#<- sorry thats my tag for them lol

[thepavementsings]

We called it the Loser Club

[myxineye]

getting a bit silly with the spies!

was loosely inspired by "meet the spy" and in particular that one frame of blu spy near the end :P

also some closeups!

[adpndrgn]

give her a spin

[dailyloopdeloop]

DAY 44: smal (ageswap AU by @pixxyofice, @the-bitter-ocean, @tealgoat, @startagainaprologue, @basilpaste)

[rox-of-iu]

ayoo guess who finally sat down and caught up with cultivate B)

is me. so you know what that means.

spoiler warning for cultivate ch 30-37

there was actually.... more things i wanted to draw but I already did so many I had to physically restrain myself hfsjkkdh anyway yes can you tell i love this fic very much

yet once again. cultivate by the wonderful @neonghostcat

[upsidedowngrass]

sorry for the radio silence. heres a bunch of these guys from the past while as compensation

[cerealmonster15]

images that bring me peace. u simply dont understand. !!!!

[rileyclaw]

Hii! First off i just want to I'm such a big fan of your art and animatics! Your art is just so expressive and unique its addicting to look at 💞💞

I was wondering if you could go over how your process or tutorial in making an animatic? Whenever I try to start to make one, I get jumbled up and end up ditching it lol

I'm sorry if you get this question a lot 😭

So sorry it took me so long to answer this- I was in a Busy time (diseaseridden with covid and being punched by finals) when I got the ask and wanted to answer it with some stuff Im using for my next TOH animatic!!

I'll say one thing first: I get jumbled up and ditch so many animatics. For every one animatic I release, there are three to five more I have that have NEVER seen the light of day (yet). And that's okay!! It's fun just to make them for me, and I hope it is for you too!! Animatics are scary because if you're working on it alone, it can be really hard to be your own cheerleader to keep up the mojo to keep going. So that makes it really special when there is that project that makes it to the finish line- cuz you can look at it and go "holy crap I made this. holy crap i MADE that look how SICK that is dude!! all that work and look at the turnout!!"

The following stuffh is just my personal process and is by no means representative of a professional animation pipeline, but this works for me as a Lonely Artist! It all begins with the idea - whether it's a song, or just a story you wanna tell. In the case of the one I'm gonna demo here with , I wanted to animate Hunter's first day as Del's apprentice!

The first thing I did was write a script. Not fancy or AO3-quality, but enough that I understand the pacing and the visuals of each shot. I usually just put this in a doc or put it in a script format, if I feel fancy.

Then, I take that script and find music that I think would fit for it- and remix it (if needed) to fit the pacing/mood/etc! This is what this new animatic looked like before I began ANY artwork- this is a me thing because I'm super inspired by audio as opposed to visuals first. But you might be different- this is just how I like working personally!

Then begins the research! I find references for characters, background layouts, and create a style guide for the animatic that tells me how thick lines will be for characters, backgrounds, if there'll be tons of value or no. I make a turnaround for each character so I can refer to them because Im gonna be drawing them over and over a LOT and want to be consistent! Luckily TOH has no shortage of references, so I based my work off them.

THEN, I can begin drawing. I'm a little,,, (a lot) ADHD and may not always do this process, but if you're new to animatics or daunted by the task at hand, make beat boards of the entire project.

This is just a page of rough thumbnails that get your visual idea down - look how rough and quick these are!! I try not to spend over a minute on each beat board if I dont have to, unless it's a particularly complex shot.

When it gets to the stage where you're ready to begin the actual scenes, I personally tend to do backgrounds first because I like to set characters into backgrounds - and for every animatic, I have the Awkward Blue Sketch Stage which is basically my beat boards timed out as an animatic.

I used Storyboard Pro for this (Toonboom, not free ): icky), but the process can be replicated across most art platforms in whichever way you feel most comfy with! This is so I can time the drawings before I devote time cleaning them up-- which can make for some Pretty Funny looking little guys but theyre important!! trust!!

Once a big sequence of shots is cleaned up (I usually do 40-60 second chunks at a time), I export the .mov and send it to my editing program (which in this case is still Premiere Pro) - and then repeat this process again and again until.. it's done??

Here's like a TL;DR list of basically everything I said summed up:

• Make a loose script or bulletin of the idea! Do your research!

• Depending on what kind of animatic you're making, time it to music!

• Make a beat board of very loose gestures for your shots, and time them - then move on to refinement & cleanup!

• Combine all shots, refine music cues and timings, add any last needed VFX, and export!

There's no secret recipe or anything, it's just learning a pipeline that best suits you, whether it is for something professional or something you want to make for fun because you just love to make!!

