milliesynths

[milliesynths]

Masterpost: How to write a story?

Compilation of writing advice for some aspects of the writing process.

How to motivate myself to write more

How to get rid of writer’s block

Basic Overview: How to write a story

How to outline a story

How to come up with plot

How to create a character

How to make a character unique

How to name your characters (Masterpost)

How to start a story

How to write a prologue

How to write conversation

How to write witty banter

How to write the last line

How to write a summary

How to write a book description

How to write romance

How to write friendships

How to write emotions (Masterpost)

How to write an argument

How to write yelling

How to write anger

How to write betrayal

How to title fanfiction

How to write an unreliable narrator

First Person vs. Third Person POV

How to write character deaths

How to use songs in a fanfiction

How to name fictional things

How to write self-insert fics

How to write multiple points of view

Introducing a group of characters

Large cast of characters interacting in one scene

How to write dual timelines

Redemption arc

Plot twists

Fatal Character Flaws

Good Traits Gone Bad (x)

Slow burn

Explanation posts about writing terms

What is…

AU ideas

Favourite tropes

Tropes of the day

List of Genres

Drabble vs. One-Shot

Advice for writing relationships

Masterpost: how to write relationships + romance

More specific scenarios

How to write a bilingual character

How to write a character with glasses

How to write heterochromia

How to write taking care of a tired partner

How to create a villain

Reasons for becoming a villain

How to write a morally grey character

How to write an inferiority complex

How to write a road trip

How to create and write a cult

How to write amnesia

How to write being stabbed

How to write a stratocracy

How to write a heist

How to write the mafia

Criminal past comes to light

Ideas for traumatic experiences

How to create an atmosphere (Masterpost)

How to write a college party

How to write royalty (Masterpost)

Paramilitary Forces/ Militia

Superpowers Masterpost (Hero x Villain)

Inconvenient things a ghost could do

A Queen’s Assassination Plot

Reasons for leaving their land

Crime Story - Detective’s POV

Evil organization of assassins

Evil wins in the end

Causes for the apocalypse

Last day on earth

Liminal Spaces

Workplace AUs

Signs of co-dependency

What to wear in a desert

What to wear in the arctic

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[milliesynths]

What do you do when you don't know what to write about or just don't have inspiration?

There are lots of things you can do. I have done a few posts on it (also on my personal blog, @agirlnamedjana). You can use writing games to get back into the groove and that inspire you with prompts or you can do a challenge that gets you to write consistently.

Here are some posts for you:

How to motivate myself to write more

How to get rid of writer’s block

Writing Games

Ask Games

Daily Writing Challenge

30 Days Writing Challenge

I wish you all the best for your writing journey! And have a good new year's eve today!

- Jana

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adhd paralysis sucks bcuz im just sitting there and my brain is like

YOU ARE WASTING TIME YOU ARE WASTING TIME YOU ARE WASTING TIME YOU ARE WASTING TIME YOU ARE WASTING TIME YOU ARE WASTING TIME YOU ARE WASTING TIME YOU ARE WASTING TIME YOU ARE WASTING TIME YOU ARE WASTING TIME

no work done no rest gained. literally no point of this at all

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Mr. Darcy is my little meow meow

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sketch

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There are so many unintended consequences to well-intentioned actions. It feels like a game you can’t win.

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Because I dropped your hand while dancing Left you out there standing Crestfallen on the landing Champagne problems

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Writing Tips from an Editor (Who Also Writes)

People throw around the phrase “Show, don’t tell” all the time. But what does it mean? Really?

When I’m editing a client’s work, I always explain what I mean when I say “Show, don’t tell,” so I know we’re on the same page (pun intended). 

FYI: This advice is really 2nd or 3rd draft advice. Don’t tie yourself in knots trying to get this perfect on the first go. First drafts are for telling yourself the story. Revisions are for craft. 

Ruthlessly hunt down filter words (saw, heard, wondered, felt, seemed, etc.). Most filter words push the reader out of narrative immersion, especially if you’re writing in 1st person or a close 3rd person. “She [or I] heard the wind in the trees” is less compelling than “The wind rustled through the trees” or “The wind set the bare branches to clacking.” Obviously, the point of view character is the one doing the hearing; telling the reader who’s doing the hearing is redundant and creates an unnecessary distance between the character’s experience and the reader’s experience of that experience. Was/were is another thing to watch out for; sometimes, nothing but was will do, but in many instances—“There was a wind in the trees” “There were dogs barking”—“was” tells, whereas other phrasing might evoke—“The wind whispered/howled/screamed through the trees” “Dogs snarled/yipped/barked in the courtyard/outside my door/at my heels.” 

