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Wolfy was the man Markiplier???

Going to bed and maybe god will reveal to me in a dream whether to keep the Jesus design's hair short or not

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I am a very lost writer, I think.

I have considered myself a writer my whole life. As a kid I spent my summers in writing camps. My sister and I would make up elaborate, highly involved and linear stories and would act them out with Barbie dolls or pet shop figurines. We would have entire worlds and plots that would last days or weeks. We’d beg mom to let us leave our toys out so we knew where we left off in our story.

In elementary school, when we finally began learning how to string sentences together and fill whole pages with our messy handwriting, I always found myself writing stories of the fictional variety. When the timers would go off and we’d have to show our work my hand always shot up. When it was time to go home I’d ask my teachers if I could take my paper home with me so I could keep working on my story.

It was in middle school that I learned that I could boot up the family desktop, open word and type my stories so they look like actual books. I found a friend who liked reading and writing as much as I did and we started writing things together. At first, we’d just write in our notebooks during class and swap stories on our bus ride home. Then, we learned we could have shared Google docs that we could write in at the same time. We would spend hours and hours writing together. One summer, it felt like having a job. I’d wake up at the same time as my parents did for work, eat breakfast, have a cup of coffee (I was thirteen and hated coffee but it made me feel like a real writer), and my friend and I would hop on our shared document and work until our parents pulled us away for dinner.

Middle school is a hard time for anyone and my friend and I had many hardships. Before high school, we had a falling out and we stopped writing together. After having someone to write with for so long, I realized that I had become codependent. I didn’t know how to have my own ideas without the validation of my partner telling me if they were good or not. I’d have a stroke of inspiration and then not know what to do with it. I went a very long time without writing anything. Around this time, I also had a lot of personal hardships like boyfriends and breakups and friend drama and academics, so writing became a lower priority in my life. At the time, it felt like this dream or wish, like if I just did better in school then I’d be able to write again. If I was just a better child then I’d be able to write again. If only I could bring my grades up or do my chores or be a better person then maybe I could write again.

Aside from the occasional short story for class or attempt at a writing prompt I saw on Pinterest, I didn’t write much.

When I started college, I started writing again. I decided that as an adult I could do whatever I wanted and the only person whose expectations I had to live up to were my own. And I wanted to write.

For the last few years I have been writing for fun. I even found some friends to write with, but I also learned how to write on my own. I write back and forth with my friends, create elaborate fictional worlds and peoples and faiths and politics… but I never really have anything to show for it. No linear stories, definitely no complete stories. Just a bunch of incomplete notes and concepts with no real products. Thus begins my identity crisis. I decided that I was not, in fact, a writer. Maybe I was just a story teller. I mean it’s true, isn’t it? I like to talk about these epic tales and I can speak about my characters as fluently as if I were talking about myself so yes. I must be a story teller. But to tell stories is a verb, an action. And who am I telling? My two friends? Not really, no. Sure we have our story that we work on together but what about all my personal works? Who are those for? Am I even a story teller if I tell no stories?

Would anyone even want to hear the stories I have to tell? I am a very lost… someone. An artist with no art to show for the immense creativity of my soul.

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That means back in Anciet Rome, there was an Emperor Penis and what we call what's in our pants Ceasars. Guess it really changes the meaning when you get called Little Ceasar, huh rat man?

You like Caesar salad? Now imagine it was called Penis salad. Not so appetizing anymore, is it?

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actually yknow what, no. this is not being limited to discord, yall get it too.

some general cooking tips (in which there is a brief senshi posession):

moisture is the enemy of crispy skin. pat dry with paper towel, and if you have the time and spoons, give a thorough but even coat of baking powder and let sit uncovered in your fridge overnight. this will dry out the skin nicely. for pork belly, create a tight foil boat so that only the skin is showing, and cover in salt to draw out moisture, repeating a couple times if necessary.

furikake seasoning, for the fellow rice lovers, is just nori (seaweed), sesame seeds, sugar, and msg/salt. you might have most if not all of these things already in your kitchen.

