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Edward Cullen would lose his little mind over Hozier’s music
Listen to the man croon “idealism sits in prison, chivalry fell on its sword, innocence died screaming (honey ask me, I should know)… I slithered here from Eden just to hide outside your door” and tell me it wouldn’t make Eddi boi curl up under Bella’s bed and dry heave.
If he heard “do you know I could break beneath the weight of the goodness, love, I still carry for you? That I’d walk so far just to take the injury of finally knowing you?” during New Moon he would’ve immediately booked a flight to Italy
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the shoulders to waist ratio is unreal



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excuse me this was perfection
just like pedro pascal in that damn 'adult content' shirt 🥵

EROTICA
part 1 | part 2
pairing: no outbreak!joel x reader
The plan was to finish your thesis. You didn’t actually want to meet a neighbor with a past you can google and a history caught on tape. Or did you?
a/n: the adult content t-shit gave me ideas. btw, my first story here and I swear this is not a TED talk about morality. critical thinking? yes, bc the story needs it. moral lectures? absolutely not. porn? you'll see. this is just for fun — enjoy, i guess. the storys finished already, so I'll post the next chapter soon.
additional tags/warnings: 18+, mdni. reader is 26, joel is 50ish. no outbreak. joel is a dad. conversations about porn. inaccuracies about joel miller (I know his parents aren't chilean but bear with me). javier peña is there too. do I have to add anything else here? I don't know how to do these things.
wc: 9k
This time, your parents aren’t waiting for you at the bus terminal like they’ve done every year for the past three. It’s a good thing, a sign you’re standing on your own now, with your own car, but you still miss seeing their smiles through the fogged-up bus windows.
That moment always made you feel like you belonged somewhere.
Driving through the streets of Lake Placid on your way home feels like walking through your childhood memories. The stores look almost the same — sometimes with a fresh coat of paint — and the people, though not exactly familiar, are the daughters and grandsons of the adults you grew up around before moving to New York. Their faces carry just enough resemblance to make you do a double take.
When you park in your parents’ driveway and pick up your phone for the first time in two hours, there’s a message from your mother.
“We’re in the backyard having a welcome barbecue for the new neighbor! You can go up to your room and rest if you want some time alone or come eat. Can’t wait to see you. X.”
You smile as you step out of the Jeep, the door creaking behind you, and breathe in the cold, clean air rolling down from the mountains and the lake that wraps around the village where you were born. Your parents’ house sits above Mirror Lake Drive, right at the edge of the hill on the northeast side of the village, and from your bedroom window on the second floor, you can see the lake and the distant peaks of the High Peaks.
A far cry from the view outside your New York apartment: nothing but gray swallowed up by buildings. It’s the perfect setting to finally finish your thesis.
As you grab your two suitcases from the back seat, your eyes wander to the house next door, which had been empty for the past three years, mostly because the previous owners were asking too much for it.
Buying real estate in Lake Placid takes careful thought, since turning a profit is unlikely even with upgrades and expansions – the village is just too isolated. So if you’re buying here, it’s not for the money. It’s because you want a life far away from the city.
The house in question is a larger and more luxurious version of your parents’, made of gray stone, with cute white-framed windows, and for the first time in months, you see the lawn freshly trimmed and a new pickup truck parked in the driveway.
Probably the new family your mom mentioned.
The house is empty when you walk in, but you can hear laughter and voices drifting up from the backyard. You head the opposite way, climb the stairs to your room, drop your bags, take a shower, and spend a good while debating whether to sink into sheets that smell like home for the first time in ten months or go downstairs and find something to eat.
Hunger wins.
You throw on a warm sweater and go down. When you open the back doors, six pairs of eyes turn toward you, but it’s your mother’s squeal that makes you smile, followed by the tight hug she and your father give you.
“There’s our girl,” your father says to the others, wrapping an arm around your shoulders as he says your name. You give a small wave. “She always comes home for the holidays.”
The couple sitting together you recognize. They’ve been friends with your parents for years.
But you don’t know the woman who smiles sweetly at you, and you definitely don’t recognize the man, at least twenty-five years older than you, who keeps a neutral expression as he sips from a beer can. He doesn’t seem particularly friendly, but maybe that’s just the impression left by the slightly graying mustache and broad shoulders.
Two minutes later, you’re settled into a lounge chair with everyone in the backyard, a warm burger on your plate and a cold beer in your hand.
“I told Joel he’d have trouble with the house,” says the sweet-smiling woman to your parents, continuing the conversation they were having. “But he really wanted a place here, so I just supported him.”
“What kind of trouble are you having with the house?” your mom asks Joel — the mustached man, now officially identified.
“Nothing major,” Joel replies in a deep, firm, polite voice. “Had to redo the plumbing in two of the bathrooms and fix the heating in the kitchen sink, but it’s all fine now.”
“And are you liking it here?” you venture. You glance at the woman. “You and... your wife?”
Joel gives a faint smile.
“Tess isn’t my wife. And yeah, I’m liking it. It’s peaceful. Not too many teenagers. Feels like paradise.”
“What’s with the teenage hate?” you ask, half-joking, half-serious, silently filing away the Tess isn’t his wife detail.
“Fewer teenagers means fewer cell phones.”
Your response is a light laugh that earns a slight eyebrow raise from Joel, but you go back to your burger and let him be.
The conversation between the adults shifts to Fleetwood Mac, Lake Placid families, suggestions for places Joel should check out, and gossip about someone’s daughter who apparently got knocked up by the neighbor’s grandson, or something like that. You listen in, partly because you’re curious about the latest news (true or not) in the town you grew up in.
Your parents mention that you’re staying longer this time to get a change of scenery and finally work on your thesis, and that’s when the dreaded question comes. From Tess.
“And what’s your thesis about?”
Your mother holds back a laugh, because despite the seriousness of the topic, the initial reactions are always the same.
“I study anthropology,” you say. “My thesis is about the influence of pornography on male behavior over the years.”
