🕹🎮🥊
Street Fighter 6 - Chun-Li
『ストリートファイター6』春麗 チュン・リー
カプコン x バレーボール🏐
コラボイラストの春麗さん❤️🔥
めっちゃ良いっすよね❤️
#春麗#チュンリー#chunli
#Capcom#StreetFighter6#SF6#スト6
#ストリートファイター6#StreetFighter#SF#スト
#ストリートファイター
#カプコン#fightinggamecommunity
#FGC#fightinggames#fightinggame
#格闘ゲーム#格ゲー#jogosdeluta
#エクストリームイーストエフジーシー
#extremeeastfgc
#3D武器対戦格闘ゲーム
#3D武器格闘アクション
#3D対戦型格闘ゲーム
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Blog9 Session 7 - REPRESENTATION visual culture & identity
The image of Chinese people in animation tends to be the bun head, cheongsam, braids, kung fu, and if you count Chinese culture there will be pandas.
In the early years this image symbolism was conducive to rapid dissemination and the arbitrary nature of the symbols was able to speed up the audience's reaction in terms of communication.
So how did these Chinese symbols become linked to the Chinese identity?
Between 1990 and 2000, mainly Japanese and American animation was the most widely disseminated. The reason why Chinese imagery was particularly symbolic in this period is that 2D animation is inherently flat and has more semiotic applications than the realism of 3D animation, where the cost of 2D hand-drawn pursuit of realism is so high that rapid communication through symbols is widely used.
Here are a few examples of Chinese people in popular animation.
Japanese games and animations from that period.
Clothing as a key way in which identity takes a visual form Crane, D. (2000) Fashion and its Social Agendas: Class, Gender and Identity in Clothing. Chicago : University of Chicago Press
Chun-Li's (チュン・リー) pillowy hair, lee kohran's (リ・コーラン) twisted braids, Lynn Minmay's (リン・ミンメイ) cheongsam and cuisine, and LI SYAORAN's (リシャオラン) do-rags and fang-jutsu, from Street Fighter, Sakura Wars, and Cardcaptor Sakura.
American animation productions from this period
Disney's Mulan in '98 was the ultimate distillation of Chinese cultural symbols. Thanks to the superb research of the Disney team, all the symbols of Chinese culture were presented to the audience in the form of animation, from the landscape, the Great Wall and the palace, to the people's make-up and armour, allowing the world to feel the charm of Chinese culture once again.
In summary, it can be seen that the audience of this period was also for other nationalities around the world, so highlighting the uniqueness of the nation was the best choice to be able to distinguish itself from other races.
It is also because China is seen from the perspective of other races, and even if the symbols are summarised accurately, they lack the meaning behind them.
Although Disney presents an exquisitely beautiful version of ancient China, its own values are Western. As one review spits out: Chinese people during the North and South Dynasties had bacon and fried eggs for breakfast, hierarchical ancestral halls overflowed with democratic discussions, and just because Hua Mulan saved the Emperor, there was no excuse for a hug with him …… This would not have been possible in real ancient China
LI SYAORAN who also wears Taoist costumes should not be cloaked, if you look closely at Chinese culture you will know that hair represents essence in Chinese culture, Taoist priests hair would be worn in a bun and not a single strand of hair should be outside.
While this rapid dissemination introduced viewers to Chinese elements, it also installed a biased understanding of this image of the Chinese, for example that all Chinese people know Chinese kung fu.
After 2000, this stereotype took on a new dimension.
Although the bun head and cheongsam still exist, and thanks to the previous cultural export of animation, such images of Chinese female characters have become more popular. But the culture also began to diversify.
The King's World, a serialised manga that began in '06 and was animated in '13, moved the Chinese elements from the fantasy world to the overhead history. As a Japanese manga artist, Hara Taijiu chose the Warring States period of China as the setting for a magnificent overhead epic based on the development of two orphans.
In this work, Ying Zheng, Lu Buwei, Bai Qi, Li Si ……, all familiar historical figures of China, make their appearance. However, due to its choice of setting and relatively good koan, The King's World still managed to kill off the many homogenised Three Kingdoms titles and generated a lot of buzz in Japan.
The portrayal of Hua Mulan in 2012's Wreck-It Ralph 2 also chose this approach of weakening the symbols: simply embroidering two golden Mushu dragons on Mulan's handsome jacket without over-emphasising its Chinese attributes.
For audiences, the most immediate benefit of this trend is that we are finally moving away from the uniformity of bun heads and cheongsams and will see more interesting and unique Chinese characters in the future. And for the cultural industry, it means a fading of stereotypes, a rise in cultural influence, progress and development, and understanding and cross-fertilisation.
Crane, D. (2000) Fashion and its Social Agendas: Class, Gender and Identity in Clothing.
