sugar-grigri - Tumblr blog

[sugar-grigri]

King Laios

[sugar-grigri]

How about an analysis of Dunmeshi's latest episode?

What I find really interesting, and episode 17 made me realize it, is the extent to which Laios and Shuro are the opposite of what they portray, even worse: the image they might portray is actually that of the other.

Let me explain :

How does Shuro see Laios ? As someone stubborn and thoughtless, disconnected from reality to the point of using black magic to resurrect his little sister.

We know that Shuro would have made the same choice, which shows that even if he tries to deny it, there is a point of connection between them.

The key to these similarities and differences is Falin.

What Shuro loves about Falin is the tenderness in her every gesture, her compassion and understanding of every creature, and her smile.

When he sees this monster kill in cold blood, he realizes the extent to which he has lost his loved one, which is why he chooses to kill her to free his soul, thinking he has lost her.

But what Shuro doesn't realize is that he's exactly what he's blaming Laios for: he's stubborn and reckless, not realizing the danger and sacrifices his teammates are making for the sake of this mission.

He's also disconnected from reality, not caring about himself, his hunger or his fatigue.

Above all, and this is very interesting, Laios had said that he hadn't perceived that Shuro couldn't stand him because he was so happy to have him as a friend, that he hadn't detected any of these signals.

Shuro shares this blindness

Shuro repeats that this monster is not Falin, yet he sees her as such, to the point of embarrassment when the monster removes her blouse.

And that's the opposite of Laios, who sees his sister as the monster she is

Like the chimera Falin has become, he sees his little sister calling him and this super-cool monster.

He's the one with his feet firmly on the ground, he's the one who really cares about his team, taking care of himself and those around him through balanced meals.

The one who understands that Falin has many vital points, rather than allowing himself to be overwhelmed by despair, is Laios.

So when Shuro hits Laios, in reality he's not hitting a man who differs from him, he's hitting his own flaws, and his own failure in the situation.

This failure he projects onto Laios, a man brimming with flaws.

Not only does Laios reason with him, but if Shuro ends up taking the wiser path, it's also because he's literally fought against himself.

But it all goes even further!

Shuro realized his feelings, or rather how unique Falin was in her tenderness and altruism, towards every being, even the smallest.

But what set this whole cycle in motion was Falin's self-sacrifice, her own death.

Laios and Marcille are responsible for what follows, but they are not responsible for everything, as Shuro tries to believe.

Shuro refuses the truth

So he doesn't see Falin

He couldn't accept that her tenderness had led to his death

Nor that her tenderness gave way to extreme coldness and indifference

He won't accept his own blindness

So he hits Laios and his extreme sincerity that irritates him so much

Shuro can't see anything in the darkness of this dungeon, he's the one who's lost his footing so he has to get back up again

Laios has accepted to see everything, even the unavowable, the forbidden, the pain.

What Shuro sees in Falin is love

In Laios, what he sees is the truth

In reality, Laios has only told part of the truth; he is the other half.

But if he goes back up, it's not to abandon Falin, Shuro has to face reality, the truth, that Laios was the only one who could save his beloved. It was by fighting that he finally put his trust in Laios. And finally became a friend

[sugar-grigri]

Your analysis has opened my eyes to a series I already loved in an amazing way and as long as you post you WILL have an audience trust 🙏🙏🙏

IT'S SO SWEET THANK YOU SO MUCH 🥹🥹♥️♥️

[sugar-grigri]

I know I've said it before but I'm always so surprised to see people reading the crap I write, even I have trouble rereading after posting so to see people motivated like that I really see you as veterans.

[sugar-grigri]

Kagurabachi was Innocent's main inspiration, the French Revolution was only secondary!!!!

so...... I read Innocent..................... I finish what I have to do for dunmeshi and I do something for them

[sugar-grigri]

which singer/band do you associate denji with?

I LIKE THIS CONCEPT!!! -> THE JINS / MAGNITUDE / DEFTONES / SLIPKNOT ‼️‼️

[sugar-grigri]

so...... I read Innocent..................... I finish what I have to do for dunmeshi and I do something for them

[sugar-grigri]

analyze the ball kicking scene 🫶🏼 (out of joke, love your posts <3)

Yes, even kicking balls has symbolism in Chainsaw Man

You're joking, Anon, but I wanted to do a post about it yesterday, and now you've given me the opportunity. Everything in this chapter is about the symbolism of kicking balls, yes, even the beginning!