That’s because the way men acted around you had always bothered you. When you were ten, wearing a cute chiffon skirt to the grocery store, they stared. When you were fifteen, walking home from school in your uniform, you heard disgusting things shouted at you on the street.
It wasn’t until you got older and realized that behavior like that isn’t natural (and why would it be, if women don’t do it?) that all your anger turned into the foundation for your research.
Tess raises her eyebrows and smiles slightly while the older couple gasps in surprise. Joel doesn’t react at all, except for rubbing the condensation on his beer can with his thumb.
“That’s a very interesting topic,” Tess comments, glancing at Joel, who briefly looks at her, then back at you. “Do you have any conclusions yet?”
“A few,” you say, though you already know the core of your research is the objectification of women’s bodies for the industry’s gain. “But I don’t want to bore you—”
“What’s your research method?” Joel cuts in before you can finish.
“Sorry?”
“Your research method. The system you’re using for the thesis.”
“Mixed methods,” you say, but you sense something more behind the question. Something slightly aggressive that you can’t fully pin down. “I did some fieldwork in New York.”
“Did you interview anyone from the industry?”
You shake your head.
“No one agreed. At least not the newer actors and actresses. The more established ones charged absurd fees just to answer ten questions.”
Joel says nothing, and the silence is broken when your father makes a joke about the topic. Everyone laughs—including you.
The barbecue lasts another hour at most before people start saying their goodbyes. Your mom wraps up two burgers for Joel, and he thanks her sincerely.
Then he turns to you and says:
“Good luck with the thesis, sweetheart.”
You nod, and you could swear you catch a faint smirk at the corner of his lips before he waves goodbye and walks off.
You run into Joel again at the market three blocks from home, standing in front of the fruit display, looking stuck between red grapes, green grapes, and oranges.
Joel’s voice comes suddenly from your left.
“What deep philosophical truth are you hoping those grapes will reveal to you?”
You startle, turning toward him with your hand over your heart as if that could slow it down. Joel raises one eyebrow as he begins placing seedless green grapes into a plastic bag.
He’s wearing worn jeans and a plaid flannel shirt over a white T-shirt. Thin-rimmed glasses rest on the strong bridge of his nose.
He smells like pine and something expensive—you guess it’s aftershave.
“Hi,” you say first, then quickly add, “I was trying to decide between grapes and oranges.”
“Grapes are sweeter this time of year.”
“But I like sour fruit.”
“Then go for the oranges.”
“But grapes are easier to eat. More practical.”
Joel gives you an impatient look, and you answer with a laugh. You grab a plastic bag and start selecting oranges.
After a short silence, while Joel ties off his grape bag and begins picking oranges too, you ask:
“Are you liking it here?”
Joel murmurs:
“There are some interesting things. Sarah likes it.”
“Your wife?” you ask quickly. Too quickly.
“My daughter. Just turned fifteen.”
Oh. Great. He’s a dad. You glance at his hand but see no ring. Joel notices.
“What’s with the marriage obsession?” he asks, although not rudely.
You shrug.
“I’m just curious. And you’d better brace yourself. The older ladies in Lake Placid are going to eat you alive with questions about your relationship status.”
“Really? Why do you think that?”
You freeze with your fingers wrapped around a particularly juicy orange. Without meaning to, you basically confessed that you think he’s a catch: attractive, polite, middle-aged, apparently wealthy, and tall. What other reason would the ladies have to shift their attention from their knitting?
You avoid his eyes.
“You bought the house that had been on the market for years. They’ll want to know who the buyer is,” you say, a half-truth.
He grunts, as if to say he doesn’t care about any of that, ties his orange bag, and places it in the cart. He glances at your basket, scanning the hygiene items (specifically the pads) and the chocolate bars.
“Did you drive here?” he asks.
You shake your head. He does too.
“Then let’s go. I’ll give you a ride home. It’s raining.”
His tone doesn’t invite objection and you don’t want to argue. Silently, and after grabbing a bag of green grapes too, you follow him through the market. He picks up a box of chocolate cereal, milk, kale, and oats, and then you both head to the checkout line.
You pay for your items first, so you end up waiting under the automatic doors, arms crossed beneath the blasting air conditioner.
People come in shaking umbrellas, mumbling about how unexpected the rain is or how cold the drops feel.
Older women walk in, spot Joel, and start whispering to each other with that smile every woman — no matter her age — immediately recognizes. The universal woman-smile.
He, seemingly unaware to all of it, pays with his card, grabs the bags with one hand, and walks over to you.
“Need help?” he asks, motioning toward your three bags.
You shake your head. He nods once and tilts his head toward the door, signaling for you to follow him across the crowded parking lot.
His pickup truck is parked near the exit—big and sturdy. You both get in at the same time. The inside smells good but feels stuffy from the rain, so he turns on the A/C and runs his hand through his graying hair to shake off the water.
“It rains a lot here,” he mutters as he starts the engine and buckles his seatbelt. You do the same. “Not sure I like this humidity.”
“Where were you living before?”
“Los Angeles.”
Your eyebrows rise. You can’t picture him with the stereotypical California vibe. It doesn’t fit.
So you ask the million-dollar question:
“What did you do there?”
The sound of the windshield wipers is your only response for a few seconds. Long enough for you to wonder if you crossed a line.
“A bit of everything,” he finally says, and you understand that he doesn’t want to talk about it. Yeah. You were being nosy.
Weird. Joel is weird, and everything about him makes you feel like you should think he’s an assassin, or a retired California mobster, anything that would kick your survival instincts into gear. You probably shouldn’t be sitting in a closed space with him like you’ve known him for years.
“Nothing illegal,” Joel adds when your silence starts to stretch.
That makes you laugh.
“Very reassuring.”
He smirks. At a red light, his fingers tap lightly on the leather steering wheel.
“How’s the thesis going?” he asks.
“Honestly? I haven’t opened the file since I got here.”
“Procrastinating?”
You hum in agreement, resting your head against the seat.