Assume your readers are smart. What does this mean? Don’t tell the reader what your characters are thinking or feeling: “Bob was sad.” How do we know? What does Bob’s sadness look like, sound like? What actions, expressions, words indicate Bob’s sadness? Does Bob’s sadness look different than Jane’s would?

It also means that you need not repeat information unless you have something new to add to it—even if it’s been several chapters since you first mentioned it. I think a lot of readers fall into this trap because writing often takes a long time. But what takes a writer days or weeks or months to write might take a reader fifteen minutes to read. So, if the writer keeps telling the reader about so-and-so’s flaming red hair or such-and-such’s distrust or Bob’s blue eyes or Jane’s job as a neurosurgeon, the reader gets annoyed. 

The last thing you want is your reader rolling their eyes and muttering, “OMG, I KNOW” at the story you’ve worked so hard to write. It certainly means you don’t need to have characters tell each other (and through them, the reader) what the story is about or what a plot point means.

Along these same lines, let the reader use their imagination. “Bob stood, turned around, walked across the room, reached up, and took the book from the shelf.” Holy stage directions, Batman! A far less wordy “Bob fetched the book from the shelf” implies all those irrelevant other details. However, if Bob has, say, been bedbound for ten years but stands up, turns around, and walks across the room to fetch the book, that’s a big deal. Those details are suddenly really important.

Write the action. Write the scene with the important information in it. Let the reader be present for the excitement, the drama, the passion, the grief. If you’re finding yourself writing a lot of after-the-fact recap or “he thought about the time he had seen Z” or “and then they had done X and so-and-so had said Y,” you’re not in the action. You’re not in the importance. Exceptions abound, of course; that’s true of all writing advice. But overuse of recapping is dull. Instead of the reader being present and experiencing the story, it’s like they’re stuck listening to someone’s imperfect retelling. Imagine getting only “Last week on…” and “Next week on…” but never getting to watch an episode. I’m editing a book right now with some egregious use of this. The author has a bad habit of setting up a scene in the narrative present—“The queen met the warrior in the garden.”—but then backtracking into a kind of flashback almost immediately. “Last night, when her lady-in-waiting had first suggested meeting the warrior, she had said, ‘Blah blah blah.’ The queen hadn’t considered meeting the warrior before, but as she dressed for bed, she decided they would meet in the garden the next day. Now, standing in the garden, she couldn’t remember why it had seemed like a good idea.”

That’s a really simplified and exaggerated example, but do you see what I’m getting at? If the queen’s conversation with the lady-in-waiting and the resulting indecision are important enough to be in the narrative, if they influence the narrative, let the reader be present for them instead of breaking the forward momentum of the story to “tell” what happened when the reader wasn’t there. Unless it’s narratively important for something to happen off-page (usually because of an unreliable narrator or to build suspense or to avoid giving away a mystery), show your readers the action. Let them experience it along with the characters. Invite them into the story instead of keeping them at a distance.

Finally, please, please don’t rely on suddenly or and then to do the heavy lifting of surprise or moving the story forward; English has so many excellent verbs. Generally speaking, writers could stand to use a larger variety of them. 

(But said is not dead, okay? SAID IS VERY, VERY ALIVE.)

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How to write smut ?

(@urfriendlywriter | req by @rbsstuff @yourlocalmerchgirl anyone under the appropriate age, please proceed with caution :') hope this helps guys! )

writing smut depends on each person's writing style but i think there's something so gut-wrenchingly beautiful about smut when it's not very graphic and vivid. like., would this turn on a reader more?

"he kissed her, pulling her body closer to him."

or this?

"His lips felt so familiar it hurt her heart. His breathing had become more strained; his muscles tensed. She let herself sink into his embrace as his hands flattened against her spine. He drew her closer."

(Before proceeding further, these are all "in my opinion" what I think would make it better. Apply parts of the advice you like and neglect the aspects you do not agree with it. Once again I'm not saying you have to follow a certain type of style to write smut! Creative freedom exists for a reason!)

