spiderfan22
spiderfan22
Plays for Days
386 posts
The mission: write and post one NEW short play every day for a whole year. Because it's about time. 
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spiderfan22 · 5 years ago
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DAY THREE HUNDRED AND SIXTY - 10/14/2020
DAY THREE HUNDRED AND SIXTY - 10/14/2020
“EVERYTHING ALL AT ONCE” by DJS
A new one. Five more entries and I wrap this thing up. Hopefully sooner rather than later, eh?
Hey so, did I tell you I quit smoking?
You did huh?
Last week
When?
Couple weeks ago.
When?
Last night. I smoked my last cigarette last night. My last cigarette ever.
Your last cigarette
Ever, man.
Ever.
Correct.
But you’re still drinking. You’re not sober?
No. God no.
Because that would be
God no.
Good.
Yeah.
Good, I wouldn’t want you going off the deep end, in over your
Head
Right.
Right, no.
Because you can’t, you can’t just quit everything at once, it has to be, to be gradual
I know that’s what I’m
Everything all at once doesn’t work
I know
See only failure if you do that, do it like that
I know, no.
And I don’t want this to be like, like your breakup again, all over
What do you mean?
Like your breakup again? Is that not clear?
No, I know but, how do you mean? How does that
What?
No I’m just saying, how, I don’t
?
(lonnnnnnng pause)
Corellate.
What?
How does it
How
How does it correlate, what you’re saying and and. The comparison you’re trying to make
Right
To
To
Between
Buh
Between the two.
The two.
The two, the two things. How do they equate I mean. How can you equate the two quit smoking and what happened with - Which was not my fault.
You don’t see?
No I guess I, I guess, I guess not.
You don’t.
No.
You don’t.
Mmm.
Well, you decide these on the spur of the moment. You operate, make life changing decisions on a whim, then a day two later it’s this whole big like regret show, just consumed with, with, by by, by, by...to the point you get completely, you in-, completely incapacitated, you, by it, you by it, the whole thing, right?, and sit in your house and spend hours watching these shows with no content, no value other than as a distraction, you call out of work, fake sick, which - you’re not even convincing as someone who used to be your roommate and has heard you make that call: the cough is what gives it away if you want to know, it’s too wet, very few people they’re sick get that wet kind of spittle hacking pneumonia-level antibiotics cough. Like faking a cough is hard. Not as hard as fake sneezing. You should just say you have food poisoning. It’s the number one excuse because it’s impossibly to check, gone in 24 hours, if you just need a day off. Though if you do it on a Friday or a Monday that’s sort of a tip-off. 
(another long-ish pause)
So this all happened last night? You quitting smoking.
It did, I finally made the decision.
What tipped the scales?
I don’t want to get cancer.
You been smoking since you were how old?
How old? Probably sixteen, high school.
So twenty years?
Added up, yeah.
For inflation?
What?
Nothing, just a joke.
Oh.
And you’re not worried it’s already too late, damage is done?
No.
But your lungs, there’s gotta be some kind of adverse effect right, after so long
True.
And so is that just - is any of that repairable?
No I don’t think it’s ever repairable. But that’s not the point. The point is to not get any worse.
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spiderfan22 · 5 years ago
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SECOND HALF OF "WALT'S FOLLY" FROM YESTERDAY
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spiderfan22 · 5 years ago
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DAY THREE HUNDRED AND FIFTY-NINE - 9/7/2020
“WALT’S FOLLY” by DJS
I have literally been thinking about writing this short play for six months. The actually writing of it took about a week. I like what it distilled down to. I’ve always found Walt Disney to be a really fascinating character, even more so after reading Neal Gabler’s biography. This story is based on a real incident that happened in the run-up to Disneyland’s opening. I took what is known and extrapolated from there. Another big influence is the writing of Peter Morgan (Frost/Nixon, The Queen, The Crown). Hopefully the end result has the ring of truth to it.
Oh and I’m posting screenshots of the PDF, since I didn’t write it in Word. Shoutout to Writers Duet for making the formatting easy. 
First six pages follow. The other five are in the subsequent post.
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spiderfan22 · 5 years ago
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DAY THREE HUNDRED AND FIFTY-EIGHT - 8/6/2020
“YOU CAN’T JUICE A BANANA” by DJS
Started with the title, went from there.
(August 1973. Malibu Beach. Rolo is a hippy in his late 30s. Pop is a gambler in her late 40s. Bean is a street kid in his late teens.)
ROLO: See man, I just don’t think that’s true. You just need to find the right press. There’s some really cool culinary shops, real upscale places, man, you just need to know where to look.
POP: Look all you want. We’re talking science, we’re talking physics; the banana’s not holding up. You’re getting just mush. There’s not the water content.
ROLO: Hey man, if a coconut … if you can get water from a coconut -
POP: I can’t believe we’re still talking about this. Actually I do, I can believe it, because look who I’m talking to.
ROLO: Jibe all you want, man. If I have to be the first person to go down in history to do it just to prove you wrong, if that’s what it takes then so be it, man, lemme reinvent the wheel - the press. The printing press - write a new book of the wonders you can do to make with fruit. - Are you saying banana’s not a flavor then, man? Banana extract?
POP: Banana extract … You’re an idiot. (to Bean) He’s an idiot.
BEAN: You talk like brothers. Like you were brothers or something.
POP: Then I must have an idiot for a brother.
ROLO: Hey man, I don’t call you names. Just consider …
POP: What?
ROLO: Consider the possibility is all I’m saying. You’re closed off, man.
POP: (shakes head) I thought you came here … I thought you had something to sell me.
ROLO: I do! You’re gonna flip too, man ...
POP: Why? It’s not a banana juicer is it? The world’s first banana juicer? Miracle of miracles?
ROLO: Nah man, no. Here check this out. (Produces what looks like a very old bottle of wine from his backpack)
POP: What, what is this? You a collector now? Connoisseur or…?
ROLO: No. But I know you know some people that’d be really into it. Who’d pay top dollar or whatever for something like this, of this quality.
POP: Yeah well, or you could just be making a lot of assumptions. Just because something looks like it might be doesn’t mean it’s the thing … getting aesthetics confused with actual value. Then there’s demand; you never know what the demand will be. Like, even if a painting’s worth a hundred grand doesn’t mean there’s gonna be a line out the door a millionaire’s lining up to buy it. What something’s worth is only what it’s worth to someone else, understand?
ROLO: But you know about this stuff. You know at least if potentially, man …
POP: Sure, but I just don’t want you getting your hopes up or put a lot riding on it.
ROLO: No man, I mean - not like I paid for it or nothing.
POP: What’s it stolen?
ROLO: No man, it was a gift.
POP: Yeah from who? A thief??
ROLO: No man, just someone I know. This chick I know.
POP: And where’d she get it from?
ROLO: It was her family’s, her dad died. It had been in their basement - what is it when they have one of those special rooms just for keeping wine cold..?
POP: A cellar.
ROLO: Cellar, right, yeah. And it was her idea that we would just drink it, like last night or whatever. But I saw, you know, I saw the label and how it was all dusty and so I advised against that and so we just smoked a joint instead. Not that this chick took much convincing, but I told her I had this friend and that maybe the wine was actually worth more than we think and that my friend could tell us and give us a second opinion. ... You’re that friend.
POP: No kidding.
ROLO: No kidding. (beat) But yeah so, just to like appraise it, you know, and maybe look at some avenues of distribution if you think you know it would be worth our while to go that route.
POP: (studies bottle) Well it’s certainly interesting. 
ROLO: I saw it said the year -
POP: Yeah, 1944.
ROLO: Yeah that’s thirty years, man, that’s an old bottle of wine.
POP: Can be. 
ROLO: Depends on stuff like vintage and stuff though doesn’t it?
POP: Vintage means the year the grapes were picked.
ROLO: Oh, so … that would be 1944 too?
POP: Correct.
ROLO: Well was 1944 a good vintage then?
POP: For this particularly bottle o wine … Yes.
ROLO: Then it’s worth something, you could sell it.
POP: I could.
(Small pause.)
ROLO: Then what would you give me, man?
POP: Half.
ROLO: What?
POP: Half, I’d pay you half of whatever I got, what I was able to git for it. 
ROLO: No I mean … I kinda meant upfront.
POP: Oh. Nothing.
ROLO: Wait what?
POP: Yeah, you’d give me the bottle, I’d see what I could do. No promises. Might take a while too.
ROLO: Aww man, but that’s not cool ...
POP: You want to sell it or don’t you? 
ROLO: Of course but … this isn’t like some big investment for me, man. I was looking for more of a quick turnaround deal.
POP: You were huh?
ROLO: Yeah.
POP: Twenty bucks then.
ROLO: Twenty…?
POP: For the bottle, outright.
ROLO: But you, you said … it’s worth more’n that you said.
POP: No I didn’t. 
ROLO: Ok but then you implied it’s valuable or whatever. You said the vintage made it -
POP: You don’t know what you’re talking about. Now I’ve offered you two alternatives. We can wait and I can try to find a buyer for it and if and when I do then we split that fifty-fifty. Or you take twenty now, in the clear, and we call it a day. But like I said, I can’t guarantee any sort of timeline, could be a week, could be months, but that would be my risk, or yours if you choose to wait and see. Personally I’d go for the cash in hand, which’d be my advice whether I was involved in this thing or not - if we were just friends and you came asking my opinion, it’s not worth risking it on the unknown.
ROLO: But … isn’t that what you’d be doing?
POP: Yeah but I’m only out twenty bucks. And say it takes a year and this thing’s just collecting dust on my shelf when I finally do find someone that wants it but the highest he’ll go is eighty and maybe there’s a better offer out there but do you really wanna wait even longer?, so your cut forty dollars ends up only barely being double what you could get for it now.
BEAN: She’s right.
(Pause.)
ROLO: Twenty dollars today?
POP: Tell you what, I’ll make it thirty. Would that help you sleep better?
ROLO: Thirty??
POP: (shrugs) I mean we’re friends, right?
ROLO: Yeah! Okay!
(Pop pays Rolo 2 tens and 2 fives.)
POP: I think this is a really good deal too.
ROLO: Yeah man. Part of me wants to just open this bottle to celebrate!
POP: Don’t do that.
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spiderfan22 · 5 years ago
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DAY THREE HUNDRED AND FIFTY-SEVEN - 7/29/2020
“WILLIAM BARR (AND OTHERS) SUCK TRUMP’S DICK ALL DAY LONG” by DJS
Warning: it gets graphic. 
(The Oval Office. A revolving door. Enter William Barr)
WILLIAM BARR: Mr President
TRUMP: (grunts) (mumbles something) (unzips pants)
WILLIAM BARR: Don’t waste any time, do you sir?
(Barr commences to suck the president’s cock)
(Others enter and proceed to do the same)
STEPHEN MILLER: Ooh, it’s extra greasy today
STEVE MNUCHIN: And some added gristle too
KELLYANN CONWAY: Careful of his short ‘n’ curlies, gentlemen. He won’t thank you for that
VICE PRESIDENT PENCE: And they’re a devil getting out of your teeth
(Trump’s children blow their father like their livelihoods depended on it)
DON JR: Dad?
ERIC: Dad?
DON JR: Dad?
ERIC: Dad?
DON JR: Dad?
ERIC: Dad?
DON JR: Eric’s being mean to me
ERIC: Because he’s not sharing!!
JARED KUSHNER: Dad? Can I call you Dad? Or Papa? Am I doing a good job Papa Sir?
IVANKA: If you are he’ll pat you on the head, you’ll know
(Next we have the The Fucking 3 Stooges)
MICHAEL FLYNN: Are we late?
ROGER STONE: We just flew in from Sing Sing and boy are our arms tired
MICHAEL COHEN: But seriously folks, if our time behind bars taught us anything it’s an appreciation for a good blowie
ROGER STONE: Like currency in there
DEVIN NUNES: Just wanna bury my nose in
OTHERS WITH THEIR FACES BURIED IN TRUMP’S BUTT: His asssssssss
BETSY DEVOS: I know, you smell that? I can’t be the only one
MIKE POMPEO: Like he hasn’t washed in days
TUCKER CARLSON: Well he’s got a lot on his mind, can you blame him?
OTHERS/AN ECHO: No No no No no no NO no No
SEAN HANNITY: The way he has to fend off attack after attack lobbed at him by the Damned Left a near constant barrage of of of of of of of of Fake News of of
EVERYONE ONSTAGE: RIGHT!!!!!!!!!!!
RUSH LIMBAUGH: The Liberal JEWISH 
JEANINE PIRRO: Well you try remembering to bathe under those conditions
(Still more come to pay their “respects”)
NEIL GORSUCH: Just wanted to stop by and thank you again for the nomination
BRETT KAVANAUGH: Same for me, brah.  Now let me at those ballzzz
WILLIAM BARR: A man who knows his business. What it’s about. Yes.