Haruka Iseumi flicks through several TV channels, rather blasély, until he comes across a woman whose speech seems to resonate with him, a woman who seems to feel betrayed, disoriented like these teenagers who have been put in danger by an institution that has never seen their good, the church. But this girl only talks about her disappointment following a scandal surrounding over-mediatized stars.

What Haruka is going through right now is disillusionment, believing that his problems would have been taken seriously, his situation as an escaped high school terrorist, would have interested the public. But people prefer not to face up to these kinds of problems; an epidemic of people turned into demons is as commonplace as wars. To avoid jeopardizing personal comfort, people prefer to focus on other problems. Because people literally don't have the balls to face reality.

But contrary to what Haruka thinks, he's not so different: he's also an angst-ridden child who had totally surrendered to his idol, Chainsaw Man, to the point of convincing himself that he was bound to him, even pretending to be him for a semblance of trust. What the chapter seems to show is that Haruka is more down to earth than that girl on TV, but what it really shows is that he's exactly like that girl, but no longer admits it to himself.

No, Haruka, you're not dreaming, or rather you have been until now and now you can't do it anymore.

Because you've reached his idol, you have literally reassembled his image, you've seen the boy you have no interest in behind that reassuring mask.

What this chapter is about is the illusion into which we accept to insert ourselves in order to better resist our fears and existential ills.

Denji doesn't have to exist to shatter the illusions he needs to survive; even his awakening and his speech are too much, as his image no longer matches the one he wears as a universal puppet. He's literally cuter when he's inanimate, because that's what he's made for. At least, that's the only way we accept him. He's made to fill your person, and it's impossible for Chainsaw Man to be a person in his own right.

As proof of this, when Denji wakes up, his first reflex is not to discover that he's complete again, for he exists only to fill others, hence his question to Asa as to where her arm has gone. Unknowingly, Denji has accepted his role.

For Katana Man and Yoru, Chainsaw Man is a goal, a dream to be achieved. Seeing the person behind it, the other half, disturbs them. Considering it might even make them reconsider their choices.

Katana Man has deluded himself into believing that Denji no longer has the heart of a man, that he was his grandfather's tormentor and not the child who was the victim. He needs this revenge to move forward, just as Yoru, as a war demon, needs to fight an unattainable adversary to continue wreaking havoc.

But what's that got to do with it? What does this have to do with beating Denji's balls off?

Who kicked Katana Man in the balls? Aki and Denji. If Chainsaw Man is the metaphor for the comforting illusion of others, Aki is the symbol that revenge (often impossible) is a long-term, survival goal for hearts scarred by resentment. Beating the balls off? The meeting of the two.

When Aki and Denji beat up Katana Man, the illusion of a proud, virile, traditional man who swore by his honor had been shattered. What Katana Man represented to himself and to the readers, this formidable adversary, had been dismantled.

But above all, this was a gentle, more accessible form of revenge, one that would allow us to survive, a way for Aki to avenge Himeno in her own way, without actually avenging her. It's about beating your opponent while admitting you've lost in some way.

Similarly, when Katana Man and Yoru defeat Denji, they lead to a renewed desire to dismantle Chainsaw Man's image. To bring it together as their long-term goal of revenge. But despite this balance of power, this gesture symbolically demonstrates that they are not certain of their victory.

Above all, the important answer in this chapter is once again in the background.

Fami continues to eat undisturbed. She eats all the time, but in this chapter, she seemed almost to be regaining her strength.

Why was that?

Her plan was clear, to make people fear Chainsaw Man as well as the war, to make Yoru and Chainsaw Man champions. But what about the media? They prefer to do what's most profitable, keeping viewers entertained for as long as possible, so that they forget about the real issues.

People prefer to delude themselves, to dream dreams, rather than focus on reality, so will Chainsaw Man and Yoru have their strength increased to the point where they'll be potential opponents for death?

because people are already escaping the fear of death through entertainment, which is even the best champion.

Instead of thinking about our existential crises, we flood our brains with unimportant information.