“I think I’m stuck.”
“Yeah? Why?”
“I need to watch some films to move forward.”
He freezes. Then he lets out a low chuckle. You defend yourself:
“I’m serious. I need to understand which narratives work best and why, and connect that to how they influence real-life behavior.”
“Makes sense,” Joel says.
“It does,” you reply, a little proud. You glance at him. The shape of his nose, the mustache, the gray-streaked beard. Then you add, “But it feels weird watching porn in my parents’ house, even if it’s for educational purposes.”
“Porn isn’t always for educational purposes?”
You gasp in horror.
“No!” you exclaim. “Porn is not educational. People don’t have sex like that in real life.”
“Hm…”
“You disagree?”
“I do,” he says plainly. “People do have sex like that.”
“I didn’t mean physically, Joel. Sex is easy: a good position, one thing inside the other, and done.” You catch yourself, because not all sex involves penetration, and something about Joel makes you think he wouldn’t mind sitting through a lecture on inclusivity if it came to that, but you add: “What I meant is that sex doesn’t happen like that. It’s not normal to open the door for the pizza guy and two seconds later be bent over the couch.”
“Says who?”
The frustrated growl that escapes you seems to amuse him. You know he’s teasing, and his grin proves it, but you can’t resist continuing.
“Not to mention the incest plots or the underage fantasies. Do you really think sex happens like that?”
His smile disappears instantly.
“You’re changing the subject.”
“No, I’m not. You can’t separate porn genres like some are less harmful than others, because even the ones that seem ‘harmless’ fuel the same industry that writes those sick scripts.”
“We’re here.”
He cuts you off with that simple phrase, and when you look out the window, you realize he’s right — you’re in front of your house. You turn your gaze back to him, and he meets it firmly, returning all the intensity you just threw his way.
You swallow and reach for your bags.
As if you hadn’t just delivered a monologue on the ethics of pornography, you simply say:
“Thanks for the ride.”
He doesn’t respond. You step out of the truck and walk to the door of your house, feeling like a kid who just got scolded, which is ridiculous. But even more ridiculous is the fact that Joel only drives away after he sees you walk safely inside, even though he literally lives next door.
You meet Sarah — Joel’s fifteen-year-old daughter — the next day.
After running along Mirror Lake Drive, you get home with your lungs burning and your body drenched in sweat, the elastic band of your pink sports bra stuck to your back. As you’re kicking off your sneakers at the door, you spot a pair of pink Converse, way smaller than anything anyone in your family would wear.
In the kitchen, there’s a skinny, unfamiliar girl sitting at the counter, two open books spread across the marble, her curly hair pulled up into two puffs.
She lifts her head, and her brown eyes hit you with a soft echo of familiarity.
“Hi,” you say, as if it’s totally normal to have a stranger in your house.
She waves back. Before you can ask “who are you?”, your mom walks into the kitchen and calls your name.
“This is Sarah, Joel’s daughter. Sarah, this is my daughter I was telling you about.”
Sarah gives you a shy little smile, and you smile back, a bit frozen by the fact that you’re standing face-to-face with Joel’s daughter. You’re not even sure why it freezes you.
“Joel had to spend the night out because he needed to go to New York, and he asked if Sarah could stay with us,” your mom explains.
“I’m old enough to stay alone, but my dad’s crazy,” Sarah chimes in, and you laugh.
You don’t think she’s old enough to stay alone, especially in a new town, but you don’t say that.
What you do say is:
“So, Sarah... what are you studying?”
Sarah needs help with her social studies homework, so after you shower and change into something comfortable, you sit down next to her and go over the assignments together. That’s when you realize she’s ridiculously smart and funny, slipping little jokes into the conversation, blending internet memes with historical facts, and talking to her turns out to be genuinely easy and fun.
Your mom serves dinner, you both eat, and then you settle onto the couch with your Kindles, each of you leaning against an end and your feet meeting in the middle of the cushions.
You’re in the third chapter of Ghost Radio when she calls you.
You peek over the top of your Kindle to let her know you’re listening.
“How old are you?” she asks.
“Twenty-six.”
She looks up at the ceiling as if doing mental math. Then, reaching some conclusion, she raises her eyebrows.
“Why?” you ask.
“No reason,” she shrugs, turning back to the book she was reading. Another question follows, this time without looking at you. “Are you dating anyone?”
“No. I ended my last relationship six months ago.”
“Was he older?”
“No,” you say with a laugh. “I mean, yes, but only by about three years. Why do you ask?”
Sarah wiggles her feet like she’s a little too excited about something.
“Just scientific curiosity,” she says, but her tone sounds more like a villain plotting something mischievous.
The next morning, Joel comes to pick her up at eight o’clock. You’re the one who opens the door since your parents left early to go to the farmers’ market to buy honey and vegetables.
He’s standing on the porch, wearing a thick leather jacket, jeans, and heavy boots. He looks exhausted, and the two-day beard growth makes him even more intimidating.
“Good morning,” you say.
Joel looks you up and down in your pajamas: heart-printed pants and a tank top. You realize too late that you’re not wearing a bra.
“Good morning,” he replies, lifting his eyes back to your face. “I’m here to get Sarah.”
“She’s finishing breakfast. Come in.”
Before he can protest, you turn on your heel and walk away, leaving him no choice but to step inside and follow you to the kitchen. You hear his slow, hesitant footsteps as he returns to the room filled with the smell of butter and coffee.
Sarah is sitting at the counter, devouring pancakes. Joel walks over, presses a kiss to the top of her head, and they exchange a few quiet words before he says something that makes her nod and hop down from the stool, leaving the kitchen.
You hear her going upstairs, probably to grab her things.
“How was the trip?” you ask, filling a mug with coffee and placing it in front of him on the marble.
Joel stares at the pink mug like it’s a threat but eventually wraps his big hands around it. You take a sip from your own cup and look at him over the rim, just the counter between you two.
