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wh0reforcoriolanussnow · 10 months

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Can you do a Tom blyth x reader where in a interview , the interviewer asks him if he wants to marry and have kids in the future and he answers that he already has a daughter with the reader and after few days he posts on Instagram a photo of his daughter playing in the grass when he was filming the movie nad the fans going crazy ( about how cute she is and smth like that )

My Girl || Tom Blyth x Actress!reader

A/n: baby fever right now is astronomically high 😭😭 also this song is my absolute fav and feels like it matches with this so def go listen to it!!!

Warnings: none :)

Wc:

Divider by @pommecita

“Tom, your fans have been asking if you plan on marrying and having children in the future,” Tom nods his head, a smile forming on his lips, “What can you say to them?” The interviewer directs her mic to Tom.

He could feel your eyes burning into the side of his face as his grip on your waist squeezes. “Marrying and having children?” Tom repeats. You watch in anticipation as you give him an encouraging smile. The two of you had been waiting for a moment like this.

It’s been three years since you gave birth to your daughter, Elsie, three years since Tom became a dad. The public had no idea whatsoever and you intended to keep it the way for a few years longer. Well, after a long conversation with Tom, it was time to stop hiding from the public.

“This is the first time I’ve actually spoken about this to the public but I have a daughter already,” His words make the women holding the mic gasp out loud as you both let out a chuckle at her reaction. “I know, shocking right!” Tom smiles.

“You have a daughter Tom? With….” She trails off as her eyes move to you. Tom pulls you to his chest as you give the woman a grin, nodding your head as she puts her hand on her chest and lets out another gasp. “Am I the first to know about this outside your close circles?” She asks.

“Yes! We’ve thought long and hard about releasing such private information but we decided it’s time we tell everyone. We can’t hide this forever,” You say as Tom watches you and nods. “Well there we have it! Tom Blyth and Y/n Y/l/n have a child together!” The interview says to the camera as you wave her goodbye and move along with the other cast members.

“That felt good,” You look up at Tom, happy to get it out. “It sure did, darling” He rubs your arm as the two of you take pictures for the paparazzi. Safe to say, that interview was blowing up.

Fans had mixed reactions to the news. Some were incredibly happy for the two of you, and some were utterly shocked at the news and were surprised at how the two of you kept this information on the low.

As you and Tom were doing the world promo tour with the rest of the cast members, there was always a question that popped up relating to your daughter, Elsie.

“Tom, Y/n! I think the internet is in shock to learn that you are parents to a three year old daughter, am I correct?” The man infront of you says as you both nod. “Yes! Our daughter’s name is Elsie, and we had a feeling this would shock fans quite a bit,” You quietly chuckle to yourself.

“It definitely has! How did you two pull this off? You know, not making fans suspect anything?” He asks as Tom replies, “Uh I think it was just mainly being super private about our personal lives. We both don’t share such information like that which lets us live peacefully without cameras following us around.”

“And you’ve done a wonderful job at that since we never knew about your three year old daughter,” He smiles as Tom thanks him, “Can you tell us more about Elsie? If you can?” He politely asks as you nod. “Of course. Well uh Elsie is very much a daddy’s girl,” You all chuckle as Tom holds your knee affectionately.

“She loves the outdoor so much, that’s where she wants to be most of the time.” Tom adds. “And how was it that you found out that you were going to be a dad, Tom?“

“Yes, so Y/n told me she was pregnant on my birthday in February I think it was?” He looks at you in confirmation as you nod, “It was actually during my auditioning progress for Billy the Kid. So when I got the role and started filming mid to late 2021, Elsie was already born”

“We were both 25 at the time and we felt like we were ready to you know, move onto the next chapter of our lives. I remember for my birthday, Y/n’s present to me was this baby onesie that said ‘daddy’s girl’” The man awes as Tom reminisces the moment.

“I was so shocked and happy that I started crying,” He laughs, “Correction, we started to cry,” You butt in with a small giggle. “I do have to mention, Y/n! You went through your pregnancy without the public even noticing! How in the world did you manage that as a public figure.

“It wasn’t hard, but at the same time it sort of was,” You let out a low chuckle as Tom rubs your thigh, listening to you talk. “I didn’t have any roles booked for that year so I just stayed on the low. I did what any other typical people did when they didn’t want others to notice your pregnancy which was to wear baggy clothes, covering my stomach and stuff like that.”

“I also made sure that people wouldn’t be able to recognise me when I was out in public and it worked very well.” “It did indeed. I think everyone wants to know, how’s life with a three year old daughter while filming. Was Elsie with the two of you went you filmed tbosas?”

