#『ashyuki』🌙🌊「morning star and his evening star」

[unkiindness]

’ 𝐒𝐇𝐈𝐏𝐋𝐈𝐒𝐓 ’ (ashyuki, aceyuki, miralaw, or saboyuki, your choice)

(( Too fucking bad, you're getting all four. Feel free to send more. ))

Ashyuki Hit Me Like A Man -- The Pretty Reckless Bad Reputation -- Joan Jett And the Blackhearts Found & Lost -- Survive Said the Prophet (Cover by Giita ft. okami Ken) Note: This is mostly from her point of view, not Ash's. In this 'verse she is young and just as reckless as he is. I wanted to reflect that, but I also see her as a possible object of hope the way Shorter before her was and the way Eiji is after her. It's playful, grungy just like their banter and bickering. An outsider would think it's vitriolic, when really they're just poking fun at each other. I also see her as a reflection of what Ash could be and what he could turn into. Despite this, they make it work somehow. Can't say it's the healthiest, but it's significantly healthier than the environments they grew up in.

Aceyuki Let Us Burn -- Within Temptation Queen of Disaster -- Lana del Rey Little Girl -- Trading Yesterday Note: Miyuki would honestly die for Ace if she could. Especially, if she had Bon Clay's power. Do not underestimate the lengths this girl will go to in order to save him. This devotion can get pretty unhealthy if it weren't for Miyuki's crewmates and adoptive family. However, Ace is one of the very few who saw through this feral child's walls to the scared girl inside. Should they get past the pedestals they created for their respective half, this 'ship can really survive. Especially, if they can save and work on themselves. The last song is Ace's invasive thoughts about his heritage, and the fact that nearly everyone in the world wants him dead. It can get exhausting to tell him to focus on the people who love him, because only they matter. But I also think that Ace sometimes drowns in his thoughts, that he does not see Miyuki's struggles and he should. I imagine Miyuki struggling against her own problems and life threatening situations, while Ace is holed up in his room. Not one of Ace's proudest moments, but then again mental illness isn't glamorous and is a pain in the fucking ass (I got a few). The first song is when they work together.

Saboyuki Faster -- Within Temptation Kiss Me -- Sixpence None the Richer Be My Daddy -- Lana del Rey Note: The first is Miyuki going "No bullshit, you're falling for this fucker." Miyuki at first did not want to. She thought it would be unfair to both Ace and to Sabo. She sees Sabo as a separate person, not quite like Ace, but to her it's like falling in love with twins. Even though she fights this, she gives in. So, really it burns and grinds her gears when Sabo brings this up, and she is just "Are you fucking kidding me, universe? I just fucking figured shit out." She nearly loses him. I want this to be the first time he hears her speak really informally (she uses ore, kimi, etc.), because it's such a raw moment for Miyuki. "You're your own star, Sabo. I wouldn't have gone through with this if I did think you're both the same. You're similar, yes, but you both have different little things that I like watching. But if there's one thing that you both share, it's easy to be myself with you both and that's really important to me. I hope it's the same for you." So the second song is them making up after this, and getting past that hurdle. However, it does come up some times, and Miyuki's just "Let me show you that you both fit in my heart." The third song is crack, even though Miyuki doesn't quite have a Daddy kink. It's an inside joke for them.

MiraLaw For This You Were Born -- UNSECRET (ft. Fleurie) Resistance -- MUSE Breath -- Breaking Benjamin Note: I find it harder to find songs for this pair than it is for other 'ships, because I find these two lovey dovey in secret, even from their muns. Mira has shown me she has a soft spot for powerful, grumpy men with dark, sad, and tragic pasts. And most likely have a weakness for gold eyes. Three songs that are edgy as fuck, but it wouldn't be them if they weren't edgy. The first one is reassurance that they were born strong enough to carry the will of so many dead. Definitely for both sides, if a male sings a cover to the song. Second song is basically the fact they are both from the D family, and well if they should have a kid, that kid will be targeted by the World Government. While they can see the evidence of what it did to Ace, I can see them eventually saying "Fuck it", and having a kid of their own. I can see Mira with sons, but a daughter will be adorable because... soft Law. They pretty much have a HadesPersephone vibe, but they switch the roles. I don't know, I like Persephone!Law as much as I love Persephone!Mira. Third song is very edgy, but very them. I think it's mostly Law's thoughts. What he wants to say, but won't admit it out loud or in front of anyone else other than Mira herself unless something big happens.