“Good,” he says simply. He gestures toward the coffee. “Thanks. I needed that. Drove back and forth without stopping to rest.”
“Just thinking about it makes my back hurt.”
“I want my bed.”
You watch him over your cup, blowing on the surface of the coffee. You imagine him in the silence of his own house, in his bedroom, in his own bed. You wonder what color the walls are, what the sheets look like, and whether he sleeps clothed or not.
“Sarah’s really smart,” you say, pushing away the mental images.
That earns a small smile from him.
“She’s fantastic, my girl. But she’s cocky, so don’t tell her that.”
“She takes after someone.”
“I’m not cocky.”
“I’m joking,” you say lightly, offering peace because you don’t want to relive the animosity from the last time you saw him. “Is the coffee good?”
“Very.”
“Want to take some pancakes? Bet you’re hungry. I’ve eaten, Sarah’s eaten, and my parents always grab breakfast out when they leave early.”
Joel drums his fingers against the ceramic, looking like he’s fighting an internal battle, as if accepting food from you would be a terrible crime. Still, you take his silence as a yes and start stacking the remaining pancakes into a thermal container.
When you’re done, you walk around the counter and hand him the container with both hands.
“Here.”
Joel takes it with his left hand. With his right, he reaches out and gently pinches your chin between his thumb and forefinger.
“Thanks, sweetheart,” he says quietly, and you freeze.
He walks past you, saying something to Sarah, who apparently has come back downstairs. Feeling a warm flutter deep in your belly, you turn and follow them to the living room. You hug Sarah goodbye, promise to send her books for her Kindle, and then walk them to the door.
You smile when Joel thanks you for looking after Sarah and asks you to pass his thanks to your parents as well.
You watch them cross the lawn between your gardens, and just before Joel enters his house, he turns to look back at you.
You could swear he deliberately and slowly sweeps his gaze over your body—from your feet to your head.
And then he goes inside.
And you have to mechanically force yourself to close the door.
That same night, you start watching the films.
As you work through your research, you put together a report listing the names of the ten most famous stars from each decade between 1970 and 2020, five male, five female.
You already have a pretty clear idea of what defined the main point of pornography in the ’70s: the start of structured scripts and absurd, fantastical narratives that, one way or another, tied a woman’s pleasure directly to a man’s. Like in Deep Throat, where they came up with a story about a woman whose clitoris is located at the back of her throat. You can already guess what the most "effective" method of stimulation would be.
Porno chic was created to make adult content more palatable to the general public, especially as debates about the legality and morality of filming started to gain traction during that decade.
Sitting on your bed with your laptop open in front of you and your tablet resting on your lap for notes, you watch the films at 1.5x speed while eating green grapes.
You knew you might get aroused watching them, because dopamine responses are inevitable, but apparently there's nothing about '70s pornography that even remotely stirs your body. It feels like you're watching a National Geographic documentary.
You can't push away what Linda Lovelace wrote in her autobiography about the most famous film of that time, the one that made millions of dollars: There was a gun pointed at my head the entire time, she said.
You swallow hard and return to your notes.
By the end of the first week of this stage of your thesis, you finish watching the films from the '90s. You note the radical shift in the female body ideal — all the actresses with breast implants — and the peculiar aesthetic of VHS tapes, since this was the era when films started being widely distributed in that format.
What stands out most, though, is the shift in perspective. Gonzo-style pornography centers the camera exclusively on the man, making him the sole focus, and by extension, reducing women to mere tools for male pleasure. The camera's focus on women's bodies is restricted almost entirely to their genitals, which explains a lot about the birth of violent pornography during that time.
If women exist solely for male pleasure, then it’s no problem if they’re violated, right?
And just like that, the normalization of male domination in pornography begins, which, of course, spills over into social behavior.
You shut the laptop in front of you and lie down on the bed, closing your eyes. You doubt even a sixteen-year-old boy has seen as much porn as you have in the past few days, and there’s still so much left to do.
You reach for your tablet and pull up the list of male stars from the 2000s.
Tyler Cross, Javier Peña, Max Thunder, Ryder Grey, and Clint Fury.
Is there someone in the industry whose only job is coming up with these ridiculous pseudonyms?
You get up, leaving everything behind, and head toward the kitchen to find something to eat. It's already past eleven at night, your parents are asleep, and the only light in the living room comes from the lamp. On tiptoe, you’re halfway to the kitchen when the doorbell rings.
You freeze like you're in the middle of a crime scene.
A doorbell ringing at eleven at night in Lake Placid? Something must be on fire.
When you open the door, it’s Joel standing there on your parents' porch, looking anxious.
“Hi,” he says. Another meeting where you're in pajamas and he's fully dressed. “It's dangerous to open the door in the middle of the night like that.”
“Great way to start a conversation. I'm calculating how many seconds it'll take me to get to the kitchen and grab a knife.”
You get a somewhat tense smile.
“I’m still not used to these small-town habits.”
“I get it. I would never open the door for anyone after eight p.m. in New York, but here it’s normal.”
He nods, then asks,
“Were you sleeping?”
You wrap your arms around yourself as a cold breeze sweeps by.
“No, I was studying. Is everything okay?”
“I need a favor,” he says bluntly. “Sarah’s asleep, and I have to head back to New York. Can you stay at the house tonight?”
“Is everything okay?” you repeat.
“My brother’s wife just went into labor. He asked me to be there. I should be back tomorrow night.”
Your eyes widen, and Joel nods as if to say, “Exactly, got it?” You hold up a finger to ask for a minute, then run upstairs to grab your slippers, your robe, and your phone. When you come back, Joel is still on a call but waits patiently until you close the door before leading you to his house.
He lets you step inside first, and even with the urgency of the situation, it feels a little like you’re a twenty-year-old girl walking into a guy’s house for the first time, especially when Joel shuts the door behind you, finishing up his call.
The house is warm, clearly lived in by a family. There’s a big rug in the living room, a brown leather couch, and pictures of Sarah hanging in the hallway: lifting a soccer trophy, carrying a skateboard, the two of them at the beach. A line of photos shows her growing up, from a baby all the way to now.