“Yes she was actually! Everyone on set knew that we hadn’t said anything to the public about our daughter and they were such wonderful people and respected that. My mom also was with us to take care of Elsie when we weren’t able to.” “I don’t know how we would have lasted all those months without her honestly. She made everyone on set laugh, I actually think the cast members will start posting pictures of bts with Elsie now that we’ve released this information” Tom laughs as his mind goes back to all the time the crew would laugh at Elsie’s cuteness.

“You posted a picture on your instagram a couple days ago of you and your daughter, can you tell us a little bit of background information of this picture?” “Is this the one of you and Elsie in the forest?” You turn your head to Tom as he nods. “Yes! So that was the last day we filmed all the scenes in the forest. We’ve already said this I think but our daughter absolutely loves nature.”

“During takes she would just play around and I remember this one time, We were going through a scene and then Elsie just came up to me and clung around my leg while the cameras were rolling, do you remember that?” Tom grins at you as you recall the moment.

“I do, I have a video of it in my camera roll, it made everyone awe at her.” You let out a giggle as the interviewer smiles at the two of you. “It seems to me that the crew was pretty close to Elsie? Am I right in saying that?” You nod in agreement with her.

“We felt incredibly grateful of how everyone was so kind and supportive of the idea of Elsie being with us during the entirety of the filming process. The cast members would always be playing with her during our takes, and Elsie grew very fond of all of them.”

“Especially Viola actually!” Tom interjects as the interviewer gasps, “Really?” “Yes! Viola is such a sweetheart I honestly love her so much. Even when she was in her costume and she kinda looked terrifying, Elsie would always run up to her after the cameras stop rolling.” He chuckles.

The two of you honestly loved talking about Elsie during all your interviews. Your face would always hurt from smiling too much when you reminisce all the moments of your daughter during filming.

#tom blyth #tom blyth imagine #tom blyth x reader #dad!tomblyth #fanfiction #coriolanus snow #the hunger games #hunger games the ballad of songbirds and snakes #tomblythxactress!reader #tomblythfluff #coriolanus x reader #tom blyth x actress!reader #dad!tom blyth x reader #social media #social media au

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hughiecampbelle · 2 months

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The Boys Preference: Wearing Something Tight/Skimpy

Requested: heyy! can i request a The Boys preference where (during early relationship) they see reader in more tight fitting clothes for the very first time (reader usually wears baggy jeans and oversized shirts, but now for once wears shorts and a tight fitting tanktop or smth) tysm! - @yinorathedragontamer

A/N: Screaming I love this! As someone who loves baggy clothing, there's nothing better than showing off the ✨️goods✨️ when I feel like it lol. This was super fun to imagine! I hope you like it! Feedback is always appreciated 💜💜💜

Butcher is pretty shocked. Whereas you usually lean towards oversized shirts and big pants, you were dressed in something revealing, tight. You tried to look casual, secure, but underneath you were full of insecurities. You think I look stupid, you say, following his gaze up and down your body. Stupid is the last word he'd ever use. Butcher wears this wicked smile, telling you exactly what he thinks. You laugh, telling him to shut up before he's saying anything else. He loves what he sees. Because your relationship is still new, he's trying to be on his best behavior, but you know how his mind works. You throw your sweatshirt over your outfit, calling him ridiculous, laughing at him. Now that he knows what's underneath those oversized layers, he can't keep his thoughts or hands off you.

Hughie is all giggles and smiles. He hadn't realized you'd kept one of your suits from your time at The Seven. This suit, however, was different from the one you regularly wore. This was tighter, more exposing, showing off every curve and contour of your body. It was the only one you were allowed to take with you and there was a reason you rarely put it on. He wasn't used to seeing you like this. You wore big sweatshirts and wide pants. He never thought he'd be as surprised as he was when he finally saw you, but he was. Your body was. . . wow. He tries to hide his excitement, but he can't. Seeing this, you do a little spin for him, growing self-conscious. Do I look stupid? You ask. He's quick to tell you you look amazing. Because your relationship is still new, he doesn't want to sound too excited, but to him, you look amazing. He's glad he got to see you like this.

Annie wants to show you off to everyone. She knows now is not the time nor place: you've put on your old Supe suit to make a point against those in favor of Homelander. It's serious and important and dangerous given his fans would do anything to get a piece of you, anything to tear you down. But she can't help it, she can't take her eyes off you. She's never seen you in your suit before. You quit The Seven before your promo pictures could come out, after you'd been introduced. You took the suit with you. By then, you'd had a sort of a cult following, people interested in your story before you had the spotlight shown on you. It helped that you and Annie were newly together. She hadn't realized you'd kept your suit so when you showed up at Starlight House wearing it, she was speechless. She'd never seen your body like that before. She couldn't take her eyes off you.

