#[m]

[alivedean]

911 + text posts → 3/? bonus:

[transmascutena]

needed to draw this post by @saionjeans

[soracities]

Mahmoud Darwish, Memory for Forgetfulness: August, Beirut, 1982 (trans. Ibrahim Muhawi) [ID'd]

on context: "[set during] the 1982 Israeli invasion of Lebanon and the shelling of Beirut [...] Memory for Forgetfulness is an extended reflection on the invasion and its political and historical dimensions. It is also a journey into personal and collective memory. What is the meaning of exile? What is the role of the writer in time of war? What is the relationship of writing (memory) to history (forgetfulness)?" (source)

[eesttm]

it's delightful how much Alex enjoys deliberately poking the bear

S17E04 outtake

[shehzadi]

Hi all, here is a GFM campaign for Mahmoud Zidan (@/zidan_mh23), a displaced Palestinian in Gaza whose home was destroyed by the occupation and who is trying to get himself, his wife, Nour, and their 1-year-old daughter, Amal, out of Gaza.

This is his donation page.

Please donate however much you can and share widely! So far, they have raised €5.8/20k (01.05.24).

[wooyoungisbaby]

their friendship is so so cute 💖

[lesbianweed]

[anonymatt1]

night owl bf who stays up and uses her after she goes to sleep 🤝🏼 early bird gf who wakes him up by sucking/riding his cock

[sleevebuscemii]

whats happening in nyc rn is just……they’re literally just kids sitting on a lawn asking you to stop investing THEIR MONEY into companies massacring children. and yet. ​its the visceral hate and anger like. this isn’t just politics or pr or protecting interests this is punishment this is a rage screaming how dare you be against my desire to want brown people dead?

[stewykablooey]

[anarchistbitch]

[alivedean]

911 + text posts → 2/?

[transmascutena]

one of my favorite things about the movie is that the very first thing utena does on screen is flirt with wakaba. it's funny, sure, but it also works to establish a few important things about the movie right away. most notably that wakaba and utena don't remember each other, and by extension that this is not a continuation of the show in a traditional sense (though it can of course be interpreted that way.) it also tells us a lot about how utena as a character is different, serving as a nice contrast to the way he's kind of unresponsive or uncomfortable with wakaba's constant physical affection in the show, which i always read as that classic closeted teenage lesbian experience of not knowing how to respond to affection from other girls, because it seems to mean something different to you than to everybody else. something bigger and more important. you can't say you're in love with them as a joke like wakaba (seemingly) does, because you know it wouldn't be a joke to you. and this moment goes to show that utena is generally a lot more comfortable in her identity in the movie. a little older, a little more aware. obviously there's still stuff she needs to work through, but her hesitancy to be intimate with anthy is also something that has less to do with her being a girl, and more to do with the whole rose bride thing and the consent issues around that.

[soracities]

Mahmoud Darwish, Memory for Forgetfulness: August, Beirut, 1982 (trans. Ibrahim Muhawi) [ID'd]

on context: "[set during] the 1982 Israeli invasion of Lebanon and the shelling of Beirut [...] Memory for Forgetfulness is an extended reflection on the invasion and its political and historical dimensions. It is also a journey into personal and collective memory. What is the meaning of exile? What is the role of the writer in time of war? What is the relationship of writing (memory) to history (forgetfulness)?" (source)

[m0ckest]

art center (almost done)

[wooyoungisbaby]

more ateez memes :3