#; era. can you feel it

[steviesbicrisis]

Steve’s best relationship wasn’t even a relationship. He could barely call it a fling, a flirt. They never even went on a date. They never kissed.

Steve still thinks of it as the best whatever-it-is he has ever had with someone.

At the beginning it was mostly infuriating, how quickly Eddie managed to win the kids over, compared to Steve’s months of work as babysitter/nailbat swinger/monster fighter. Steve had to literally bleed multiple times to get an ounce of respect, Eddie only had to run a nerdy club about fictional bleeding and monster-fighting.

Then somehow, and Steve still has trouble pinpointing when and how it happened, everything changed.

Taking the kids back home from hellfire became something he impatiently waited for.

He and Eddie would barely talk for a few minutes and he would find himself replaying the conversation in his head for days. Anything he could say to get a reaction out of Eddie became fundamental, and if he started by picking subjects to piss him off, he ended learning about Eddie’s favorites, because few minutes after hellfire were never enough and Steve needed Eddie to talk as much as possible, until the kids were begging to drop it and go home.

Steve never questioned the change, most likely out of fear. He doesn’t think he ever was clueless, just really scared about what would potentially mean to be staring at another dude’s eyelashes as he goes on a rant about why Ozzy Osbourne is the best artist of his generation. Or blush whenever said dude would call him “baby”, or “sweetheart”.

Steve convinced himself that the thing he and Eddie were having was as good as it was going to get, nothing more.

Then Chrissy Cunningham died, Eddie ran, and Steve realized that the thing will never be enough for him.

He couldn’t not have Eddie. Not watch him as he entertains a bunch of freshmen, as he stomps with his worn out sneakers on top of forniture, as he puts his terrible music on to push away anyone who doesn’t care enough about him to stay.

Steve needed to see Eddie being alive, doing what his heart desires, and he needed to be next to him when he does.

Obviously, this realization came at the worst possible time.

Steve tried to tell him so many times: when they found him at the boathouse, when he was hiding at refer Rick’s house, when they were taking a stroll in the upside down, and even when they were driving a stolen trailer to a gunshop.

But, it seemed, Eddie had come to a realization just as important and he tried his best to avoid Steve at every given chance.

Steve tried to initiate the conversation as Eddie did his best to run away from it. And he ran until Steve had no chances left to tell him how he actually felt.

———

Steve doesn’t know if he’s allowed to say he lost something he never had. To mourn a relationship he never began. A partner that, technically, never became a partner.

After Eddie dies, Steve has no one to be next to but he can’t say he ever did.

Steve just exists waiting. He can’t tell if he’s waiting for the pain to go away or for Eddie to jump out of a bush and yell “ah! I got you sucker!! By the way, I’m in love with you too.”

For obvious reasons, that never happens.

What does happen, is a call.

It’s a normal Tuesday, as normal as you could define it after Hawkins almost collapsed into the upside down. Steve got into a routine, between checking on the ones at the hospital, helping out at the shelter, allowing Robin to check on him to see if he’s still alive.

The call happens while Robin is doing her kitchen check up - aka making sure he has food and that he’s eating it-, so she picks the phone like she did a million times before.

“Harrington residence, this is Robin” she says, cheerfully.

Steve doesn’t pay much attention to it as he’s folding his dad’s old clothes that intends to donate to the shelter, until he hears Robin’s loud gasp.

“What is it? Is it the hospital? Is it Max?” He rushes to the other room where Robin is.

She doesn’t answer but she gives him a look as she passes him the receiver.

Steve goes quiet, a million thoughts going through his head as he takes the phone from Robin.

He’s still unprepared when he hears that unmistakable voice “Baby”.

Steve gasps for breath “Eddie?”

Is that really you? What happened? Are you hurt? Isn’t this impossible? Is what goes on in Steve’s head, but he ends up just asking “are you okay?”

He can hear a chuckle, Eddie’s wicked chuckle, a further confirmation that it is him, “I’m- hanging in there… are you okay?”

Steve finds the question absurd. He isn’t the one who got left in the upside down, the one that got eaten by demonic bats, the one who died before Steve had the chance to tell him how he felt.

He answers truthfully nonetheless, “I’m… I’m not okay.”

“I’ll be there soon, I promise.”

“Please Eddie, come quick.”

“I’ll break the sound barrier for you.”

[poorly-drawn-mdzs]

True love is possible only in the next world. For new people. It it too late for us.

(Redraw for @pakhnokh's DTIYS post!)

[nyaskitten]

When it comes to the movie redesigns, the only one I dislike is Jay, I can't explain it but these do NOT feel like the same guy to me I'm not fond of it.

He feels. Baby-ish.

[lunarlivs]

nye with r + s ⭑

[dopepoisonivyoncrack]

Astarion's Ascension - Traditional art (pencils, gold acrylic, PS edit). Sketch here.

You had demons to kill within you screaming With a gun loaded with guilt You opened their eyes [...] Bleed well, the soul you're about to sell For passion deranged [...] Bleed well, the heart you're about to fail For reasons insane Kill and tell Baby, we're bleeding well In hell [...] I heard you weeping And on those words, a church was built To keep the pain in

[ignorancelive]

more of my favorite nyfw looks!