M.M. is speechless. You got all dressed up for a date. Before this, your dates had always been casual, spur of the moment, low key. Tonight Marvin went all out for reservations at a fancy place you'd never even heard of. You figured you'd pull out your best clothes which just so happened to be a little tighter and more revealing that your typical wardrobe. He picks you up at your place, not recognizing you at first. You're self-conscious, making a joke about your appearance before anyone else has the chance. He wouldn't though. He thinks you look amazing. He was always more than a little curious as to what exactly you were hiding under big t-shirts and baggy pants, but your relationship was new and so he felt a little shy wondering. Now he was glad he had waited: you were breath taking.

Frenchie is obsessed. Mon Couer, where have you been hiding all this?! It definitely makes you laugh and a little embarrassed. He's never minded your usual clothes. He's all for oversized sweatshirts and comfort and the overall aesthetic. He thinks you look adorable in your usual clothes, but this? Wow. Just wow. You jokingly tell him to pick is jaw off the floor. You and Kimiko are going undercover as a wealthy couple. She's all dressed up and waiting for you. Not only are your clothes expensive looking, but they fit like a glove. He's never seen so much of your body. It drives him wild. You get compliments from everyone, but Frenchie, your new boyfriend, can't get enough of you. If this mission weren't so important and time sensitive, he would have spent the whole night telling you just how sexy you looked.

Kimiko has never seen this much of you all at once. Together you're going undercover. She's wearing a dress with her hair and makeup done. It makes her feel like a clown. Still, she does it because she has to. And you do, too. You lose the baggy pants and big shirts for something a lot more tight and way more revealing. The rest of The Boys have a lot to say, all of it you laugh at and tell them to shut up. Kimiko hopes it's too dark to see that she's blushing, watching you step out of the car. If she spoke she would have been speechless. Instead she plays it off cool, telling you you look great, before going in. In any chance she can get though she stares you up and down, taking you in, smiling to herself. She doesn't get distracted about anything, but you? Oh you're all she can think about.

Bonus! Homelander doesn't really think about your body, or anyone's body. It's more of a want more than anything else and it typically involves milk. Still, when you come out and show everyone your suit, he's pretty speechless. Your civilian clothes and fashion are oversized, baggy, and comfortable. He's never really seen your body before, no one has. Your PR team wanted to fix that though. You're not so sure about your suit: it leaves little to the imagination. When you step out you're embarrassed, wishing for your sweatshirt. Homelander never compliments anyone unless it's backhanded, but he really does like what he sees. It's kind of a throw away line, one that seems innocent and nonchalant, but for him it's a huge deal. He can't stop thinking about you. Even when you put on the other variations, he has final say. Everyone is too scared to say no to him. He liked the first one so you wear the first one.

Bonus! Soldier Boy is practically drooling. The moment he sees you his jaw is on the floor. He's never minded your usual fashion: baggy clothes were comfortable and cute. He would have minded had he known you were hiding *all that* beneath oversized sweatshirts/sweaters/t-shirts and baggy pants. He can't help himself (not that he ever held anything back usually) when he makes remarks and jokes and innuendos. It comes out so fast it's almost compulsive, he's barely breathing between words. The Boys think it's hilarious how much attention you're getting from him considering they've grown used to these switch ups between clothes. He practically begs you for an ounce of attention, affection, and you use it as leverage. As long as you're wearing as little as possible, Soldier Boy will do anything you want.

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andrwgarfields · 2 years

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lol anon he’s not going to win oscars for his tv roles but love the spirit! this is very premature but wandavision did well with actor nominations, so if agatha is as well received he could definitely have a shot

well, its a start 🤷‍♀️

#give joe time yeah omg #this felt like post hs promo when bash and kit had new roles #and everyones like #and joe has zero #and not attending events #wtf is he doing #ask #anonymous

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bug-slappy · 12 days

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sharing my opinion here about serizawas design inconsistencies over time (spoilers for mp100 ending) i feel like in each new rendition of serizawa weve seen in official art ever since the start of S3 something feels off in a different way with every new merch release

lets start here ⬇ serizawa looks like,, himself. accurate to how hes drawn since his first anime appearance

⬇⬇⬇ and then slowly,,, things start to look off. his jawline is slowly getting slimmer, his eyes look wider (same with mobs too)

