#(I think I know why and fixed it)

[n0anix]

i just be drawing things anyways i need to see gid tinker with stuff more let my boy have hobbies, let him fix up a watch here and there or something

additional doodle of a pestering husband

[lucabyte]

Not all who wander are lost. Some who wander, however, are extremely, extremely lost.

[cloudyydraws]

more mario and luigi doodles but i took their mouths away

+ extra unfinished stuff under the cut

[fridgrave2-0]

hehe ghost-turbo haunting felix au

turbo is connected to the last piece of his code in the whole arcade - a trophy he gifted to felix in mid 80s as a symbol of him genuinely caring about their relationships on par with being the best racer. felix also gave him one of his medals and both kept their gifts next to other rewards, but when roadblasters and turbotime were unplugged, the medal was gone with everything else

now, after burning in cola-lava turbo is basically dead, but scraps of his code still were intertwined with the trophy (after all, it was his first winner's cup, but felix never knew about it), giving turbo an opportunity to exist as a shadow incapable of interacting with anything and anyone besides felix, who kept the trophy even after the roadblasters incident

also I went crazy in tags, feel free to check them out

[lovewilltellamillionstories]

Let Nicola be the showrunner, cheers

[izzystizzys]

Echo’s world has gone decidedly… wobbly. Blurry. Fuzzy at the edges, and what-will-you-else. He can’t feel his fingertips, is his first thought. Kriffing overdid it on the glowing green shots, is his second.

“Holy kriff, Echo, that manhole-cover underneath you is moving!”, Fives exclaims, third. Or more like slurs into Lt. Jesse’s shoulder, who is himself moaning indistinctly into the Captain’s pauldron, who is in turn swaying back and forth gesturing at Commander Cody.

And it really is - the manhole cover, that is, once Echo stumbles off it with a shriek. Jumping up into the now open air with sudden force, steadying and then scraping across paveme-

“Are those kriffing hands?!”

In an instant, seven highly drunk pairs of fists and one blaster, courtesy of Commander Cody (the only one present who’s sober enough to be legally handling it) are aimed in a circle around the cover slowly being shuffled to the side, then the hands reaching up to palm at the edges of the hole -

- and are slowly being lowered again when two white-red painted helmets are heaved into view, along with chest-deep groaning and grunting. Two armored Corries collapse in a heap at Commander Cody’s feet, who stares down at them in open-mouthed shock.

Slowly, Echo blinks. Slowly, he raises a hand to snap his fingers in front of his face. No, still there. Slowly, Fives grabs for a piece of flank underneath his blacks and twists. Echo yelps, and slaps his hand away hard enough to hurt himself. “OI!”

“B’have, boys”, Captain Rex makes a brave attempt to slur out as he sways on his feet, still staring down at the trembling heap of armor at their feet. Whoa, Echo didn’t know they had those kinds of funky armor designs in the Guard. Very avant-garde.

“That’s blood, Ey’ika”, says Appo.

Oh.

Slowly, Hardcase raises his right foot, inching towards-

“Don’t even think about it”, Commander Cody snaps, and Hardcase’s foot whips back to the ground next to its companion. Fives chortles. “Yeah, genius, those are Commander kamas - they’d put you down in a second flat!”

“Why would two Corrie Commanders go crawling out of holes in front of 79’s, huh, genius?!”, Hardcase retorts, somewhat justly, Echo feels. Next to him, Commander Cody frowns, and kneels carefully. “Good question, trooper. Fox, can you hear me? Fox’i-“

Which is when one of the bodies - Commander Fox, Echo realizes with a shudder, The Marshall Commander Fox - convulses on the ground, and an arm rears up to nail Cody face-first with the back of a hand, sending him sprawling back into the pavement with an undignified squawk.

“Thorn”, the sad figure that is the highest decorated clone in existence groans, still faceplanted into pavement, “Thorn, I’m hallucinating Cody. Thorn, tell him to shut up.”

“Shuddup”, Commander Thorn heaves, loyally. Cody makes an affronted noise, braced back on his shebs. “Sdubid Codeh.”

Commander Fox’s visor scrapes against the ground with his nod, a sound that sends the surrounding vod’e cringing. “Yeah, you go, Thorn. You’re my favorite.” A considering pause. “Oh, kark. I need to call in medevac - Fox to Stabby, Fox to Stabby - the kriffing Narglatches are back on the lower levels.”