As the philosopher Pascal would say: "Since men have not been able to cure death, misery and ignorance, they have decided, in order to make themselves happy, not to think about them. Notwithstanding these miseries, he wants to be happy, and only wants to be happy, and cannot not want to be happy".

But let's close this loop of questions: if Chainsaw Man allows this comforting disillusionment, Denji is the opposite, something we refuse to see, if Chainsaw Man is a dream, Denji is reality. Let's get back to our main subject: beating up balls.

When Aki first beat Denji up, he wanted to disgust him enough to prevent him from signing up as a public hunter. Literally, he preferred to spare Denji from reality, by killing the symbol that is Denji (did you miss the headaches I caused?). But when Denji retaliates, to insist that he wants to enlist, it's the other way around: it's the harshness of reality that Denji fully accepts that will prevail over Aki's attempt to protect him.

When Katana Man and Yoru beat Denji's balls off, in reality they're trying to fight the reality of what Chainsaw Man is, this mixture between a boy, reality, and the bloodthirsty enemy, the dream, Chainsaw Man. Beating up Denji is an attempt to avoid the harshness of life. It's that illusion.

So when Denji helped Aki beat up Katana Man, he allowed him to escape his survival mechanisms, his revenge, his illusion, by enjoying the present moment, pure reality. But when Denji defeated Aki, it was also the announcement of the reality of Aki's fate, which would outweigh this illusion - the success of his revenge.

That's why Pochita, the dream and illusion, prevents Denji from opening the door. When Denji sees reality, he can't help opening it. Just as Makima concentrated on her Chainsaw Man dream without seeing reality, Denji right behind it. Just as the dream allows Denji to escape reality, the contract between Denji and Pochita has allowed Denji to become someone else, escaping from himself, himself a victim of the dream without being able to know exactly what he is.

But don't forget, beating the balls off is Denji's tactic.

Why is that? Because no matter how hard you try to escape it, reality will always prevail.

[sugar-grigri]

analyze the ball kicking scene 🫶🏼 (out of joke, love your posts <3)

Yes, even kicking balls has symbolism in Chainsaw Man

You're joking, Anon, but I wanted to do a post about it yesterday, and now you've given me the opportunity. Everything in this chapter is about the symbolism of kicking balls, yes, even the beginning!

Haruka Iseumi flicks through several TV channels, rather blasély, until he comes across a woman whose speech seems to resonate with him, a woman who seems to feel betrayed, disoriented like these teenagers who have been put in danger by an institution that has never seen their good, the church. But this girl only talks about her disappointment following a scandal surrounding over-mediatized stars.

What Haruka is going through right now is disillusionment, believing that his problems would have been taken seriously, his situation as an escaped high school terrorist, would have interested the public. But people prefer not to face up to these kinds of problems; an epidemic of people turned into demons is as commonplace as wars. To avoid jeopardizing personal comfort, people prefer to focus on other problems. Because people literally don't have the balls to face reality.

But contrary to what Haruka thinks, he's not so different: he's also an angst-ridden child who had totally surrendered to his idol, Chainsaw Man, to the point of convincing himself that he was bound to him, even pretending to be him for a semblance of trust. What the chapter seems to show is that Haruka is more down to earth than that girl on TV, but what it really shows is that he's exactly like that girl, but no longer admits it to himself.

No, Haruka, you're not dreaming, or rather you have been until now and now you can't do it anymore.

Because you've reached his idol, you have literally reassembled his image, you've seen the boy you have no interest in behind that reassuring mask.

What this chapter is about is the illusion into which we accept to insert ourselves in order to better resist our fears and existential ills.

Denji doesn't have to exist to shatter the illusions he needs to survive; even his awakening and his speech are too much, as his image no longer matches the one he wears as a universal puppet. He's literally cuter when he's inanimate, because that's what he's made for. At least, that's the only way we accept him. He's made to fill your person, and it's impossible for Chainsaw Man to be a person in his own right.

As proof of this, when Denji wakes up, his first reflex is not to discover that he's complete again, for he exists only to fill others, hence his question to Asa as to where her arm has gone. Unknowingly, Denji has accepted his role.

For Katana Man and Yoru, Chainsaw Man is a goal, a dream to be achieved. Seeing the person behind it, the other half, disturbs them. Considering it might even make them reconsider their choices.

