#〉 ABOUT ₎ i worry that love is violence.

[dailyeohkakyoin]

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[poorly-drawn-mdzs]

Besties can't enable pvp on each other, right?

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[bougiebutchbitch]

cannot believe that 'yelling at your boss when he repeatedly almost gets you and your crew killed and lies to manipulate you into staying when you try to leave, is not emotional abuse, actually' and 'there is such a thing as a mutually toxic and unhealthy relationship where both parties are incredibly shitty to each other - and this is obviously where Ed and Izzy stand until S2, when it becomes blatantly abusive' is a controversial take. But as this is Abuse Apologism And Ableism, The FandomTM, I really should not be surprised

Just.

I was deep in physically and mentally abusive relationships in my teens/twenties - including relationships that started out with mutual toxicity and bad decisions on all sides, but which became outright physical & mental & other sorts of abuse with myself as the victim. I know my shit.

I suppose I can see where 'Izzy emotionally abused Ed' comes from IF people give literally the most uncharitable interpretation to Every Single Scene, and assume Izzy shouts angrily at Ed and negs him all the time rather than this being how he acts when he's incredibly stressed by circumstance caused directly by Ed and at the end of his fucking rope? Which, as we see in S2... Is not the case.

It's not freaking emotional abuse when you're shouting at your boss who keeps almost getting you and your crew killed. Even if this is NOT a kind or productive way to help Ed deal with his mental health, considering that Ed's actions have consequences that he repeatedly and blithely ignores, it's pretty fucking justified!

It's not freaking emotional abuse if your boss OPENLY LOVES MAIMING PEOPLE AND IS MORE THAN HAPPY TO BURN THEM ALIVE and you encourage that, while upholding his right to not kill with his own hands. Even if he has private breakdowns after the fact because he suffers from black-and-white thinking, dissociates himself from any wrongdoing, and is afraid of his potential to become 'a monster'.

Are these choices helpful? No. Are they kind? No. Is Izzy demonstrating Model Citizen Behaviour? Definitely not.

But it's sure as hell not emotional abuse. And it doesn't justify the physical and emotional abuse Ed puts Izzy through in S2.

Nothing you say can 'make' him hit you. If he chooses to hit you (or... choke you out then repeatedly mutilate you and pressure you to commit suicide and makes you constantly live in fear for your life and the lives of people you care about) he makes that decision himself. Yes, even if you shouted at him first. Yes, even if you were arguing. Yes, even if you were in the wrong in that argument. Yes, even if he has a Tragic BackstoryTM and mental health issues. This shit shouldn't be controversial.

Signed: one of those actual abuse survivors.

[shadystranger]

the switch from worry for sam to appealing.. oh he knows how to fuck him up so perfectly tailored for him

[hana-bobo-finch]

remember when I posted about the time I dreamt about a new olivia rodrigo song that was all about hating yonny? anyway I recreated it to the best of my abilities. I present to you Yonny Song (as it was called in my dream) (sped up because I didn’t want it to go on for too long)

I’M NOT GOOD AT GUITAR I’M NOT GOOD AT GUITAR ESPECIALLY WHEN RECORDING MYSELF PLEASE HAVE MERCY I’VE ONLY BEEN PLAYING FOR LIKE HALF A YEAR IDK WHAT IM DOING I KNOW THIS IS AWFUL BUT THE YONNY SONG HAD TO BE RECREATED. At the very least the messiness matches up with the vibe of the song, someone losing their mind over Yonny From Pikmin Existing isn’t gonna sound good

also the lyrics!! (they can be kinda violent considering the song is about yonny dying just be warned lmao)

(intro)

Screw Yonny, screw that guy

Can’t wait till he finally dies

His blood will be fresh on my hands

He’ll be tortured till he understands that—

He has no right to live

He has no right to live

Screw Yonny, screw that guy

I’ll hate him till the end of time

It’ll be the perfect crime

Vengeance will be finally mine

Screw yonny, screw that guy

Everything’s going as planned

Pushed as far as he’ll withstand

Tortured till he understands that—

He has no right to live

He has no right to live

He’ll ****in’ burn, he’ll be ignited

Yonny dead? I’m so excited!

