oncanvas

[oncanvas]

St. Barbara, Master of Frankfurt, circa 1510s

Oil on panel 158.7 x 70.8 cm (62.48 x 27.87 in.) Mauritshuis, The Hague, Netherlands

[oncanvas]

Selections from the Thirty-Six Views of Mt. Fuji series, Hiroshige, 19th century

Woodblock prints 33.5 x 21.5 cm (13.19 x 8.46 in.) each

[oncanvas]

Dejanira (Autumn), Gustave Moreau, circa 1872-73

Oil on panel 55.1 x 45.4 cm (21 11/16 x 17 7/8 in.) J. Paul Getty Museum, Los Angeles, CA, USA

[oncanvas]

Brown and Silver I, Jackson Pollock, circa 1951

Enamel and silver paint on canvas 144.7 x 107.9 cm (56.97 x 42.48 in.) Museo Nacional Thyssen-Bornemisza, Madrid, Spain

[oncanvas]

Adam and Eve Leave Eden, Uncle Jack Dey, 1973

Model airplane enamel on fiberboard 23 ⅛ x 47 in. (58.7 x 119.4 cm) Smithsonian American Art Museum, Washington, DC, USA

[oncanvas]

We are doing fine in Gaza… what about you?!, Khaled El Haber, 2024

FineArt archival paper 75 x 55 cm (29.53 x 21.65 in.)

"Featured in Zawyeh Gallery’s Posters for Gaza project, Khaled El Haber’s poster contrasts the haunting image of an explosion with the unsettling phrase, “We are doing fine in Gaza, what about you?” The question, steeped in irony, highlights the cruel dissonance between daily Palestinian suffering and global indifference. Known for his politically charged music rooted in solidarity with the oppressed, El Haber extends his message visually, continuing the legacy of political posters as tools of resistance, truth, and urgent moral confrontation." [Poster available for purchase with proceeds supporting The Palestine Red Crescent Society]

[oncanvas]

Autumn Infused Canyon, Xue Liang, 2014

Ink and color on paper 39 x 65 cm (15 ⅜ x 25 ⅜ in.)

[oncanvas]

Untitled (Living Room - Suburbia), Ken Price, 1992

Acrylic, watercolor, colored pencil and felt-tip pen on paper 20 ¼ x 26 in. (51.4 x 66 cm)

[oncanvas]

The Lily Pond, Gary Bunt, 2011

Oil on canvas 119 x 105.5 cm (47 x 40 in.)

[oncanvas]

Springtime, Pierre-Auguste Cot, 1873

Oil on canvas 84 x 50 in. (213.4 x 127 cm) The Metropolitan Museum of Art, New York City, NY, USA

[oncanvas]

Rammellzee vs. K-Rob “Beat Bop” 12” 45 rpm vinyl record sleeve, Jean-Michel Basquiat, 1983

Jean-Michel Basquiat’s history with rap music goes deeper than Jay Z’s punch lines and bragging rights. “Beat Bop,” a ten-minute sparring match between MCs/graffiti artists K-Rob and Rammellzee, which Basquiat produced in 1983, was initially released independently in a reported run of just 500 copies on Basquiat’s own Tartown Inc. imprint and features his exclusive artwork. -SPIN

[oncanvas]

Nude (Spotlight), Kerry James Marshall, 2009

Acrylic on PVC 61 ⅛ x 72 ⅞ in. (155.26 x 185.1 cm)

[oncanvas]

Untitled, Keith Haring, 1985

Acrylic on board 62.5 x 34 cm (24 ⅝ x 13 ⅜ in.)

[oncanvas]

Luna Park, Joseph Stella, circa 1913

Oil on composition board 17 ½ × 23 ½ in. (44.5 × 59.7 cm) Whitney Museum of American Art, New York City, NY, USA

[oncanvas]

Wall Climbing series by Palestinian artist Khaled Hourani, 2022

[Hourani says] he is drawn back to the subject of the separation wall as it “condenses the meaning of 'occupation' that continues to disrupt our lives,” but also it is growing “taller in Palestine and elsewhere in the world.” Hourani demands the building of all kinds of walls stop, “My inner voice asserts: Stop the walls so I can stop painting them.” –from Leaping Over the Barrier exhibition press release at Zawyeh Gallery

[oncanvas]

Gloucester Harbor, Jane Peterson, circa 1915

Gouache and charcoal on paper 24 ¼ x 30 ¼ in. (61.6 x 76.8 cm)

[oncanvas]

End of the day, Anne Rothenstein, 2019-20

Oil on wood panel 122 x 122 cm (48 ⅛ x 48 ⅛ in.)