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Rotimi Fani-Kayode, "Untitled" (1988)

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Zandonai's Francesca da Rimini, dir. David Pountney (Teatro alla Scala, 2018)

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Untitled: Bullfighter #1 (colour), 1986 / 2025, by Rose Finn-Kelcey (x)

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Gianni Berengo Gardin. Venezia,1960.  

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“I enjoy controlled loneliness. I like wandering around the city alone. I’m not afraid of coming back to an empty flat and lying down in an empty bed. I’m afraid of having no one to miss, of having no one to love.”

— Kuba Wojewodzki (via sad-plath)

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Pranav Bhargav by Olivier Yoanf for Desire Homme Magazine - Issue 13

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Lovely Sri Lankan kasthanes

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Odysseus Elytis, tr. by Athan Anagnostopoulos, from “Maria Nephele: A Poem In Two,”

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Sunset on Venice.

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Emily Dickinson, The Complete Poems of Emily Dickinson

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Medea, dir. Pier Paolo Pasolini (1969)

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Interviewer: What difference in usage would you point out in these three languages [Russian, English, French], these three instruments?

Nabokov: Naunces. If you take framboise in French, for example, it's a scarlet color, a very red color. In English, the word raspberry is rather dull, with perhaps a little brown or violet. A rather cold color. In Russian it's a burst of light, malinovoe; the word has associations of brilliance, of gaiety, of ringing bells. How can you translate that?

- Vladimir Nabokov, Think, Write, Speak: Uncollected Essays, Reviews, Interviews and Letters to the Editor. Bryan Boyd and Anastasia Tolstoy, Eds.

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He is part of me now. We cannot go back. He is in my bones; in my blood.

Katherine Clements, from 'The Coffin Path'

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BEHIND CONVENT WALLS (1978) directed by Walerian Borowczyk

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the seventh seal, ingmar bergman / egon schiele

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mina perhonen