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regardingsara · 4 years
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Oscar predictions
Best picture
1917
Ford V. Ferrary
Jojo Rabit
Joker
Little women
Marriage story
Once upon a time… in Hollywood
Parasite
The Irishman
Best director
Bong Joon Ho, Parasite
Sam Mendes, 1917
Todd Phillips, Joker
Martin Scorsese, The Irishman
Quentin Tarantino, Once upon a time… in Hollywood
Best actor
Taron Egerton, Rocketman
Christian Bale, Ford v. Ferrari
Leonardo Di Caprio, Once upon a time… in Hollywood
Adam Driver, Marriage story
Joaquin Phoenix, Joker
Best actress
Scarlett Johansson, Marriage story
Lupita Nyong’o, Us
Saoirse Ronan, Little women
Charlize Theron, Bombshell
Renee Zellweger, Judy
Supporting actor
Tom Hanks, A beautiful day in the neighborhood
Anthony Hopkins, The two popes
Al Pacino, The Irishman
Joe Pesci, The Irishman
Brad Pitt, Once upon a time… in Hollywood
Supporting actress
Laura Dern, Marriage story
Scarlett Johansson, Jojo Rabbit
Jennifer Lopez, Hustlers
Florence Pugh, Little Women
Margot Robbie, Bombshell
Original screenplay
Booksmart
Knives out
Marriage story
Once upon a time… in Hollywood
Parasite
Adapted screenplay
Jojo rabbit
Joker
Little women
The Irishman
The two popes
International film
Atlantics
Honeyland
Les Misérables
Pain and glory
Parasite
Animated feature
Frozen II
How to train your dragon: The hidden world
I lost my body
Missing Link
Toy story 4
Documentary
American factory
Apollo 11
For Sama
The cave
One child nation
Live action short
The Christmas gift
Little hands
Refugee
Saria
A sister
Animated short
Hair love
He can’t live without cosmos
Kitbull
The physics of sorrow
Uncle Thomas: Accounting for the days
Documentary short
Ghosts of Sugar Land
In The Absens
Learning to skateboard in a Warzone (If you’re a girl)
St. Louis Superman
Stay close
Score
1917
Joker
Little women
Marriage story
Star wars: The rise of Skywalker
Song
“Spirit” from The Lion King
“Into the unknown” from Frozen II
“Stand up” from Harriet
“Glasglow” from Wild rose
“(I’m gonna) Love me again” from Rocketman
Editing
1917
Ford v. Ferrari
The Irishman
Once upon a time… in Hollywood
Parasite
Sound mixing
Ford v. Ferrari
Joker
Rocketman
Star wars: The rise of Skywalker
Once upon a time… in Hollywood
Sound editing
1917
Joker
Ford v. Ferrari
Rocketman
Star wars: The rise of Skywalker
Cinematography
1917
Ford v. Ferrari
The Irishman
Joker
Once upon a time… in Hollywood
Costume design
Once upon a time… in Hollywood
Jojo Rabbit
Little women
Dolemite is my name
Rocketman
Make up and hairstyling
Bombshell
Dolemite is my name
Joker
Judy
Rocketman
Production design
1917
Joker
Once upon a time.. in Hollywood
Parasite
The Irishman
Visual Effects
1917
Avengers: Endgame
The lion king
The Irishman
Star wars: The rise of Skywalker
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regardingsara · 5 years
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2019 Oscar Predictions
Best picture
 ·         Will win: Roma
·         Could win: A Star is Born
·         My pick: A Star is Born
 Best director
 ·         Will win: Alfonso Cuarón, Roma
·         Could win: Spike Lee, BlackKklansman
·         My pick: from the nominees? Spike Lee. In my heart? Bradley Cooper, A Star is Born. I’ll die on this hill.
 Best actor
 ·         Will win: Rami Malek, Bohemian Rhapsody
·         Could win: Christian Bale, Vice
·         My pick: Bradley Cooper, A Star is Born
 Best actress
 ·         Will win: Glenn Close, The Wife
·         Could win: Olivia Colman, The favourite
·         My pick: Olivia Colman, The favourite
 Best supporting actor
 ·         Will win: Mahershala Ali, Green Book
·         Could win: Richard E. Grant, Can You Ever Forgive Me?
·         My pick: Adam Driver, BlackKklansman
 Best supporting actress
 ·         Will win: Regina King, If Beale Street Could Talk
·         Could win: Rachel Weisz, The Favourite
·         My pick: Rachel Weisz, The Favourite
 Best original screenplay
 ·         Will win: The Favourite
·         Could win: First Reformed
·         My pick: The Favourite
 Best adapted screenplay
 ·         Will win: Can You Ever Forgive Me?
·         Could win: BlackKklansman
·         My pick: BlackKklansman
 Best foreign language film
 ·         Will win: Roma
·         Could win: Cold War
·         My pick: Cold War
 Best documentary film
 ·         Will win: Free Solo
·         Could win: Minding the Gap
 Best animated film
 ·         Will win: Spiderman: Into the Spiderverse
·         Could win: Incredibles II
·         My pick: Isle of Dogs
 Best live action short
 ·         Will win: Marguerite
·         Could win: Skin
 Best animated short
 ·         Will win: Bao
·         Could win: Weekends
·         My pick: Bao
 Best documentary short
 ·         Will win: Period. End of Sentence.
·         Could win: Endgame
 Best original score
 ·         Will win: If Beale Street Could Talk
·         Could win: Isle of Dogs
·         My pick: from the nominees? Isle of Dogs. In my heart? First Man
 Best original song
 ·         Will win: “Shallow” from A Star is Born
·         Could win: LOL
·         My pick: “Shallow” from A Star is Born
 Best sound mixig
 ·         Will win: Bohemian Rhapsody
·         Could win: First Man
·         My pick: First Man
 Best sound editing
 ·         Will win: Bohemian Rhapsody
·         Could win: First Man
·         My pick: First Man
 Best editing
 ·         Will win: The Favourite
·         Could win: Vice
·         My pick: BlacKklansmam
 Best cinematography
 ·         Will win: Roma
·         Could win: Cold War
·         My pick: Cold War
 Best makeup and hairstyling
 ·         Will win: Vice
·         Could win: Mary, Queen of Scotts
 Best costume design
 ·         Will win: The Favourite
·         Could win: Black Panther
·         My pick: The Favourite
 Best production design
 ·         Will win: The Favourite
·         Could win: Black Panther
·         My pick: First Man
 Best visual effects
 ·         Will win: Avengers: Infinity War
·         Could win: First Man
·         My pick: First Man
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regardingsara · 5 years
Text
2019 Oscar predictions
As per usual, at the eleventh hour, here are my Oscar predictions:
Best picture
A star is born
Black panther
Blackkklansman
Bohemian Rhapsody
Green book
If Beale Street could talk
Roma
The favourite
Best director
Bradley Cooper, A star is born
Alfonso Cuaron, Roma
Yorgos Lanthimos, The favourite
Adam McKay, Vice
Spike Lee, BlackKklansman
Best actor
Christian Bale, Vice
Bradley Cooper, A star is born
Ethan Hawke, First reformed
Rami Malek, Bohemian Rhapsody
Viggo Mortensen, Green Book
Best actress
Toni Collette, Hereditary
Olivia Colman, The favourite
Glenn Close, The wife
Lady Gaga, A star is born
Melissa McCarthy, Can you ever forgive me?
Best supporting actor
Mahershala Ali, Green Book
Timothee Chalamet, Beautiful boy
Adam Driver, BlackKklansman
Sam Elliot, A star is born
Richard E. Grant, Can you ever forgive me?