chai spice mix is just cinnamon, ginger, cardamom, cloves, nutmeg, & allspice.

pumpkin spice is just cinnamon, nutmeg, cloves, and ginger.

to cure your own bacon, you only need water, white and brown sugar, and a non-iodized salt - himalayan pink salt is not iodized, if you cannot find butchers curing pink salt. from there, you can add any seasoning/flavoring you want.

the truly adventurous may cook their rice in green tea for a fresh clean taste.

you can tell if a fish is truly fresh by their eyes - clear and bright is fresh, while cloudy is older or potentially has been frozen.

it's cheaper to buy a large block pack of ramen from your local asian market and repackage the bricks into sandwich bags, than to buy a box of individually packaged ones such as maruchan or top ramen.

when buying meat, look at it's fat content - more fat marbling usually means more tender + flavorful.

you can save onion skins and other vegetable scraps to make your own broth with. you can also save bones for this. mix and match ratios to create your ideal flavor.

bay leaf will always make a soup or broth taste better, but Watch Out (they are not fun to bite into on accident).

msg is, in fact, not The Devil, that was just a racist hate campaign against the chinese and other oriental races. it's literally just a type of salt. it is no more dangerous to eat than any other type of salt.

washing your rice is important because it not only improves flavor and texture by removing excess starch, but it also helps reduce any residual pesticides or dirt, or even insect fragments (please remember that rice paddies are essentially giant ponds that all kind of things live in and swim around. you should also be washing all your produce in general.)

please salt your cooking water for pastas, it just tastes better and you will be happier for it.

boiled potatoes are also improved by salt water.

if you hate vegetables, please consider trying them fried in butter or perhaps bacon grease. it is healthier to eat them fatty than not at all.

healthy food does not in fact have to taste miserable. thats a lie. they are lying to you. free yourself from your blandness shackles. enter a world of flavor.

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In his new room - in his new house - Jason searches up for a circus performances and stares at them for hours. First, he watches at them mindlessly, unconsciously curious, and then, he starts to take notes.

He is a street kid, and everything about him screams of that. So, he is nowhere near the grace of these performers on the screen. His arms are not that strong, too, but he is agile, and his legs are much stronger - he can think of something.

He can be just as good as the boy he is replacing.

It is not like someone tells him to match Richard Grayson, and it is not like someone admits that Jason is here to replace the first Wonder Boy, but Jason heard Bruce's conversation with Dick earlier. It was meant not for his ears, but it doesn't matter now.

"So, now what, you exile me, and bring a boy to replace me?!"

Jason is not mad. All of it ‐ adoption papers, the manor, the school - is much more than he ever thought he would get in his life. Being replacement doesn't sound as bad anyway; especially, if his brother is so cool.

So, he makes notes on circus performances and slightly chopes his hair. They are much curlier than Dick's - he has more of a wavy ones, and the only ever look that way, when they get long; his childhood photos with short hair looks too straight - but the cut does its magic.

The next day, Bruce compliments his hair absentmindedly and is positively surprised by his new moves on the patrol, asking where he learnt it from. Jason lies about not remembering, but his cheeks are flashed, and his smile is all about teeth. He can't wait to show it to Dick once they finally get on a mission together.

Expect, when they do, Dick just nods and mutters a light-hearted "good job" before leaving to talk with his team. And Jason knows Dick doesn't want to be mean - he gets it; no one feels good about having a replacement, especially the one that seems so cheap in comparison - but he still cries that night in his pillow, feeling himself a little kid, even if he isn't one. Even if he never was.

Jason wonders if his own replacement would make him understand Dick.

But Jason never gets replaced.

No matter the taunting voice of the Lazarus Pit in the back of his head - that sometimes sounds suspiciously like Talia's; you remain unavenged and replaced - and his own intrusive thoughts that spiral in uneven lines, Jason doesn't think Tim was ever meant to be his replacement. Being replaced means to match the person that was meant to be left behind. And no one asked Tim to be like Jason.