JOHN BOLTON: I prefer the term fellating
SEAN SPICER: Remember us??
ANTHONY SCARAMUCCI: Hey finally our mouths’ll be good for somethin’ - Ey! Oh!
MARK ZUCKERBERG: We felt, you know, we owed you a little
ELON MUSK: Some small token of our
IKE PERLMUTTER: Think he’ll put it in me?
SCOTT BAIO: (hums the “Charles in Charge” theme song around Trump’s cock)
KELLYANN CONWAY: Look at him shoot!
STEPHEN MILLER: He’s a cummer!
RUDY GIULIANA: Always has been. A Herculean Cummer!
DON JR, ERIC, IVANKA and JARED: That’s our Dad!!
(Then there is a dramatic lighting shift - Monks are singing. Enter two dictators in fancy robes)
POMPEO: Shh! Everyone! You might never witness something like this again
STEPHEN MILLER: International diplomacy I mean secrecy I mean diplomacy at its finest, right Mike?
(Putin and Kim Jong-Un and Trump masturbate each other in a Circle Jerk formation. When the ritual is complete, lighting returns to normal)
(Dr. Fauci and Dr Birx enter tentatively in total silence. Kneel and each kiss the head of Trump’s penis. The rest of the assembled guests have to suppress sniggers of delight Then bursting in)
MITCH McCONNELL: Hope there’s still some ejaculate left for me!
(But he’s too late. The president is all cummed out. It’s nighttime now and Trump sinks into in his favorite comfy chair to eat cold McDonalds cheeseburgers while flipping back and forth between CNN and MSNBC, tweeting all the while, as lights fade.)
Thee END
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spiderfan22 · 5 years ago
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DAY THREE HUNDRED AND FIFTY-SIX - 4/12/2020
“THE SUNDAY SERMON: A NEW ME FOR 2020” by DJS
Easter, a day for resurrections.  
As I approach the end of this blog, with only nine more entries to go, I thought it only fitting that we have a last visit with Edgar. Like all the other Sunday Sermons, this one was first written by hand, then typed up, with very little altered or edited during the process of transcribing. With Edgar, what you see is what you get, warts and all, and that extends to the creative process. So, while I won’t miss his despicable character, I will miss the freedom writing him granted me.  
Thanks, Edgar. Now fuck off.
---------------------
(Edgar’s apartment bedroom. A Saturday afternoon in May. There’s been an attempt made at better housekeeping. The bed, while not perfectly made, has at least been tidied up. And there’s a laundry basket full of CLEAN laundry waiting to be folded and put away. Signs like these. Right now the house is quiet; no one home. Hold for a moment, then we hear the apartment door being unlocked and someone coming in. Sounds of off-stage action: cabinet opening in the kitchen, running water, someone coming down the hall, approaching the door, which is ajar. Edgar comes in with a glass of water. He is 39 years old, red faced and sweating profusely, in workout attire. He stops just inside the room, chugs the water straight down, and finishes with a satisfied gasp. He sets the empty glass on the dresser next to another empty glass. Crossing the room towards the attached bath, he notices the audience for the first time and says:)
Hey. Just got back from a run. Five miles or something like that. I don’t have one of those apps on my phone that tells you, but my heart. I can feel it. Like it’s not going to stop. Which is a good thing, I guess, it’s what you want. But at the same time you have... (Kicks off his shoes.) It’s disconcerting. Like you don’t actually want to feel your heart have to put out all this effort, feeling like it’s working overtime, you just want this silent working system that you don’t ever even really notice; you only notice it when something’s wrong. (Retrieves his empty water glass, refills it from the bathroom sink, keeps talking.) Organs in general, we take them for granted, if nothing feels off then it must be all good, right? Then you get a weird pain in your side or your chest seems to clench or like there’s a little shock in there, or your knee will out of nowhere buckle that you get this kind of shock like “where did that come from?” I was feeling fine two seconds ago, now why suddenly does my knee hurt or I have this cramping in my side - Is it my kidneys? That’s where your kidneys are, right? ‘Do I need to go to the doctor?” Then you go to the doctor and you try to describe this mystery pain, like a sharpness in your whatever, only you can’t ever really do it justice explaining it – if only it could actually happen IN THE MOMENT when you’re with him, at the appointment, it just makes pinpointing anything or getting to a root cause almost feel like it’s impossible and you’re just wasting all of your time trying to diagnose this phantom thing/problem.
(He takes off his shirt, wipes under his arms with it. Tosses it across room into hamper.)
And yet what we never even seem to care about... are headaches. Actual physical pain INSIDE OUR HEADS, the brain that tells everything else what to do, the master controls if you will, if it goes you’re fucked. Well no one goes in for a headache, we just take those as doing business, pop a couple ibuprofen, it goes away and you don’t think about, till it happens again, and happens over and over again.  
(He goes into the bathroom and turns on the shower.)
The thing that really scares me though is brain aneurysms, because it just seems like there’s no way of stopping them, they’re unpreventable. If it’s gonna happen to you it’s gonna happen. One minute fine, the next Ow, I’m dead.  
(Takes off his shorts. Tosses them across room into hamper.)
You hear about it happening it always comes as a shock, (Sits on bed to remove his socks, picks at lint between toes.) unlike a heart attack or even strokes, those are lifestyle, and also not always a strict death sentence. But with aneurysms it’s just like there’s nothing you could, that anyone could – you're just unlucky. And it sucks.
(He rises, takes off his underwear, fully naked now. Tosses underwear but misses hamper this time, shrugs.)
I’m gonna hop in the shower. But don’t worry I think you’ll still probably be able to hear me in there. I’ll talk loud.
(Edgar gets into the shower. We can barely hear him over the streaming water, his voice cuts in and out.)
It’s thoughts like this that’ve made me think differently about my life, sort of reevaluating. It was time I guess. I don’t know, I got divorced five years ago, about five years ago and it wasn’t really... But I had let myself go so long before that that when I eventually moved out and started living on my own again my basic functioning was just... Well, it was just very basic. Work, sleep, eat, watch TV, the only real entertainment – try to get laid. I’d meet women try to convince them to go out with me. You find the right kind of woman, she’s lonely, depressed, doesn’t have a lot of self-esteem. She works in a dentist office, she works long hours, she doesn’t care too much about how those free hours are spent, she goes home, she immediately changes out of her work whatever, she microwaves a meal or does something easy like salad, parks herself on the couch. I take the bus to work so this is the kind of woman I’d come across, sitting next to, ask how her day was – always at the end of the day too, never the start, never before work, because despite us knowing better we still, people still get this irrational feeling of hope that today’s gonna be better, or different at least – combined with the fact that everyone just woke up, they’re still tired and not really conducive to conversation that early in the morning – but what was I saying? You ask how their day was – or you don’t. Instead you say something like “Long day huh?” implying that you already know they had a shitty day and you are in fact commiserating cause you had a shitty day too. It’s something you can agree on.
Hold on. I got some soap in my eye.  
Hate that.
(Pause as he rinses it out.)
...to agree on. A basis to start a conversation in the first place, familiarity. Also gives you a chance to gauge their attraction. In my experience if a woman’s not interested she’ll let you know right away, and it’s rarely subtle. It’s not explicit but it’s rarely subtle. It can be the difference between a smirk and a shrug, but when you see it, you know. And I give up right away. I don’t waste my time. Or theirs. Plus if you think about being a woman – and ladies, I know I’m preaching to the converted here but – if you think what it must be like to get hit on all the time, or even just stared at. That’s one of the big problems by the way -
(The shower turns off. Edgar gets out, starts to dry himself with a towel that was hanging on the back of the door.)
If a guy sees a woman look at him, and linger for even a second, even just hesitate, we assume maybe there’s an interest. Because in our minds, if the shoe was on the other foot and we’re staring at some girl we obviously find her attractive and are thinking about sleeping with her. It’s like that thing they’re always saying, a study or something they did that says men think about sex every seven seconds or some crazy number like that, basically all the time. Which I don’t know if it’s true or not, the frequency but, if we do look at you, if we are staring, then it’s pretty much forgone that yes, we are thinking that, we’re thinking about what you would be like in bed, if you’re a slut, if you’d do certain things, if you’d let us cum on your face, or swallow, even better swallow, we look at your butt as you walk away, in your yoga pants and how they really make things prominent, leave little to the imagination, and how that can’t be an accident, and all we want to do is get you on the nearest surface and just get behind you on all fours and pull your hair, we wonder if you like to have your hair pulled, or be bit, or slapped, or choked, and if we really work you up good if you’ll call us Daddy, really striking vivid scenarios pop into our heads in an instant, none faster than the simplest basic most important question: Would I sleep with this woman Yes or No?
The answer is almost invariably yes.
(Pause. Then he rehangs the towel on the back of the door. Edgar puts toothpaste on his toothbrush, looks in the mirror and brushes his teeth.)
I started brushing my teeth in the shower but forgot. I hate when I do that. I made it part of my routine but I guess you guys distracted me. (Spits in sink, rinses toothbrush.) Dental health. I hadn’t been to the dentist in close to ten years when I finally booked an appointment two months ago. I’d brush about once every couple days before that. It wasn’t good and I have no excuse. So the night before I was supposed to go in I thought I should at least floss, get whatever, you know, any big chunks of stuff that’ve might got lodged.
Jesus Christ, the blood. Like my mouth just started, my gums started bleeding like as soon as the floss touched them, like it was razor wire. And I closed my mouth I could taste that irony blood taste and swished around and spit into the sink – you would’ve thought I’d just been in a fight and got my ass kicked. Just spitting up blood. Well, I warned the dentist the next day before he even went near me; “My gums might be a little sensitive doc, so just be warned.” Turns out I only had a couple cavities, a couple fillings, miraculously. Go figure. Just a man with a good set of choppers I guess.
(He goes through the laundry basket of clean clothes, finds socks, underwear, etc.)
But it was all part of my plan to start turning things around in my life. (Putting on underwear.) I realized what I think are a couple of very important things. The first was I only have one body. So I better take care of it, cause it’s gonna have to last me awhile.
And just so you’re not under any delusion, as much as these might sound like New Years’ resolutions but I didn’t come around to most of this stuff until February.
(He sits on the bed to put on his socks.)
You only have ONE body, so you better take care of it. That meant actually putting some thought into things, planning, which has never been my forte. Eating, how do you eat, what do you eat, when do you eat it, how do you prepare it. Well, you plan every day, every meal. You make lunches to take the next day, you actually plan ahead. You make a grocery list for God’s sake and you go to the store and you buy what’s on it. You don’t stop at the deli counter and impulse buy fried chicken just because it’d be easier than making dinner tonight. You don’t let yourself do that. It’s overcoming a lot of weakness really. You’re tired, it’s after work, so you indulge yourself. You have the money so you indulge yourself. And why not? It’s not like you’re some expert chef anyway. When you can get takeout - you can just order a pizza. But that hour you spend waiting for it to get delivered, that’s what they throw in your face, like “think about what you could’ve done in that hour, think of all the stuff you could’ve made, better for you too and probably would’ve spent less money than ordering Dominos again.” And it took me a while to realize that yes, those people are assholes who should mind their own business, but they’re also NOT WRONG. Because it’s about discipline.
(He stands up, then comes downstage a little towards the audience.)
You think that guy you see running every morning when you walk out to your car does it cause he just loves the fresh air? You think he wants to get up at 7:30 and spend an hour in the freezing cold, his chest feeling like it’s going to explode out his – thighs rubbing together, itching – because that’s his true passion in life? Of course not. But he knows it’s good for him. He knows if he does it every day, if he builds it into his schedule every day, occupying the same space of time, that he has to hold himself to -
Because discipline a lot of us just don’t have. As a trait, I mean, you’re rare to just be born with it. Why so many people suffer from procrastination – it's not ingrained. Most of us, most humans, are just basically lazy. Or not lazy, but we like being content, we don’t need to go out of the way to tax ourselves. That’s our default. So you live 20, 30 years by that model and effecting any real change becomes close to impossible. I had the same outlook. If I’m already at this point, if I’ve reached it, well it’s essentially too late. And what’s more I can keep going just like this and eek out another 20 or 30 years, and be relatively happy, and enjoy life, eat whatever I want, sleep with people that don’t find me too disgusting, and I them, embrace an increasing limited mobility, and most of all, any symptoms, any alarm bells I might perceive, ignore them, pretend nothing is off or wrong or happening. And I thought, this is a life at peace, even of acceptance. Very zen or however they describe it.
Why rock the boat?