[oceanwithouthermoon]

i think its weird that i have to make this disclaimer but the internet is crazy so wtvr,, anyway,,

if i say i dont like something, that doesnt mean "that thing is bad and nobody should post it.."

i swear literally every time i even mention that i dislike something, people will go "wow does that mean u fucking hate me cuz i post that thing? ur a fucking stupid bitch and all ur opinions r wrong" LIKE ?? er.. no. just because i say i dont like certain characterizations of certain characters (the saiki k fandom is CRAZY about this cuz i can state an opinion on literally any character and a group of people will still go 'well only we're allowed to post our opinions about them because we're always right!1!1!'), or certain ship tropes (mentioned my hatred of toxic yaoi maybe once or twice on here months ago and people STILL get mad at me as if i said toxic yaoi lovers r evil or something), or certain ships, or WHATEVER, does not mean that i HATE the people who are posting them or that i think they shouldnt post them at all, NO, im just posting about my personal tastes on my personal blog and it would be extremely weird and hypocritical if i decided that i was the ONLY person that was allowed to do that,,

i think the only reason people assume that is because there are a lot of other people on here who ARE like that, and a lot of people toe the line between posting that they dont like something and posting that they think everyone who likes that thing is stupid, annoying, and wrong,, so i guess all i can say is, sorry for whatever made you make these assumptions but they arent true about me so plz leave me alone ʘ‿ʘ ur doing the same thing to me that ur accusing me of but i didnt do it in the first place so ur just actively being a dick for no reason

[grayeyedandroid]

them <3 (a screenshot redraw)

[caramelmochacrow]

"Our secret romance And even though I want to feel you All we can do is painfully gaze at each other"

[spacedlexi]

Do you have any doodles of modern AU Violet in different little outfits?

heheh i do anon theyre Super old but i'll post some just for you :)

i feel like modern vi would Have to get a job so she works with marlon at his dads auto shop (louis hangs out with them but just sits there hes not trying to get dirty). bonus road trip au page (vi gives clem her sweater while firefly watching)

[thesupernaturalhouse]

Oh god, @carpp art has- damn it-

Okoooo-kay, I thought of this- but au where- au where Sera and Lucifer switched places- so theres a different time line and stuff-

Woukd lilith leave in this au?? Probably but also I don't really want her to so- tech- technicalities it's fine I'll figure that all out later-

Uhhh nit really a side note but I do think Emily and sera aren't like, blood sisters, but they call eachother sisters because their both seraphms and sera raised her in canon right? So in this au Lucifer and Emily would be brother/sister because he raised her and is also a seraphim so-

I think he and Emily would be around the same height, Lucifer being taller by a inche or 2 though. Idk, it's like, 2 am and I should really go to sleep-

[hyp3rfixation-h3ll]

tfw you get saved by some weird strong guy that glows and you mistake him for an angel and accidentally imprint on him like a duck so now you're brothers and also you have separation anxiety about him (thinking about little hedgehogs covered in blood again (feat. SD/Sunky-D @destinestuff and xhouse!Fleetway who belongs to @oswaldddavis) :o)

[arvoze]

[3/3] HHNFLARTAS - what's done is done

hell hath no fury like a rescue team association scorned not a fic or anything, i just ramble a lot about my pmd ocs in a digestible format that's more or less that kind of content. random yearly event for rescue teams. covers no more than like, one week of VV content

[ 1 / 2 / X ]

the rescue team association #1, again

there comes a point where it gets complicated. the RTA can't let you pass just because you completed their challenges -- you could cheat to win, and that wouldn't be reliable, after all. there's a million and one technicalities to consider.

yes, keith's team saved the rescue, who came back safe and unharmed. they also secured the item at the end of the dungeon. so what gives?

you never split the team. the rescue takes priority.

but they did the rescue. does it really matter? you can't just go off of stuff like this. there's specifics to it. it's a case-by-case basis.

both parties are right, in their own way. it's not a black and white case.

..

in the RTA's defense, they aren't wrong. you've got to consider how their actions would come across out of context.

a rescue has been secured. a member has split from their team, taking the rescue with them.

they split from the team. this puts them in immediate danger. they also have the rescue with them, so they're endangering the rescue as well.

if the solo member is incapacitated, the rescue is at incredible risk. the member is also at risk.

team splits can cause multiple problems to arise at once. it may also be seen as a disagreement.

extreme measures had to be taken to ensure the remaining members completed their goal.

the usage of a flood orb is not commonplace. team inventory will not always have this item available. it cannot be considered a reliable solution to a problem.

relying entirely on one item makes you a liability. it can be considered an easy way out.

the monster house was not fully defeated, simply temporarily disposed of. if the orb failed to work, the team would not have survived.

if the rescue was there, they could have been swept up in the confusion.

their general behaviour may be seen as too immature and unreliable.

this only checks out if they're monitored during their dungeon run. the three have a lot of chemistry with eachother, and have a lot of banter together. when you're unaware of how they talk to eachother, it can be seen as constant bickering and arguing.

regardless of how seriously they take the job when it's required (since they don't really like to be tense the whole way through), they have lapses of silliness and tomfoolery. this is because the RTA is incredibly boring and hate fun.

they barely even survived. let's be honest.

this is self-explanatory.