The Commander’s comm crackles to life, as he heaves himself over with a punched-out moan - oh, yup, that dark patch’s definitely not paint, and are those teeth marks?! On plastoid??

“I’m going to wring Senator Hliii’s neck, and then I’m going to twist him into a human kriffing meat-lasso to catch every last one of his little pets with”, sounds through Fox’s comm, who just hacks out a laughcough in response. “Pinging your location now. Where’s Thorn?”

“Pr’snt”, slurs Thorn.

“Concussed”, adds Fox, “We crawled out forty levels to behind 79’s, so no one would see us.”

Awkward silence follows.

“Uh, about that”, begins Rex, only to be interrupted by a deep groan from Fox.

“Oh, you’ve got to be kriffing kidding me! As if Cody’s ugly mug wasn’t - WHAT THE KRIFF ARE YOUR KRIFFING ARC KARKHEADS DOING IN MY HALLUCINATION, REX?!”

“Shuddup, Rex”, Thorn moans bravely.

[worldwright]

anyone else thinking that the Magnus interview questions Sam listed off sound awfully similar to the ones he's been answering on his mysterious ghost intake paperwork?

Two things about this: First, now we have two data points about what the hell sort of experiment fodder the people doing this ritual are looking for. Still no idea what it means, but it's a place to extrapolate from. It also reminds me of the OG-universe Institute interview questions, for whatever that's worth.

Second, I think we can safely assume that Sam isn't just filling out those forms out of spite. He's looking for a chance to do it again, but right this time.

[buwheal]

I bet you would hurt your back, carrying around that million dollar smile like you do.

[bonefall]

⭕️Hey Bones! Is it ok if you explain and/or elaborate how Crowfeather is abusive to Breezepelt if please?⭕️

I do KNOW that crowfeather is indeed, abusive to Breezepelt, due to the fact that he emotionally and/or physically neglected him - with child neglect being known to BE a form of child abuse - and I also heard that he slashed and/or hit him within one of the books, which I believe is in the book Outcast, in chapter 16.

But I also wish people would talk and be informed about it more within the fandom, because in the parts of the fandom I’ve known portrayed Crowfeather’s neglect on Breezepelt as negative and bad, but not in a way that made me think and/or feel: “Wow, that’s pretty bad. That’s…actually abusive.” I suppose? So I hope more people will talk about it more in that type of way.

Also, please be aware that I have NOT read PoT, OoTS, etc. or barely any warrior cats books, since the majority of the information I got from the series is from the wiki and the fandom, so that probably explains why I didn’t know this part of Crowfeather’s character is as bad as it actually is until now. Also, feel free to talk about Crowfeather’s abuse on Breezepelt I haven’t mentioned and/or don’t know right now as well if you want.

I’m SO sorry that if this ask is unintentionally quite long, and feel free to make sure to take all the time you need to answer it. Thank you!

OH LET'S GOOOO

Breezepelt is both physically and emotionally abused by Crowfeather. I'm not talking about only child neglect; he is screamed at, belittled, and even once hit on-screen.

The fact that Crowfeather both neglected and abused him is very important to the canonical story of Breezepaw. There's actually a lot more to this character than people remember! Even from his first appearances he displays good qualities, a strained relationship with his father and adult clanmates, and is clearly shown to be troubled before we understand why.

As many problems as I have with the direction of Breezepelt's arc (especially Crowfeather's Trial), his setup is legitimately a praiseworthy bit of writing from Po3 which carries over into OotS. To say that Breezepelt was not abused is to completely miss two arcs worth of books SCREAMING it.

BIG POST. Glossary;

INTRO TO BREEZEPELT: The Sight and Dark River

ABUSE: Outcast, Social Alienation, the Tribe Journey.

DARK FOREST: How these factors push him towards radicalization.

For "brevity," I'm not getting into anything post-OotS. I'm just showing that Breezepelt was abused, the narrative wants you to know that he was abused, and that his status as a victim of child abuse is CENTRAL to understanding why he is training in the Dark Forest.

INTRO TO BREEZEPELT: The Sight and Dark River

Our very first introduction to Breeze is when Jaypaw walks off a cliff in the first book of Po3 and is rescued by a WindClan patrol. He's making snarky remarks, and Whitetail and Crowfeather are not happy about it. Whitetail snaps for Crow to teach his son some manners, and Crow growls for Breezepaw to be quiet.