(A moment where Edgar lets that thought percolate. Then:)
Then I had this weird – it was like pinching, a pinching in my left armpit. Out of nowhere. It went on for about a minute. I was just sitting on the couch eating dinner. Corndogs, from the deli at Safeway. I was pretty hungry so it was three corndogs that night. I remember even being full after the second one, full but I knew it would still taste good, you know, and I’d already – I'd bit into it, so might as well... And I was chewing off the hard gristly bit of dough at the bottom of the stick when the pinching started. It was in my armpit but I could feel so clearly that it connected right directly to my heart. Like I said it lasted about a minute. I rubbed at the spot where it hurt and it just sort of went away. I breathed. I mean I took a breath. Heart seemed fine. Then I reached out for the can of Barq’s root beer I was drinking and it was as I was going for it that my hand just STOPPED. NO. No I thought.
No, don’t drink that. No it’s poison. You’re killing yourself. BEEN killing yourself. You put that stuff, ingest that, it’s gonna flow right through your veins, sticky pop mess coursing through your whole body, replacing your blood, gumming up the whole works. Is that what you want? Huh? You’re a fucking asshole, must be fucking retarded to have put that shit in your body thirty fucking years or more. You’ve had a death wish since age seven. I mean THREE FUCKING CORNDOGS? You’re not at the county fair! Don’t you want to live to see fifty?! This isn’t a special occasion you gluttonous fuck! There’s a REASON they WARN AGAINST this shit IN THE BIBLE!
(Pause.)
I threw it out. Everything – not just the soda, practically everything in my fridge and cupboards. Snacks, chips, cookies, Oreos, Double Stuffed Oreos, the freezer, frozen pizzas, Snickers ice cream bars, Ben and Jerry’s - filled up three garbage bags and straight to the dumpster. I was like I was possessed, in fact I never felt or experienced anything like that in my life, just total resolution. Resolve? I don’t know. I don’t, but it felt GOOD. I even put on music. Eye of the Tiger. A little trite, but hey! Discipline, motivation, discipline, motivation: it’s a cycle. But one where you keep actual rewards to a minimum.
(He puts on a pair of nice pants, along with a belt.)
I started with water. Building block of life, right? How many glasses are you supposed to drink a day, like eight? I was a few short. Try zero. Zero glasses a day, I was drinking no water. I think, you know, I really must’ve had hated myself.
(He goes into the bathroom to apply deodorant.)
‘Nother crazy thing about water, think about it – is there A) any beverage better for your than plain old water? And B) anything more plentiful and at the same time less expensive? Water’s cheap cheap cheap, practically free - and it’s the best fucking shit you can put in you. (Fixes his hair in the mirror; not an elaborate process.) So I got a water bottle and just started carrying it with me everywhere. Work, water bottle, it gets empty, you immediately refill it. Home, same thing. That bottle becomes like a tether to me, my constant companion. Till I forgot it on the bus one day a couple weeks ago. But by that point it didn’t matter, I’d trained myself. More n’ that, I’d broken myself of the habit of craving all that other stuff. Pop, juice, even coffee – cept every other Friday on payday when I treat myself to a latte. Well it’s ice coffee now as it’s starting to get warmer.
(He crosses to closet, opens it, and spends about a minute trying to pick out the right shirt.)
So water’s one thing, the first item on my hit list. But I gotta eat better in general. Problem is I hate cooking. I even hate people cooking for me; I mean in a domestic setting, not at a restaurant or takeout or something. It’s just the waiting thing, having to wait.
(Edgar selects a shirt, but stands there bare chested for a while longer.)
Thanksgiving, you know? That’s a bad example because the whole point is you make this big meal – not that I ever, that I was ever responsible – but it takes all day. But by the end of it you’re just starving. And no amount of peanut butter on celery or black olives is going to satisfy you when you want to be eating stuffing and mashed potatoes and gravy. It was the damn turkey, if you didn’t have to wait for anything else -
But I get the same feeling now. Impatience. Are we there yet?  
(He starts to put on his shirt, then stops.)
I had a couple girlfriends tried to make this really special, like candlelight, tablecloth, dinner for me, and all I can remember about it is sitting on the couch, my stomach continuously growling, just getting more and more irritated. Like did she have to make the pasta from hand? Make her own bread? Because I’m not going to be able to tell the difference so really what’s the - (Pulls shirt over his head.) But the point, as we all know, is to impress you – endear themselves, herself, to you. Because as, again, we all know, the quickest way to a man’s heart is through his stomach for some reason.  
And for all the women in the audience let me disabuse you of that notion right now. And it’s not what you’re thinking either – sex. It’s not sex. Sex is like dessert, not to mix my food metaphors. It’s good, great even, but you also don’t need it every night, it CAN, and probably SHOULD, remain this special thing, if possible. Sex is not the way to a man’s heart, no. The way to a man’s heart is Obedience.
(Long pause.)
I know how that sounds, like some caveman bullshit, but hear me out, ok? We just... There’s a time and a place for everything. Most things anyway – and the woman who understands, who gets that theory, who can just let shit lie, that you can just sit with, the ability to just sit with something, not forever but just, for the time being... This is who’s going to get the man.  
Does that make sense? I know I’ve gotten off topic but -
And it’s only in recent years that I’ve come to this crystalizing... you know, just very clear and straightforward conclusions about What I Want, What I Need out of life.
And if you’re thinking “Well good luck finding it, her, a woman who’ll just shut up you’re not even have to telling her to” - yeah I know that already, thanks, I know it’s gonna be a challenge, cause I haven’t found her yet.
(Short pause.)
Also you’re really oversimplifying my point if you think that. Because I’ll admit men are just as bad as women – or close – about the whole just shutting up thing. Because it’s about communication styles. Love languages, right? This may surprise and startle our Viewers out there – but I fully subscribe to ALL that shit. For instance, I can’t take a compliment to save my fucking life. I physically tense up. But Acts of Service – you flip my laundry or fill up the gas tank – and I am yours. On my hands and knees baby. Just how you like it.
(Edgar winks, then gestures like it was just a joke. He puts on his shoes.)
But Acts of Service; yes. And recognizing that in other people, getting to know and learn what works best for them. It’s like a key, it don’t all work in the same lock. We are mysteries, even onto ourselves.
That’s what this year’s been about so far for me. Making sense of shit. Prioritizing. What do I want. What kind of life -
Who do I want to be?
(He grabs his phone and his wallet. Then his keys.)
I have a date tonight.  
I been going out a couple times a week, on dates, different women.
Thirty-nine’s not too old to be on Tinder... (Grins, lots of teeth.) Right?
I tell you one thing, I am seeing a difference. I can see the change; it’s tangible. In the past month and a half, since I started working out in earnest, I’ve dropped over 30 pounds, mostly from the gut region. I’m down under 200 again. It’s frickin crazy. All this improvement is such a short time. You gotta be proud of that too, personally, cause no one else is really gonna give a fuck. No one really cares about you bettering yourself. I don’t. I mean if you wanta eat a box of Krispy Kreams once a day then by all means. If you wanna stay up late every night deprive yourself of a good night’s sleep, your choice. We’re responsible to ourselves ultimately. And God I guess. But what does He give a fuck whether you binge Mickey D’s every night or starve yourself to death like Ghandi? He doesn’t. So you shouldn’t either.
Stay out of other people’s business is the hardest lesson some people have to learn. For others it just comes natural.
(Edgar does a final check in the bathroom mirror: hair, teeth, etc.)
Don’t care. Or try not to care too much at least.
(He nods, satisfied with his appearance. Then he turns off the bathroom light and crosses to the door. He stops just before exiting. He smiles hugely, proud.)
I’m in the best shape of my life.
(Edgar leaves. We hear the door slam off. Blackout.)
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spiderfan22 · 5 years ago
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spiderfan22 · 5 years ago
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DAY THREE HUNDRED AND FIFTY-FIVE - 4/1/2020
“ALL HAPPY COUPLES ARE THE SAME” by DJS
Talk about disappointing. I had a lot of enthusiasm for writing this play going in, but as soon as I put fingers to keyboard – poof, gone. Hence, this crap.  
At least I finished it??
---
Characters: a couple, Man and Woman
Setting: where they live, with a basement and a bedroom on the main floor  
-shit he does: drink craft beer, watch baseball on TV, eat too fast, masturbate, play games on his phones
-shit she does: drink white wine, watch Netflix, pick at her food, think about masturbating, message her friends on Facebook
---
(Evening. Woman is doing shit in the living room as Man arrives home)
WOMAN: Hey
MAN: Hi
WOMAN: How was work?
MAN: Good. You?
WOMAN: Yeah
MAN: What do you want to do for dinner?
WOMAN: Oh, whatever
MAN: Thai
WOMAN: OK
MAN: Can you order it?
WOMAN: Sure
MAN: I’m going downstairs. Let me know when it gets here.
(He goes downstairs and does shit. She does shit on the couch. Doorbell)
WOMAN: Food!
(He comes upstairs)
MAN: Did you tip him on the app?
WOMAN: I tipped him on the app
MAN: I’m going downstairs
(and takes his food with him, and does more shit by himself. She does shit by herself. He comes back upstairs)
MAN: The Indians are ahead
WOMAN:  That’s good
MAN: I’m going back downstairs
WOMAN: Wait a minute – can you load the dishwasher first?
MAN: Sure
WOMAN: Thanks
MAN: No problem
(after he’s done, he goes back downstairs and does some shit. She does some shit. They don’t know what shit the other one is doing but probably have a pretty good idea. They’ve lived together for a long time. He comes back upstairs)
MAN: The Indians lost in overtime
WOMAN: Shoot
MAN: Yeah
WOMAN: I think I’m going to go to bed
MAN: OK goodnight
WOMAN: Night
(she goes into the bedroom. She does some shit in there. He does some shit in the living room)
End
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spiderfan22 · 5 years ago
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DAY THREE HUNDRED AND FIFTY-FOUR - 3/24/2020
“MANTRA” by DJS
This still counts as a play. My most experimental??
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spiderfan22 · 5 years ago
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DAY THREE HUNDRED AND FIFTY-THREE - 3/14/2020
“CARNAL KNOWLEDGE” Part One
Adapted from the screenplay by Jules Feiffer
I have no rights to anything, I just want to make that clear. But here is the first act (of three) of a potential stage adaptation of Jules Feiffer’s Carnal Knowledge script. Forgive the formatting please, it didn’t transfer over so well.