The last photo is of her at Jewtraw Park, right here in Lake Placid.
“You can sleep in my room if you want. If that’s too weird, the couch is really good too. I left some blankets and a pillow right there,” he says, pointing to the armchair. Then he adds, “Everything’s clean. The guest rooms aren’t ready yet.”
You roll your eyes.
“I know, Miller. Relax. I’ll manage.”
“Okay. Give me your number. I’ll text you so you have mine. And if you need anything, call me.”
You say your number, and he types it into his old, barely-hanging-on iPhone.
“Thanks,” Joel says, genuine. “Really.”
You smile and give his arm a quick rub without even thinking about it.
“No problem. Just let me know if you need anything.”
After showing you where Sarah’s room is, where the extra blankets are, and telling you about ten times you can eat whatever you want, he leaves. You quickly text your mom, explaining the situation and letting her know you’re staying at Joel’s, then settle down on the couch.
Little signs of Joel are scattered around the house. The reading glasses forgotten on the coffee table, the suede jacket hanging by the door, the boots by the entryway, the faint smell of the same lotion you caught on him at the store.
You feel a little like a criminal as you get up and start quietly wandering through the rooms.
The kitchen is beautiful and organized, but there are a few dishes left in the sink. Since you’re still awake, you start washing them.
You move on to the dining room, all wood furniture and a classic chandelier, and then to a small office off to the side. It feels almost too empty except for the bookshelves. Just a desk with a laptop sitting on it, making you think it doesn’t get much use.
You head upstairs.
Sarah’s door is closed, but you walk softly down the carpeted hallway to the room at the end.
You push the door open, heart pounding like you’re about to find a monster—or Joel sitting on the bed saying, “Snooping where you shouldn’t be?”
Instead, you find a huge bed neatly made with gray sheets, dark curtains, and matching desks on either side. There’s a closet and a door leading, you assume, to a bathroom.
It’s empty in the way you’d expect a fifty-year-old man’s bedroom to be.
You almost give in and crawl into his bed but force yourself back downstairs, turn off the main lights, and curl up on the couch, which really is pretty comfortable.
It takes a while to fall asleep in a strange house, but when you finally do, your dreams are filled with gray beards and gray sheets.
You wake in the middle of the night to the ping of your phone. You rub your eyes, still dazed from sleep, and grab the phone from the pillow beside you.
4:47 a.m.
It’s a text from an unknown number:
“Hi. Joel here. Sorry for the hour, I hope you’re sleeping. I just got to New York. Please let me know when Sarah wakes up. I’ll need to call her.”
A sleepy smile tugs at your lips at how formally he writes, no abbreviations at all. You save his contact as Miller.
You type back:
“hey. don’t worry. I’ll let you know. everything ok over there?”
“Why are you awake?”
You don’t tell him it was his text that woke you.
“New place… light sleeper.”
“I see.”
An “I see” with a period and everything. Then another message:
“Yes, everything’s fine. I’m in the waiting room, and Tommy’s with his wife. She’s been in labor for seven hours.”
You type: “ouch. hoping all goes well. lmk if u need sth”
“What kind of vocabulary is that?”
“don’t you have bigger things to worry about, grumpy?”
The impossible happens: Joel Miller sends you a smiling emoji.
You reply with one sticking its tongue out.
His next message comes in text again:
“Tell me about your thesis.
“you’re really curious about it.”
“It’s an interesting topic.”
“sure… men and their obsession with porn.”
“I’m not obsessed with porn. I don’t even remember the last time I watched it.”
Your fingers freeze over the keyboard—it sounds way too intimate.
You type back:
“last time I watched was this afternoon.”
You get a single question mark in response: “?”
You clarify:
“for my thesis. I’m at the stage where I have to watch films.”
“Oh. How are you doing that?”
“picking stars from each decade and watching two movies for each. starting with the 2000s tomorrow.”
Joel reads your message but doesn’t reply right away, which is odd. He had been responding immediately. You wonder if something’s happened at the hospital, if everything’s okay with his sister-in-law.
You stare at the screen until it goes black. Three minutes later, his reply pops up:
“Who are the stars from the 2000s?”
“looking for suggestions?”
“No.”
You open your report from iCloud and copy the list of male and female stars from the 2000s. You send it over.
He reads it. Another little pause.
“I see.”
Then another question:
“And how are you watching? Like a documentary?”
“yeah, pretty much. I put on the films, watch them critically, and take notes.”
“And they don’t affect you?”
“in what way?”
He reads the message but doesn’t answer. After ten minutes of staring at the ceiling, you take a deep breath and type courageously:
“are you asking if I get turned on?”
Again, no response.
Still, you type back:
“i do. it’s inevitable and natural. but only starting with the '90s films. the ones from the '70s and '80s were way too gross for that.”
This time, a reply comes.
“Gross?”
“yeah. the men were really disgusting. it’s obvious they had no idea how to have sex to actually please a woman.”
“I see.”
You picture Joel Miller, tall and broad-shouldered, sitting in a sterile hospital hallway, texting you about porn while waiting for his nephew to be born.
The thought makes you smile to yourself. You burrow deeper under the blanket and decide to be a little bolder.
“do you have a favorite genre of those movies?”
“To watch?”
You frown. What else would it be for?
“yeah”
“I don’t watch them.”
“okay, but if you were going to watch one today, what type would you choose? one with a storyline, straight to the point… what? help me out for the research.”
You almost chew on your lower lip as you watch the little “typing” bubble appear and disappear three times. Finally, he sends a simple response:
“No storyline, not a lot of talking. Something filmed in the morning, in bed, right after waking up.”
“morning sex?”
“Yes.”
Before you can stop yourself, your mind fills with images of Joel’s bed, the same gray sheets now rumpled and tossed aside. The cold morning light pouring through the window, the scent of him still on the fabric, the warmth of sleepy skin, the scratch of his beard against the sensitive part of your neck.