(instrumental)

Screw Yonny, screw that guy

Can’t wait till he finally dies

His blood will be fresh on my hands

He’ll be tortured till he understands that—

He has no right to live

He has no right to live

Screw Yonny, screw that guy

At my hands he soon will die

Dingo better say goodbye

Cause he ain’t living through the night

He’ll ****in’ burn, he’ll be ignited

Yonny dead? I’m so excited!

[mudstoneabyss]

actually. the specific phrasing that boy Kevin wants to kill older Kevin with "I must disassemble him, piece by piece, so that everything inside of the Old Kevin comes out. Only then can the New Kevin truly begin." is so incredibly the idea that to heal from trauma and "improve" you have to destroy every "wrong" part of yourself, that everything "tainted" by it has to somehow be replaced by something untouched (which isn't possible)

[asalesbian]

Killjoys (2015-2019) > top-rated episodes on IMDb

for @killjoysmonth prompt 'favourite episode(s)'

[lovinnelily]

Y'all do know you can't make Jason be NOT white without changing his whole character, right?

For other characters, yes, because their physical appearance are not that influential in their story, on how they are viewed by people, on their personality formation — you can have a black/asian/indigenous/arab/brown/latino/etc Nico and yes, the hate he gets will have a undertone of racism but at the same time nothing significant on his story, motivation or personality will need to change. This is also true for other characters: Clarisse risks repeating the "aggressive WoC" stereotype but the character itself doesn't change.

This isn't true for Jason, whose main character trait is how he is perceived by others and how he showcases himself to others based on that perception. (specially with how little effort Riordan put on him besides making him perfect-er Percy who's somehow also weaker and less important than him).

Let's not pretend a black, Arab, indigenous, Asian, Latin man, etc, in the USA would ever be treated with the universal reverence Jason gets from New Roma, you can't have the illusion of perfection and most of all, of invincibility they have about him when you see him suffering racism or xenophobia in the middle of a mission. Nothing in his life has ever gone wrong, that's his image, destined to be king, he is supposed to have no weakness on his peers eyes.

He is not trying to prove people wrong, he is trying to prove them right; he isn't worthy despite their prejudice, on the contrary, he only tried to make himself worthy to fulfill their expectations. He can't be a woman or an immigrant or have a visible disability or any other thing that strays him from a perfect ideal by western society standards, and be that same character.

[asharaks]

wip wednesday thursday is upon us once again

tagged by @dekarios, mwahhh<3

Rules: make a new post and share 1-2 sentences from your most recent unposted WIP(s) with zero context – Let your followers guess!

tagging @bladesmitten, @ikarons, @baronmpontmercy, @hungerofhadarr, and um um um @marmett nd @vampireposter :3

[preggydump]

Typical hero's journey trope where the young hero goes to a legendary aging knight/warrior to ask for help/to be trained, where the older hero initially refuses, but instead of it being because the old hero is jaded and cynical or still nursing an old injury, they're just super pregnant.

[metanarrates]

yuri

[sskk-manifesto]

What a good episode. Maaaaaan

[lheautontimoroumenos]

Misty Quigley in YELLOWJACKETS (2021-) / 'Least of All', Our Bodies and Other Fine Machines, Natalie Wee (insp)

[aubins]

she is rasping and literally crawling toward yuri with big wet eyes because the week has been very unkind to her and she's a little scraped up from getting caught in a wilderness trap but don't even worry about it. however! she reaches them and her fluffy head perks up.

"yuri! yuri, we weren't on the same island last week, and bernie didn't want to miss you just in case—" rustle, rustle. from her belongings, she fishes out a lilac-ribboned box. inside there is makeup, carefully curated and dorothea-certified of course, along with a flower accessory she'd made herself. its blossom is the color of their eyes, which she is doing her very best to meet now, thank you very much.

(in fact, she's trying so hard that it pinches her brow just slightly. eye contact will always be her worst enemy but god if she isn't pulling out all the stops to show her earnestness. they deserve that much and plenty more.)