____________
Act One NOTE: Bobbie is present onstage throughout act one, always on the periphery, watching the action. None of the characters notice her until prescribed otherwise. 1. Fall 1946. We hear dance music of the period. Jonathan and Sandy are at a college mixer. They check out the girls. JONATHAN Hey if you had the choice - SANDY What? JONATHAN If you had a choice. Would you rather love a girl. Or be loved. SANDY Well I'd want it to be mutual. JONATHAN Yeah but if that wasn't an option. SANDY You mean would I rather love her or have her love me. JONATHAN Yeah. Yes. SANDY Well it's not that easy a question is it? I think I'd rather be in love. JONATHAN Me too. Only not if it meant getting hurt. I mean I'm not just gonna put myself out there, you know? SANDY Right, or hurt anybody else either. Jonathan shrugs. Hey would you marry someone if you weren't in love. Like if she was rich for instance. JONATHAN What do I look like a prostitute to you? SANDY Exactly. Because I'd rather make it on my own. I mean I'd want to establish myself first before settling down. If I was a doctor say - JONATHAN Your old man's a doctor. He's probably got some in's there you could. Me I'll take as much help as I can get. SANDY Right but if you didn't have faith in yourself, I mean to begin with - JONATHAN Yeah but you also gotta be realistic, Sandy. SANDY I'd rather just have faith. JONATHAN You know. You know what bugs me? Bugs me, it fucking depresses me. That every time I start being in love with a girl she does something to turn me off. SANDY Like with Gloria. You were in love with Gloria. JONATHAN Started to be in love. And then what does she do, lets me feel her up on the first date. There's something deeply wrong with that. Turned me right off. SANDY But you kept going with her. JONATHAN Well she let me feel her up didn't she? SANDY What about Gwen? JONATHAN That was different. Her I could talk to. SANDY I've never been able to talk to any girl. JONATHAN You will, it just takes practice. Anyway, I was really getting crazy about her - Gwen. But she was stuck up, you know? Wouldn't let me lay a hand on her the whole time. So I went back to Gloria. SANDY You want perfection. JONATHAN Oh that's my problem huh? What do you want, wise guy? SANDY I don't know. Just someone nice, I guess. JONATHAN Not beautiful? SANDY She doesn't - no, she doesn't have to be beautiful. I'd like her built, though. JONATHAN I want mine sexy-looking. SANDY But not a tramp. JONATHAN Sexy doesn't mean she has look like a tramp, Sandy. There's a middle ground. SANDY I want that too. Something like that anyway. JONATHAN Tall. Very tall. SANDY No, that would scare me. JONATHAN Most of all she has to be understanding you know? She has to get me. Like we'd finish each others sentences. SANDY That would be nice. JONATHAN Bit tits. SANDY But still a virgin, right? JONATHAN I don't care. SANDY Oh come on. Jonathan. JONATHAN No I'm serious, I've given this some thought and it'd be ok if she was just a little ahead of me. A little. With those big tits. If she knew a hundred different ways - SANDY You want a pro! JONATHAN Not like a slut. Just experienced. And I'd want it to be beautiful. This very mutual thing. But also a little wild. SANDY See I want more of a companion. Long-term. Someone to grow with, that's stable. Because that other stuff I can just get on the side. JONATHAN No but the first time is what I'm saying. The first time has to be beautiful. I don't just want to waste it on somebody. SANDY I don't know Jonathan. I guess I just feel the same way about getting laid as I do about going to college. Like it's something I'm being pressured into. Jonathan notices Susan across the floor. He nudges Sandy. JONATHAN What do you think? You like that? Huh? Maybe? SANDY Her? Yeah. JONATHAN Good. She's yours. I give her to you. SANDY What do you mean? What's wrong with her? JONATHAN Nothing. I'm just a generous guy. SANDY So what do I say? JONATHAN Start with a joke. SANDY What joke? JONATHAN Or better yet, tell her about your unhappy childhood. Get her feeling sorry for you. SANDY Hey that's not bad. JONATHAN But it can't be an act. She'll be able to tell. Sandy hesitates Well go on schmuck! If you don't I will. Sandy walks over to Susan. She looks at him expectantly. He doesn't say anything. He returns to Jonathan. SANDY I fucked it up. I couldn't think of anything to say, I - JONATHAN Yeah you struck out. My turn. SANDY What do you mean? She's mine! You gave her to me! JONATHAN But you struck out! SANDY Well I get two more times at bat! Sandy goes back over to Susan. She looks at him but he still says nothing. She speaks SUSAN This is the first time I've ever been to a college mixer. What about you? SANDY Yeah. I kind of hate it. SUSAN Me too. SANDY It's such a phony way of meeting people, you know? Everybody's putting on an act. So even if you meet someone, you don't know if it's them - SUSAN Or the act! SANDY Right, not the real person. The real them. Pause. SUSAN I'm not sure I agree. SANDY With what? SUSAN Oh, with what you just said. SANDY You don't? Then why did you say - SUSAN Because, I was going along. And we were talking and it was nice and. But then I realized I wasn't sure if I believed what I said, and wouldn't that be an awful way of beginning a friendship, with a lie. Pause. SANDY You know come to think of it, I don't know if I agree with it either. SUSAN You don't agree with what you just said? He looks at her. She smiles. SANDY Well how DO you feel about it then?? SUSAN Well I guess I think people only like to think they're putting on an act when really it's not an act, it's them. But if they think it's an act they feel better because then they could potentially change it, even though they won't. SANDY You mean they're just kidding themselves because it's not really an act. SUSAN No it IS an act. But they're the act. The act is them. SANDY But if it's them how can it be an act? SUSAN Because THEY'RE the act. SANDY But also real. SUSAN No. SANDY They're not real? SUSAN No. SANDY They're not? You're sure? SUSAN No. I mean yes I'm sure. SANDY Then by that argument I'm not real either. SUSAN No. SANDY Well if I'm not real I must be an act. You think this is all an act so, so what's the. I mean. He looks down. Frets. Starts to walk away - SUSAN Wait. It's all right, you don't have to - I'm an act too! Everyone. It's just the way it is. I mean for instance, you behave differently with different people, correct? SANDY No. SUSAN You don't behave differently with your family? SANDY Oh I thought you meant different people, like new people. Sure with my family - SUSAN And with friends you're another way. SANDY Well yeah, friends - SUSAN And with your teachers still another way. So which one is the real you? He laughs. SANDY Well when you put it like that! You should be a lawyer, you know? They laugh. Uh, you're from Smith, right? She nods. Do you like it? How do you like it? SUSAN Sure it's ok. Do you like Amherst? SANDY Sure, why wouldn't I? My parents worked very hard to send me so I'd better like it. They laugh. Can I ask your name? SUSAN Susan. SANDY Susan, I'm Sandy. SUSAN The music is nice isn't it? He nods. Extends his hand. They dance. Jonathan watches.
2. Jonathan and Sandy later than night in their dorm room. SANDY I don't know. She talks a lot. Might not be worth it I think. JONATHAN That's too bad. The impression I got, I think you could make it with her. SANDY What? Really? JONATHAN Let's just say I wouldn't kick her out of bed. SANDY You don't think maybe I should wait and try for somebody else? JONATHAN Like who? Pause. SANDY She was the best looking girl at the whole mixer, I'll say that. Wasn't she? JONATHAN Tits were kind of small. SANDY I thought of that too. Maybe it's not worth it. JONATHAN Nice legs though. SANDY She did didn't she? JONATHAN Mmm. SANDY I'll tell you one thing, she's got some funny ideas. JONATHAN I wouldn't kick her out of bed.
3. Outside dorm. Sandy and Susan are kissing in the shadows. He tries to get on top of her. SUSAN Sandy Sandy wait, can we slow down? SANDY What? SUSAN No I just don't want to be rushed, ok? SANDY What's the matter? I like you Susan. So I don't see - He tries to kiss her again. SANDY I like you too, but it's only our third date. There's no rush is there? SANDY But you let me kiss you last week. SUSAN So? SANDY Susan if I got to kiss you last week then I should at least get to do a little more tonight, go a little further. It's only fair. SUSAN I know, and we will. But you're the only boy I know I can talk to. And I'd like to talk to you so. SANDY That's funny. I can't see you being quiet for any guy. SUSAN Well, not quiet exactly. But there's a difference between shutting up and not even starting in the first place. Because you can sense it. In the past if I liked a boy, and I wanted him to keep liking me, and I was brighter than he was, which was usually the case, then the only choice was to not show it or have him lose interest. So it's hard. SANDY Yeah. I mean even I wouldn't want someone overly bright. SUSAN But what I'm saying, you wouldn't feel threatened. SANDY I might a little. SUSAN No I don't think you would Sandy, nearly as much as some people. For example, someday I want to write novels. He gives her a funny look. Not now, but down the road. Eventually. When I have something to say. Now that doesn't threaten you does it? SANDY No. Pause. I mean a little, I guess. He smiles. He leans forward to kiss her again, she lets him. SUSAN Don't press so hard, ok? They kiss. See, it's better when it's gentle. Thank you for listening to me Sandy. What are you grinning at? He doesn't answer. Sandy? Jonathan appears. He has a camera. He snaps a photo of them.
4. JONATHAN You feel her up yet? SANDY Come on, I like this girl. If I rush it it might ruin things. JONATHAN I was right about kissing her though. SANDY Yeah. Only we had to have this big fight about it first. JONATHAN Which you won. SANDY Well I don't know if I won it or not. JONATHAN See that's when you should've went for it, put your hand on her tit. Pressed your advantage. SANDY Come on. This girl's nice enough to kiss me, I should do that to her? JONATHAN You act as if she's doing you a favor. SANDY Well it is sort of a favor isn't it? I mean when a girl lets you kiss her and, you know, go on from there. Feel her up and so forth. Jonathan gives him a look. You know, the rest of it, go all the way and the rest of it, everything - I mean isn't that a favor? Because what's in it for her. I mean if she's not getting paid or anything. Jonathan starts to chuckle under his breath. What? Jonathan starts to laugh. Oh, fuck you. Fuck you Jonathan. I'm serious here. Bursting with laughter, Jonathan falls to the floor. Fine if it's so important - I'll feel her up! Jesus!
5. Sandy resumes with Susan. They kiss for a long time. He gets on top of her on the ground. SUSAN Sandy, please take your hand off my breast. Sandy - SANDY What? Why? SUSAN Because, I asked you to. How can it be fun for you when I don't want it? SANDY I didn't say it was fun. SUSAN Then why are we doing it? Why is your hand where it is? SANDY Because the way we're going by now I should be feeling you up! Susan sits up. She adjusts her clothes. SUSAN I just don't think we're there yet Sandy. SANDY Well I do. SUSAN But you want me to feel something too don't you? That we're on the same page? SANDY I thought you liked me. SUSAN I do, but for other reasons. SANDY What does that mean? SUSAN It means if we went any further there wouldn't be those reasons anymore. SANDY We might have something else though. SUSAN Like what? SANDY Something else, better. I don't know. You're the first girl I've ever done that to Susan. I just thought it was time. Pause. SUSAN I didn't know that. SANDY You can't tell? SUSAN No. SANDY Well it's something we both have to go through. Don't you think? She thinks about that. Smiles. She puts his hand on her breast. He takes it away. Susan are you a virgin? SUSAN Yes. Are you? Sandy nods. He puts his hand back on her breast. SANDY What do I do with the other hand? She puts it on her other breast. What are you gonna do with YOUR hands?
6. JONATHAN And then what? SANDY She told me to take my hand off her breast. JONATHAN Bitch. And then what? SANDY I said I didn't want to. JONATHAN And then? SANDY She said how could it be fun for me when she didn't like it. JONATHAN Jesus! SANDY So I said I thought you liked me. JONATHAN Good, turn it back around on her. SANDY And she said I like you for other reasons. JONATHAN Other reasons?! SANDY So I told her how I really needed this. JONATHAN Why? SANDY You know. Because it was my first time. JONATHAN Your first time what? What did you say exactly? SANDY I don't - that I was a virgin I guess. JONATHAN You told her that?? SANDY Was it a mistake? Jonathan shrugs. JONATHAN I wouldn't. SANDY Anyway, then she got nicer to me. JONATHAN What do you mean nicer? SANDY She put my hand on her breast. JONATHAN You mean you put it on and she left it. SANDY No. She picked it up and put it on. Jonathan stops. He demonstrates - JONATHAN You mean she picked up your hand like THIS - and put it on like THIS? SANDY That's right. JONATHAN She didn't take your hand when it was halfway and just sort of guide it in for a landing? SANDY No. So I didn't know what to think! JONATHAN You didn't huh? SANDY I mean for just wanting to be friends she's suddenly getting pretty aggressive. Pause. JONATHAN And then what? SANDY I asked her if she was a virgin. JONATHAN You're kidding! SANDY Was that a mistake?? Jonathan doesn't answer. Anyway, she is. JONATHAN That's what she says. So now you got what, one hand or two on her tits now? SANDY No, by this time she's put the other hand on her other one. JONATHAN She put BOTH hands on?? TWO hands?? Elsewhere: Susan is brushing her teeth in a mirror, getting ready for bed. SANDY So I said. I said what are you gonna do with YOUR hands? JONATHAN No. SANDY It just came out! JONATHAN Then what? SANDY She. Let me see if I got this right. Yeah, she unzipped my fly. JONATHAN Bullshit artist! He swats Sandy excitedly And then what?! Then what?? SANDY Well she. You know. She did it. JONATHAN Did what? WHAT? Sandy tentatively makes a hand motion indicating masturbation. Bullshit artist! BULLSHIT! Jonathan swats him repeatedly. They laugh.
7. Phone rings. BOBBIE Susan there's a call for you. Susan goes to the phone and picks it up. SUSAN Hello? Jonathan appears on the other end of the line. JONATHAN Hi, is this Susan? You don't know me, I'm a friend of Sandy's, his roommate Jonathan. I'm sure he's told you about me. Yeah so I'm just here at Smith for the night. I was taking a drive and found myself practically on campus, and I had some time. So I was wondering Susan - you weren't in bed already were you?
8. Sandy in the library. He eyes a girl as she walks by, but is too nervous to say anything. He adjusts his pants. Goes back to his studying.
9. At a college bar. Jonathan and Susan. For a long time they don't speak. JONATHAN So, where'd you go to high school? You like Smith? SUSAN What's your major? JONATHAN Do you always answer a question with a question? SUSAN Do you always date your best friends' girlfriends? JONATHAN You know Sandy told me you were beautiful. SUSAN He told me you were smart. I guess he's a poor judge of character. JONATHAN I guess what he meant was your personality. SUSAN Are you serious? JONATHAN Ok, I won't deny you have a certain special quality. I like girls who are special. SUSAN I'm hardly that special. JONATHAN You can't tell. That's another thing, you're not stuck up. SUSAN How do you think you know so much about me? JONATHAN Some people you can tell about right away. Intuition. Most girls I talk to it's like we're spies from foreign countries, you know? Speaking in code. Everything means something else. Like I say, would you like to take a walk? and it means something else. And she says, I can't, I've got a French test tomorrow. And it means something else. SUSAN And you say, why don't I come over and help you study, right? JONATHAN You're sharp. I like that. SUSAN Which means something else. JONATHAN Maybe too sharp. SUSAN Does that bother you? JONATHAN It interests me. SUSAN What is that, more code? JONATHAN No. I just think we'd be good together. SUSAN I'm dating your best friend. JONATHAN He won't mind. SUSAN How do you know? JONATHAN Because I'm not going to tell him. SUSAN What if I mind? JONATHAN Then you'll say no to the next question. Do you wanna go out Friday night? SUSAN I can't, I'm seeing Sandy. JONATHAN Saturday then. SUSAN I have to study. JONATHAN Sunday. SUSAN Seeing my folks. JONATHAN Where do they live? SUSAN Newton. JONATHAN Sunday night. I'll help you get over your folks. I know how that can be. She smiles. I'm serious, how about it Susan? What are you so afraid of? She has to stifle a laugh. SUSAN Not you.