If anything, memory of Jason was thrown under the rag, hidden and locked securely in heads of those who survived. And if they brought Jason up, then it was always an example of what Robin shouldn't do: run away, disobey, and allow emotions to consume you. So, not much of an exemplary original. More like an opposite.

Jason feels an urge to explain that to Tim once; when they sit together on the rooftop, almost like a proper family, instead of broken pieces of someone's idea of a one.

'You could never replace me,' he says, and the instant it leaves his mouth, he knows it came out wrong.

Tim rolls his eyes.

'Yeah, dude. Whatever.'

'No, I mean—' He grits his teeth, scrapping slightly the back of his hand. 'I mean... You could never replace me, because... Because you were always better.'

Tim freezes. His big blue eyes shift in something more confused, and it is almost as if he is not sure how he needs to react — to protest? To agree? To thank him?

Jason doesn't know what to do, too.

He wants to say: it is easy as that, babybird. They wanted to have someone who would have nothing in common with me — someone who could help them to forget about my existence, about the existence of the failed Robin.

But he can't make himself speak again. And he is not sure he wants to stay any longer to hear Tin manging to put his thoughts in the words; he is better than him at this, too, and he almost always sounds convincing.

So, he leaves.

In his room - in the building he owns now - he ruffles his outgrown hair, fluffs up the white streak, and passes by his only remaining photo with Bruce in the frame, on the shelf under the stolen tire.

He still does this semi-circus move in his fights - almost frozen in the air, with his back arched - but he doesn't expect anyone to compliment him anymore.

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ONG ODYSSEY TELEMACHUS WAS SO GIRLBOSS-

SPEAK YO TRUTH KINGGGGGGG 🗣️🗣️🗣️

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one piece saved my life man

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Run Boy Run - Cal Kestis

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BOYZ NITE! SPRING BREAK, I BELIEVE IN YOUUUU!!

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analog horror

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birdies

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Kote’s House

Kote’s first house is a pathetic thing, and he is incurably proud of it. The twi’lek he purchased it from very evidently could not make up his mind what to do with a man that grinned while he haggled, but it was the first time Kote had haggled over a purchase of his very own. He had thoroughly enjoyed it.

The house is built for one being, and a compact being at that, but Kote doesn’t have much. Moving in is quick, and most of his efforts during the next few days after go into attempting ambitious repairs for things he doesn’t know the first thing about. 

His plumbing is an issue, he knows. Something is getting blocked up. Somehow while trying to fix the kitchen tumbler, his fresher spout explodes.

He hadn’t kept his new house a secret from anyone by any means, but it is still surprising when Fox barges in through his jamming front door. He finds Kote on the floor in his cramped kitchen while the fresher rains water in the adjacent room, laughing so hard and so crippled with delight that he can’t get up.

He tries to explain how wonderful it is —

“I-I have to fix my plumbing on my own, vod—”

—but judging by Fox’s single raised eyebrow he knows it doesn’t translate.

Fox, it turns out, is moving into the neighborhood. Kote doesn’t ask about the house Fox already has — the house he has visited, which is very nice and fancy — or point out that Fox’s contract there cannot possibly be up, which begs the question of why he’s here in Kote’s neighborhood — except that Kote already knows the answer to that question. So he doesn’t ask.

Fox doesn’t show him any grace or forbearance, though.

“Don’t even know how to fix a damn pipe, front lining show-off—” His brother snarls, but it is muffled; his top half had to go down beneath the floor they’d pried up to get at the plumbing issue.

“So that’s what they had you doing all these years.” Kote says, because he really is in a criminally good mood. He barely ducks the foot-long pipe Fox throws at his head, feeling giddy.

He makes dinner that night in thanks. Fox stays, ostensibly because now that he’s fixed the fresher he intends to use it, because his new house isn’t hooked up properly yet to all the supply lines and power grids. 

They choke on homemade tiingilar (vode-style; Kote can’t pretend at the real thing yet) so heavily spiced it’s got grit to it that sticks between the teeth. It’s disgusting, but Cody had bought fifteen different spices and while usually he likes to keep his approach to the unknown more cautious, more methodical, he couldn’t think of anything he wanted to do more than use them all at once for the first time. 