AND DONT EVEN GET ME STARTED ON THESE. especially the one on the right my god. who is that

every new promo art that comes out just feels very careless. I think you could say so for all the characters (mobs giant eyes, reigens waist getting skinnier/pointier features. the PROMO art of dimple that was literally FULLY TRACED OFF OF A TEMU PIRATE HALLOWEEN COSTUME. they all look bad here)

it just feels a little depressing how little they seem to care anymore, like theyre just trying to pump out merch without bothering to use a character reference.

i notice the changes the most with serizawa. every promo art looks like theyre playing a game of telephone. each version of him is based on the last, instead of his initial design (shown below)

at the end of S2, when reigen cuts serizawas hair, he still looks like himself. they did a great job of showing "how serizawa would look underneath his moustache and big hair". In S3 it feels like they've lost that mentality completely. like he's no longer based off of his original design, but an entirely new reference of his salary man look. some comparisons between S3 vs S2 and OVA down below

I find that the line weight in S3 is much heavier and unfocused. but what bothers me most of all is that... Serizawa looks different in nearly every scene... as if they're undecided on what he should look like. the shape of his nose and jaw, his hair all change depending on the episode entirely.

The art style change for S3 was meant to be "more accurate to the manga", but I find that it had the opposite effect. especially how serizawas and ritsus eye shapes changed. ritsus large pupils and serizawas more almond shaped eyes were more reflective of their manga designs there are plenty of inconsistences in S1 and 2, but they're clearly done with purpose to reflect on ONEs art style (my beloved). I feel like the thinner lines allow more room for detail and extreme facial expressions that truly hold a candle to ONEs insane talent for capturing emotions.

these ^^^ compared to..

erm.. this.. ⬇

just felt very underwhelming... and serizawa certainly does mellow out once he starts working at S&S, but that doesn't mean that there's less opportunity for detailed expressions !!

the yokai fight scene was beautifully made i have no qualms.. but the amount of serizawa lore and dialogue in the manga that got cut from the anime just made him look like a cardboard cut out standing behind everyone. lots of funny and interesting moments cut to make room for the moefication of serizawa katsuya..

I feel like there's a lot of important moments that were cut, (reigen "i hope i can become a partner like that" arataka, serizawa "ive had a similar experience myself" katsuya )

or sad, intense scenes that were made lighthearted (the body improvement club trying to help mob, mob and ??? dialogue being cut, reigen removing his shoes in the final arc made to be meant for better grip rather than... his passively suicidal tendencies )

i think the people at bones are very talented dont get me wrong, i just felt like S3 could have been adapted better. this keeps me up at night its like 1am :) anywhosies thank you for listening to my ted talk i love you

#make everyone a little uglier again. my message #rudies ted talks #mp100 #serizawa katsuya #serizawa #kameda come back for reigen ova my love

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sanctus-ingenium · 1 year

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we need to talk about Inprnt.com

Following a really good post with more screenshots and evidence by @dynasoar5 i'm going to talk about my own experiences with @inprnt and why I am about to put my shop on indefinite hiatus from Monday the 14th of August.

First of all I'll say that since starting my print shop last year it has been a significant help to me financially - I was able to not worry about affording car insurance or motor tax (together commonly over a thousand euro) when I bought my first car, for example. I am immeasurably grateful to anyone who chose to buy one and I treasure all the pictures I've been sent of my prints hanging up on people's walls. Right now they are displayed in a real (if small) art exhibition in my home town.

(top right print is not from inprnt though)

They're great prints. Never had any complaints about them. But here's what's going on behind the scenes.

Earlier this year, around March or April, Inprnt sales started increasing in regularity. I'd made as much as $600 a week during previous sales when I made proper promo posts here, but with this increase in regularity, I felt that I couldn't make promo posts every single week. And then one day, I'm not sure when tbh, the sale just never ended. It just didn't stop having that "Ending soon! 15% off your order" banner at the top of the site. Right now it says "Final Hours: $5 Worldwide shipping and save up to 35% off your order!" and not even for a second do I believe in this final hours bullshit. It's been 'final hours' for weeks now. Months, even.

Why is this a problem? Well, how tf am I meant to make a promo post for a sale that is always "ending soon!!" and then never ends. One week it'll say "this weekend only!!" and then when the weekend is over, the sale banner just changes its wording and the sale doesn't end. I can't promo this, it makes me look like a liar and a skeevy salesman by association! It makes the site look like it's 1 week from crashing and burning, and the site owners are just scrabbling to suck as much money from artists as possible before they drown.