[1495-gauge]

there's that fucked up three-eyed thing that lives in the woods. whose turn is it to chase it off again??

[blueskittlesart]

deeply refreshing to see someone critical of Swift who also like, genuinely likes her. Like i'm neutral to positive on her, but the online discourse has been absolutely rancid. flipping between "Taylor Swift has never done anything wrong ever and she's a fucking genius" and "Taylor Swift is the worst lyricist of all time and also a bad person" is exhausting, so thank you for like. nuance or something lmao

not to make it serious for a sec but i genuinely think that being able to like things that are bad is really important. like I think that it's an important skill to be able to look at something and see what you personally enjoy about it and then take a step back and acknowledge that objectively it's flawed. and to also be able to acknowledge that liking something isn't necessarily an identity or a moral stance. and i think that fandom space in general could really benefit from more people taking the time to learn how to do that. it's okay to like things that are bad

[royaltea000]

Is that a gun in your pocket or are you just happy to see me ;)

[squidthusiast]

Smollusk looks so much like wet slime, I bet you could throw it at a wall and it would make a wet slap noise, pathetically

Pearl would throw it at walls like those sticky hands for sure

[atlantis-area]

ONEW - Rain On Me (Music Bank, 230317)

[tapakah0]

I'M SORRY I don't like to put something little mine with the great stories I love so much but *inhales* @somerandomdudelmao, @kathaynesart, are you okay with doing this???? *Puts you both in the "Bucket of suffering"*

[cametotheshowinsd]

THE ROARING TWENTIES (1929) | Written + Directed by Taylor Swift *ALL-TALKING PICTURE* Flapper Clara falls in love. With a Princeton sophomore. Every night they spend together feels like a dream. All the social occasions, the scent of wine she tasted on his lips, dance floor reflecting broken mirrorball lights, tossing pennies in the pool, sneaking in campus, night walks around the Nassau Hall, joking about school dorms, long dinner that seems never end and sophisticated conversations. His innocence and passion. Her wide-eyed gazes. Breathes that felt too close in the dark. Finally, one day, the kid went down on his knees and pulled that damned rock out of his pocket. Will Clara say "yes"?

[mlmarint]

not me actually thinking eddie was REALLY JUST dreaming

like i was absolutely SHOCKED when marisol and chris walked in. I LITERALLY HAD TO PAUSE THE EPISODE TO PROCESS THAT SCENE LIKE AN ACTUAL CONVERSATION THAT HAPPENED????

not even for a SECOND i thought kim would could actually change her hair and pretend to be like what??? a ghost of a mans dead wife,????she met him like a week ago??

the level of insanity that this plot is like WHAT THE ACTUAL FUCK

this is it

this might be the end of my eddie apologist era

[beatriceportinari]

Another year, another outfit to die in! Happy birthday again Izuna!!!!!!

Like last year, I played with someone else's lines for these charming patterns, thank you so much Lena @elhnrt ! I had a ton of fun :D

Check the readmore for pattern references and explanations, there are some easter eggs in there :)

(x,x,x,x)

My goal for this piece, in addition to playing with patterns and textures and adding some Naruto references, was to add as many death flags as possible.

The idea of having Izuna in a fireman's coat is obviously not from me. I've always like the idea of Uchihas in fire resistant clothes, and the opportunity for a thick texture alongside a reversible double pattern is very appealing. I used the image of the second reference as a base, with skulls on one side and stylized lightning patterns on the other (visible inside the sleeves and collar). Both were common immagery of firemen coats.

The actual skull pattern is taken from the third reference. I'd seen this one before and before even learning anything abt it it was too beautiful to pass up. Those white and navy gradients are absolutely delightful and I enjoyed using my gel pens for them very much.... This particular type of imagery with skulls and bones in a field is called Nozarashi, inspired by Buddhist representation of death and transience.

The lightning pattern itself is a reference to water and lightning dragons :) Like Tobirama's iconic jutsu, it's one of the hints of what's abt to happen to our little guy. The scabbard is also decorated with dragon motifs for the same reason.

The background pattern is taken from the first reference, another fireman's coat with an illustration of Raijin, the thunder god. He is often representated with drums decorated with tomoes. It works nicely as a standard looking sharingan illustration, with a reference to Tobirama's hiraishingiris with the thunder imagery, like the thunder patterns inside the coat.

If you're interested in this I recommend the book linked in the second reference! It is entirely about skeleton motifs in japanese clothing of the early 20th century.

[kingofanemptyworld]

hey you know what would be fun? a fic where the Royal Guard follows through with their plans to make Ichigo the new Soul King and Grimmjow promptly loses his shit because what the actual fuck Ichigo has already given these people literally everything, twice, and this is how they repay him? recruits Nel and Harribel and Urahara and Yoruichi (after Nel sits on him for a while because Jesus Christ Grimmjow you can’t storm Soul Society by yourself no matter how much you’ve powered up) and it’s the Ryoka Invasion all over again except with pissed off arrancar instead. I just think it would be neat