Wolffe joins them not long after; brings a few others along by recommending the apartment he picks out, so that soon most of the complex is taken up by vode, Kote hears, but he doesn’t visit yet. Everyone’s too busy coming over to his house, it seems; filling up his kitchen and asking why he hasn’t fixed the trash disposal yet, why he doesn’t have a couch, doesn’t he know they’re all the rage among civilized folk?

Kote fixes the trash disposal with Rex, who is better at it than he is but says it’s only due to Skywalker’s influence on managing all things mechanical. 

“How is Skywalker?” Kote asks, and gets more than he bargained for over the next hour. At first he’s a bit off-put, because he’s trying to get dinner sorted again and he’s not been very fond of Skywalker at the best of times, but Rex is snorting out a story and laughing and it’s contagious, so Kote just resigns himself and settles in to enjoy.

Skywalker has little ones, now. Obi-Wan is the only one that can get them to sleep. Ahsoka is distressed; she knows better, but every instinct in her is apparently in agony over the little ones’ inability to eat meat yet. She obsesses over nutrients in their diet — which, given what tiny natborn humans primarily ingest in the early stages, makes for some slightly awkward conversations.

Rex helps with dinner afterward, and they take turns being incredulous over natborn baby facts, shoving around one another in the tiny, uncomfortable kitchen.

“What’s your next project?” Rex asks at one point, glancing sidelong with a cheeky look, and Kote levels his vegetable knife at him (he’s got a vegetable knife. Specifically for vegetables. It’s a very new concept). 

“I make everyone’s dinner on Tuangsdays.” He says. “I’m productive.”

Rex’s sharp-toothed grin turns thoughtful. “Yeah” He says. “Everyone loves coming here, you know. You could be the new 79’s.”

Kote knows. He plans and plots, and puts more work into researching recipes than he’s put into any research whatsoever in months. It feels a bit like coming out of a shore leave; his thoughts quicken and his excitement grows. He hunts down a market. He brings a bag. He shops, bargains, and returns victorious.

He sends out a few comms., and can’t help but shake his head and grin at how different the responses are. 

What a marvelous idea, Cody. His general — ex-general — says.

Yus pls, Ahsoka sends back, with some sort of strange tooka vidclip that dances with wiggly gyrations Kote can only assume indicate excitement.

Where is your house, Anakin says, blunt and to the point, and Kote can appreciate that. 

He sends the address. He cooks all day. The sun sets, and Fox and Wolffe arrive, already bickering, Rex trailing behind with a long-suffering look sent to Kote, begging commiseration.

“Ugh, don’t you ever stop smiling, now?” He gripes when Kote just grins at him. 

“Nope,” Kote says, unrepentantly.

He leaves the soup on the stove, simmering, and takes his cup of caf to the window. He leans on it, breathing in cool air, and just listens — listens to the squabbling as Wolffe gets on Fox’s case for not washing Kote’s dishes correctly the last time they visited. Hears the soft thumps of Rex sneaking into the cramped room Kote has set aside for plants and the sole pet he has; a pastel goullian, fins swaying ever so gently, permanent scowl in place. Thinks he catches, distantly, the sound of his remaining three guests (Padme couldn’t attend, and had made him feel very awkward by how thoughtfully she apologized for it) plodding up the hill. 

“Cody!” Ahsoka cries, coming into view and waving. 

Kote’s cheeks have stopped aching from all the smiling he’s gotten used to, so it’s easy to let another through.

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“There is no other home”, Soviet poster, 1986.

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Beatdown

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pkmn au

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Every time you cooked over a campfire, you would throw some food into the fire as an offering to the gods. One evening, just as you're about to perform your little campfire ritual, you hear a voice behind you say "You know, I would very much prefer my food un-burnt."

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[Respite] - A little reminder that all my fellow Warriors of Light are doing great and you should be proud of yourselves. 

 My silly little ‘project’ that took way more effort than was necessary Thank you Peter for his cameo performance as Thancred!