And they are sucking money from us. To peel back the curtain, Inprnt money can only be transferred to my paypal account 30 days after the sale is made, just in case the order is cancelled and refunded. This means I used to make one withdrawal every couple of months, when there was enough build-up of money to make it worthwhile. It also forbids withdrawing any sum under $50 btw. I would make a withdrawal request and then, after a 10 business day wait, it would reach my Paypal account.

Not anymore! The past few withdrawals have taken over a month to complete. They are straight up keeping my earnings from me for longer the agreed period. This was my last fulfilled withdrawal:

Note the date.

Almost two months.

And here is the latest withdrawal request that still has not been fulfilled.

It's coming up on 1 month and if the pattern continues, it could literally be November or December by the time I fully clear all sales.

So what's going to happen to my print shop? Because my art is currently being exhibited with a QR code linking to the shop, I can't close the shop this week. Instead I will close it on Monday the 14th of August, next week. That means that on the 14th of September, I can withdraw all of the remaining money without having any left over. My account balance will go to 0 and stay there. Although I'll de-list my prints I will leave my account there, because at the end of the day I don't want to leave Inprnt. It still offers the best artist margins and as I'm now unemployed after graduating, the additional support is such a load off my mind. So this is a chance to wait and see - if they improve their services, I'll happily re-open.

It's a big deal to me because selling prints is sort of my ideal life as an artist. I never had the attention span or self-discipline for commission work and I found that it left me creatively stagnant. I always want to try new things, new concepts and ideas, and being able to think "yeah, people will like this as a print" while I experiment is honestly very reassuring. And I know that in going on hiatus, it'll break a lot of "buy a print" links in my circulating posts. Oh well lmao. If you want to buy a print right now - go ahead, it might be your last opportunity. Another way to support me would be to check out my ko-fi for once-off donations or some nice sketchbooks/comics/book samples you can buy, or subscribing to my Patreon.

As of right now, Inprnt owes me $381 (the unfulfilled request submitted above for $186.60 and my current standing balance of $194.80 which takes 30 days from each transaction to clear).

#it's so god damn insulting u know. even redbubble threw its shitty payouts directly into my paypal asap #inprnt

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wilwheaton · 1 year

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When you watch The Curse, you are watching two children who were abused and exploited daily during production. No adults protected us.

This was originally published on my blog in August, 2022.

I had a wonderful time at Steel City Comicon this weekend. It was my first time at this particular con, so I didn’t know there was such a huge contingent of horror fans, creators, and vendors who attend.

I love horror, and I was pretty psyched to be in the same place as John Carpenter and Tom Savini, across the street from the Dawn of the Dead mall. Pittsburgh feels like one of the places horror was invented, at least to me.

A number of these horror fans came to see me, and asked me to sign posters and other things from a movie my parents forced me to do when I was 13, called The Curse. I had to tell each of these people that I would not sign anything associated with that movie, because I was abused and exploited during production. The time I spent on that film remains the most traumatizing time of my life, and though I am a 50 year-old man, just typing this now makes my hands shake with remembered fear of a 13 year-old boy who nobody protected, and the absolute fury the 50 year-old man feels toward the people who hurt him.

I told this story in Still Just A Geek, and I’ve talked about it in some podcasts I did on the promo tour, but I’ve never put it out in public like this, in its entirety.

I suspect someone at the publisher would prefer I tease this and hope it drives book sales from people who want to read all of it, but I honestly don’t want to have another weekend like this one where everything is awesome, except the few times people who have no idea (and why should they) put that fucking poster in front of me, and all the fear, abandonment, and trauma come flooding back as I tell them that I won’t sign it, and why.

To their credit, each person was as horrified as they should have been, told me they had no idea (if they didn’t read my book why would they), and quickly put the poster away. They were all understanding. I am grateful for that.

But I really don’t need to tell this story over and over again, so here it is, with a child abuse and exploitation content warning, so I can just tell people to Google it.

After Stand by Me, everything changed. The attention from entertainment journalists, casting directors, and especially teen magazines came pouring in. The movie was a generational hit, beloved by critics and audiences alike, and every single one of us could pick anything to do next.

River’s parents and his agent got him Mosquito Coast, with Harrison Ford, as his next movie. I also auditioned for the role, but I knew even then that River was going to book the job. He was perfect, and I’d have to wait a little bit for my opportunity to come along.

I went on a lot of theatrical auditions after Stand by Me. I had tons of meetings with directors and the heads of casting at every major studio. It was all a very big deal, and I felt like we were all looking for something really special and amazing as my follow-up to Stand by Me.

At some point, a couple of producers contacted my agent with an offer to play one of the leads in an adaptation of H. P. Lovecraft’s “The Colour Out of Space.” The script was titled The Farm. (It would, of course, be changed when the film was released).