the rescue team association #2

in the defence of keith's team, you'd have to consider the following:

a rescue has been secured. mike has split from the team, taking the rescue with him.

he split from the team, a mutual agreement between all three members. they decided that this was the best way to get the rescue to safety. mike is strong and fast enough to get the rescue out of the dungeon with his remaining energy.

mike didn't become incapacitated. and if he was close to such, he can take matters into his own hands to really save his skin, and, more importantly, the rescue.

there was no disagreement, and mike was going backwards. he wasn't taking any new paths and discovering new things/triggering events. he was simply backtracking, taking the safest routes.

the rescue plant, an undetermined pokemon of undetermined rescue knowledge, agrees that this was the best decision to make given the circumstances.

extreme measures had to be taken to ensure keith's team could complete their goal.

this is because luwel prepared for the worst. when you plan for a rescue, you already know what kind of environment to expect, so you prepare thusly; this is no different. if it were a real job, and keith's team were the only pokemon available, it would be the exact same -- luwel would prepare the very same items as he did for this adventure.

they had the flood orb, which meant it was available to them at the time. a problem was predicted, planned for, and then solved. this is how it should be.

keith's team did not rely on a singular item. instead, luwel took the time into planning out the right items to carry with them, getting a rough estimate on the dungeon size and how difficult the job would be. to say the item is the sole reason they survived is to completely undermine luwel's ability to plan ahead.

a monster house does not have to be defeated in order for either goal to be met. if a third task was to defeat a monster house, then this would apply. but this was not the case, so it does not.

the rescue would have been accounted for. keith's team will make quick decisions, but they will never forgo the rescue to make them. the rescue, had they been present in the room at the time of the orb's use, would have been given a heads-up, and the team would take the initiative to keep the rescue safe before using the orb. additionally, the rescue was not even there at the time.

keith's team communicate with eachother frequently, including having light conversation, as well as constructive discussions about eachother.

sorry that you're too unfamiliar with a good relationship to understand their dynamic. the rescue would state that despite the circumstances, they did feel that keith's team had great communication. this is a non-issue, and exists just to make the cause for failure bigger than it actually was.

there's a lot of back-and-forths. guildmaster rime is not happy with the results.

the rescue team association #3

truth be told, there's… really not a lot that the team can do about the situation. what's done is done. they can fight their case if they really wanted to, but it's just resources wasted. as far as they're aware, at least.

guildmaster rime has always been in keith's team's ballpark. hell, keith is like a son to him, he is a son to him -- keith's going to inherit his guild, for goodness sakes! how can rime be succeeded by someone who failed the master trials for no real good reason? it won't do. it just won't do. the guildmaster is typically in agreement with the RTA when it comes to grading, as a seasoned explorer himself -- but to not consider keith's case? to fault them on technicalities alone? it's not right. it isn't fucking right. he'll do something about it. or at least, try to.

as a guildmaster, rime has some form of contact with the RTA. it's a required system in order to have a guild be truly recognised in the world, and additionally mandatory for any teams to earn ranking points. he drops a line of inquiry into the guild's connection orb, but there's been no response for several days. despite his grievances with the system, rime knows better than to push.

..

the boys have already forgotten about it, for the most part. they're discouraged, but they know in their hearts what they truly are: a good team who did the right thing. keith tries to distract himself by ranting and raving about the process of getting another flood orb. luwel's been trying to distract himself by writing up varying arguments to plead their case, which isn't really a distraction at all. mike is… unbothered. he cares, but doesn't have enough faith in the system, and settles more on the idea of "we know our truth and that's that, if they can't see it that's on them". every time luwel brings up a possible counter-point, mike gives him a thwap on the head. "best to keep it to yourself," mike says. "i dunno if keith can take it".

they cross paths with team PB&J occasionally, who, against all odds, ranked in the top 100. keith would say it was a total fluke that they did, and truthfully, he's right. it pisses him off further.

..

it's been about a week. the RTA responded to rime, after sending a rotom drone or two out to survey the boys. none of them noticed. nothing really fun or exciting to report on. the drones were simply just monitoring their day-to-day, to see how they've decided to take the results. it's invasive, and certainly not something they consented to, but the RTA can do whatever they want if you more or less work for them. thankfully, they do not find luwel's musings, as he gave up before the first surveillance.

rime's call is short-lived. there's not much to say, according to the RTA. the final findings were, essentially, "agree to disagree". they'd argued that because the case wasn't black and white, a true, rightful verdict couldn't be settled on; this uncertainty meant it was safer to fail keith's team than it was to pass them.

nobody had the desire to combat the RTA of all people about the decision any further. failing due to just barely missing the mark was better than failing due to sheer ineptitude, which lead to some sort of small victory for the team in the end. at least we aren't total failures, i guess, keith would think to himself.

not that they'd expected things to go their way. they knew that by now.

..

end.

[quortknee]

some of my durges heehee some of my tavs: [part 1] [part 2]