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nitronarco · 12 hours
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nitronarco · 2 days
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rb to give the previous person a fucking break because life aint life-ing the way its supposed to life and it fucking sucks.
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nitronarco · 2 days
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Yellow Sea Snake (Hydrophis platurus xanthos), family Elapidae, Costa Rica
Venomous.
This is an all yellow subspecies of the Yellow-bellied or Pelagic Sea Snake.
photograph by Alejandro Solórzano
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nitronarco · 2 days
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This is the magic lucky word count. Reblog for creativity juice. It might even work, who knows.
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nitronarco · 3 days
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nitronarco · 3 days
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nitronarco · 5 days
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you actually don't have to go on dating apps to find girlfriends. many beautiful women are waiting for you on rocks out at sea
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nitronarco · 6 days
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twst halloween icons - octavinelle, pomefiore, + diasomnia 🖤
these are made from official art found here!
dorm leaders + jamil and ortho icons here
heartslabyul + savanaclaw icons here
please like and/or reblog if using
credit not required but appreciated
i can swap the backgrounds or recolor them if requested!
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nitronarco · 6 days
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twst halloween icons - heartslabyul + savanaclaw 🖤
these are made from official art found here!
dorm leaders + jamil and ortho icons here
octavinelle, pomefiore, + diasomnia icons here
please like and/or reblog if using
credit not required but appreciated
i can swap the backgrounds or recolor them if requested!
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nitronarco · 7 days
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PLATONIC INTERPRETATIONS OF CHARACTER DYNAMICS ARENT ANY LESS VALID THAN ROMANTIC ONES PELASEE
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nitronarco · 7 days
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✧Beautiful Halloween backgrounds 🎃 ✧
✧ Thanks to @alchemivich for sharing them !
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nitronarco · 8 days
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Gentle reminder that often creativity decides to hibernate for a bit.
It’s okay.  You’re not broken, you’re resting, and much like spring, creativity comes back.
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nitronarco · 8 days
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when you say "get rid of the cursed amulet," i can't help but notice a tone of jealousy. envy, even
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nitronarco · 9 days
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getting into something that none of your mutuals care about is one of the bravest things you can do
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nitronarco · 10 days
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is this real? 🐈
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nitronarco · 10 days
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the look of love (for writers)
"it's all in the eyes i was once told"
catching the stare of someone across a crowded room
subtle furrowing of eyebrows beyond a blank facade
coldness easing into warmth
a fond mothering gaze
corner of the lip nudged upward
forced glower/glare as they break underneath
batting their lashes, playful
a boisterous laugh
intrigue piercing the stoic
proud smugness at the other's success
lingering glances
a childish joy bursting through
pupils dilate
eyelids shut in a look of peace, calm and trust
look of longing/betrayal
"there was once a time when they were mine"
terseness
features fold into a scowl
an urgent flinching back
coldness returns (as though the warmth had never come)
lips part then purse
invasion of shock
slow stare at the floor
the ripple effect of a swallow
frustrated breath/sigh
bitter laugh in reminiscence
dread tearing through the seams of their composure
look of hatred
"darkness"
mean smirk- teeth bared grimace- scowl
dismissive gaze
gaze of contempt/impatience
threat lowering the voice
sardonic goading grins verging on manic
rolling one's eyes
flicker of irritation in the eyes
stares stubbornly ahead despite distraction
gritted teeth, clenched jaw
fierce biting remarks
even measured complexions betraying no thought
strangling oneself back from violence
utter apathy
murderous silence hanging in the stare
snobbish laughter
smiling at another's downfall
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nitronarco · 10 days
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How to avoid White Room Syndrome
by Writerthreads on Instagram
A common problem writers face is "white room syndrome"—when scenes feel like they’re happening in an empty white room. To avoid this, it's important to describe settings in a way that makes them feel real and alive, without overloading readers with too much detail. Here are a few tips below to help!
Focus on a few key details
You don’t need to describe everything in the scene—just pick a couple of specific, memorable details to bring the setting to life. Maybe it’s the creaky floorboards in an old house, the musty smell of a forgotten attic, or the soft hum of a refrigerator in a small kitchen. These little details help anchor the scene and give readers something to picture, without dragging the action with heaps of descriptions.
Engage the senses
Instead of just focusing on what characters can see, try to incorporate all five senses—what do they hear, smell, feel, or even taste? Describe the smell of fresh bread from a nearby bakery, or the damp chill of a foggy morning. This adds a lot of depth and make the location feel more real and imaginable.
Mix descriptions with actions
Have characters interact with the environment. How do your characters move through the space? Are they brushing their hands over a dusty bookshelf, shuffling through fallen leaves, or squeezing through a crowded subway car? Instead of dumping a paragraph of description, mix it in with the action or dialogue.
Use the setting to reflect a mood or theme
Sometimes, the setting can do more than just provide a backdrop—it can reinforce the mood of a scene or even reflect a theme in the story. A stormy night might enhance tension, while a warm, sunny day might highlight a moment of peace. The environment can add an extra layer to what’s happening symbolically.
Here's an example of writing a description that hopefully feels alive and realistic, without dragging the action:
The bookstore was tucked between two brick buildings, its faded sign creaking with every gust of wind. Inside, the air was thick with the scent of worn paper and dust, mingling with the faint aroma of freshly brewed coffee from a corner café down the street. The wooden floorboards groaned as Ella wandered between the shelves, her fingertips brushing the spines of forgotten novels. Somewhere in the back, the soft sound of jazz crackled from an ancient radio.
Hope these tips help in your writing!
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