I read it. I did not like it. It was a shitty horror movie, and I saw that right away. It was the sort of thing you rented on Friday when the new release you wanted was already out of the store.

My mother, already an incredibly manipulative person, used every tool at her disposal to change my mind. My father threatened me, mocked me, told me “It’s your decision” when it clearly wasn’t. It was all so weird; I didn’t understand why they cared so much.

I told my parents I didn’t like it and didn’t want to do it. I clearly recall thinking it was a piece of shit that would hurt my career.

It wasn’t the first thing that had come our way that I wanted to pass on, and every other time, it hadn’t been a very big deal.

Sidebar: I was cast in Twilight Zone: The Movie, in 1983. The film tells four stories, and I was cast as the kid who can wish people into cartoonland. It was a GREAT role, in a movie I still love. (Note that Twilight Zone had four directors. One of them got three people killed. The segment I was cast in was not that one. I mention this because too many people zero in on this to deflect from what this whole thing is actually about.)

But I was CONVINCED by my parochial school teacher that if I worked on The Twilight Zone, which she had determined was satanic, I would go to hell. (This woman and her bullshit played a big role in my conversion to atheism at a young age, but when she told me that, I was all-in on the supernatural story they taught us in religion class.) I was so scared, more scared than I’d ever been to that point in my life, I cried and wailed and begged my parents to not make me do the movie. And I never told them why, because I was afraid my dad would laugh at me for being weak and afraid. My agent tried to talk me into it, and I wouldn’t budge. It’s the only thing I deeply and truly regret passing on, and I really hate I made that choice for such a stupid reason.

Okay. Back to The Curse.

This time, when I told them how much I hated it, they wouldn’t listen to me. My mother, already an incredibly manipulative person, used every tool at her disposal to change my mind. My father threatened me, mocked me, told me “It’s your decision” when it clearly wasn’t. It was all so weird; I didn’t understand why they cared so much.

That is, until they made me take a meeting with the producers of the movie, in their giant conference room on the top floor of a tall building in Hollywood. All I remember about this place was that it was huge; the table was way too big for the five of us who spread around it, and there were floor-to-ceiling windows on three of the walls, but the room was still dark. There was a weird optical illusion in the center of the table, this thing they sold in the Sharper Image catalog, made from two reflective dishes with a hole in the top of one. You placed an object in the bottom of the bottom dish, and it made it look like that object was floating above the whole thing. They had a plastic spider in it. What a strange detail for me to remember, but it’s as clear in my memory as if I were sitting in that room right now.

One man, who I presumed was the executive producer, was European or Middle Eastern (I didn’t know the difference then, he was just Not Like People I Knew), and I was instantly afraid of him. He was intimidating, and seemed like a person who got what he wanted.

So we sat there, my father who didn’t give a shit about me, my mother who was cosplaying as someone with experience, and me, thirteen years old, awkward as fuck, and scared to death.

I don’t remember what they said to me in their pitch or anything other than how uncomfortable and anxious I was to even be in that room. I tried so hard to be grown up and mature, but I — and my parents — was way out of my depth. I’d done one big movie and that was it. We didn’t have my agent with us, who had lots of experience and would have known what questions to ask.

No, in place of my experienced agent, my mother had decided she was going to be my manager, and she tackled the responsibility with an enthusiasm that was only matched by her absolute incompetence and inability to go toe-to-toe with producers the way my agent did. She was outwitted, out-thought, and outmaneuvered at every turn.

“You don’t have a choice,” my father commanded. “You are doing this movie.”

So we sat there, my father who didn’t give a shit about me, my mother who was cosplaying as someone with experience, and me, thirteen years old, awkward as fuck, and scared to death.

At some point, this man, who is represented in my memory by big Jim Jones sunglasses under dark hair above an open collar, said, “We are offering you a hundred thousand dollars and round-trip travel for your whole family. We will cast your sister, Amy, to play your sister in the movie.”

It all made sense, now. I was only thirteen, but I knew my parents were pushing me so hard because this company was offering me — them, really — more money than I’d ever imagined I’d earn in my life, much less a single job.

I knew that the right thing to do, the smart thing to do, was to say no. There would be other opportunities, and it was stupid to cash myself out of feature films for what I thought was, in the grand scheme of things, not very much money.

It’s incredible to me that I knew all of this. It’s incredible to me that I could see all these things, plainly and clearly, and my parents couldn’t (or, more likely, chose not to).

So after this man made his offer, all the adults in the room ganged up on me, selling me HARD on this movie.

My mother said, “Don’t you want your sister to have the same opportunities you’ve had? Wouldn’t it be fun and exciting to go to Rome? Think of all the history!”