10. Outside by a pond. SANDY I just can't get over how beautiful you are. SUSAN Hardly. SANDY Really, Susan. SUSAN I have a weight problem for one. You should see. When I'm nervous I empty the refrigerator. And I'm always nervous, so - SANDY You think you weighed 200 pounds the way you talk. SUSAN Also I'm flat chested. SANDY Well. Here I was this whole time thinking you were beautiful, telling everyone how beautiful my girlfriend is - SUSAN Yeah well SANDY And this whole time I've been dating a dog! SUSAN Don't call me that. SANDY I'm not, I was kidding. SUSAN Even as a joke. It's not funny. SANDY Ok. SUSAN I just hate it when boys use words like dog. SANDY Then I won't use it. I'm sorry. But what's the problem with calling a dog a dog? I mean if she is one. SUSAN Because. If you judge people too quickly then they go through life being called dogs when they're really, when they're actually really wonderful people. And you're too sensitive to think in terms like that, Sandy. SANDY I don't know. I'm not that sensitive. SUSAN But you are. SANDY Look don't call me sensitive, ok? SUSAN Why not? SANDY No reason. Just you don't like dog and I don't like sensitive. SUSAN But there's nothing wrong with being sensitive. He stops. He walks away from Susan. Then he comes back a moment later. SANDY Look, I don't see anything wrong with calling someone a dog, not if they're really a dog. But since you don't like it I'll stop. SUSAN You don't have to stop. I just won't mention it again. SANDY Ok. SUSAN But I'll still think it. SANDY What if I don't care what you think? SUSAN But don't you see, we can't do that Sandy. We can't be that way. If we start thinking things about each other but not saying them, if we hold back anything, it'll just start to accumulate, new things tomorrow and more the next day. And because of that we'll stop talking to each other because we'll be too afraid. We won't dare talk to each other because then something might slip - and oh Sandy that's too horrible! You can't live that way! SANDY Then what's the solution? I just say exactly what I feel all the time? SUSAN And I say what I feel. They look at each other for a beat. Sandy and Susan kiss. SANDY Dog. SUSAN Sensitive. They have a playful moment, laugh. He pulls her to him. SANDY I take it back, you're not a dog. SUSAN Thanks! SANDY You're welcome. Susan why won't you go to bed with me? She looks at him. She walks off. He watches her walk away.
11. Dorm room. Sandy undresses. Jonathan eats an orange. SANDY Think I'm in love. JONATHAN Bullshit artist. SANDY No, really. JONATHAN What happen, you get in yet? SANDY What's that got to do with it? JONATHAN Everything. I mean how do you know if you don't know how you are in bed together. SANDY That's not all there is Jonathan. JONATHAN It's a lot of it. SANDY But you don't understand. She tells me thoughts that I didn't even know I had - until she tells them to me. It's crazy! I mean I can really talk to her! JONATHAN You can talk to me too. Are you saying you're in love with me? SANDY But it's different. I can say things to her I can't say to you, that I wouldn't dare. JONATHAN Like what? SANDY Things you'd laugh at. JONATHAN Name one. SANDY Well, the fact I'm sensitive. She thinks I'm sensitive Jonathan. And she's right, I am. Susan sits at a piano. She plays scales. JONATHAN Sensitive huh? Oh boy, sensitive!  What do you guys talk about, huh? Flowers? SANDY Books. JONATHAN You phony. I read more books than you do. SANDY I'm going to start. I'm reading The Fountainhead. JONATHAN Yeah what's that? SANDY Her favorite book. You ever hear of Jean Christophe? JONATHAN No. SANDY It's a classic, you moron. I'm going to read it right after The Fountainhead. JONATHAN yeah - you ever read Guadalcanal Diary by Richard Tregaskis? SANDY No. JONATHAN That was a bestseller, and I read it. You ever read Gentleman's Agreement by Laura Z Hobson? SANDY I'm going to read everything from now on so it doesn't really matter. JONATHAN Well I got a head start on you, asshole, so who's the one who's sensitive now? Come on, WHO'S SENSITIVE?? Jonathan has gotten very close to Sandy's face. The two young men stare at each other.
12. A car parked at night. The interior is lit only by the radio dial. JONATHAN I had a very messed up childhood. SUSAN What does your father do? JONATHAN He fails. She half- laughs. That wasn't supposed to be funny Susan. She coughs. SUSAN Were you very poor then? JONATHAN He couldn't hold onto a job but he kept giving me advice. The more he failed the more advice I got. He's a Communist too. Did I mention that? SUSAN We're Republicans. JONATHAN You're not isolationists are you? SUSAN Oh, no. In the dorm room Sandy is trying to read The Fountainhead.                                                                 He soon gets bored and starts to masturbate. Sometimes I think I'm a Communist. JONATHAN Me too. We have so much and other people have so little, you know? After I get set up as a lawyer what I'd really like to do is get into politics. SUSAN Run for office? JONATHAN Yeah, public service, give back. What really gets me is I was too young to fight in the war, because what was that all about except to show that if everybody pitches in the plain people have a chance. So even though I'm the first in my family to get an education I don't ever want to forget where I came from. She turns and looks at him. SUSAN You're a lot more serious than I thought. JONATHAN Don't I know it. He reaches over and puts his hand on her leg. She puts her hand on top of his.
13. Back in the dorm. The lights are out and the boys are in bed. SANDY Where'd you meet her? JONATHAN You don't understand. I'm another person with this girl. You wouldn't recognize me. I mean the things that come out of my mouth - SANDY Hey she really sounds like something. Is she built? JONATHAN That's just it. She's got a quality. She doesn't talk much but the things she has to say are so sharp, intuitive about me. SANDY We should double date sometime. JONATHAN Well I'd like to know her a little better before we do anything like that. SANDY But eventually - JONATHAN Sure, sure. SANDY Gee isn't it great? A month ago neither of us even knew a girl, and now? JONATHAN Yeah. Now we know one. SANDY What's her name? Pause in the dark. JONATHAN Myrtle.
14. The woods. Night. It's dark. Jonathan and Susan are mid-fuck.  She moans. He emits a series of grunts. It doesn't last too much longer. He exhales loudly, then sighs an enormous sigh. She touches his face. Then he gently rolls off her. He looks up at the sky. Susan looks at him. JONATHAN I used to wake up in the morning and all I could think about was girls. Not even getting laid, it was purer than that. Girls as machinery. I'd follow them down the street wondering how they got their arms to swing from their elbows that way. And why they liked to walk barefoot. It drives me crazy girls walking barefoot! And girls who wrinkle their brows. And girls who rub their noses. And girls who touch your arm. Right here, like that. God, girls have great hands, like they're squeezed out of a tube, their fingers. And girl skin. Girl skin. Nothing that ever lived feels as good to touch or be touched as girls skin. To be with a girl with great skin and girl hands, wrinkling her brow, rubbing her nose, touching my arm, me with shoes on and her barefeet. - Oh Susan girls were killing my life! They were taking up so much of my time! I couldn't work, couldn't think, I would've flunked out. And you, you came along and you saved me. And now all I got in mind is you. The other girls are gone and you're in their place and I can study, I can be somebody, and do things. Do anything! GOD!! I can't shut up. Please Susan shut me up! She covers his mouth with kisses.
15. The next day. Jonathan is grinning. Sandy punches him. Hugs him. SANDY Bullshit artist! You're kidding. You're not kidding? You really did it? You beat me to it you son of a bitch? You bastard! God! Well you just wait. Next it's gonna be my turn. JONATHAN I don't know Sandy. I don't think she's gonna go for it. I mean if it hasn't happened by now - SANDY Why not? Of course she will! I mean she has to eventually. I've just been taking it easy with her. JONATHAN Sandy, trust me - find somebody else. SANDY Are you crazy? When I'm right on the verge? Anyway, I see her tomorrow night - JONATHAN Hey uh Sandy. Do you ever... do you ever talk to her about me? SANDY Yeah sure sometimes. JONATHAN Will you do me a favor then? SANDY Sure, what? JONATHAN Don't tell her I got laid.
16. Boys dorm room, afternoon. Susan, fully clothed, stands between the two beds smoking a cigarette. Sandy is starting to undress. He stops. SANDY Please Susan. We have to. It's time. Past time. She doesn't answer right away. And when she does she doesn't make eye contact. SUSAN Sometimes I want to do it and a second later, I don't know. It goes away. I don't know why you put up with me. He tries to take off her shirt. She moves away from him. Sits on Jonathan's bed. SANDY Susan. That's Jonathan's. Mine's over there. She doesn't move. He sits beside her. She smokes her cigarette, not looking at him. SUSAN I just don't think I can. SANDY But it hurts Susan. You don't understand what it does to a guy. Just to keep building up and never - SUSAN Then let me help you. I don't mind - She starts to touch him with her hand. Sandy pushes it away. SANDY No, not like that. Not anymore. SUSAN Please Sandy just let me do it for you - SANDY No, not if we don't go all the way. Oh Susan let's just do it! I love you! She allows him to kiss her. I love you. Don't you love me? She nods. He lies her down on the bed. They kiss some more. Start to take clothes off. SUSAN Do you have something? Sandy crosses the room to his bed and from under the pillow slips a condom. How long have you had that? SANDY Not too long. SUSAN Not a year or anything? SANDY I'm sure it's okay. SUSAN I don't want to take any chances. SANDY We won't be. These things have to work. She doesn't respond. It's ok. She doesn't respond. I'm positive it's ok.
17. In the dark. SUSAN Ow! JONATHAN Did I hurt you? SUSAN No. Ow! You rat! JONATHAN Ow! SUSAN How do you like that? Ow! JONATHAN Ow! SUSAN Ow!
SANDY Am I too heavy? SUSAN No you're fine. SANDY Ohhh Susan - SUSAN Can you wait? SANDY I, I can't wait. I can't wait. SUSAN Please just wait. You're trembling. SANDY I love you Susan.
SUSAN I love you Jonathan.
JONATHAN What do you think of? SUSAN I don't know. SANDY I don't know. JONATHAN The first time tonight I thought of grenades. Hand grenades going off. The second time I thought of movie music. The third time I thought of orange juice. SUSAN I don't get that. SANDY Orange juice? JONATHAN I'm just telling you. And the fourth time I thought of the fifth time. So what do you think of? SUSAN I don't know. SANDY Nothing I guess.
SUSAN What do you think of? SANDY When? SUSAN When we make love. What do you think of? SANDY Oh. Just how good you are to me.
18. A week later. Mid-conversation: JONATHAN Nothing, you just act like you're the first guy in history who ever got laid. SANDY I'm the first guy in MY history who ever got laid, so - JONATHAN Well it's beginning to be irritating. I mean I like it too but you don't hear me crowing either. There's such a thing as good taste. SANDY What's the matter with you huh? JONATHAN Jesus! Nothing I said! SANDY - No I mean it. After you started scoring what did I get out of you? We did it standing, sitting, in the car, under the car, Myrtle, Myrtle, Myrtle. Maybe you forget but I knew Susan before you started going with Myrtle, and yet who scored first? You! That didn't make me feel very good, you know. In fact it made me feel really jealous. But did I once tell you to shut up? Did I one time say I'm tired of hearing about it already Jonathan? No, I didn't, I never said that. Because I'm your friend. So I sat through it. Besides, after encouraging me for so long I thought you'd want to hear all the details - JONATHAN Okay, okay. You made your point. SANDY Sometimes... Sometimes I think I'm a better friend to you than you are to me. Jonathan looks at Sandy.