Katana Man has deluded himself into believing that Denji no longer has the heart of a man, that he was his grandfather's tormentor and not the child who was the victim. He needs this revenge to move forward, just as Yoru, as a war demon, needs to fight an unattainable adversary to continue wreaking havoc.

But what's that got to do with it? What does this have to do with beating Denji's balls off?

Who kicked Katana Man in the balls? Aki and Denji. If Chainsaw Man is the metaphor for the comforting illusion of others, Aki is the symbol that revenge (often impossible) is a long-term, survival goal for hearts scarred by resentment. Beating the balls off? The meeting of the two.

When Aki and Denji beat up Katana Man, the illusion of a proud, virile, traditional man who swore by his honor had been shattered. What Katana Man represented to himself and to the readers, this formidable adversary, had been dismantled.

But above all, this was a gentle, more accessible form of revenge, one that would allow us to survive, a way for Aki to avenge Himeno in her own way, without actually avenging her. It's about beating your opponent while admitting you've lost in some way.

Similarly, when Katana Man and Yoru defeat Denji, they lead to a renewed desire to dismantle Chainsaw Man's image. To bring it together as their long-term goal of revenge. But despite this balance of power, this gesture symbolically demonstrates that they are not certain of their victory.

Above all, the important answer in this chapter is once again in the background.

Fami continues to eat undisturbed. She eats all the time, but in this chapter, she seemed almost to be regaining her strength.

Why was that?

Her plan was clear, to make people fear Chainsaw Man as well as the war, to make Yoru and Chainsaw Man champions. But what about the media? They prefer to do what's most profitable, keeping viewers entertained for as long as possible, so that they forget about the real issues.

People prefer to delude themselves, to dream dreams, rather than focus on reality, so will Chainsaw Man and Yoru have their strength increased to the point where they'll be potential opponents for death?

because people are already escaping the fear of death through entertainment, which is even the best champion.

Instead of thinking about our existential crises, we flood our brains with unimportant information.

As the philosopher Pascal would say: "Since men have not been able to cure death, misery and ignorance, they have decided, in order to make themselves happy, not to think about them. Notwithstanding these miseries, he wants to be happy, and only wants to be happy, and cannot not want to be happy".

But let's close this loop of questions: if Chainsaw Man allows this comforting disillusionment, Denji is the opposite, something we refuse to see, if Chainsaw Man is a dream, Denji is reality. Let's get back to our main subject: beating up balls.

When Aki first beat Denji up, he wanted to disgust him enough to prevent him from signing up as a public hunter. Literally, he preferred to spare Denji from reality, by killing the symbol that is Denji (did you miss the headaches I caused?). But when Denji retaliates, to insist that he wants to enlist, it's the other way around: it's the harshness of reality that Denji fully accepts that will prevail over Aki's attempt to protect him.

When Katana Man and Yoru beat Denji's balls off, in reality they're trying to fight the reality of what Chainsaw Man is, this mixture between a boy, reality, and the bloodthirsty enemy, the dream, Chainsaw Man. Beating up Denji is an attempt to avoid the harshness of life. It's that illusion.

So when Denji helped Aki beat up Katana Man, he allowed him to escape his survival mechanisms, his revenge, his illusion, by enjoying the present moment, pure reality. But when Denji defeated Aki, it was also the announcement of the reality of Aki's fate, which would outweigh this illusion - the success of his revenge.

That's why Pochita, the dream and illusion, prevents Denji from opening the door. When Denji sees reality, he can't help opening it. Just as Makima concentrated on her Chainsaw Man dream without seeing reality, Denji right behind it. Just as the dream allows Denji to escape reality, the contract between Denji and Pochita has allowed Denji to become someone else, escaping from himself, himself a victim of the dream without being able to know exactly what he is.

But don't forget, beating the balls off is Denji's tactic.

Why is that? Because no matter how hard you try to escape it, reality will always prevail.

[sugar-grigri]

Katana Man and Yoru: *beat the crap out of Denji*

Me: 🥺🥺🥺 *holds her cheeks tenderly*

[sugar-grigri]

Mania

[sugar-grigri]

can i ask what procreate brushes you use??