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Chun-Li poster! . . .(sorry deleted first post) Another B2 poster, this time featuring Chun-Li painted by Capcom/Street Fighter artist Akira Yasuda aka AKIMAN! Picked this up for a decent price, saw another one for sale at a higher price but looked to be in a bit better condition. This one isn’t in bad condition but dose have some waves in it. Regardless I’m happy with it! Also included a pic with one of the SF artbooks featuring same art. I have another Chun poster I brought but won’t be here for some time. #AKIMAN #安田朗 #YasudaAkira #AkiraYasuda #ChunLi #春麗 #チュン・リー #StreetFighter #ストリートファイター #CAPCOM #fightinggame #poster #fightinggameposter #vintageposter #gameposter #Capcomposter #chunlistreetfighter #StreetFighterIII #StreetFighter3 https://www.instagram.com/p/CIReld3jWmc/?igshid=twkwzv8ons0b
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昨日観た映画 『ハイリスク』 ジェット・リー主演の アクションサスペンス と観るべきか ジャッキー・チュン主演の アクションコメディ と観るべきか 悩ましい。。 #ハイリスク #ジェット・リー #ジャッキー・チュン #チンミー・ヤウ #チャーリー・ヤン #チャウ・カーリン https://www.instagram.com/p/B9vzsOaFpeA/?igshid=o3i31ysu7ils
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🕹🎮🥊
Street Fighter 6 - Chun-Li -
『ストリートファイター6』「春麗」チュン・リー
HAO BO Studio - Street Fighter II: The World Warrior Chun-Li [Pre-Order]
1/4 scale statue : Hao Bo Studio
Pre orders
https://orzgk.com/products/hao-bo-studio-street-fighter-ii-the-world-warrior-chun-li-pre-order
Studio: HAO BO Studio
Product Name: Chun-Li
Est. Completion: 2023 Q3-Q4
Est. Size: (H) 32 cm x (D) 20 cm x (W) 22 cm
Limited No Of Unit: --
Product IP: Street Fighter II: The World Warrior
Product Role: Chun-Li
Product Features: 18+ woman
Product Scale: 1/4
Height Range: 26-35cm
Product Material: Imported PU, advanced resin
Special Description: Non-removable, no nude replacements
1. Bare Leg Replacement
2. Barefoot replacement parts
3. Ryu small doll x1
4. Luggage sticker x 1
5. VIP receiving card limited number of independent terminals
#FIGURE#フィギュア#春麗#ChunLi#チュンリー
#Capcom#StreetFighter6#SF6#ス6
#ストリートファイター6#StreetFighter#SF#スト
#ストリートファイター
#カプコン#fightinggamecommunity
#FGC#fightinggames#fightinggame
#格闘ゲーム#格ゲー#jogosdeluta
#エクストリームイーストエフジーシー
#extremeeastfgc
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夢華(梦华) モンファ
芽衣(芽衣) ヤーイー
璃茉(璃茉) リームォ
麻雀(麻雀) マーチュエ
宇春(宇春) ユーチェン
紅花(红花) ホンファ
林杏(林杏) リンシン
雪梅(雪梅) シュエメイ
杏(杏) シン
雪蘭(雪兰) シュェラン
麻美(麻美) マーメイ
爽(爽) シュゥァン
曉燕(晓燕) シャオイェン
春燕(春燕) チュンイェン
鈴玉(铃玉) リンユー
鈴麗(铃丽) リンリー
春麗(春丽) チュンリー
雪麗(雪丽) シュェリー
静麗(静丽) ジンリー
深緑(深緑) シェンリュ
美帆(美帆) メイファン
美友(美友) メイヨウ
香月(香月) シィァンユェ
小芳(小芳) シィァオファン
桂英(桂英) グゥイイン(グゥェイイン)
愛珍(爱珍) アイヂェン
花琳(花琳) ファリン
雅文(雅文) ヤーウェン
美雨(美雨) メイユイ
智愛(智愛) ヂーアイ
茉莉(茉莉) ムォリー
静(静) ジン
雪(雪) シュェ
純(纯) チュン
神美(神美) シェンメイ
儷(俪) リー
儷杏(俪杏) リーシー
万姫(万姬) ワンヂェン
瑞英(瑞英) ルェイイン
水晶(水晶) シュェイジン
葉青(叶青) イェチン
紫薇(紫薇) ズーウェイ
薔華(蔷华) チィァンファ
幸倪(幸倪) シンニー
蝶凌(蝶凌) ディェリン
亞夢(亚梦) ヤーモン
度(度) ドゥ
佩芳(佩芳) ベイファン
波兒(波儿) ブォェ”ァー
菊蘭(菊兰) ジュェラン
瑞麗(瑞兰) ルェイリー
瑞季(瑞季) ルェイジー
中国人の女性らしい名前(かわいい綺麗美しいかっこいい漢字)、... - Yahoo!知恵袋
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