The experience was awful. It was the worst experience I have ever had on a set in my life, by every single metric. The movie is awful, and it is the embarrassment I knew it would be.

I don’t think about this very often, because it’s super upsetting to me. Right now, I’m so angry at my parents for subjecting me and my sister to this entire experience. But I’m getting ahead of myself.

In that moment, I felt bullied and trapped. All these adults were talking to me at the same time, and I just wanted it to stop. I just wanted to go home and get out of this room. I just wanted to go be a kid, so I did what I’d learned to do to survive: I gave in and did what my parents wanted.

The experience was awful. It was the worst experience I have ever had on a set in my life, by every single metric. The movie is awful, and it is the embarrassment I knew it would be.

But here’s the thing: when you watch The Curse, you are watching two children, me and my sister, who were abused on a daily basis. The production did not follow a single labor law. They worked us for twelve hours a day, on multiple film units (while I work on First unit, second unit sets up and waits for me. When I should get a break to rest, they send me to Second unit, then to Third unit, then back to First unit. I was 13.) without any breaks, five days a week. I was exhausted the entire time. I was inappropriately touched by two different adults during production. I knew it was wrong, but I was so scared and ashamed, and I felt so unsupported, I didn’t tell anyone. I knew my dad wouldn’t believe me, and my mother would blame me. Anything to keep the production happy, that’s what she did. That was more important to her than the health and safety of her children. The director was coked out of his mind most of the time, incompetent, and so busy fucking or trying to fuck one of the women in the cast, he was worse than useless. He was a fading actor who was cosplaying as a director, as in over his head as my mother. My sister and I were never safe. Instead of harmless atmospheric SFX smoke, they set hay on fire in barrels and blew actual smoke onto the set. They took buckets of talc, broken wood, bits of wallpaper and plaster, and threw it into my face during a scene inside the collapsing house. My sister is in a scene where she goes to get eggs from some chickens, and they attack her. So they hired Lucio Fulci, the Italian horror master, to direct her sequence. His idea, which everyone was totally on board with, was to throw chickens at my sister. Live chickens, live roosters, live birds. Just throw them at a nine-year-old girl. Oh, and then tie them to her arms and legs so they’ll peck her. All of this happened under my mother’s observation, and with her full participation.

Everything I need to know about who my parents are is wrapped up in that experience: the total lack of concern for my safety and happiness, treating me like an asset instead of a son, lying to me, manipulating me, and using me to get things they wanted, and then gaslighting me about it.

If just ONE of the things I can remember happened to someone I loved, I would have grabbed my kids, gone to the airport, and flown home. Fuck those abusive assholes in the production. Let the lawyers sort it all out. Nobody hurts my children and gets away with it.

My mom says she “had some talks” with the producers. She claims that, once, she wouldn’t let us leave the hotel. (God, what a fucking dump that place was. It was just slightly better than a hostel.) I have no memory of that, but honestly the entire experience was so traumatic, I’ve blocked most of it out.

The movie was the commercial and critical failure I knew it would be. My parents spent the money. I don’t know what they spent it on. I got to keep fifteen cents of every dollar, so . . . yay?

My sister and I hardly ever talk about this. I suspect it was as upsetting and traumatic for her as it was for me. I told her I was writing about it, and asked her if she remembered anything. She told me she’d been lied to her whole life about this movie. Our mother let her believe she had been cast on the strength of her audition. “I was excited to work with you,” she said. She reminded me about some stuff I’d blocked out, including a scene where my character’s older brother (played by an actor named Malcolm Danare, who was kind and gentle, and made both of us feel safer when he was around) shoves my character into a pile of cow shit. When it came time to shoot the scene, the mud they’d put together to be the cow shit looked an awful lot like cow shit. When Malcolm pushed me into it, we all found out it was real cow shit. I was FURIOUS. The director had lied to me and had allowed me to have my entire body shoved into an actual pile of actual cow shit. I don’t remember what I said, but I remember he treated me the exact same way my father did whenever I got upset: he laughed at me, told me I was being too sensitive, reminded me that he was the director and he wanted to get a “real” performance out of me, and concluded, “If it bothers you so much, we’ll get you a hepatitis shot,” before he walked away.

My sister also recalled that, after she survived the scene with the chickens, it was the producers’ idea to give her one as a pet.

Okay, let’s unpack that for a quick second: you’ve been traumatized by these birds, so we’re going to give you one as a pet. That you’ll somehow keep in your hotel, and then will somehow get back to America. It will shock you to learn that neither of those things happened.

