now.
Written by The Silicon Tribesman
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Be me: Hella depressed and used like a trash can; only when it's convenient
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<EULOGY TO CONSUMERISM> [I am depressed]
Pop art
is the epitome of consumerism,
A nation so obsessed with products
That we paint
an entire movement.
Your casket is a Campbell’s Soup Can,
Every surface a different colour
Andy Warhol;
A mask taped over the director’s own face.
Marilyn Monroe is lying in the coffin,
The masses consume Coca-Cola
-As we listen to speeches drip on.
Hundreds of Chelseas’
Sing a tune from a well-known commercial.
And you,
an Advertisement from above.
Americana fetors the room;
Depicting repetitive Red,
White,
And Blue.
Fifty stars repeated indefinitely
On the walls,
Thirteen duplicated stripes to represent
an estranged country;
A Country in which I do not reside,
But yet,
I feel the need to Affirm
and Subscribe
-Into the idea of America.
I am consumed by the idea of America.
Consumerism haunts
In the form of Jasper Johns
A blue and yellow target;
And the dart is society.
A funeral for consumerism is really a
-marketing scheme.
It would only capitalize on itself.
Andy Warhol is the new national anthem
David Bowie; our new King,
While consumerism dies,
Pop Art lives on.
Consumerism spreads its toxins
Demanding to be the centre of attention.
We are left depressed,
And divided.
Together,
in one room,
And yet unreservedly Alone.
Goodbye consumerism,
Hello new-wave,
Motherfucking,
Pop Art.
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We leave our bones
Visible
Through our skin
So taunt
It’s a stain-glass-window
These conspicuous daggers
Hidden by two tablespoons
Of flesh
Share their blades
With all who drift
Too close
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Ode to my piercings [because mutilation isn't mainstream enough]
I wear self harm on my face,
In the form of fistula and titanium.
Manufactured metal metabolizes bruised memories
I am a bruised memory.
So I cover busies with fourteen gauge needles,
And replace memories with slightly smaller jewellery.
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To my mom;
the woman that raises hell,
instead of fixing things herself
Subsequently; a reliance on partner
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It started with a paper. A cocky smile as you passed along A message written on parchment; The lessons of grammar. I saw you, And my heart leaped. It began with a friend, You found yourself entranced with her, Begging for a chance. You spent time with her, And In turn, Myself as well. It is stuck. Spending time with me, Hinting at romance. But, Leaving at another's glance. Where Are We Going ?
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Like a snail
I am an existential wound
raw, unhealing, festering
exuding since exiting the womb.
Please don’t rub salt on me
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May 1
I have some old poems of yours
that you may not remember exist.
Two rooms away from where I’m sitting a humidifier cheerily humidifies,
as I play bright ambient music to harmonize with my wife’s
busy finger tap typing.
I will try to remember not to be arrogant. The ancient slug
rears its head in the third level of the underworld.
Baseball and politics never change.
art by giveawayboy
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I am a birdbath,
And you,
The most beautiful bird I have ever
Seen.
Your colours painted on
Bright blues,
Greens,
And reds;
A silver beak accentuates your charcoal eyes.
A man of mystery,
Your colours revealed in second year,
So I spend the first waiting,
Watching,
Intent on observing you grow.
I want to reflect
and protect you,
To colour you pink in passion,
Bewildered by my own adoration.
So I colour myself blue,
And green,
And red;
A mosaic of matching tesserae.
I am coloured as you,
I am wrapped in you.
Although I want to capture you,
I know it is forbidden.
For you are all too shy,
And I am all too confining.
So I admire from afar,
My tesserae ever-changing with your beautiful plumage.
//Imagine a [male] painted bunting.
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there are two definitions of cleave
till your mouth with all that is grim and false,
bury few words [most] under a lying tongue,
regurgitate over blood and bramble
the swords of ghosts and nightmares,
cry out when the cleave alludes
to relations seen only in nineteenth century art
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