19. College bar. Sandy and Susan sit together at a table, Jonathan across from them. Everyone has a smile on their face, laughing. They are drunk. SANDY Didn't you ever do that? SUSAN What? JONATHAN What? SANDY Of course I knew what it meant - JONATHAN Of course. SUSAN "Of course" SANDY Misled, I knew what it meant, the word, but I didn't know what it looked like - JONATHAN He didn't know what it looked like. SUSAN Didn't know, or didn't want to know? SANDY So when I finally saw it in print, I thought it was MYZILD. Like, he had been MYZILD by her. SUSAN Are you following any of this? JONATHAN Just go along. He'll wear himself out eventually. SANDY She MYZILD her youth. And I kept wondering, you know, what could it mean? This word MYZILD. JONATHAN Sounds sexy. Let's MYZIL, baby! Jonathan playfully grabs Susan's hand. Susan and Sandy laugh. Speaking of which, does anyone know who Round John Virgin is? SANDY Yeah he was one of Robin Hood's guys, right? The Married Men. SUSAN You're thinking of Little John. And it's the MERRY Men. SANDY Merry... JONATHAN Round John Virgin. SANDY Wait, is that...who am I thinking of, from Shakespeare. What's his name.  Falstaff! Falstaff? Susan suddenly claps her hands, and bounces in her seat. Excited because she knows the answer - SUSAN Round John Virgin mother and child! Round John Virgin mother and child, mother and child! JONATHAN Yeah! Way to go Susan. SANDY Round John Virgin mother and who? Susan takes over the song, singing: SUSAN "Holy infant so tender and mild" SANDY Oh... Oh! ALL THREE SING "Sleep in heavenly peeee-eace! Sleep in heavenly peace!" They cheer and clap and drink and Sandy puts his arm around Susan. SANDY Susan! Susan, Susan. Do the one for Jonathan about the bear. You'll love this Jonathan. JONATHAN What bear? What? SUSAN Just this old hymn we used to sing. [It's stupid.] We used to sing it in church about a bear with crossed eyes - JONATHAN What are you giving me? SUSAN Whose name was - Gladly. JONATHAN The bear's name was Gladly. SUSAN No, don't you know it? Gladly The Cross Eyed Bear. SANDY Gladly the Cross Eyed Bear, Gladly the Cross Eyed Bar. Get it? Get it? Jonathan stares at them for a long time, giving nothing away. Then suddenly at the top of his lungs - JONATHAN GLADLY - THE CROSS - I'D BEAR!!!! They roar with laughter. Jonathan raises his glass of beer and they all cheers.
20. JONATHAN This has to stop. It's time. One of us has to tell him. SUSAN I know, but I don't know how. JONATHAN You don't have any trouble telling him lots of other things. SUSAN What does that mean? JONATHAN It means the way you talk to him. You don't ever talk to me that way. SUSAN What way?? JONATHAN I don't know. SUSAN He's very vulnerable, that's why. I don't want to hurt him. JONATHAN Yeah well you're hurting me. SUSAN I know, but he loves me. JONATHAN That's no reason to go to bed with someone. She looks away. And you would have just gone on, wouldn't you? If he hadn't told me. Hadn't blabbed the whole thing the second it happened, which of course he was going to - would've kept me in the dark about all of it! SUSAN I don't know. JONATHAN As long as you could get away with it. Right Susan? SUSAN I don't know. Maybe. JONATHAN You're really something. A piece of work as my father would say. SUSAN I don't feel like something. I feel like nothing. Silence. JONATHAN How much longer do you expect me to take this? SUSAN I'm trying. I'll tell him. Soon, I promise. JONATHAN I see how you're trying. SUSAN It's not my fault. I don't enjoy these fights. JONATHAN Listen, if it's me you really love - and it's supposed to be me you're really in love with - then I'll tell him. I'm gonna tell him. SUSAN What?! JONATHAN I'll tell him about you and me. SUSAN No Jonathan! JONATHAN Why huh?! How can you be more understanding to him on this than to me?? SUSAN Because, you're stronger. JONATHAN You only think so. Fine, you tell him everything else, you're so open with each other, understanding? You can explain about us. It should be easy. SUSAN What do you mean I tell him everything else? I don't tell him anything! JONATHAN Bullshit, Susan! He tells me!! He's my best friend! He's my best friend! Now are you going to tell him or not?! SUSAN But he's so helpless Jonathan. So, so - JONATHAN Well you're not gonna turn me helpless. SUSAN I'm the one. I'm the one who's helpless here. JONATHAN Why? Nobody's stopping you. You're free Susan. Do whatever you want. SUSAN I don't feel free. JONATHAN You feel free with Sandy. Beat. Then she shrugs. He goes to her. Susan I love you. Why can't you be more like you are with him when you're with me? That's all I'm asking. Why can't it work that way.
21. SANDY She says no good for me. JONATHAN Maybe she's trying to let you down easy. Sandy looks at him a beat. Jonathan smiles. Sandy smiles. Go on, laugh. It adds up. Jonathan pushes him. Teasing him. Sandy laughs. Laugh. It's funny. It is.
22. JONATHAN You don't know every mood of mine like you know every mood of his. SUSAN No. JONATHAN How come? SUSAN I don't know? JONATHAN You don't tell me thoughts about myself I never knew I had until you tell me. SUSAN Does he say I do that? He nods. Then I guess I must. JONATHAN You do it all right. So do it with me. SUSAN I can't. JONATHAN You can do it with him, do it with me. Tell me my thoughts! SUSAN I can't. JONATHAN Why? SUSAN I just can't with you! JONATHAN This has gone far enough. SUSAN No more ultimatums Jonathan. I can't stand it. I won't. JONATHAN Good, cause this is my last one. Tonight you tell him or tomorrow I do.  Look at me Susan. Susan. She won't look at him. He grabs her hard and screams at her. Susan! Tell me my GODDAMN THOUGHTS!!!!!!!
23. Phone ringing. Susan answers, Jonathan is on the other line. SUSAN Hello. JONATHAN You didn't tell him did you? SUSAN No. JONATHAN Why not? SUSAN He looks at me with so much trust, I couldn't. JONATHAN And how do I look at you? SUSAN Like you're bitter. Resentful. JONATHAN It used to be trust. At least you know my thoughts now. SUSAN Did you tell him? JONATHAN What do you think? SUSAN No. Pause. JONATHAN So what do we do now? SUSAN I don't know. I guess I get another ultimatum. JONATHAN Maybe but. I mean do you think there's any sense in this? SUSAN You and me you mean? JONATHAN Going on. SUSAN That's up to you. JONATHAN I don't think there's any point. I wish I were wrong. I don't feel anything anymore. SUSAN Neither do I. Pause. JONATHAN The reason I didn't say anything to Sandy in case you were curious was - I knew he wouldn't believe me. So I'd have to go into details to make him believe me. And then he'd come running to you. And you'd tell him everything. And then you'd go to bed with him. SUSAN Yes. That sounds like what would happen. Beat. Then they both give short laughs, breaking the tension. JONATHAN Would it be weird if I thanked you? SUSAN For what? JONATHAN I just never knew I could feel this close to a girl. SUSAN You are very different from when we first met. JONATHAN I guess maybe I've matured.   He is about to hang up So anyway - SUSAN Jonathan... He waits. Listens. Long pause. Then she doesn't say what she wanted to say. I'll always be your friend. JONATHAN Jesus Susan. I hope not.
24. Dorm room. Susan is helping Sandy pack to go camping. Jonathan is also there. SANDY Buggy. It's going to be buggy. I know. SUSAN It's not going to be THAT buggy. SANDY It's the country, what do you mean? It's the woods. SUSAN Yes but you can't cover yourself from head to toe! SANDY I'll get eaten alive! SUSAN You won't, you just don't know what it's like. You never camped out before. Tell him Jonathan, isn't he being silly? SANDY I am not. SUSAN Are too. SANDY Am not. SUSAN Are too, are too! A real city boy if I ever saw one. SANDY How about the cot? SUSAN Come on sweetie, that's what the sleeping bag's for. SANDY You're really serious about sleeping on the ground?? SUSAN What a baby. SANDY God this backpack's heavy. SUSAN I told you you overpacked. You are a nut. Isn't he a nut, Jonathan? They continue to bicker. Jonathan can't look at them.  He turns away. He sees Bobbie for the first time. They lock eyes. She smiles. He is unnerved by her. She takes a step towards him. Jonathan staggers away from her, downstage. To the audience: JONATHAN Wait a minute. Can we please just wait a minute here? Everyone? HEY! Pointing at Bobbie Who Is That Woman???!????
End of Act One.
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spiderfan22 · 5 years ago
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DAY THREE HUNDRED AND FIFTY-TWO - 1/13/2020
“COLLECTOR’S ITEM” by DJS
Here’s a silly violent little nugget for you. I don’t care for the end result much, but the escalating tension satisfies, at least marginally. 
Also feels like sort of a Mamet clone.
_____________________
Pawn Shop.
OWNER         How much?
KID     It was my dad’s.
OWNER         Uh huh. How much do you want for it?
KID     He kept it in his office. In a glass case. On a little stand thing.
OWNER         They usually do. How much were you thinking?
KID     I don’t know. It’s pretty valuable.
OWNER         Could be.
KID     It’s signed.
OWNER         I can see that.
KID     It’s signed.
OWNER         True. Otherwise it would just be any old ball.
KID     But it’s not – it’s signed.
OWNER         Yes. How much?
KID     I think it’d be better if you told me.
OWNER         If I quoted you a price?
KID     Yes.
OWNER         Why?
KID     Because. You probably know more about this stuff.
OWNER         I do.
KID     Well, how much would you give me?
OWNER         How much would I pay you?
KID     How much for it, yes.
OWNER         Well, assuming it’s the real deal –
KID     It is.
OWNER         I’d want to confirm that first. Consult a few guides I have.
KID     But you can see, it’s his signature.
OWNER         It says his name.
KID     That’s his signature. It was my dad’s. The guy signed it personally.
OWNER         He signed it for your dad?
KID     My dad used to live in Boston. That’s where he grew up.
OWNER         He got this at a game?
KID                             You can look at it if you want. You can look at it more closely, just be careful.
OWNER                     I will.
KID                             Here.
OWNER                     I do this all the time, kid.
KID                             Then you know it’s the real deal.
OWNER                     Would you pardon me for a sec?
KID                             Why? Where are you going?
OWNER                     Just in the back for a sec, to grab a book.
KID                             What book?
OWNER                     One of the aforementioned guides.
KID                             Is that like a book to compare the signature to see if it’s real?
OWNER                     That would be it.
KID                             But I told you already.
OWNER                     And I asked how much you wanted for it. I put the ball in your court, but you declined. Alright. You instead wanted me to quote you a price. Ok. But that means first I gotta educate myself so neither of us gets taken here.
KID                             Taken?
OWNER                     Swindled, bamboozled – tricked –
KID                             But I’m not doing that.
OWNER                     You come in off the street, how am I supposed to know?
KID                             Because I’m telling you.
OWNER                     Well, that isn’t the way it works, kid.
KID                            No. I think you’re trying to trick me. Turn it around. Take me.
OWNER                     You do?
KID                             Yeah. Yes.
OWNER                     So maybe you can get out of my shop.
KID                             What?
OWNER                     Maybe you can just leave, then.
KID                             But I have the ball. It’s signed.
OWNER                     Good for you. Keep it.
KID                             But I don’t want it. I want the money.
OWNER                     You can’t tell me how much.
KID                             Because you know more about it.
OWNER                     Then the fuck aren’t you listening to me for? Not letting me do my job?
KID                             I’m sorry. I didn’t mean to –
OWNER                     Yes you did. From the minute you walked in.
KID                             I didn’t. No I didn’t –
OWNER                     Coming in here acting dumb –
KID                             No –
OWNER                     Trying to pull a fast one –
KID                             No –
OWNER                     Your dad’s ball? Un-uh. You probably stole it.
KID                             What?? No!
OWNER                     Get out of my shop kid.
KID                             But I didn’t do anything!!
Kid pulls a gun from the back of his belt and shoots the owner. Owner falls down behind the counter. Kid leans over and fires twice more into the body. Hold a moment. Then he grabs the baseball and runs out.
End.
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spiderfan22 · 5 years ago
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DAY THREE HUNDRED AND FIFTY-ONE - 1/3/2020
“THE MORNING AFTER THE ORGY, PART 1” by DJS
Reading the script of Eyes Wide Shut. It’s good. Then inspiration strikes.
Look out for Part 2 tomorrow or the next day.  
(The interior of an opulent mansion in the aftermath of an extravagant all-night party; specifically an orgy. Something along the lines of the movie Eyes Wide Shut. Imagine that scene, only fast forward to the following morning. Now two domestic servants, Rose and Midge, have the unenviable task of cleaning up... with all that entails. At present, Rose is pulling down black velour curtains that cover the windows, flooding the room with daylight... while Midge, bless her heart, is on all fours, doing her damndest to scrub a dark stain out of light-colored couch cushion. And yes, it’s what you think it is.)  
Rose: God. You never seen this many candy-labras in your life, have you? Lucky they didn’t burn the place down, knock one over by accident.
Midge: (Dripping sarcasm) Lucky.
Rose: Y’know, the rich got it so good. Even sex is a luxury.
Midge: Rose?
Rose: Yeah?
Midge: I don’t think this stain’s coming out.
Rose: No?
Midge: Not anytime soon, no Rose.
Rose: Well, d’ja put your back into it?
Midge: I would have to say I did, yes.  
Rose: Well maybe you’re not using the right solution.  
Midge: OK Rose, what would you suggest then for getting cum stains out, a little club soda maybe?
Rose: I don’t know. Don’t get testy. I’ll Google it.
(Gets out her phone.)