I always limit myself to a maximum of 4 brushes used on a drawing, usually using brushes I've imported from that artist!

I use "sketch 02" for the most part, whether it's for line or shading, I like it when the brushes have a little grain effect.

But for the sketches, they're also brushes I've imported, but I can't find the artist... and I've modified them over and over, so that I get the exact rendering I want.

To make it up to you, I'll give you my best technique when I want to make a sketch stand out (I'm sure you've heard of it): duplicate, then blur via "Gaussian blur" up to 5%, then play with the opacity of the duplicated layer.

But you'll get everything you need and some excellent quality brushes with the link I've just given you. Don't hesitate to support this artist, their brushes are truly wonderful.

[sugar-grigri]

AAAAAAAAH 30K DUNGEON MESHI FANDOM I AM NOW YOUR SERVANT 🙇‍♀️🙇‍♀️🙇‍♀️

I have too many things on my mind I don't know where to start so tell me what I finish first!!!! (Or even start)

au revoir is a forbidden word

[sugar-grigri]

Not only is your art amazing, your analysis on CSM lore is such a good read. The content you make is one of the many things that keep me in this fandom.

This is probably a question already asked, but what is your favorite character as of now?

thank you so much!!! It means so much to me, I tend to see my subscribers split into two camps (one focused on analysis, the other on fanart) so it makes me so happy when people follow me and love my work for both!!!! 🤧🫶🫶

For my favorite character I don't know if you're talking only about Chainsaw Man or manga in general ‼️

For Chainsaw Man -> Denji. I could explain how it's a character that touches me personally if you're interested.

And for manga more generally -> Allen Walker…………for reasons... I mean look at him

What they have in common are violent existential crises and identity disorders. 😍😍

Added: and a complicated relationship with money, a failing father who left them with debts (and the more I think about it, the more they have in common). And a mascot who’s their family!

[sugar-grigri]

Hello, c'est l'anon de la dernière fois. Je suis personnellement sur Goodreads et sur Booknode

Goodreads est mieux pour suivre les reviews des autres, il y a possibilité de faire des commentaires mi-lecture tout ça. En plus c'est international donc il y a plus de monde. Par contre, c'est tenu par Amazon donc certaines personnes n'aiment pas trop, ce que je comprends. Et pour ma part je n'ai jamais compris comment l'onglet "communauté" fonctionne 🙈

Booknode est entièrement francophone et c'est une atmosphère plus conviviale : il y a des insignes et des titres en fonction du nombre de reviews que tu fais tout ça, on peut faire des quiz sur les bouquins, il y a un forum. Par contre il n'y a pas de "feed" pour suivre l'activité des gens, même si on peut les mettre en favori et aller sur leur page voir leurs commentaires. J'aime bien aussi leur système de notation, qui fait un petit graphique sur la page du livre en fonction de ce que les gens ont apprécié ou non du bouquin (il y a une note globale, puis sur l'intrigue, l'écriture, personnages, suspense, etc, je trouve ça pas mal comme fonctionnement)

Les deux ont leurs avantages et inconvénients, c'est pour ça que j'utilise les deux haha !

COUCOU! Merci d’avoir pris autant de temps pour m’expliquer et pour livrer une vraie étude comparative, je ne t’en demandais pas autant ahah

Je pense faire comme toi et télécharger ces deux applications à l’occasion. Lorsque ce sera fait (quand la flemme sera combattue en gros), je ferai une petite annonce sur mon Tumblr. Si tu me suis Anon, tu devrais la voir au bon moment.

Merci encore pour le temps que tu as consacré ! ♥️

[sugar-grigri]

I am absolutely stunned by how gorgeous your stained glass dunmeshi piece is!! I’m really looking forward to seeing more of your stunning work! I secretly hope you might draw Laios again 👉👈

thank you so much!!! ♥️

I really want to draw more dm (actually i want to draw so many things at the same time that i don't draw enough lol)

And I want to draw more Laios! He's pretty hard to draw, well... he's got an aura all his own that I'm trying as best I can to transcribe. He also has quite an interesting build to draw, muscular, but with fat so it's a good exercise to draw him ‼️‼️

[sugar-grigri]

every time I see Kabru: damn this boy is magnificent *fingers trembling with the desire to draw*