Best supporting actress
Amy Adams, Vice
Claire Foy, First man
Regina King, If Beale Street could talk
Emma Stone, The favourite
Rachel Weisz, The favourite
Best original screenplay
First reformed
Green book
Roma
The favourite
Vice
Best adapted screenplay
A star is born
Black Panther
BlackKlansman
Can you ever forgive me?
If Beale Street could talk
Best foreign language film
Burning
Cold War
Capernaum
Roma
Shoplifters
Best documentary feature
Free Solo
Hale County this morning, this evening
Minding the gap
Shirkers
Won’t you be my neighbor?
Best animated feature
Dr. Seuss’ The Grinch
Incredibles 2
Isle of dogs
Ralph breaks the internet
Spider-man: Into the Spider-verse
Best live action short
Caroline
Chuchotage
Icare
Mother
Wale
Best animated short
Age of sail
Bao
Bird Karma
Lost & found
Weekends
Best documentary short
Black sheep
Lifeboat
Los commandos
My dead dad’s porno tapes
Zion
Best original score
Black Panther
First man
If Beale Street could talk
Isle of dogs
Mary Poppins returns
Best original song
“Shallow” from A star is born
“All the stars” from Black Panther
“Revelation” from Boy erased
“Girl in the movies” from Dumplin’
“Trip a little light fantastic” from Mary Poppins returns
Best cinematography
A star is born
Cold War
First man
Roma
The favourite
Best film editing
A star is born
First man
Roma
The favourite
Vice
Best sound mixing
A quiet place
A star is born
Black Panther
Bohemian Rhapsody
First man
Best sound editing
A quiet place
Black Panther
First Man
Mission Impossible: Fallout
Roma
Best costume design
Black Panther
Bohemian Rhapsody
The favourite
Mary Poppins returns
Mary, Queen of Scots
Best production design
Black Panther
The favourite
First man
Mary Poppins returns
Roma
Best hair and makeup
Bohemian rhapsody
Mary, Queen of Scots
Vice
Best visual effects
Avengers: Infiniy war
Black Panther
First man
Mary Poppins returns
Ready player one
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regardingsara · 6 years
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2018 Oscar Predictions
Best picture
·         Will win: The shape of water
·         Could win: Three billboards outside Ebbing, Missouri
·         My pick: The shape of water
This is basically a two-way race between The shape of water and Three billboards. Some people are also throwing Get out into the mix. Sweet summer children. As much as I would love to see that happening, I just don't think it's very likely. So let's examine the strengths and weaknesses of our two main contenders. Three billboards won SAG Ensemble and the BAFTA for Best Film, which means it has the support of the acting branch and the British block, which comprise a large portion of the Academy. But it is also a controversial (in my opinion, undeservingly so) and divisive film, and those don't tend to do well in a preferential ballot. It doesn't help that director Martin McDonagh wasn't nominated for Best Director. The shape of water won PGA and DGA, two of the three guild awards that most strongly correlate with a Best Picture Oscar. PGA is particularly significant because it uses the same preferential ballot system that the Academy uses. But it wasn't nominated for the third of those guild awards, the SAG, where Three billboards prevailed. Last year, La La Land won PGA and DGA but wasn't nominated for SAG Ensemble, and we all know how THAT turned out. However, Moonlight, the film that did win, was not divisive at all. So, taking into account how BOTH films would likely perform in a preferential ballot, I'm going with The shape of water. It's a pretty even race and I would be disappointed, but not shocked, to be wrong.
Best director
·         Will win: Guillermo del Toro, The shape of water
·         Could win: Christopher Nolan, Dunkirk
·         My pick: Guillermo del Toro, The shape of water
Best actor
·         Will win: Gary Oldman, Darkest hour
·         Could win: Timothée Chalamet, Call me by your name
·         My pick: Gary Oldman, Darkest hour
A lot of people are aware that Gary Oldman is winning this because he's overdue, but I don't think enough people are acknowledging that his performance is an all-timer. He does a great job at acting through the make up, he carries the film, and he elevates it.
Best actress
·         Will win: Frances McDormand, Three billboards outside Ebbing, Missouri
·         Could win: Sally Hawkins, The shape of water
·         My pick: Sally Hawkins, The shape of water
For the past couple of years or so I have worked with a child who, like Sally Hawkin's character in The shape of water, is non-verbal, but not hearing impaired. It is a blessing that he can hear me because after all this time I've mastered less than 30 signs. I'd like to point that out because being fluent in sign language isn't easy and I don't think enough credit is being given to Sally Hawkins for that. What doesn't need to be pointed out is that despite being deprived of the use of her voice, her performance is impeccable. Saoirse Ronan in Lady Bird because after seeing her playing such a mature character in Brooklyn, I didn't think I would buy her as a teenager, and yet she nails it. Between Lady Bird and Loving Vincent, she really blew me away this year, and I can't wait to see what she does next. McDormand gets the job done as usual, but the screenplay doesn't give her much to play besides anger.
Best supporting actor
·         Will win: Sam Rockwell, Three billboards outside Ebbing, Missouri
·         Could win: Willem Dafoe, The Florida project
·         My pick: Woody Harrelson, Three billboards outside Ebbing, Missouri
For the first time ever, the Golden Globes, Critics' choice, SAG and BAFTA have agreed on all of the acting nominees, so that means that Oscars will probably agree as well. So far, the 'could  win' part of the acting predictions have been a mere exercise in wishful thinking. But, since such consistency among award bodies is unprecedented, I think that the Oscars could be the ones to provide the statistical anomaly. Of all the acting frontrunners, I think Sam Rockwell is the most vulnerable one, because what people find problematic about Three billboards is precisely Rockwell's character. Harrelson is the one who more successfully builds a whole character, and he shines in his limited screen time.
Best supporting actress
·         Will win: Allison Janney, I, Tonya
·         Could win: Laurie Metcalf, Lady Bird
·         My pick: Mary J. Blige, Mudbound
It was tough picking between Metcalf and Blige. After all, Lady Bird lives and breathes on the relationship between Metcalf and Ronan's characters, but Blige conveys so much within the restraint that her character demands of her and she holds her own among an ensemble of greats.
Best original screenplay
·         Will win: Get out
·         Could win: Three billboards outside Ebbing, Missouri
·         My pick: Get out
Get out is not perfect, it has its flaws. They have been pointed out to me, and I acknowledge them, and they lie in the screenplay. But none of those flaws have prevented me from getting completely immersed in the story. It helps that the screenplay is so rich in details and it demands your full attention.  Three billboards is an interesting story that goes to unexpected places, but it falls short on character development.
Best adapted screenplay
·         Will win: Call me by your name
·         Could win: Molly's game
·         My pick: Mudbound
Best foreign language film
·         Will win: A fantastic woman
·         Could win: The Square
Best documentary feature
·         Will win: Faces places
·         Could win: Abacus: Small enough to jail
Best animated feature
·         Will win: Coco
·         Could win: The breadwinner
·         My pick: Loving Vincent
I love Pixar movies as much as the next person, but Loving Vincent is such a special, beautifully made animation gem. Unlikely as it may be, I would absolutely love to see it win.
Best live action short
·         Will win: DeKalb Elementary
·         Could win: The silent child
With no precursors for this category and little availability of the nominated works, any prediction here is merely an educated guess. Delkab Elementary, about a school shooting, tackles a timely subject that was all over the news during Oscar voting week, which I think will help it.