A big hand adjusting and lifting your leg into the right position, low, sleepy moans filling the space.
You snap your eyes open wide.
“got it,” you type back, heart racing.
“Do you have a favorite genre?”
“i hate porn,” you reply.
“Okay. But if you were going to watch one today, what would you pick?”
He’s throwing your own question back at you, meaning you can’t dodge it.
You type the whole answer at once but hesitate a dozen times before finally pressing send, knowing Joel will understand exactly what you mean and exactly what you like. It’s probably not right to tell your parents’ neighbor, who’s at least twenty years older, but you don’t take it back.
“in the car. an age gap where he looks a little older than her, slightly graying, and he’s desperate for her, desperate to do things to her in the backseat.”
“Things?”
“you know what I mean.”
“Say it clearly.”
“desperate to go down on her.”
And again, he responds:
“I see.”
Your cheeks burning, you turn off your phone screen.
But another message buzzes through:
“Good choice.”
You cross your legs and lock your phone again.
The next time you wake up, it’s to Sarah poking your cheek with an insistent little finger. She’s standing over you by the couch, looking at you like you’re a science experiment.
The sunlight pouring through the living room windows makes you wonder if it’s already past ten.
“What are you doing here?” she asks, still poking your cheek.
Yawning, you answer,
“You’re about to have a baby cousin.”
Sarah squeals.
Joel calls her twenty minutes later, right after you text him—carefully avoiding rereading the messages you sent each other during the night—that she’s awake.
Afterward, you eat breakfast together, and Sarah gets ready for school, where she’ll stay until six in the evening. You wait until the bus picks her up before going back to your house, crawling into bed, and sleeping a little more.
When you wake up again, it’s time to log onto a video call with your boss, even though you’re technically on vacation.
You help your mom with some work in the garden, bake muffins, and by late afternoon, you lock the door to your bedroom, find a cozy spot in bed and open your laptop again.
2000s.
Now all the actresses definitely have implants, bleached hair, heavy makeup, thin eyebrows, and elaborate hairstyles: exactly the fantasy for any guy with a DVD player and one hand free.
But it’s also the beginning of the internet era, meaning access to all of it is even easier than it ever was with VHS tapes.
Roleplay everywhere. Boss and secretary, student and teacher, best friend's mom, best friend's dad. A fantasy world that definitely fried a lot of men’s brain circuits.
You start with the male stars.
First up is Tyler Cross. He's a tall actor with spiky, gelled hair, a tribal tattoo on his left bicep, and a defined six-pack.
You watch a POV movie, new at the time, and another where he plays the older brother’s best friend. It’s set in a girl’s pink-walled bedroom, teddy bears thrown to the side, and it’s all absolutely disgusting.
You glance at the clock after finishing Tyler Cross’s films. 5:55 p.m. You figure you’ve got about fifteen minutes before Sarah gets home, so you decide to at least start Javier Peña’s movies.
You type his name into the search bar.
The results flood in. One of the first titles you see: No Overtime for the Babysitter: Daddy Comes Home Early!
You roll your eyes. Great, now they’re coming for babysitters’ labor rights too.
You click the movie. It takes a moment to load.
The cover stares back at you while the loading icon spins.
The actress is gorgeous, with breasts you immediately envy and long black hair. Her lips, glossy and slightly open, look like she’s mid-moan. She’s one of the first actresses you’ve seen who isn’t drowning under a pound of makeup.
The scene starts with her dusting some furniture in the living room.
She’s wearing a mini-skirt and a light blue crop top made of thin fabric that shows her stomach. Definitely very appropriate attire for her job.
The sound of a door unlocking fills the room, and then it swings open.
The actress sighs:
“Oh! Mr. Peña! You’re home early!”
The camera pans to Mr. Peña. You blink at the screen.
Javier Peña has that classic '80s kind of handsomeness. He’s tall, lean but broad-shouldered, his dark hair messy in a way that somehow suits him. The thick mustache above his tight lips and the long sideburns give him the look of an old-school movie star, and you have to double-check the release date of the film. 2002.
He’s wearing a button-down shirt and a loose tie, his gray blazer slung over his left shoulder. But it’s his brown eyes that catch you — because they’re familiar. It feels like you know them.
“The meeting was canceled,” Peña says, tossing the blazer onto the couch. “My daughter’s asleep? You can go now.”
The gasp that escapes your mouth is quickly muffled by your hand when Javier Peña’s voice fills your ears through the headphones, because you immediately realize where you know it from.
The voice is a little softer, younger, with more of an accent — but it’s the same voice.
Joel Miller’s voice.
“She is,” the actress says sweetly, crossing the room. Javier looks her up and down — from her bubblegum-pink painted toes to the way her chest strains against her top. “Are you sure, Mr. Peña? You seem really stressed out. Can’t I help you with something?”
You freeze where you are, heart hammering against your ribs. Holy shit.
“Help how?” Javier asks, raising an eyebrow, pretending to be disinterested.
She smiles, grabs his hand, and leads him to the couch, urging him to sit.
You’re almost ready for her to drop to her knees in front of him, because that would be the obvious next step, but that’s not what happens. The actress — Mila, her name — circles behind the couch, leaning over him to start unbuttoning his shirt.
“You’re so tense, Mr. Peña,” she says, pouting as she undoes each button. “Taking care of the house by yourself, your daughter…”
The shirt falls open, revealing a firm, broad chest.
“So responsible… No one to help you out…” She leans in and whispers against his ear: “No one to suck your cock.”
The shocked laugh that bursts out of you is immediately covered by your hand again.
Javier’s shirt falls completely open, and he takes Mila’s hand, guiding it straight to his pants, her long red nails vivid against the gray fabric.
“I’ve got you for that.”
“Mmm…” the actress moans, massaging him through the fabric. She runs her hands back up his shoulders. “That’s right. You do.”
She moves to kneel in front of him, but Javier clicks his tongue and says:
“Take off your clothes.”
