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Cameron Askin, Cameron's World, 2015 - ongoing

a web-collage of text and images excavated from the buried neighbourhoods of archived GeoCities pages (1994–2009).

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Leander Herzog, Richter, 2023. See also Gerhard, 2022

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Hito Steyerl and Francis Hunger, Carrier Bag

"With more and more urgency we need to tell another, non-heroic, fact-and-material based story of technology, a Carrier Bag variant of it, a “way of trying to describe what is in fact going on”. In the end, this cautious and doubtful strand of thought is inherently scientific, unlike the mythological one pushed by the industry and their absolutist leaders."

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Avery Suzuki, The Gap Between Bodies (07.08.22), 2023. Galvanized steel pipe, wood, plumber's epoxy, insulated wire, zip ties, light switches, duct tape, velcro straps, batteries, 20 x 10 x 4"

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Silvia Dal Dosso, The Future Is Now Finally Weird AF (The Ultimate AI CoreCore Experience) - Part Three, 2025

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Marco Cadioli, Macchine Adulatrici (Sycophantic Machine), 2025. Video, 3:17 min

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Tabita Rezaire, Sugar Walls Teardom, 2016. Gynaecological chair, mechanical arm and HD video, 21.37 min. Work: 218 x 162 x 85 cm. Installation view

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Fannie Sosa, Cosmic Ass, 2017. Documentary, 15.17 min

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Tega Brain, Julian Oliver, and Bengt Sjölén, Asunder, 2019

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Emi Kusano, Data Pilgrims 01, 2025

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Jacob Adler, Total Pixel Space, 2024

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Jordan Wolfson, Little Room , 2025. Installation view at the Fondation Beyeler. © Jordan Wolfson. Courtesy Gagosian, Sadie Coles HQ, and David Zwirner. Photo: Mark Niedermann

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Meret Oppenheim, Das Auge der Mona Lisa (1967). Photo courtesy of ProLitteris, Zurich. Copyright: © 2025 ProLitteris, Zurich. more

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Melon's Homepage

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Bruno Moreschi, Recoding Art, short movie, HD, 14'50", 2019

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Marianna Simnett, Leda Was a Swan, 2025. Video, preview

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The Tiny Awards exist because we thought it was important to shine a spotlight on the sorts of personal web projects that tend to get overlooked by more traditional, larger or more commercial awards.