Best documentary short
·         Will win: Edith + Eddie
·         Could win: Heaven is a traffic jam on the 405
Best animated short
·         Will win: Dear basketball
·         Could win: Negative space
Best original score
·         Will win: The shape of water
·         Could win: Phantom thread
·         My pick: Three billboards outside Ebbing, Missouri
Best original song
·         Will win: "Remember me" from Coco
·         Could win: "This is me" from The greatest showman
·         My pick: "Mystery of love" from Call me by your name
Best sound editing + Best sound mixing
·         Will win: Dunkirk
·         Could win: Baby driver
Best cinematography
·         Will win: Blade runner 2049
·         Could win: The shape of water
·         My pick: Blade runner 2049
Best film editing
·         Will win: Dunkirk
·         Could win: Baby driver
Best production design
·         Will win: The shape of water
·         Could win: Blade runner 2049
·         My pick: The shape of water
Best costume design
·         Will win: Phantom thread
·         Could win: Beauty and the Beast
Best make up and hairstyling
·         Will win: Darkest hour
·         Could win: Wonder
·         My pick: Darkest hour
Best visual effects
·         Will win: Blade Runner 2049
·         Could win: War for the Planet of the Apes
·         My pick: War for the Planet of the Apes
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regardingsara · 6 years
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2018 Oscar nomination predictions
Best picture
·         Call me by your name
·         Dunkirk
·         Get out
·         Lady Bird
·         The big sick
·         The Florida project
·         The Post
·         The shape of water
·         Three Billboards outside Ebbing, Missouri
Best director
·         Guillermo del Toro, The shape of water
·         Greta Gerwig, Lady Bird
·         Martin McDonagh, Three billboards outside Ebbing, Missouri
·         Christopher Nolan, Dunkirk
·         Jordan Peele, Get out
I went for the 5 DGA nominees, although DGA and Oscar rarely match 5 for 5, because I can't think of any other director who could sneak in. But the director's branch has been known to do crazy things, so I wouldn't be surprised if Steven Spielberg ends up replacing either Nolan or Peele.
Best actor in a leading role
·         Timothée Chalamet, Call me by your name
·         Daniel Day-Lewis, Phantom thread
·         James Franco, The disaster artist
·         Daniel Kaluuya, Get out
·         Gary Oldman, Darkest hour
Best actress in a leading role
·         Sally Hawkins, The shape of water
·         Frances McDormand, Three billboards outside Ebbing, Missouri
·         Margot Robbie, I, Tonya
·         Saoirse Ronan, Lady Bird
·         Meryl Streep, The Post
Best actor in a supporting role
·         Willem Dafoe, The Florida project
·         Armie Hammer, Call me by your name
·         Woody Harrelson, Three billboards outside Ebbing, Missouri
·         Richard Jenkins, The shape of water
·         Sam Rockwell, Three billboards outside Ebbing, Missouri
Best actress in a supporting role
·         Betty Gabriel, Get out
·         Holly Hunter, The big sick
·         Allison Janney, I, Tonya
·         Laurie Metcalf, Lady Bird
·         Octavia Spencer, The shape of water
Betty Gabriel is my 'no guts, no glory' prediction because I have a very strong feeling that Mudbound is going to underperform and Mary J. Blige isn't safe, but of course, she would be the safe bet.
Best adapted screenplay
·         The disaster artist
·         Call me by your name
·         Molly's game
·         Mudbound
·         Logan
Best original screenplay
·         The big sick
·         Get out
·         Lady Brd
·         The shape of water
·         Three billboards outside Ebbing, Missouri
Best foreign language film
·         A fantastic woman (Chile)
·         In the fade (Germany)
·         Foxtrot (Israel)
·         Loveless (Russia)
·         The square (Sweeden)
Best documentary feature
·         Chasing coral
·         City of Ghosts
·         Faces places
·         Icarus
·         Jane
Best animated feature
·         The boss baby
·         The breadwinner
·         Coco
·         The LEGO Batman moovie
·         Loving Vincent
Best documentary short
·         Alone
·         Edith + Eddie
·         Heaven is a traffic jam on the 405
·         Heroin(e)
·         Ten meter tower
Best animated short
·         Cradle
·         Dear basketball
·         Lou
·         Negative space
·         Revolting Rhymes
Best original score
·         Darkest hour
·         Dunkirk
·         Phantom thread
·         The shape of water
·         The Post
Best original song
·         "Remember me" from Coco
·         "This is me" from The greatest showman
·         "Mystery of love" from Call me by your name
·         "Stand up for something" from Marshal
·         "Mighty River" from Mudbound
Best sound mixing
·         Baby driver
·         Dunkirk
·         Star wars: The last jedi
·         The shape of water
·         Wonder woman
Best sound editing
·         Baby driver
·         Blade runner 2049
·         Dunkirk
·         The shape of water
·         Star wars: The last jedi
Best production design
·         Beauty and the beast
·         Blade runner 2049
·         Darkest hour
·         Murder on the Orient Express
·         The shape of water
Best makeup and hairstyling
·         Darkest hour
·         I, Tonya
·         Wonder
Best cinematography
·         Blade runner 2049
·         Dunkirk
·         The shape of water
·         Mudbound
·         Darkest hour
Best editing
·         Baby driver
·         Blade runner 2049
·         Dunkirk
·         The shape of water
·         Three billboards outside Ebbing, Missouri
Best visual effects
·         Blade runner 2049
·         Dunkirk
·         Kong: Skull Island
·         Star wars: The last jedi
·         War for the planet of the apes
Best costume design
·         Beauty and the Beast
·         Blade runner 2049
·         Phantom thread
·         The shape of water
·         Wonder woman
 I abstained from predicting the live short films because really, your guess is as good as mine.
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regardingsara · 6 years
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Sara’s favorite films of 2017
It's that time of the year again! The time when I emerge from my cave after months of not blogging, to help you navigate end-of-year-reviews and awards season. And what a film year this has been! Superhero, period, comedy, action and romance are all represented among the best films of the year in most lists, including this humble blogger's. The quality was also well spread throughout the year, as opposed to other years when the first nine months lack good offerings and the last three spit them out at a rate that's difficult to keep up with. In fact, a lot of movies on my list came out in the first half of the year, which has given me the opportunity to revisit them and confirm how much I enjoy them. The end of the year brought a lot of movies that I still hope to see: A ghost story, I, Tonya, Call me by your name, The killing of a sacred deer, Phantom thread, The Florida project, The disaster artist, In the fade, and Film stars don't die in Liverpool. So, my personal end-of-year list is still subject to change. Hell, even if I watched nothing else from 2017, my top 4 is in a constant flux, and what is my favorite film today may not be my favorite film tomorrow. And boy, do I have thoughts on this films, but I also have a job and a household that take a lot of my time, so for the time being, the list is presented without commentary. Hopefully this will change soon, but I wanted to make sure, unlike last year, to post this list before January slips through my fingers. So, without further ado, here it is: my 10 favorite movies of 2017.
10. Blade Runner 2049
9. Darkest Hour
8. Lady Bird
7. Mudbound
6. Wonder Woman
5. War for the Planet of the Apes
4. Get Out
3. Dunkirk
2. Loving Vincent
1. The shape of water
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regardingsara · 7 years
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Sara’s 2017 Oscar Predictions
Best picture
·         Will win: La La Land
·         Could win: Moonlight
·         My pick: Arrival
La La Land and Moonlight are good, but not great. But in an underwhelming year in film, these are worthy winners by comparison. Arrival is the one in the bunch that feels like an instant classic.