You feel a pulse low in your stomach. The actress smiles and obeys.
Once she’s fully naked, she starts to kneel again, and Javier spreads his legs wider, tossing his shirt aside.
She massages him through his pants for a few more seconds before tugging the zipper down and pulling his pants down with both hands. He’s not wearing underwear, of course he isn’t, and suddenly, you’re staring straight at Joel Miller’s cock.
Large, hard, slightly veiny, every inch of it.
Javier shifts on the couch, gathers all of Mila’s soft hair into one hand, and with the other, guides himself to her mouth, and—
Someone knocks on your bedroom door and you nearly slap the laptop closed.
“Honey, I think Sarah’s getting home from school. Aren’t you going to greet her?” your mom asks.
“I am,” you say, but your voice comes out too soft. You clear your throat and try again: “I’m going, Mom. Just a second.”
“Okay!”
Your mom leaves you sitting there, staring at the wall with wide eyes and a racing heart, so much slick between your legs you have to stand up, clean yourself, and change panties before going downstairs to greet Sarah.
She gets home, you both go into Joel’s house, you make her a sandwich, and she heads upstairs to shower. You stay on autopilot, your head still completely full of Javier Peña... and Joel Miller.
Holy shit.
The man was a porn actor.
And apparently, a very successful one, because you distinctly remember seeing that his films topped the charts for years. Is he still doing it?
You rub your eyes and fight the urge to shove your fist in your mouth and scream.
The irony is almost too much. Fate is throwing a former porn star into your lap when it knows all too well the thesis you’re writing, and all your hatred for the industry.
You order pizza for you and Sarah. You eat while watching a cheesy teenage romance movie that keeps her glued to the TV. When she’s yawning hard, you ask if she has any homework (she doesn’t) and send her off to brush her teeth and get into bed.
She hugs you goodnight and heads upstairs. You hear her brushing her teeth, then the door to her room closing.
You take a deep breath. Pull your phone out of your pocket. You type in the search bar: Javier Peña. The image results flood the screen.
Joel Miller in a thousand different styles. At industry parties in clothes that scream early 2000s, at photoshoots with other actresses, even holding up a trophy that reads—
You lean in closer to make sure you’re not misreading it.
Longest Cumshot of 2006.
Wow. Congratulations.
The Google summary confirms it: Joel Miller, born in 1981 in Arlington, Texas, to Chilean parents. Porn actor, best known as Javier Peña. Joel Miller became an advocate for porn actresses’ rights, one of the main reasons he left the industry in 2010.
One of his last public appearances as Javier Peña was in 2016, co-hosting an adult film awards show alongside Tess Servopoulos, his former career agent. Since then, very little is known about Joel Miller, though several producers have tried to lure him back with massive paychecks, even for solo work.
You hear the key turning in the lock.
You lock your phone at record speed and sit up straight on the couch, eyes wide open. Joel will probably think that you’ve been doing cocaine on his coffee table.
He walks in, shrugging out of his coat, and looks at you.
“Hey,” he says, kicking off his boots. “Everything okay?”
You nod, then try to use words:
“Hey. Yeah.”
Joel gives you a strange look, glancing up the stairs.
“Sarah’s asleep?”
You nod again.
Oh, Mr. Peña. You must be so tired. Can I help you? My God. You’re the babysitter working overtime.
“Are you really okay? You look like you’ve seen a ghost.”
“Um… I…” you rub your hands over your thighs. “I’m just tired. That’s all. Is everything okay with your sister-in-law?”
“She’s fine. I’ve got a nephew now,” Joel murmurs, collapsing onto the couch across from you, legs spread, hands over his eyes. “And he’s so small. I almost didn’t have the nerve to hold him. I don’t even remember Sarah being that tiny.”
“Ha ha.”
At your awkward laugh, Joel drops his hands and studies you carefully, narrowing his eyes. He watches you for a moment, like he’s seeing right through you.
Joel says,
“You found out who Javier Peña is.”
You freeze, hands clenched in your lap. Joel rubs his temple with a heavy sigh and sits up straighter.
“Which one did you watch?”
You swallow hard.
“The babysitter one.”
“You’re gonna have to be a little more specific than that, sweetheart.”
“The film’s from 2002. I think the actress’s name was Mila? She was trying to comfort you about being a single dad.”
Joel raises both eyebrows.
“I know the one,” he says with a dry, humorless laugh. “Right. Here it is. I was Javier Peña for ten years. I guess I still am, when the paycheck’s good enough. I made porn movies. They’re out there.”
“Still are?”
“Not for films. Just for appearances or special gigs at awards shows.”
“Oh.”
He says your name firmly.
“That industry — it’s your thesis. You know those actors and actresses are real people. I’m one of them. Are you going to stop treating me like a normal person now?”
“It’s weird,” you say softly. “Sorry, Joel, but it’s weird seeing you like… that… and then coming here and seeing you being Sarah’s dad, being… Joel Miller.”
“Okay.”
“Don’t be mad at me.”
“I’m not,” he sighs, collapsing back onto the couch. “I’m way too tired to be mad, honestly. We can talk more about it later if you want. I’ll even help you with your thesis if you need. But not tonight.”
“Okay.”
“Thanks for staying with Sarah, seriously,” he says, shifting back into Dad mode. “Let me pay you.”
“No way,” you say quickly.
He opens his mouth to argue, but you cut him off:
“You said you’d help me with my thesis, right?”
He just looks at you. You explain,
“I’ll take that as payment.”
Slowly, he nods. And just like that, you have a deal.
That night, you head upstairs again and lock the door.
You open your laptop, type Javier Peña into the search bar, and scroll through the films. One title catches your eye: Neighbors: The Lust Lives Next Door.
The irony.
The title is ridiculous, sure, but the movie isn’t. He’s the married woman’s neighbor, and when her husband goes out of town, Javier shows up at the door asking if everything’s alright because he heard a noise and got worried.
