it's a hole-in-the-wall bar, like many of them are on gunsmoke. but small means good, less chance of being recognised, more chance to bribing lookers away. even so, iris keeps their hat fairly low over their eyes, tracking 𝘷𝘢𝘴𝘩 𝘵𝘩𝘦 𝘴𝘵𝘢𝘮𝘱𝘦𝘥𝘦. their friends may have accused them before of being rash, but now that they're alone they think they've learnt. they know they can't take on the typhoon, and nor do they want to. they've seen the damage that's followed, and even though it's been years the memory of their saloon in rubble is still seared into their memory. no, they will not put anyone through that.
instead, iris plasters on a kind and gentle and charming smile, lifting the brim of their hat up a little with a finger. ❛ hey. you're alone, i'm alone mind if i sit here ? i'll buy you a drink for your troubles. ❜
@stampeden
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someone probably said this already but in spiderverse i think it's interesting how when pavitr was first introduced everyone thought something bad was gonna happen to him bc of how confident and optimistic he was. and then in the actual movie we see that something bad was supposed to happen to him (police chief dying!) but it doesn't! miles stops it! and miguel berates miles for this, says it's going to cause the universe to collapse or whatever.
there's this idea that tragedy is inherent to spidermans growth, and while it's true that some spiderpeople learn important lessons through loss, no one stops to ask, is it really necessary? yeah, maybe the chief was supposed to die. but why does spiderman have to be formed through tragedy? why do we (as heroes) have to let people die? pavitr didn't lose anyone, and he's still a good spiderman! maybe, if he doesn't suffer, he'll end up better off for it!
so while miguel is arguing for all this big picture stuff about saving the multiverse he's lost sight of what it really means to be a spiderman, he's not looking out for the real individual people. yeah it's just one person who would die, but that one person means something to someone. shrugging and saying "stuff just sucks sometimes, we can't do anything about it" is the opposite of what superheroes do. pretty obviously, miles arc is also a reflection of the struggles people face in real life, working within unequal systems, where it's easy to shrug and say "that's just the way it is" and not ask "but why does it need be this way? can't we do something about it?"
miguel is arguing that you can't have your cake and eat it too. presumably, miles and co. are going to find a way to get around that and change things for the better (and maybe that's why miles has that line about two cakes in the advisors office!)
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🐰"Theoretically he could possibly set me on fire which would be awful. Practically he is a soft squishy thing even for a human."
Finally someone who appreciated the Firedancer's danger! He did let out a huff at the last part though- all hopes disappearing like the wind. "Hey- I'm remarkably durable actually, Zazie!" He protested.
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Wraith V / Through A Glass Darkly
I admit to maybe being overly obsessed with this thing.
Because of (naturally) the colours (and the fact that at 100%, it looks like a flatlining heart monitor, as if we needed more indications this is a symbolic death). Vash in red/magenta and gold, Knives in blue/white and violet - until it's complete. Then Vash wakes up, suddenly all-violet, while Knives is left only with blue and teal.
Why would that be? Because Vash is at last consciously using his powers? Maybe. Likely.
But I, at least, would also like to believe Tesla has more to her story than forever remaining an objectified victim, though I know I'm probably deluding myself. (I'm interested to see just what, if anything, Orange plans for her. I've always felt there was more to her perspective.) I like to think she's present too, in her own strange way, and not simply as part of Knives.
What do you think her opinion would be of these events? Of her brothers?
What choice do you think she would have made?
I, personally, suspect Tesla would have had powers both to bring and to take, just like Vash. I doubt his personality being destroyed and his body brutally exploited to access those powers (never mind the purpose they're accessed to fulfil) is a plan she would want any part of, whatever her opinion of humanity. I think Knives had no idea what he invited upon himself making contact with the Core, something that exists outside of time. I think Tesla and Vash are both stranger and more existentially terrifying beings than even he imagines.
Knives baptised his brother in order to make him fit to receive divinity - and in Christianity, divinity comes as three parts in one. Not two equal opposites, as Knives conceptualises himself and his twin, but a singular whole expressed as three aspects. Parent...
Child...
Spirit.
His plan worked perfectly. He could not have made a bigger mistake.
Having been baptised, having received the spirit, the answer finally comes to Vash, and the truth.
Whose side are you on? Who are you?
See, it's made a point in Stampede, more than before, that the twins are almost physically identical. The resemblance is close enough for them to be mistaken for each other, something which Knives exploits. Even spending so much time so far apart, it seems inevitable that they influence each other. When one looks into the other's face, he sees his own reflection as in a mirror.
Though that almost never happens in the series. Knives and Vash almost never share the same eyeline.
They don't see eye-to-eye or face-to-face. Not until the very end.
The English dub, the finale, the question Vash asks as he finally begins to cry - "Who are you?" There's a reason he asks the question in those words.
Roberto said it in the first episode in the scene where we met Vash as an adult, hanging in the desert. "This clown's the big bad Typhoon? Vash the Stampede… who are you?" (The first time Vash gets called a fool or a clown, and not the last.)
Vash isn't quite sure... or rather, doesn't know who it is that he should be, if not what he is now. He's only ever been a counterpart, either allied or opposed, to his brother, and Knives has made it very clear what he thinks of any attempts to be anything else.
The question Roberto asks is the question the whole series builds towards answering because Vash isn't certain there is an answer, without his twin.
Until the moment he sees his brother, really sees him, and finally realises... that is not his reflection. He can't see himself in this mirror. There's something missing. And if that isn't his reflection, then who is he, looking? Who is Vash?
Whose side are you on? Who are you?
Human or Plant? Gun or Superman? Darkness or light? Yin or yang? Water or fire, heaven or earth? Are you a spirit, or a body? A machine or a living thing? Daydream or nightmare? Monster or angel?
Both? Neither?
The answer he ultimately gives is... not choosing an answer. It's looking beyond the question and the assumptions that it carries; being truly free. Knives has no right and no means to dictate who it is Vash becomes, and he never did. The question he asks is meaningless, and the dilemma he presents is false.
There's no choice.
'Cause I'm Vash the Stampede.
For now we see only a reflection as in a mirror; then we shall see face to face. Now I know in part; then I shall know fully, even as I am fully known.
And now these three remain: faith, hope and love. But the greatest of these is love.
(1 Corinthians 13: 12-13)
The only true struggle is the struggle against oneself. And, at least in that moment, love wins.
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