Best director
·         Will win: Damien Chazelle, La La Land
·         Could win: Barry Jenkins, Moonlight
·         My pick: Barry Jenkins, Moonlight
Chazelle looks like the surefire winner, but in a time when precursors don't mean the same anymore and the Best Picture/Best Director split is becoming more frequent, there's still hope for Jenkins, who elicited the best acting from a cast ensemble of any film this year.
Best actor
·         Will win: Casey Affleck, Manchester by the Sea
·         Could win: Denzel Washington, Fences
·         My pick: Casey Affleck, Manchester by the Sea
I've only seen Affleck, Hacksaw Ridge's Garfield and La La Land's Gosling. Gosling brings the charm, but the screenplay doesn't give him much to work with. Between Garfield and Affleck, the latter is the most effective.
Best actress
·         Will win: Emma Stone, La La Land
·         Could win: Isabelle Huppert, Elle
·         My pick: Emma Stone, La La Land
Let me get something out of the way first: anyone following award season knew that this was the most competitive acting category and that two worthy contenders were going to be left out. Arrival's Amy Adams should not have been one of them. And I love Meryl Streep as much as the next person, but her performance in Florence Foster Jenkins was not Oscar worthy, especially over Adams'. When you're Meryl Streep and the heart of your movie is Hugh Grant, you know something's off.
There. Rant over. I have yet to see Loving so I don't have an opinion on Ruth Negga's performance, but Jackie's Natalie Portman, Stone and Huppert all give incredible performances that could not be more different from one another. Any of them would be a worthy winner.
 Best supporting actor
·         Will win: Mahershala Ali, Moonlight
·         Could win: Michael Shannon, Nocturnal Animals
·         My pick: Lucas Hedges, Manchester by the Sea
According to people in the know, this is between Ali and Lion's Dev Patel, but I think if there's anyone who can upset Ali, it's Michael Shannon. He has a habit of being the surprise nomination that no one sees coming, so why couldn't he win in the same manner? Hey, the Cubs won a World Series and Trump won a presidential election, so no Oscar prediction is too crazy by comparison. My pick is Lucas Hedges, who keeps Manchester by the Sea from turning into Sadchester by bringing realness and humor into his character.
Best supporting actress
·         Will win: Viola Davis, Fences
·         Could win: Michelle Williams, Manchester by the Sea. But not really.
·         My pick: Naomie Harris, Moonlight
I have only seen Williams and Harris. Moonlight has the strongest collective acting of any film this year, so it's easy to pick Harris for her portrayal of the different stages of drug addiction.
Best original screenplay
·         Will win: Manchester by the Sea
·         Could win: La La Land
·         My pick: Manchester by the Sea
Even with its great acting, the true strenght of Manchester by the Sea is its writing. It's poised to win this category, but La La Land's screenplay could ride the coattails of the film's success into a win here, which would make it one of the most infuriating upsets of the night.
Best adapted screenplay
·         Will win: Moonlight
·         Could win: Arrival
·         My pick: Arrival
Arrival is smart without being dense, which makes it very accessible, and it uses its non-linear storytelling for dramatic purposes to great effect. Moonligth will still be a worthy winner on character development alone.
Best animated feature
·         Will win: Zootopia
·         Could win: Moana
·         My pick: Kubo and the two strings
With the Disney campaign machine behind it, its box office success and its timely message about prejudice, Zootopia looks like a textbook Oscar winner. I'd go for Kubo and the two strings, another aesthethic triumph for Laika.
Best foreign language film
·         Will win: Toni Erdmann (Germany)
·         Could win: The Salesman (Iran)
The Salesman director Asghard Farhadi has declined to attend the Oscars in response of the Muslim ban, which could give the film the notoriety it needs to push past the German critical favorite.
Best documentary feature
·         Will win: O.J.: Made in America
·         Could win: I am not your negro
Best documentary, short subject
·         Will win: The White Helmets
·         Could win: 4 1/2 Miles
Best live action short
·         Will win: Le femme et le TGV
·         Could win: Silent Nights
Best animated short
·         Will win: Pearl
·         Could win: Piper
Best original score
·         Will win: La La Land
·         Could win: Jackie
·         My pick: La La Land
I'm glad to see Jackie composer Mica Levi in the line up, after missing out for her eerie work in Under the skin, but as flawed as La La Land is, if there's anything truly magic about it, it's the music.
Best original song
·         Will win: "City of Stars" from La La Land
·         Could win: "Can't stop the feeling" from Trolls
·         My pick: "Audition (The Fools Who Dream)" from La La Land (but in my heart, it's the unsubmitted "A Lovely Night".
So here's the thing about the La La Land songs: "Someone in the crowd" sums up Mia's career ambitions, while "A lovely night" sums up Mia and Seb's courtship. Neither was submitted for nominations. "Audition" is the one I personally enjoy listening to the most, and it has a great emotional resonance, thanks in no small part to Emma Stone's performance, but it makes Mia's aunt sound like a more important part of the story than she really was, given that she was only mentioned one other time in the film. Also, it bothers me that good girl Mia's role model is a self destructive alcoholic. I love "Audition", but I feel songs in this category should be judged not only on quality but also in what they bring to the film. "City of Stars" has weak lyrics but it will win nonetheless.
Best sound editing
·         Will win: Hacksaw Ridge
·         Could win: Arrival
·         My pick: Hacksaw Ridge
I feel like La La Land might win here solely because most Academy voters don't know the difference between sound editing and sound mixing. We'll see.
Best sound mixing
·         Will win: La La Land
·         Could win: Arrival
·         My pick: Hacksaw Ridge
Best production design
·         Will win: La La Land
·         Could win: Arrival
·         My pick: Hail, Caesar!
La La Land has beautiful backdrops for dance numbers. Fantastic Beasts and Where to Find Them has period settings. Hail, Caesar! has both.