He’s wearing tight jeans and a short-sleeve, light pink button-down shirt.
They head upstairs to check the bedroom.
She sits at the edge of the bed while Javier kneels down to look under it, but when he straightens up again, he sees the actress isn’t wearing any panties. Of course.
Two minutes later, Javier spreads her legs and goes down on her for a good while, his dark eyes locked on hers. And you could swear the moans are real. Either that, or she’s a damn good actress.
It’s when Javier starts whispering in her ear — loud enough to be picked up by the mic, but low enough to sound private — that your own fingers hover at the waistband of your pajama shorts.
He grips her thigh firmly, legs wide open, about to sink into her, both of them watching where they meet.
“Like this?” Javier asks.
She nods.
He licks his fingers and touches her clit. Her left leg trembles slightly.
“Sensitive? You’re not gonna come again for me?”
You swallow your shame and remind yourself that no one will ever know about this.
You slip your hand into your panties.
You close your eyes, listen to Javier whispering filthy things into the actress’s ear, and feel your pulse thudding in your ears and the slickness between your fingers.
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just bc someone is critically engaging with the media they watch doesn't mean they are being hateful and casting moral judgement upon you for enjoying it ..... it's okay to critique and analyse things ........
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i LOVED this 🥹
—cherry; series masterlist



pairing: joel miller x f!sex worker!reader
summary: Lonely, widowed, Joel seeks company where he knows he shouldn't.
series status: complete
general series warnings, please see each chapter's individual warnings for a complete list: age gap (20s/50s), smut (in most, probably all, chapters), reader is a sex worker, misogyny, smoking (reader and joel), internalized shame, poverty and issues and dangers that come along with that
a/n: this fic is my baby, and I hope you all enjoy reading it as much as I have enjoyed writing it. I've never preplanned a series and had the parts completed or mostly completed before publishing it before. maybe I was being a little selfish in keeping them to myself. updates every tuesday <3
chapters below the cut:
cherry ; Lonely, widowed, Joel seeks company where he knows he shouldn't.
late nights ; You never expect Joel to come back, let alone to search for you.
offers ; Joel comes back to you like clockwork. He has a proposition for you.
resolve ; Joel gives you a credit card. You're hesitant to use it.
interlude ; Joel grapples with guilt and shame. But there's no quitting you.
even just that ; Joel calls you; you call Joel.
more than, twice as ; Joel is different than all the other men you've slept with. . .Right?
warmth like... ; A promise is fulfilled. Joel takes you horseback riding.
best laid plans ; You attempt quitting with variable results.
only in quotes ; Things can't keep going on as they have, can they?
in effect ; Going it alone isn't easy.
of my own name ; Joel doesn't cope well without you.
belief ; Joel makes sure you get home safely.
the b-side ; There might be a future for you, if you and Joel are brave enough to grab it.

post-series drabbles:
cherry's first morning at the ranch
cherry is confronted by a stranger about joel
extras:
cherry playlist
how cherry evolved as i wrote her
cherry and joel edit by @yougavemeeverythingandnothing
cherry and joel edit by @totallynotastanacc
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Suck off the hand that fingers you or how ever that saying goes.
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I'm really excited for the new tlou episode tonight! I exclaimed with excitement

I was then shot 57 times
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TLOU spoilers:
Do you know what really made me cry?
It wasn’t the screaming, even though those sounds made me clutch my wrists so tight, I’m going to bruise tomorrow. It wasn’t the blood, or the wounds.
It was the little head raise Joel did when Ellie screamed at him to get up. And as hurt as he was, standing at death’s door, with so much blood loss and so much brutality inflicted on his body, Joel tried to push himself up. Because Ellie, his daughter in everything but blood, was begging him to do so.
I don’t think I’ll ever be alright again.
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it’s so much worse. the way ellie tells joel to get up and he tries. the way abby seeps the pointed end of the club into his neck. the way the wlf members don’t even bother knocking ellie out because she is already so emotionally paralyzed by grief she can’t even so much as stand.
but more than anything else it’s crawling to him. all she can muster is crawling with nothing but her arms and cuddling into joel with her whole person. her face buried into the man’s which will forever be the last memory of him. it’s like watching a child seeking the safety of a parent who can’t protect them anymore. this isn’t just the death of a protector. it’s the death of home. joel, to ellie, is safety. safety that she spent the last five years resenting until it was too late. he’s been the one constant in a shattered world. so when he’s dying — or dead — she reverts, not in age but in emotional rawness. she becomes a daughter clinging to a father figure who can’t shield her anymore. and it’s not just fear. it’s complete unmooring. there’s no one left to hold the world up for her. it’s the kind of need that children have when everything feels too big, too loud, too dangerous. she needs to be held. but there’s no one to hold her, so she becomes the one doing the holding, even if he can’t respond. and he’ll never respond.
in one of ellie’s most harrowing moments in life joel was there to cling on to her. in yet another, she clings to him. but he’ll never cling back again.
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Pedro Pascal as JOEL MILLER HBO's The Last of Us (2023- ) — 2.01 “Future Days”
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Shout out to the original CSI for being the first primetime show to prioritize science and weird freaks over all else.
Shout out to CSI: Miami for immediately ignoring that idea and ruining everything.
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Crime Show Meme - CSI insp. [4/10 episodes]
"What does Nick Stokes mean to you? How do you feel when you see him in that coffin? Does your soul die every time you push that button? How do you feel, knowing that there's nothing you can do to get him out of that hell?." - Grave Danger (Season 5 Episodes 24 & 25, 19th May 2005)
#uh oh ive started rewatching csi#and i love it so much#csi cbs#csi#csi crime scene investigation#nick stokes
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Lying in bed thinking about that old man. You know how it is.
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Oh god its the first rawe ceek of the year
Peace and prosperity to ferrari and evil, flop vibes to the rest of you
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I've watched a ton of horror movies and I can say with confidence that none of them hold a candle to the absolute terror that I feel when a Ferrari goes into the pits
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