"happy, uh, early birthday...!" the gift is ushered into their possession. then her arms flap at her sides, and she blurts: "please don't get eaten by alligators, okay?! wait, are there alligators on this island? w-well, don't get eaten by anything! please. um, yes." nod, nod. "i don't get this whole competition thing, but you're still bernie's dear friend. and bernie really, really wants to keep being friends by the time your next birthday comes, too."

a pause. then, lips curl into a silly, fond smile that bernadetta can't help but make. "a-and it doesn't have anything to do with this weird island, but, um... you make me happy. so i hope this makes you happy, too."

Yuri Leclerc does not celebrate their birthday.

Sometimes, there are exceptions. Like the treats and surprises of a certain red-haired girl or the odd greeting here and there from Abyssians who have known them for long enough to learn it. Yet no matter how routine these exceptions start to become, they will always be just that: exceptions. Because, for so long, the day they'd said was theirs never really was their birthday anyway. Because, a long time ago, the boy who was born on their actual birthday died on the streets of Adrestia.

“Bernadetta,” is their hummed greeting as their gaze flicks over her, pleased— well, always pleased, really, to see her, and even more so when she appears to be in relatively one piece— their usual smile curling at the corner of their lips. “That for me?” they ask, tone teasing as she fishes the box from her belongings. It's not even my birthday yet, is the follow up, already upon the tip of their tongue when—

“Happy, uh, early birthday...!”

And Yuri blinks, stunned for a moment, because no, they think, they will never quite get used to these exceptions. Even as Bernadetta shuffles the gift into their hands, babbling that they shouldn't get eaten by alligators, if there even are any— “No,” they think they hear themself say automatically, first instinct always to reassure, “I haven't seen any alligators. And I won't get eaten, so don't even worry about it.”— and that they're her dear friend— “...ah?” is the only sound they make in response to that one, a little quiet and a little confused, because there's no automatic answer to it, not one that they want to give to such a genuine effort anyway.

They glance at the box now in their hands for a beat, then pull it open gently, as if afraid it might break. “You didn't have to,” Yuri says, gaze immediately attracted to the collection of makeup within. They know, of course, what it costs, and suddenly mean it doubly so. “Must've cost you a pretty penny. You should've spent it on yourself.” And even if some people would say it just to be humble, humility has never been one of their features. They know what they do and do not deserve.

After all, Yuri is no stranger to gifts like these. Makeup and jewelry offered to them because only the finest of accessories should decorate the most beautiful dolls— and never for free, of course, because nothing in this world is ever for free, and they are quite used to trading both face and body.

They kept them all, no matter how they loathe them sometimes. They may be prideful, but they are not foolish. There is a trunk under the floorboards beneath their bed in Abyss filled with their hoard, bountiful enough to convince someone they are a magpie and not a mockingbird. Bountiful enough to remind them that, now, the Savage Mockingbird can take a noble's expensive gift and slit his throat while wearing it if they wanted, then toss it without a second thought to disappear within their collection.

But while Bernadetta is a noble, she is not like them. (But how do you know? asks a voice. Yuri silences it. They just do— they must believe that.) Not because of this island, she says next, and as much as Yuri can guess where her mind tends to spiral to, they wonder if she can do the same. Because they would have thought it next, yes, wondered about an objective handed to her in the interim that perhaps needed completing or some other game their hosts wanted to play. Even with the reassurance, they might have still wondered.

But maybe it is because it is Bernadetta, because she had known them before they were Yuri, and know all the secrets and vulnerabilities that come with that, because no matter how many times she says she has forgiven them, Yuri is used to bracing for betrayal, that the mockingbird pauses. Briefly, yet completely and utterly struck still mid-flight.

And then they believe her, even when the first instinct ingrained in them is not to.

“It...” they start, then pause. Correct themself. “You make me happy, Bernadetta. With or without the gift. But thanks for thinking about my birthday.” Because it's nice to be thought about, in the end. If it needs to be put simply for her, without the mess of their past, then it— and she— makes them happy. Bernadetta doesn't need to know the rest. Yuri grins, then plucks the flower accessory from the box to hold out to her. This one, they can think about without straining their smile. No shadow haunts it; this one is just Bernadetta. “Help me put it in my hair?”

Next birthday, we'll still be friends. But they do not say it aloud. This one is a promise all for themself. Yuri resolves not to break it.

[krytus]

heh

[gamemakerm]

the book i have been proofing for work might be the first proofing project i give up on before the end of the book