Best cinematography
·         Will win: La La Land
·         Could win: Arrival
·         My pick: Moonlight
Best make up and hair styling
·         Will win: Star Trek Beyond
·         Could win: Suicide Squad
·         My pick: Suicide Squad
Best costume design
·         Will win: Jackie
·         Could win: La La Land
·         My pick: Jackie
Best editing
·         Will win: La La Land
·         Could win: Arrival
·         My pick: Moonlight
Best visual effects
·         Will win: The Jungle Book
·         Could win: Rogue One: A Star Wars Story
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regardingsara · 7 years
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My 2017 Oscar Nomination Predictions
Best picture
·         Arrival
·         Fences
·         Hacksaw ridge
·         Hell or High Water
·         Jackie
·         La La Land
·         Lion
·         Manchester By The Sea
·         Moonlight
 Best director
·         Damien Chazelle, La La Land
·         Barry Jenkins, Moonlight
·         Kenneth Lonergan, Manchester By The Sea
·         David Mackenzie, Hell or High Water
·         Denis Villeneuve, Arrival
Best actor in a leading role
·         Casey Affleck, Manchester By The Sea
·         Andrew Garfield, Hacksaw Ridge
·         Ryan Gosling, La La Land
·         Viggo Mortensen, Captain Fantastic
·         Denzel Washington, Fences
Best actress in a leading role
·         Amy Adams, Arrival
·         Isabelle Huppert, Elle
·         Natalie Portman, Jackie
·         Emma Stone, La La Land
·         Meryl Streep, Florence Foster Jenkins
Best actor in a supporting role
·         Mahershala Ali, Moonlight
·         Jeff Bridges, Hell or High Water
·         Ben Foster, Hell or High Water
·         Lucas Hedges, Manchester By The Sea
·         Dev Patel, Lion
Best actress in a supporting role
·         Viola Davis, Fences
·         Greta Gerwig, 20th Century Women
·         Naomie Harris, Moonlight
·         Octavia Spencer, Hidden Figures
·         Michelle Williams, Manchester By The Sea
Best original screenplay
·         20th Century Women
·         Hell or High Water
·         La La Land
·         Manchester By The Sea
·         The Lobster
Best adapted screenplay
·         Arrival
·         Lion
·         Love and Friendship
·         Moonlight
·         Nocturnal Animals
Best foreign languafe film
·         Toni Erdmann
·         The Salesman
·         A Man Called Ove
·         Tanna
·         My Life as a Zucchini
Best animated feature
·         Finding Dory
·         Kubo and the Two Strings
·         Moana
·         My Life as a Zucchini
·         Zootopia
Best documentary feature
·         13th
·         Cameraperson
·         I Am Not Your Negro
·         O.J.: Made in America
·         Weiner
Best animated short
·         Blind Vaysha
·         Pear Cider and Cigarettes
·         Pearl
·         Piper
·         The Head Vanishes
Best original score
·         Hell or High Water
·         Jackie
·         La La Land
·         Lion
·         Moonlight
Best original song
·         "Audition (The Fools Who Dream)" from La La Land
·         "City of Stars" from La La Land
·         "Can't Stop The Feeling" from Trolls
·         "Drive It Like You Stole It" from Sing Street
·         "Just Like Fire" from Alice: Through the Looking Glass
Best sound editing
·         Arrival
·         Deepwater Horizon
·         Fantastic Beasts and Where to Find Them
·         Hacksaw Ridge
·         Rogue One: A Star Wars Story
Best sound mixing
·         Arrival
·         Deepwater Horizon
·         Fantastic Beasts and Where to Find Them
·         Hacksaw Ridge
·         La La Land
Best editing
·         Arrival
·         Hacksaw Ridge
·         La La Land
·         Manchester By The Sea
·         Moonlight
Best cinematography
·         Arrival
·         Hell or High Water
·         Jackie
·         La La Land
·         Moonlight
Best make up and hair styling
·         Florence Foster Jenkins
·         Hail, Caesar!
·         Star Trek Beyond
Best production design
·         Arrival
·         Fantastic Beasts and Where To Find Them
·         Hail, Caesar!
·         Jackie
·         La La Land
Best costume design
·         Fantastic Beasts and Where To Find Them
·         Florence Foster Jenkins
·         Jackie
·         La La Land
·         Love and Friendship
Best visual effects
·         Arrival
·         Doctor Strange
·         The Jungle Book
·         Kubo and the Two Strings
·         Rogue One: A Star Wars Story
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regardingsara · 8 years
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What I like the most about this photo is the juxtaposition of nature and man-made. 
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regardingsara · 8 years
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Sara’s Oscar Predictions
Best Picture
Will win: The Revenant
Could win: The Big Short
My pick: Mad Max: Fury Road
It's a three-way race between The Revenant, The Big Short and Spotlight. I personally don't think that The Revenant is Best Picture material and I'm trying to find a logic to predict something else. But while you can make a case for the three movies and dismiss the notion of the "momentum" that The Revenant is enjoying, the latter is still the winner. Why? Because of the bigger picture. Spotlight and The Big Short will likely win one screenplay award each, but they're not really in contention for anything else. Do you really think we'll have a Best Picture winner that only wins one other award? Me neither. The Revenant, on the other hand, is guaranteed to win Director, Actor, Cinematography and whatever other techs Mad Max doesn't take. That sounds more like a Best Picture winner to me.
Best Director
Will win: Alejandro González Iñárritu, The Revenant
Should win: George Miller, Mad Max: Fury Road
My pick: George Miller, Mad Max: Fury Road
George Miller orchestrated a very well made film with a very unique aesthetic and empowering characters. Can González Iñárritu say the same about his film? Not really. "The right actors win Oscars, but for the wrong roles", Katherine Hepburn once said. I believe that it applies to directors as well. Should González Iñárritu be a two-time Oscar winner? Yes, but not for The Revenant. Birdman is still a modern masterpiece. The Revenant is the weak link in an otherwise very consistent filmography.
Fun fact: if González Iñárritu does win, that means that the last the last three Best Director Prizes have gone to Hispanics. Furthermore, it went to an Asian, Ang Lee, the year before that. I'm bringing this up because Hispanics and Asians are represented even less in the film industry than African Americans, and this needs to be acknowledged in the diversity conversation because the people behind the camera are important too.
Best Actor
Will win: Leonardo Di Caprio, The Revenant
Could win: Michael Fassbender, Steve Jobs. But not really.
My pick: Leonardo Di Caprio, The Revenant
A very solid group. Can't complain much. If it was up to me, Leo would have won for The Wolf of Wall Street, but what matters is that he wins at last.
Best Actress
Will win: Brie Larson, Room
Could win: Saoirse Ronan, Brooklyn. But not really
Best Supporting Actor
Will win: Sylvester Stallone, Creed
Could win: Mark Rylance, Bridge of Spies
My pick: Tom Hardy, The Revenant
Sylvester Stallone is OK, but nothing to write home about. Now, a lot of people think this one is locked and Supporting Actress is open, but I believe it's the other way around. Stallone is the sentimental favorite but he failed to pick up SAG and BAFTA nominations, and that can hurt. Rylance is the critical favorite and BAFTA winner. Now, the fact that Tom Hardy was able to stand out in the Di Caprio show is a testament of his talent. Christian Bale is effective and nothing more.
Best Supporting Actress
Will win: Alicia Vikander, The Danish Girl
Could win: Kate Winslet, Steve Jobs
My pick: Kate Winslet, Steve Jobs
A lot of people are predicting a Winslet win based on the fact that she won the Golden Globe and the BAFTA, but as much as I would like that to be true (I'm a long time Winslet fan), unlike Stallone, who failed to win because he wasn't nominated to begin with, Winslet won when Vikander was nomiated in Lead. Whenever Vikander was placed in Supporting (which she is; don't believe every category fraud rant you read), Vikander prevailed, which means she will be the winner at the Oscars, and a worthy one at that. That won't stop me from always rooting for my girl Kate, though.
Best Original Screenplay
Will win: Spotlight
Could win: Inside Out
My pick:  Ex Machina
Best Adapted Screenplay
Will win: The Big Short
Could win: Room
My pick: The Big Short
A very strong field, even without the praised work of Aaron Sorkin in Steve Jobs, but The Big Short stands out for tackling a complicated subject and keeping it accessible, entertaining, respectful and ultimately insightful.
Best Animated Feature
Will win: Inside Out
Could win: Anomalisa
Best Foreign Language Film
Will win: Son of Saul
Could win: Mustang
Best Documentary Feature
Will win: Amy
Could win: The Look of Silence
Best Documentary, Short Subject
Will win: Body Team 12
Could win: Claude Lanzmann: Spectres of the Shoa
Best Live Action Short
Will win: Ave Maria
Could win: Shok
Best Animated Short
Will win: Sanjay's Super Team
Could win: World of Tomorrow
Best Original Score
Will win: The Hateful Eight
Could win: Carol
Outside Jennifer Jason Leigh, I found The Hateful Eight to be meh. My pick would have been the unnominated score of Mad Max: Fury Road by Junkie XL, easily the most memorable score of the year.