See, you think that’d be priority one for folks into this kinda stuff. PROTECT YOUR VALUABLES. I mean I know probably every inch of this place is insured up the patootsie, but that still leaves an awkward conversation with your claims adjustor. And your monthly premium’s definitely going up, so... I’m just saying, if you’re gonna go to all the trouble, the expense to host an event like this, if it’s THAT important to you to get your rocks off in the company of strangers, maybe, just maybe, put whatever the fancy-schmanz equivalent of a painters tarp down first ‘fore things get messy. ‘Cause some guy in the heat of the moment forgetting where he is and accidently jizzing all over your eight thousand dollar Italian hand-stitched sofa seems like a pretty obvious pit to fall into if you ask me. Am I right?
Midge: What insurance?? They’ll just get it reupholstered. Or buy a new one.
Rose: (Looking up from phone) Really? You think it’s so trivial they’d junk the sofa wholesale on account of one crusty cushion? When you could just flip it over.
Midge: I don’t know, Rosey. I’m not in their head. (Pause, then goes back to scrubbing) Where are the lady and mister of the house anyway?
Rose: Oh, out brunching, of course. Sipping mi-mo-sas. What other way is there to spend a Sunday afternoon after all?
Midge: Not on your hands and knees, that’s for damn sure.
Rose: But you forget, Midgey. That it was prolly somebody on their hands and knees was responsible for this whole mess in the first place.  
(Referring to phone.)
Oh-oh, here! This site says to make a PASTE of bakin’ soda and water.
Midge: Bakin’ soda and water? (She nods along to the following instructions.)
Rose: Yes, this is specifically for upholstery it says. Apply paste to the spot in question, then scrub with a brush. Once the spot is loosened, use cold water and a towel to wipe it up. Repeat steps 1 and 2 until stain is gone. Then vacuum. THEN sprinkle s’more baking soda over the spot and let sit for an hour to eliminate smell and absorb moisture from the fabric. (Scrolls down further.) Oh, and this is important, Midgey. DO NOT EVER USE HOT WATER because semen is a protein and this will cause the stain to set. Eww.
(Midge stops, looking from the sponge in her hand to the bucket of soapy water next to her.)
Midge: I got a bad piece of news for you then, Rose dear.
Rose: Aww, don’t say it, Midge. Ya used hot water dintcha?
Midge: Boilin.
Rose: Aw Jeez.
Midge: Yep. I’m looking at one baked-in spooge stain if I ever saw it.
Rose: Fuck a duck.
Midge: Mighta been better off, yeah.  
(She snickers. Rose looks at her, Midge shrugs.  Rose throws up her hands.)
Rose: Oh well I guess. What can you do? I mean ya invite the heathen class—that is to say the one percenters—into your home and tell ‘em to go hog wild, all on your dime and under your supervision, on top of which you make ‘em wear these stupid masks, (Holds up mask) - these stupid masks, they can barely see straight... well I spose in that scenario you get what you pay for. What ya can AFFORD to pay I should say.  
Midge: Right.
Rose: It’s crazy. I mean it’s Looney Tunes. Bugs Bunny.
Midge: (Looking at cushion, she gives up. Sets it aside. As she does, mimicking Porky Pig’s stuttering sign-off): Th-th-th-that’s all folks.
Rose: There’s a ruling class Midgey. And we’re just not part of it.
Midge: Never was, never were.
Rose: So you wanna sweep or mop?
Midge: Mop. I think.
(end)
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spiderfan22 · 6 years ago
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DAY THREE HUNDRED AND FIFTY - 12/23/19
“DELIVERY” by DJS
No comment.
____________________
Motel room. Dark except for the glow of the TV. Illuminates a MAN on the bed, watching, zoned out. Sound from one of those Time Life CD collection infomercials.
Knock-knock. Man mutes the TV.
MAN    Yes?
VOICE THRU DOOR     Yeah I have a pizza for room 26?
MAN    Just leave it outside please, thank you.
VOICE THRU DOOR     Yeah I can’t do that.
MAN    Why not?
VOICE THRU DOOR     because you need to sign for it sir.
MAN    Then take it back. I don’t want it.
VOICE THRU DOOR     but you ordered it sir. You have to pay for it.
MAN                                        I gave you my credit card information I shouldn’t have to sign for anything, you can just charge me.
VOICE THRU DOOR                 I guess but I mean, I’m here.
MAN                                        Please go away.
VOICE THRU DOOR                 Sir, is everything alright?
MAN                                        No. I just want you to go away now please.
VOICE THRU DOOR                 If you don’t open the door, I have to tell the front desk sir.
MAN                                        Please don’t. Why?
VOICE THRU DOOR                 because you’re not acting normally sir. Being rational.
MAN                                        What business is that of yours?
VOICE THRU DOOR                 Maybe it’s not. But you still need to sign for the pizza.
MAN                                        Ok then. Slip the receipt under the door and I’ll sign it. Then just leave the pizza and go.
VOICE THRU DOOR                 I can’t do that.
MAN                                        What, why not?
VOICE THRU DOOR                 because it’s not how it works sir.
MAN                                        You’re making this very difficult, do you realize that?          
VOICE THRU DOOR                 Or I’m just doing my job.
Pause.
                                               Come on sir open the door, so I can get this done.
Man hesitates. Then goes to the door and opens it.
There’s no one outside. No pizza, nothing.
Man looks left and right down the hallway. He turns back into his room. A mix of confusion, dread. As lights fade.
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spiderfan22 · 6 years ago
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DAY THREE HUNDRED AND FORTY-NINE - 12/13/19
“THE JOB, OR: WHAT ARE WE EVEN TALKING ABOUT? I MEAN COULD THIS BE ANY MORE VAGUE?? JEEZ!!” by DJS
Dialogue for dialogue’s sake. But it’s also classic drama, right? Two characters are opposed and over the course of a scene one convinces the other to abandon their view and adopt the opposite. Spoiler alert.
______________________
A: I can’t.
B: Okay.
A: You’re asking too much.
B: Alright.
A: I mean, I would if I could. I mean, maybe if you’d asked me sooner, you know?
B: Right. Well, I just thought I’d put it out there.
A: Right, I know why you came to me.
B: You’d be the one to try. To get it done—if it was even was possible.
A: Well of course it’s possible. It’s just a time issue. The window to do it in would just be too small, you’d be rushing the job.
B: Right.
A: I mean if I had a year, even six months-
B: Right, right.
A: Then this would be a different conversation. We’d just be talking numbers.
B: Numbers?
A: My fee.
B: Oh.
A: You—you didn’t think I would take the job on pro bono, did you?  
B: Well, yeah, we kind of hoped.
A: What?
B: Well, the organization doesn’t have a lot of disposable income to throw around, we can barely cover our operating costs. And, you know, we thought maybe just the challenge of the thing would be enough to entice you.
A: So you weren’t gonna pay me?
B: Not if we could help it.
A: Nothing? (B shrugs.) Well I gotta say I find that a little insulting given my expertise in the field.
B: Which is why we came to you in the first place. Please, I can assure you it wasn’t meant as a slight, it’s just the reality of the situation right now. But we really do need you.
A: Yeah, but I get paid. I have a perfectly good job as it is, that values what I have to contribute, and pays me what I’m worth.
B: But has stopped really engaging you. Intellectually at least.
A: You don’t know that.
B: We’ve watched you on your lunch breaks.
A: So? What does that prove, huh? What do I do on my lunch break that’s so revealing?
B: Nothing. It’s nothing you do; you just sit in your car-
A: That’s right-
B: It’s the amount of time, the length. You keep taking longer. (Pause) You don’t want to go back to work.
(Pause.)
A: So what if I don’t? What if I have stopped caring? They pay me for my time.
B: True.
A: They pay me for my time. Which you can’t even do.
B: No. But think of the long-term benefit.
A: To who? To me?
B: To you. To the cause.
A: But I don’t care about the cause.
B: We know. We know that. We know that any interest you might have in the project would be strictly theoretical-
A: Correct.
B: But still, that might be worth it in and of itself, right? To finally get a chance to prove what you’ve been claiming all these years? That you never had the resources to take to the end of the line—your dream to fruition?
A: No. (Pause) And you’re saying you do?
B: What-
A: Have the resources?
B: Some of them. Others we’ll have to get creative about. May even have to steal. 
A: Then you’d be robbing some very dangerous people.
B: Believe me, we know.
(Pause.)
A: Where would I live? I’d have to leave home, right?
B: Not at first, but eventually, yes. Some of the equipment just isn’t portable, as you know.
A: And I’d have free reign. I would call the shots?
B: It would be your show to run.
A: Can I tell you-
B: What?
A: I’ve never had such a tempting offer.
B: We thought not.
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spiderfan22 · 6 years ago
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DAY THREE HUNDRED AND FORTY-EIGHT - 12/11/19
“THE TALKING CURE” by DJS
This short came really easy. From pen to paper to Word. 
__________
A psychiatric laboratory. Whatever that means. It probably has a couch in it.
Some contemplative classical music plays in the background.
Doctor questions Patient.
D         Any history of drug or alcohol abuse?
P          No.
D         Any family history, past trauma?
P          Nothing specific. I don’t know.
D         Dietary restrictions to be aware of?
P          Sorry, is that relevant?
D         A yes or no answer please.
P          Then no.
D         Good, good.
           So have you ever been hypnotized before?
P          No.
D         Never? Not even once?
P          Not to my recollection, no.
D         And I take it your recollection is pretty good? You’d stand by it?
P          For the most part, yeah. I mean unless I’m really drunk.
D                     Wait. Just a moment ago you swore to have no history of alcohol or substance abuse of any kind, yet you just claimed to be an alcoholic.
P                      Not an alcoholic, no, that’s not what I said.
D                     It IS what you said.
P                      No, I just like drinking to excess from time to time.
D                     You called yourself a drunk. / These are your own words. I’m QUOTING YOU.
P                      I said I GET drunk. When I GET DRUNK.
D                     Look, this isn’t going to work if you lie to us.
P                      I’m not, / I wasn’t.
D                     The process depends on utter transparency.
P                      I know that. I know.
D                     Then do you have a history of alcohol and substance abuse or don’t you? Answer the question honestly please.
P                      NO.
D                     What about a family member who took their own life?
P                      Yes, an uncle. Great uncle.
D                     Oh yeah? And what made him so great?
P                      Not… Great in the sense that he was my mother’s uncle, her uncle, which would make him my great uncle.
D                     Oh. You should be more specific then.
P                      Fine.
D                     So this uncle, who you claim was not so great after all, this man took his own life?
P                      That’s the story.
D                     How?
P                      How did he kill himself?
D                     (Obviously.)
P                      He jumped off a bridge.
Pause.
D                     How many times do you masturbate a day on average?
P                      I don’t. I mean I don’t do it every day.
D                     How frequently then? Every other day?
P                      Sure, I guess if you chalk it up.
D                     Do you always climax?
P                      No, sometimes I get bored and stop before.
D                     Is that usual?
P                      No I would say that was the exception.
D                     And are you ever high when you do this? Do you like to get high before?
P                      No.
D                     How tall was the bridge your uncle jumped off?
P                      I don’t know, I never asked.
D                     Do you know if he died instantly?
P                      Probably, I assume.
D                     That’s interesting.
                       Have you ever been treated for high blood pressure?
P                      No.
D                     Low blood pressure?
P                      Is that a thing?
D                     I want to do a little word association. Just say the first thing that comes to your mind.
P                      Okay.
D                     Dog.
P                      Cat.
Pause.
D                     Do you like to receive flowers?
P                      Do I what?
D                     As a gift I mean. In appreciation for something good you’ve done.
P                      No, not really.
D                     What about a gift card then?
P                      Sure.
D                     What would you say is the appropriate amount to give on a gift card, to seem significant enough without going overboard that is?
P                      Depends who it’s for.
D                     A casual work acquaintance.
P                      20 dollars.
D                     Have you ever participated in a White Elephant type gift exchange?
P                      Of course.
D                     It’s not an “of course” type of answer.
Pause.
                       There’s a man throwing shit at cars from a highway overpass. What do you do?
P                      Probably nothing. Where am I?
D                     You’re standing right next to him.
P                      What kind of shit is it?
D                     Dog shit, or animal shit of some kind. Does it really matter?
P                      I guess not. I still probably wouldn’t do anything.
D                     You wouldn’t try to intervene?
P                      No.
D                     What if you had a firearm of some kind?
P                      I don’t feel comfortable around guns, so no.
D                     A knife then.
P                      Also no.
D                     Why?
P                      I don’t want to hurt anybody.
Pause.
D                     On any medications at the moment?
P                      Several.
D                     Me too. There’s nothing to be ashamed about.
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spiderfan22 · 6 years ago
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DAY THREE HUNDRED AND FORTY-SEVEN - 11/24/19
“CHARLIE, OR HOW MEN TALK ABOUT WOMEN” by DJS
So I put more work into this one. Hope it shows. Special thanks to the podcast Slow Burn for the inspiration.