She remembered, as I do, the huge fight I had with my parents in our kitchen, where I told them I hated the script and I hated the movie. I didn’t want to do it, and I hated that they were making me do it.

“You don’t have a choice,” my father commanded. “You are doing this movie.”

“This is the only film you are being offered,” my mother lied to me. She made me feel like, if I didn’t do this movie, I would never do another movie again in my life. I had to do this movie. As my father bellowed, I had no choice.

Both of my parents denied this argument ever happened. Can I tell you how reassuring it is to know that my sister, who was also there, remembers it the same way I do?

The makeup department decided they would literally cut my little sister’s face with a scalpel, in three places, and put bandages over them.

But one thing she told me, the thing I did not know, the thing that makes me so angry I want to break things, actually managed to make the entire experience even worse than I remembered it.

There’s a scene after her chicken incident where I check up on her in her bedroom. She’s got cuts and bruises, and I guess we talk about it. I don’t remember and I can’t watch the movie because I’m terrified it will give me a PTSD flashback (I’ve had one of those and I recommend avoiding it). Here’s the thing about that scene: she has some cuts on her face, and those cuts are real. They are not makeup.

I’m going to repeat that. My nine-year-old little sister had actual cuts on her face that were placed there by an adult, on purpose.

The makeup department decided they would literally cut my little sister’s face with a scalpel, in three places, and put bandages over them. My sister told me our mother wasn’t in the makeup room when this happened — honestly, it seemed like our mother was strangely and conveniently absent when most of the really terrible things happened to us on the set — and when my sister told her what they’d done, she “lost her shit” at the production. She was pissed, I guess, which is appropriate and surprising. I wonder what would have to have happened for her to put us on a plane and get us home to safety? I mean, her son being abused daily didn’t do it, and her daughter being CUT IN THE FACE ON PURPOSE didn’t do it.

I just . . . I can’t. I can’t understand or comprehend allowing your own children to be physically and emotionally abused. They were literally selling my sister and me to these people, like we were some kind of commodity.

This was a tough conversation. My sister’s experience with our parents is very different from mine. My sister and I love each other. We’re close. I know it’s hard for her to hear that her brother, who she loves, was so abused by her parents, who she also loves. I was really grateful she made the time to talk to me about it, and grateful the experience wasn’t as horrible for her as it was for me.

As we were finishing our call, Amy also remembered one man, a young Italian named Luka, who was our driver for the movie. I haven’t thought about him in thirty years, but I can see his face now. He was kind, he was friendly, he taught us how to kick a soccer ball, and in the middle of an abusive, torturous experience, he stood out as a kind and gentle man. I mention him because she remembered him, which made me remember him, and goddammit I want at least one small part of this thing to not be awful.

The Curse remains one of the most consequential times the adults in my life failed to protect me. I’m 50. I still have nightmares.

Ultimately, as I predicted and feared, this piece of shit movie cashed me out of respectable films forever. I got offers for movies, but they were always mindless comedies or exploitative horror films. They were never the serious dramas I wanted to work in after Stand by Me. The industry looked at me and River, wondering if one or both of us would become a breakout star. They quickly saw that River was doing real acting work, and I was in this piece of shit. For River, Stand by Me was a beginning. For me, it would turn out to be pretty much everything, at least as far as film goes.

There are thousands of reasons film careers do and don’t take off. Maybe mine wouldn’t have taken off anyway. Clearly, it’s not where my life ended up, and I’m super okay with that now. But when all of this happened, it hurt and haunted me.

The Curse remains one of the most consequential times the adults in my life failed to protect me. I’m 50. I still have nightmares. Everything I need to know about who my parents are is wrapped up in that experience: the total lack of concern for my safety and happiness, treating me like an asset instead of a son, lying to me, manipulating me, and using me to get things they wanted, and then gaslighting me about it.

This annotation is the last thing I wrote before I turned this manuscript in, because opening these wounds is hard and painful. I put it off as long as I could, and I feel like I’m still holding back, because just this small glimpse of the experience has taken me a week to write. I can’t imagine trying to go back and unpack the whole thing. (Note that is not in the book: I’ve made an EMDR appointment to work on this because the nightmares have come back after the weekend).

Fuck The Curse, and fuck every single person who exploited and hurt two beautiful children to make it. You all participated in child abuse, and you all knew better. Shame on all of you. I hope this follows you to the end of your life. I hope that living with what you did to innocent children has been as hard for you as it has been for me, because you deserve no less.

#tw abuse #tw child abuse #tw exploitation #child actor #still just a geek #lucio fulci #trauma survivor #speaking up for the child who was silenced by his abusers

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