Best Original Song
Will win: "Writing's on the Wall", from Spectre
Could win: "Simple Song #3", from Youth
My pick: "Manta Ray", from Racing Extintion
As much as I would like to see Lady Gaga win an Oscar, I think her song is the second weakest of the group, only behind the lazy songwriting of "Earned It" ('I love when you call unexpected cause I hate when the moment's expected'? Really?). Sam Smith is an undeniable talent, and his song is up there with the great Bond theme songs. "Simple Song #3" is simply beautiful. But I dare you not to be moved by "Manta Ray".
Best Sound Editing
Will win: Mad Max: Fury Road
Could win: Star Wars: The Force Awakens
Best Sound Mixing
Will win: Mad Max: Fury Road
Could win: Bridge of Spies
Best Production Design
Will win: Mad Max: Fury Road
Could win: The Danish Girl
My pick: The Martian
I can't deny the accomplishments Mad Max and The Danish Girl had in terms of production design. The former, for creating the unique post-apocalyptic look that sets the tone of the film; the latter for the impeccably recreating mid-1920's Europe. But I picked The Martian because I was really impressed by the attention to detail in the creation of the Mars hub, how lived in it looked and the effects that Mars weather had in it.
Best Cinematography
Will win: The Revenant
Could win: Mad Max: Fury Road
My pick: The Revenant
The Revenant is not free of flaws, but the cinematography is not one of them. Chivo is not called "Master of Light" for nothing, and The Revenant is beautiful to look at, if nothing else.
Best Make Up and Hairstyling
Will win: Mad Max: Fury Road
Could win: The 100 Year Old Man Who Climbed Out of the Window and Disappeared
Find it odd that I'm predicting The 100 Year Old Man as a possible spoiler to Mad Max? Why not? Sure, The Revenant made sure to highlight Leo's wounds as much as possible, but The 100 Year Old Man has the most make up of all nominees. Certainly, aging the main character over the course of 100 years will stand out against Mad Max's minimalistic hair and make up. It beat up some pretty big movies to make it to the shortlist, and then to the final three. There's no reason to think it can't win just because the film is virtually unheard of.
Best Costume Design
Will win: Cinderella
Could win: Mad Max: Fury Road
My pick: The Danish Girl
The Academy usually judges "best" as "most", and that logic favors the film with the most flamboyant and lavish gowns. That would be Cinderella. It doesn't bode well for the minimal and practical costumes in Mad Max, but that doesn't mean it can't pull an upset. I loved the costumes in The Danish Girl, which not only are beautiful, but are also a critical part of Einar's transformation.
Best Editing
Will win: Mad Max: Fury Road
Could win: The Big Short
Best Visual Effects
Will win: Star Wars: The Force Awakens
Could win: Mad Max: Fury Road
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regardingsara · 8 years
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Moon Pies
Moon pies... what a time to be alive!
I had never had moon pies before, but my husband has, from the time he lived in New Orleans, so this Valentine’s Day I decided to surprise him with some. Moon pies, a Mardi Gras staple, are cookie sandwiches with a marshmallow cream filling, covered with a chocolate coating. The concept is simple but genius. The process, however, is pretty complicated.
When I did my initial research, I found that most recipes were as hard as making macarons, and on the other end of the spectrum there were people who took the time to write a post about buying cookies, spreading premade marshmallow cream and melting chocolate chips in the microwave. Now, I love baking from scratch, but I'm not a macaron-level baker, so I wanted some sort of middle ground. When you dissect the recipe, you realize that the most intimidating part is making the marshmallow from scratch. But I'm here to let you in on a little secret: you CAN get away with melting store bought marshmallows in the microwave. If you want to make it from scratch, then more power to you. But if you don't, know that you can still have homemade moon pies AND your sanity. That's a win-win in my book.
Now, on to the recipe:
Ingredients
For the cookies:
12 tablespoons butter (1 1/2 sticks), slightly softened and at room temperature
3/4 cup confectioners' sugar
2 teaspoons pure vanilla extract
1/4 cup cocoa powder
2 tablespoons cornstarch
1 cup all-purpose flour
For the marshmallow filling:
3.5 ounces mini marshmallows
 For the chocolate coating:
12 ounces semisweet chocolate chips
1/4 cup vegetable oil
Instructions
Make the cookies: Using a mixer fitted with hook attachments, cream the butter until soft and smooth. Add the sugar and continue mixing until well blended. Add the vanilla and mix until light and fluffy. In a separate bowl, stir together the cocoa powder, cornstarch and flour. With the mixer running at low speed, add the dry ingredients to the butter mixture and blend just until combined. Form the dough into a disk and chill covered, at least 2 hours or overnight. Preheat oven to 375° F. On a floured work surface, using a floured rolling pin, roll the dough out to about 1/8-inch thick. Using flour-dipped cookie cutters, cut out 1 1/2 inch diameter circles and place them on a greased cookie sheet, leaving 1-inch between the cookies. Bake until crisp, 12 to 14 minutes, then let cool on the pan. Make the marshmallow filling: In a microwave safe bowl, microwave the marshmallows in batches of 1/2 cup at a time, for 20-30 seconds, until melted and fluffy. Working quickly, spread the melted marshmallows on one of the cookies and cover with another one to make a sandwich. The marshmallows will get gooey really quick, but fret not, as the final moon pies will be easy to chew.
Make the chocolate Coating: melt the 2 ingredients together in the top of a double boiler, stirring occasionally. Line a cookie sheet with parchment paper. One at a time, gently drop the marshmallow-filled cookies into the hot chocolate. Lift out with a fork and let the excess chocolate drip back into the bowl. Place on the cookie sheet and let set in the refrigerator to allow the chocolate to harden. 
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regardingsara · 8 years
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The bee’s knees
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regardingsara · 8 years
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Sara’s favorite films of 2015
As I did last year, I start this list with a disclaimer: this is NOT a “Best of 2015” list. There’s a lot of movies from last year that I haven’t been able to catch up with, even though I’m dying to (which is also why this list comes so late). Anomalisa, By The Sea, Carol, Room, Spotlight, Steve Jobs, The Big Short, Trainwreck, 7 Days In Hell, Boulevard, Inside Out, Macbeth, Tenured and Love and Mercy are all on my list. As I still expect to watch them in the coming weeks, this list is still subject to change. For the time being, these are my top 10 films of 2015:
10. Ixcanul
Ixcanul, my country’s only second submission ever for the Foreign Language Film Oscar, premiered last year in the Berlinale and then took the international film festival circuit by storm. The film tells the story of María, a mayan teenager dreaming  of making a better life for herself, in a community dominated by mayan men who in turn answer to the ladinos. I read great things about Jayro Bustamante’s debut feature, and I was truly excited about it. I really liked it, but it’s not without its flaws. Bustamante is clearly a director with a vision. I was struck by his choice of (SPOILER) using the same shot for opening and closing the film: at the beginning of the story, María finds herself unwillingly preparing for an arranged marriage, and after her journey, she ends up in the same position, showing how little say mayan women have when it comes to deciding their own fate. Bustamante captures the quiet life in the Guatemalan highlands through beautiful scenic shots, but there’s some amateur camera work in the long takes, with actors walking in and out of the frames and conversation scenes where the camera doesn’t focus on the person talking. I imagine that it had to do with the budget, but I also imagine this cost the film a place in the Oscar shortlist. María Mercedes Coroy portrays María as quiet, shy and repressed, but sometimes comes across as flat. Her mother, played by María Telón, however, is the true force in front of the camera, and unsurprisingly, she is the only actor in the cast with experience. Ixcanul is not a perfect movie, but it brought Bustamante and our film industry the attention and support that hopefully will translate into better projects in the future. I look forward to it, as I believe Bustamante is a few films away from his masterpiece.