_____________
(November 1995. Late night, White House cafeteria. The place is empty and mostly dark. Bill Clinton, 42nd President of the United States, sits eating a cold slice of cheese pizza, washing it down with a can of Pepsi, the rest of the pizza along with a file on the table next to him. He is alone. Enter Dick Morris, political advisor.)
Clinton: Well if it ain’t “Charlie”. Back from the wars.
Dick: Mister President.
Clinton: (taps file with greasy pizza finger) So camping, huh? They want me to go camping, ‘stead of play golf. Think golf is too what, snooty or something? “How I spent my summer vacation” —
Dick: Mister President, you asked me to put the poll in the field.
Clinton: But I like golfing, it relaxes me. Don’t got a handicap for shit, but—
Dick: Well then, you’ll just have to wait, won’t you sir? I mean, plenty of time after you leave office.
Clinton: Oh, in that case only next year—
Dick: Come on, now don't. You know you’re gonna win re-election—  
Clinton: Think so, do ya? After I just got my ass handed to me in the midterms?  
Dick: A setback.
Clinton: More’n a setback, Dick. That son of a bitch Gingrich is calling it a mandate on my policies, that I just got my BUTT SPANKED by the American people! You know a Republican hasn’t been Speaker of the House since the fifties? Now what is that?!
Dick: I’m a Republican.
Clinton: And you’d make a shitty speaker of the house, don’t get my started.
Dick: Go camping, Mister President. Show ‘em what a down to earth guy you are.
Clinton: Mosquitoes biting the hell out of your arms and ankles. And you can never get the damn tent put up right, takes half the damn day.
Dick: Think the Secret Service could help with that.
Clinton: (re pizza) You want a piece of this? It’s cold but—
Dick: No thank you sir, I already ate.
Clinton: (big bite) “Already ate...” What are you counting calories now? You on Weight Watchers? It’s called a midnight snack, it DOESN’T COUNT. Just go jogging like I do. (Wipes his mouth with a napkin. Pause)
Dick: So what’s going on, sir?
Clinton: What do you mean? Nothing.
Dick: Okay.
Clinton: Nothing. Just hungry.
Dick: Sure you’re not tired?
Clinton: ‘Course I’m tired, it’s one AM.
Dick: I know the hour, sir, but it’s the only time you seem to wanna meet with me. I tell ya, it makes a guy feel kind of special, sneaking him in, “under the cover of darkness” and whatnot. Though paradoxically one might come to the conclusion you’re embarrassed of me.  
Clinton: Don’t inflate yourself, Dick. You know it’s just ‘cause George and those guys don’t like me consulting with you. But can I help it if we’re old friends, that I VALUE your opinion? That a DISSENTING VOICE every now and then might actually be a GOOD thing?
Dick: Aww, sir. Well that warms my heart to hear you say that, bastard stepchild that I am. (Beat) So you really don’t wanna let me in on what’s going on?
Clinton: Jesus, I already said, nothing! Why do you gotta keep hounding me?
Dick: Well, a couple reasons sir. One you don’t like wasting people’s time, so if there was nothing else, you’d just tell me to go on home and call it a night—
Clinton: Christ, go home, who’s stopping ya?
Dick: (continuing over) --which I’d be more than obliged to do, only the second thing is, I know you of course.
Clinton: What do you mean you KNOW me? Like you can read my mind? Get out of here!  
Dick: My mistake then, Mister President. Goodnight, sir. (Turns to leave)
Clinton: WAIT, DICK.
Dick: (pause) Yes sir?
Clinton: No, just...hold on a minute.
Dick: Will do.  
(He waits. Silence. Clinton sips his Pepsi. Then)
Clinton: Something...something happened.  
Dick: When?
Clinton: Today. Tonight.
Dick: Oh yeah?
Clinton: Yeah, I—I met someone.
Dick: Girl? (Clinton nods) Who is she?
Clinton: She’s uh...well I guess you’d call her an intern.
Dick: In the White House?
Clinton: Of course in the White House! What do you think?
Dick: I don’t know, sir. You get around.
Clinton: (a small chuckle) Heh, yeah, spose I do. (Pause) Anyway.
Dick: So, an intern. Where’d you meet?
Clinton: Leon’s office, she’s working out of Leon’s office—for the moment. Ever since the damn shutdown, you know, with the regular staff being furloughed and all—you know?
Dick: I know.
Clinton: Well there’s been an influx of em. Unpaid.
Dick: Free labor.
Clinton: Lots, yeah. Most of them young...just graduated college. (Pause) But men and women, you know?  
Dick: What’s her name?
Clinton: (pause) I don’t know if I want to tell you that yet.
Dick: Then tell me what happened.
Clinton: Well, I went in there, to see Leon, you know, for something, and I don’t know if she noticed me first or I noticed her, but she’s just standing there, this young girl. So I introduced myself.  
Dick: As if such a thing was necessary.
Clinton: Well, yeah but, you know, for formality’s sake... (Dick nods) So I asked if this was her first day, and she said no, she had started earlier in the week, but it was all still pretty new, you know? Just real sweet. I asked where she was from.
Dick: Small talk.
Clinton: Chit-chat, yeah. Getting to know you stuff.
Dick: Then what?
Clinton: Then...that was it. I went back to the Oval. (Pause) Till later.
Dick: Later?
Clinton: Little bit later, yeah. I found an excuse to pop back in. Leon was I don’t know where, in a meeting or something.
Dick: Makes sense.  
Clinton: She was doing some filing, just standing by a file cabinet. Round the corner from the door, so you couldn’t see from the hallway...unless you stuck head all the way in.
Dick: Convenient.  
Clinton: So I go over to her, you know? Ask how she’s doing, how her first week is going, anyone giving her any trouble. She says no, in fact everyone’s been real nice, maybe a little stressed with the shutdown, she’s knows that’s, that we’ve all got that on our minds, and how we can end it, but overall still very welcoming despite that.  
Dick: A very personable young woman it sounds like.
Clinton: Complimentary, too. She said how it was just so exciting to be around such important people, with an important job to do. (Pause) Then she, she did this thing. I don’t even know how to describe it. She kind of gave me a look, this playful look like DID I WANT TO SEE SOMETHING, and I must have given her a look back like a smile or something that said SURE, I CAN PLAY ALONG. So with this same playful bordering-on-mischievous little kind of smile of hers, she pulled up her shirt, her blouse, you know...and wouldn’t you believe it but she HAD ON THIS THONG, Dick—I mean sticking right up out her skirt, so you could see it. Black, this black string thong, you know, like from Frederick’s of Hollywood, Victoria’s Secret, one of them catalogues. And you know I been around, seen my fair share of...what’s out there. I’m not an easy man to surprise...that way. But to be so direct about it, so confident—to come right TO THE POINT...hell, I think I mighta even blushed, Dick. (Pause)
Dick: Wow. If I may say, sir—
Clinton: But it wasn’t over yet.
Dick: It wasn’t?
Clinton: No, I—I excused myself, after thanking her, and maybe we would bump into each other again later. If she was working late. None of this was planned, you see.
Dick: Yes, sir.
Clinton: And well, you know, you never know what the rest of the day is gonna look like, but just as it happens later that night I’m coming down the hall and she’s coming the other way and as we get closer to each other I sort of motion her to this office no one’s in, it’s dark and we duck in and I, I close the door and the first thing I ask is, you know, if she likes me, which I already have a pretty good feeling about, but she confirms it, looking up at me she says she’s had a crush on me for a long time, she thinks I’m really handsome, from seeing me on TV and, and likes my suits, and I say how I know we just met but I have a feeling I could like her too, that I liked her right off, and I ask if I can kiss her, and she says yes. So we kiss. (Pause) We kissed. And it was very sweet, and very innocent, and I would even use the word chaste to describe it, like we were teenagers or something and this was our first date—which I guess, you know, it was.
Dick: Sounds like quite a night, sir.
Clinton: Haven’t gotten to the best part.
Dick: Oh? Well...
Clinton: We meet up again later. No pretense anymore. It’s late, everyone’s gone home by now—I mean, Betty’s still there but [what’s she gonna do?]—so I invite her to my private office. And it’s like it’s just us alone together in this whole big building. It seems so small and quiet. And she looks up at me—big eyes, glassy, maybe she was crying, I don’t know. But before I can think about it...  
(He trails off. Long pause)
Dick: Well, that’s some story, Mister President.
Clinton: I know. I know. What am I gonna do, Dick? I can’t keep seeing this girl! But I want to!
Dick: ‘Course you want to. You’re only a man.
Clinton: She gave me her number.
Dick: Stands to reason.
Clinton: I don’t know, maybe if things were going better with Hillary—
Dick: The question is how much do you trust your security detail. Because IF—and this is a big if—but IF you were going to continue to see this girl, it would really fall under their purview. They’d be your first line of defense.
Clinton: You’re talking about actually having an affair?
Dick: Why not? Your hero JFK did it.
Clinton: But that was a different time! And even then he barely got away with it; everybody knew! And besides haven’t we had enough problems, enough scandals already, what with Travel Gate and White Water, and Vince Foster going and killing himself over nothing!—and that bastard Ken Starr breathing down my neck!  
Dick: All good points, sir.
Clinton: I can’t, Dick, there’s no way. It would be putting too much in jeopardy. And with the election next year—  
Dick: Say no more.
(Silence)
Clinton: It would be nice though, wouldn’t it? Like a breath of fresh air.  
Dick: We can’t always get what we want.
Clinton: Rolling Stones.  
Dick: Yes sir.
Clinton: Mick Jagger. You know I met him once?  
Dick: No sir, I didn’t.
Clinton: Yeah, back during the campaign, at a stop in Chicago I think. They were on tour. Now there’s a guy who could get any woman he wants, and not have to worry a lick. (Shaking his head) Rock stars, boy.
Dick: You know, politicians have their groupies too, sir. I think we can agree this is a bullet best dodged.  
Clinton: No. No. That’s just it. This was the real thing.
(Beat)
Dick: Go camping, Mister President.
Clinton: Yeah. (Pause) Yeah. Thank you, Dick. For everything, the advice and— (Holds up file) These numbers. You’re a good friend.
Dick: My pleasure, sir, anytime. And it’s “Charlie” remember?  
Clinton: “Charlie” right. Heh.  
Dick: I mean, cool codename, might as well use it.
Clinton: Yeah.
Dick: Well, goodnight, sir.  
Clinton: G’night. (Dick starts to exit) Hey Dick, fore you go—the Secret Service. They get you in and out pretty easy, right? No questions?
Dick: Sir?  
(Pause)
Clinton: I’m just asking.
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spiderfan22 · 6 years ago
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DAY THREE HUNDRED AND FORTY-SIX - 11/14/19
“INSOMNIACS: LIKE FATHER LIKE SON” by DJS
Just a little snapshot of a play. Set in a hotel.
________________________
(Hotel room off the interstate. Late night in the middle of summer. The room is almost pitch black. Air conditioner going full blast. Father and Son lie in two separate full-size beds parallel to each other. Both can’t sleep. After a beat)
Father: It’s not your fault, you know, why you can’t be happy. You know what your problem is? What your whole problem is? It’s not that you’re an alcoholic, if that’s what you’re thinking. I mean that’s a contributing factor but it’s not the whole deal. Because WHY do people drink? WHY do people – why do they SAY that they drink? What is the number one reason you most often hear? Because they’re unhappy of course. Because they’re depressed or whatever. So you not being happy – that's not alcohol’s fault; we can’t blame that on the booze. There has to be another root cause. Root meaning because it’s deep, it’s way down there, tucked away. Hidden from even you. Do you ever think that? How we can be such mysteries – to others, sure – but to OURSELVES? I mean, how can you not know something about yourself? Doesn’t that seem crazy? You’d think you’d just have to ask the question, like: Hmm, I feel hungry. Well, what am I hungry for? Or, I’m tired, what should I do about that? Well, go to sleep I guess. But there are things, stuff we just don’t have ready access to. Not without some real introspection, some real digging. We’re puzzles is what it is. But the trick is... well not the trick but the JOKE – but that we think we have all the pieces to solve ourselves, to solve the puzzle. Only that’s not true. Or maybe it is true, we do have all the pieces, all the pieces are in the box, to begin with, but when you empty them out on the table a couple pieces fall on the floor by accident, and you don’t realize, you don’t see them right away, you’re too busy trying to put together the rest of the puzzle with the pieces you do have, that are at your disposal, so when you get to the end and you have these little holes left, these missing piece spaces you’re... you know? You’re kind of just flummoxed. By everything. I like that word flummoxed, don’t you? What do you think?
Son: Dad?
Father: What?
Son: Can we turn down the air conditioner please?
(Pause)
Father: Sure. You’re cold? Of course. No problem.
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