One may like either the top or the bottom one better, but it totally depends on your writing to make it work. Neither is bad, but the second example is more flattering, talking literally. (Here is me an year after writing this post, i think, either is amazing, depending on the context. the type of book you're writing, your writing style and preferences!)

express one's sensory feelings, and the readers will automatically know what's happening.

writing, "her walls clenched against him, her breath hitching with his every thrust" is better than writing, "she was about to cum".

(edit: once again, hi, it's me. Either is amazing depending on ur writing style. Everything at the end is about taste.)

here are some vocabulary you can introduce in your writing:

whimpered, whispered, breathed lightly, stuttered, groaned, grunted, yearned, whined, ached, clenched, coaxed, cried out, heaved, hissed

shivering, shuddering, curling up against one's body, squirming, squirting, touching, teasing, taunting, guiding, kneeling, begging, pining, pinching, grinding,

swallowing, panting, sucking in a sharp breath, thrusting, moving gently, gripped, biting, quivering,

nibbling, tugging, pressing, licking, flicking, sucking, panting, gritting, exhaling in short breaths,

wet kisses, brushing soft kisses across their body (yk where), licking, sucking, teasing, tracing, tickling, bucking hips, forcing one on their knees

holding hips, guiding the one on top, moving aimlessly, mindlessly, sounds they make turn insanely beautiful, sinful to listen to

some adverbs to use: desperately, hurriedly, knowingly, teasingly, tauntingly, aimlessly, shamelessly, breathlessly, passionately, delicately, hungrily

he sighed with pleasure

her skin flushed

he shuddered when her body moved against his

he planted kisses along her jawline

her lips turned red, messy, kissed and flushed.

his hands were on his hair, pulling him.

light touches traveled down his back

words were coiled at his throat, coming out as broken sobs, wanting more

he arched his back, his breath quivering

her legs parted, sinking into the other's body, encircling around their waist.

+ mention the position, how they're being moved around---are they face down, kneeling, or standing, or on top or on bottom--it's really helpful to give a clear picture.

+ use lustful talk, slow seduction, teasing touches, erratic breathing, give the readers all while also giving them nothing. make them yearn but DO NOT PROLONG IT.

sources to refer to for more:

gesture that gets me on my knees !!

(more to comeee, check out my hot or kisses prompts on my master list!)

[milliesynths]

Cupid & Psyche

"Omnia vincit Amor: et nos cedamus Amori."

"Love conquers all; let us, too, yield to love."

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I really like fictional couples that actually enjoy spending time with each other. It seems like such a simple, mundane thing. But, often, I see fictional couples who are completely enamored and dramatic and willing to die for each other, which is fine. But like… do they enjoy hanging out? Do they have private jokes and would they be friends even if they weren’t in love? It feels like such a basic thing, but it’s something that I actually don’t see that often. And it feels so refreshing and honest compared to these over-dramatic romeo and juliet-esque romances. Just two people who become good friends and because they enjoy each other’s presence so much it grows into a strong attraction. It feels more real and tangible than two attractive people meeting and “falling in love at first sight” - like, of course, you fell in love at first sight! You’re both supermodels! Sorry, can’t relate.

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oh to be a little witch drawn in an anime artstyle who wears billowy cloaks and aprons and lives in a hollowed out vehicle in the woods filled with plants and potions of many kinds 

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“One man’s cringe is another man’s epic” and “a flawed story is still a thousand times better than a story never told” are two pieces of advice that a lot of people aspiring to be writers really need to take to heart. Stop tearing yourself up over getting every little insignificant thing right.

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Writing advice from my uni teachers:

If your dialog feels flat, rewrite the scene pretending the characters cannot at any cost say exactly what they mean. No one says “I’m mad” but they can say it in 100 other ways.

Wrote a chapter but you dislike it? Rewrite it again from memory. That way you’re only remembering the main parts and can fill in extra details. My teacher who was a playwright literally writes every single script twice because of this.

Don’t overuse metaphors, or they lose their potency. Limit yourself.

Before you write your novel, write a page of anything from your characters POV so you can get their voice right. Do this for every main character introduced.

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🎏

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PRIDE AND PREJUDICE (2005) + Joe Wright’s DVD Commentary

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