9. Chappie
I watched Chappie, without any expectations of liking it, because it was hubby’s turn to pick the movie. I was pleasantly surprised to find a compelling, emotionally engaging story that ultimately found a spot in my top 10 list. An unpopular opinion, I know, as Chappie was panned by critics, and I still don’t understand why. I’m not a fan of traditional sci-fi (two of my favorite movies, Her and Eternal Sunshine of the Spotless Mind, are sci-fi, though not the traditional robots and spaceships kind); yet Neill Blomkamp’s body of work always pulls me out of my comfort zone. Chappie, a robot with artificial intelligence, is stolen by a group of gangsters who intend to turn him into one of them, but Chappie soon develops a personality, relationships and feelings of his own. Frequent Blomkamp collaborator Sharlto Copley voices Chappie, and Sigourney Weaver, Hugh Jackman and Dev Patel are effective, as usual. South African rap-rave Die Antwoord play the gangsters, and while they come across as campy as first, I didn’t mind them after a while. They’re not supposed to be likable characters anyway. I think Blomkamp’s problem with the critics is that he did such a great job with District 9 that everything he has done since pales in comparison. However, that doesn’t mean his other movies are bad. Blomkamp is a consistent director with a cohesive body of work. His films deserve your time; take it from someone who doesn’t even like sci-fi.
8. The Revenant
Famously shot in natural light, The Revenant follows Hugh Glass, a frontiersman left for dead by the rest of his hunting party, as he struggles to survive so he can ultimately get his revenge. Alejandro González Iñárritu continues to experiment with filmmaking techniques and his love of long takes. The results are once again striking, but pale in comparison with the director’s previous efforts. The Revenant is a showcase for Leonardo DiCaprio, Tom Hardy and Emanuel Lubezki, who once again confirms that he’s a master of light, but I couldn’t help but feel like something was missing by the film’s end. The film is a beautiful visual spectacle, but the storytelling falls short, especially in character development. Tom Hardy’s Fitzgerald is a more nuanced character than DiCaprio’s Hugh Glass; the latter a man about whom we know very little, with a clear-cut motivation, while the former is a practical man looking for his own survival, and attempting to preserve his conscience by rationalizing what he had to do, so well that even I sided with him at times. He’s a more well-rounded character than the protagonist, to the extent that the writers need to keep the audience from empathizing with him by having him act like a stereotypical asshole. The Revenant has its flaws, but it succeeds more often that it fails.
7. Far From The Madding Crowd
Far From The Madding Crowd is the kind of film that doesn’t get made anymore, and, while that’s not a bad thing (film, as any other art form, must evolve and innovate, and what would life be without modern masterpieces like Her and Eternal Sunshine?), there is something so satisfying about a well made adaptation of a literary classic. The film follows Batsheba Everdeen as she manages her newly inherited farm on her own, while attracting the attention of three men who court her.  Reminiscent of Legends of the Fall and Little Women, this is classic film making at its finest, and while it brings nothing new to the table, every artistic and technical detail is top notch. Carey Mulligan carries the film with the same quiet and graceful strength as Batsheba does her farm, and she’s as good as ever. The technical aspects are also effective, particularly the cinematography. This is the best film of 2015 you didn’t know you needed to see.  
6. The Danish Girl
I read a review of The Danish Girl that said something like, “Whatever you think about Tom Hooper as a filmmaker, for better or worse, this film confirms it”. That led me to go into this film with mixed feelings: while after The King’s Speech I thought that he was an actor’s director with a great sense of composition, I walked out of Les Miserables, a film I really wanted to like, thinking “The musical is dead and Tom Hooper killed it”. I didn’t know what to expect from The Danish Girl. Is it a Hooper film a la King’s Speech or was The King’s Speech a fluke? Turns out, it’s the former. Hooper elicits a brilliant performance from Eddie Redmayne that is even superior to his work in The Theory of Everything. Redmayne plays Einar Wegener, the first known person to have sex reassignment surgery, with a quiet restraint, and conveys his true repressed desires even before he puts on women’s stockings for the first time.  He has the screenplay to thank for the opportunity to go this way, and while the character study could have been more in-your-face, the screenplay lets the audience do some of the thinking, which is appreciated.  Alicia Vikander is brilliant as the wife who is torn between supporting her husband and saving her marriage. Her desperation as she realizes those two things are mutually exclusive is heartbreaking. Amber Heard, in a small role, lights up the screen whenever she is in it. Of course, Hooper’s trademark framing techniques need the right backgrounds, and the production design is up to the task. This film is proof that Tom Hooper still has it.
5. Trumbo
Screenwriter Dalton Trumbo, as most film history nerds know, was one of many victims of a witch hunt conducted by Senator McCarthy that left many suspected communists in the film industry blacklisted and out of a job for years. Since this is not a history lesson, I’ll stop at that and I’ll just tell you that Trumbo tells the tale better than I can. I just love a good movie about film history, and Trumbo does it for me. It was so exciting as a film history nerd to recognize all of Trumbo’s stories (Roman Holiday! Spartacus!), and I also learned a lot I didn’t know about the times of the blacklist and the post WWII paranoia. Bryan Cranston does Dalton Trumbo justice, and is surrounded by a great supporting cast. Helen Mirren as full-blown bitch Hedda Hopper is a delight, and for my money, the villain of the year. Elle Fanning is settling nicely into her career as a grown actress and adds another great performance to her résumé as Trumbo’s teenage daughter. But the most genius casting decision was getting Dean O'Gorman as Kirk Douglas. Props to the make-up and costume departments and O'Gorman’s chin because I swear I thought I was watching Spartacus being filmed before my very eyes. So, in short, the direction and cinematography are average, but the story and the acting are fantastic, and if you like the subject matter, you’ll enjoy Trumbo thoroughly.
4. Ex Machina
Ex Machina is an accessible sci-fi thriller, carried by three brilliant actors, all of whom enjoyed a landmark year in their careers in 2015: Alicia Vikander, Domhnall Gleeson and Oscar Isaac. Caleb (Gleeson), a programmer,  is invited to his boss’ secluded estate for a week, only to discover that the estate feels like a prison, his boss Nathan (Isaac) is a douchebag with a god complex, and the holiday is work: he is supposed to administer the Turing test to Ava, a robot created by Nathan, to determine if she has actual artificial intelligence. At first, Ava seems to only be playing the imitation game, but as she and Caleb start bonding, he realizes that there’s more to her -and Nathan- than meets the eye. Alex Garland, an experienced sci-fi screenwriter, shows great potential in his debut feature, creating an unsettling  atmosphere throughout the film. I’ve heard some complains about the ending being predictable, but Ava did fool me.  Ex Machina is a very well crafted film that is as intellectually challenging as it is entertaining.
3. The Martian
Ridley Scott is back! The director returns to form with this adaptation of the Andy Weir novel of the same name. Matt Damon, in a performance that embodies every human emotion in the spectrum, plays Mark Watney, an astronaut who is presumed dead and left behind in Mars. Watney is determined to survive until a rescue mission arrives, and he uses his knowledge and resourcefulness to solve every issue you can imagine, from food and water to communication with home.  Mars comes to life through top notch VFX and production design, and Scott’s vision is palpable. Is The Martian a comedy/musical, like the Golden Globes tried to make you believe? Not really, but I’ll tell you two things: a) Mark Watney uses humor to keep his sanity while he’s stranded in Mars, and he says the darndest things, making this the funniest movie I saw in 2015 (it’s certainly funnier that previous comedy nominees Pride and Prejudice and My Week with Marilyn) ; and b) while it’s not strictly a musical either, it’s also the year’s best use of a soundtrack to drive a point home. The Martian is funny, emotional and utterly entertaining. Welcome back, Mr. Scott!
2. Brooklyn
There are better, more entertaining, more groundbreaking films in this list, but no other film I saw in 2015 had the emotional resonance that Brooklyn had, and at the end of the day, that’s what filmmaking as an art form is all about: to be moved by what you’re seeing in the screen. Saoirse Ronan plays Ellis Lacey, a young Irish girl who doesn’t feel like she belongs in Ireland, where there’s no future for her. She moves to Brooklyn in search for a better life, and she meets Tony (Emory Cohen) and falls in love. But she still has ties to her hometown, and she will have to choose between the people she loves in both places.  This film almost tops my list because of all the movies I saw this year, this is the one that left me wanting more, in a good way. I wanted to see more of Ellis and Tony’s love story, and it was in no small part thanks to Emory Cohen, who in my book is the supporting actor of the year. Saoirse Ronan is heartbreaking, and she perfectly conveys how Ellis doesn’t feel at home in either place, yet can’t leave either place behind. Both actors make the most out of an excellent screenplay that keeps you interested despite some predictable plot points. Like Ellis, you’ll want to go back to Brooklyn over and over again.
1. Mad Max: Fury Road
You know that drink, the Hurricane? You drink it, tastes good, you still feel sober, but then some big guy comes from behind you and spins you around and when it’s over, you don’t know up from down anymore? That’s what George Miller does to you with Mad Max: Fury Road. You think  you’re watching a typical car chase, but then you’re assaulted with great cinematography, editing, stunt work, VFX, sound, production design, music and acting, and it’s not until the credits  roll that you realize that you just watched the best movie of the year. Tom Hardy does justice to the iconic Mad Max character, but make no mistake: this is Imperator Furiosa’s story. It’s her journey we’re following, as she tries to free the tyrannical Inmortan Joe’s wives and find a new home away from the post-apocalyptic wasteland where Joe has built his citadel. As Furiosa, Charlize Theron proves once again that she is as good as an action star as she is as a dramatic actress, and she creates the best female action hero since probably Ellen Ripley in Alien. Furthermore, this film singlehandedly makes the case for the overdue Stunt Ensemble Oscar, and I wouldn’t be surprised if the Academy finally announces it this year. And Junkie XL, in one of the most memorable scores of the year, creates the perfect aural companion for the action packed scenes. So, for its technical achievements, its message of female empowerment, its unique aesthetic and for proving that the fourth installment in a franchise can (and should) aspire to be a masterpiece, Mad Max: Fury Road gets my seal of approval as the best film of 2015.
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regardingsara · 8 years
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Asian Lemon Chicken
Serves 3
Ingredients
1 lbs boneless chicken breast, cut into tenders
1 cup all purpose flour
Vegetable oil for frying
Salt and pepper to taste
1 egg
1 cup milk
1 tbs toasted sesame seeds
¼ cup sliced green onions
 Lemon sauce:
¼ cup honey
½ cup brown sugar
⅓ cup soy sauce
1 pinch of chili pepper flakes (optional)
¼ cup pineapple juice
1 cup lemon juice
1 tsp garlic powder
2 tbs apple cider vinegar
 Instructions
In a small sauce pan over medium heat, mix together all sauce ingredients, and stir until sugar melts.
Mix together salt and pepper with the flour, and dredge the chicken tenders.
Mix together milk, egg, and vinegar.
Dip the dredged chicken tenders into the egg mixture. Dredge in flour again.
In a large pan, heat oil until it sizzles when you flick water into it, but not so hot that steam is coming off. Fry the chicken tenders on each side until brown. Set on paper towels to catch excess oil. Then toss with lemon sauce.
Garnish with toasted sesame seeds and fresh green onion.
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regardingsara · 8 years
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Oscar nominations: predictions
Best picture
(Assuming there’s 10):
The Big Short
Bridge of Spies
Carol
Ex Machina
Inside Out
Mad Max: Fury Road
The Martian
The Revenant
Room
Spotlight
Best director
Alejandro González Iñárritu, The Revenant
Todd Haynes, Carol
Tom McCarthy, Spotlight
George Miller, Mad Max: Fury Road
Ridley Scott, The Martian
Best actor
Bryan Cranston, Trumbo
Matt Damon, The Martian
Leonardo Di Caprio, The Revenant
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl
Best actress
Cate Blanchett, Carol
Brie Larson, Room
Saoirse Ronan, Brooklyn
Charlize Theron, Mad Max: Fury Road
Alicia Vikander, The Danish Girl
Best supporting actor
Paul Dano, Love and Mercy
Mark Ruffalo, Spotlight
Mark Rylance, Bridge of Spies
Michael Shannon, 99 homes
Sylvester Stallone, Creed
Best supporting actress
Jennifer Jason Leigh, The Hateful Eight
Rooney Mara, Carol
Helen Mirren, Trumbo
Alicia Vikander, Ex Machina
Kate Winslet, Steve Jobs
Best original screenplay
Bridge of Spies
Ex Machina
The Hateful Eight
Inside Out
Spotlight
Best adapted screenplay
The Big Short
Brooklyn
The Martian
Room
Steve Jobs
Best animated feature
Anomalisa
Inside Out
The Good Dinosaur
The Peanuts Movie
Shaun The Sheep Movie
Best documentary feature
Amy
Best of Enemies
Cartel Land
Listen to me Marlon
The Look of Silence
Best foreign language film
The Fencer (Finland)
Labyrinth of Lies (Germany)
Mustang (France)
Son of Saul (Hungary)
Theeb (Jordan)
Best animated short
Carface (Autos Portraits)
If I was God
Prologue
Sanjay’s Super Team
World of Tomorrow
Best original score
Bridge of Spies
Carol
The Hateful Eight
Mad Max: Fury Road
Sicario
Best original song
“Love me like you do” from Fifty Shades of Grey
“See you again” from Furious Seven
“Simple song #3” from Youth
“Til it happens to you” from The Hunting Ground
“Writing’s on the wall” from Spectre
Best editing
The Big Short
Mad Max: Fury Road
The Martian
The Revenant
Spotilight
Best cinematography
Bridge of Spies
Carol
Mad Max: Fury Road
The Revenant
Sicario
Best visual effects
Jurassic World
Mad Max: Fury Road
The Martian
Star Wars: The Force Awakens
The Walk
Best make up and hair styling
Black Mass
Mad Max: Fury Road
The Revenant
Best costume design
Brooklyn
Carol
Cinderella
The Danish Girl
Mad Max: Fury Road
Best production desigh
Bridge of Spies
Brooklyn
Carol
The Danish Girl
Mad Max: Fury Road
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regardingsara · 8 years
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I've only seen these beautiful, huge (about 4 in. in diameter) lilac daisies bloom in Sacatepéquez, Guatemala, between November and January.
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regardingsara · 8 years
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Meet Daphne Penelope van der Woofsen. 
Age (in human years): 1 year, 2 months
Sex: female
Breed: Cockapoo
Birthday: September 18th
Likes: walks, stuffed animals, chewy toys, balls with rattles inside, Taylor Swift, Meryl Streep movies, playing hide and seek, car rides, making friends
Favorite color: gray
Favorite TV shows: Animal Planet’s Too Cute and Supergirl (because it’s basically a rip-off of The Devil Wears Prada, her favorite Meryl Streep movie)
Dislikes: strangers approaching her house, having her picture taken (which is why it took me 1 year and 2 months to take a picture worth uploading)
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