But our proper introduction to him is at his announcement gathering, when Heatherpaw playfully introduces him as a friend,

From the offset something's not entirely right here between Breezepaw and his father. He's cut off by Heatherpaw here, but he's touchy whenever his father is involved, and we're not entirely sure why.

Throughout Book 1, he's just rude, with a notable xenophobic streak. He's a bit of a mean rival character for Lionpaw, as they're both interested in the affections of Heatherpaw and make bids to get her attention, but nothing particularly violent yet.

He participates in the beloved Kitty Olympics and gets buried in liquid dirt with Lionpaw, basically a rite of passage for any arc.

(And Nightcloud has a cute moment where she watches over them until they fall asleep)

As the books progress, the relationship between Crow and Breeze visibly deteriorates. They start from being simply tense with each other in The Sight, to the open shouting and hitting we see in Outcast.

In the very first chapter of Dark River, we learn where his behavioral issues are really coming from;

Crowfeather.

Breezepelt is getting xenophobia from his father. Occasionally he says something bigoted and his dad will agree and chime in, and those are the only positive moments they have together.

(Note: In contrast, Nightcloud explicitly pushes back against xenophobia, chiding Breezepelt for his rudeness to Lionpaw in back in The Sight, Chapter 21. The Sight is the book where a lot of "evidence" that the Evil Overbearing Woman is actually responsible for the rift between father and son but. No. She's not. Though she can be overprotective; Crow and Breeze have a bad relationship when she's not even around in Breeze's first appearance and even his Crowfeather's Trial Epiphany refutes it. Anyway this post isn't about Nightcloud.)

So he starts acting on his bigotry, accusing cats in other Clans of stealing, running really close to the border. What's interesting though, is that this is not entirely his doing. The first time we get physical trouble from Breezepaw, DUSTPELT aggressed it. Breezepaw and Harepaw were just chasing a squirrel and hadn't yet gone over the border at all.

We learn that WindClan is teaching its apprentices how to hunt in woodland, and tensions between the two Clans is starting to escalate as ThunderClan isn't entirely trusting of their intentions.

The second time, fighting breaks out over him and Harepaw actually crossing the border and catching a squirrel. WindClan is adamant that because it came from their land, it's their squirrel. So it's as if Breezepaw is modelling the aggression around him, learning how to behave from the older warriors and his father.

When he joins Heatherpaw and The Three to go find Gorsetail's kits in the tunnels, he's grouchy towards the ThunderClan cats, but very gentle with the kittens. Notably so. When Thistlekit is dangerously cold, he cuddles up next to her, and even assures Swallowkit when she's scared,

Through this entire excursion, he's the one in the comforting roles for the kittens. Breezepaw is the one who is taking time to tell the kits they'll be okay, that he'll protect them, and physically supporting them when they're weak, even when he's terrified.

And it's always contrasted to Heatherpaw who's way more 'disciplined,' as a side note. It's a detail I'm just fond of.

All this to point out,

Breezepelt displays his best qualities when he's away from the older warriors of WindClan, and he's at his worst whenever he's near Crowfeather. Even while he's essentially just a bully character for The Three to deal with. He's gruff but cooperative when it's just him and Heatherpaw interacting with The Three, but mean when there is an adult to please.

We're getting to the on-screen abuse now, but Po3 actually sets up Breezepaw's troubles and dynamics well before it's finally confirmed that he is a victim of child abuse.

ABUSE: Outcast, the Tribe Journey.

In Outcast, Breezepaw's problems have escalated into open aggression towards cats of other Clans, and is now a legitimate concern for his own safety. Yet, he's spoken over by older warriors, and reprimanded at nearly every opportunity, right in front of the warrior of another Clan.

Squilf just asked the poor kid how his training was going, and then Whitetail JUMPS to talk over him so she can complain, RIGHT in front of his face.

They can't even wait until they're alone to grumble something rude about Breezepaw, who is still just a teenager here;

They taught him already that a bit of prey that runs off their own territory still belongs to WindClan, encourage him to blow past borders in pursuit, and started a battle with ThunderClan over this. And then they're pissed off at him for being aggressive, thinking it's deserved to scold him in public.

When Onestar announces that he wants Breezepaw to go on the Tribe Journey, he's devastated by it...

Because he thinks WindClan doesn't like him, and he's right. He's gossiped about, torn into in front of a ThunderClan warrior, and even his own dad doesn't want to be around him. It's clear that Breezepaw's impulsive "codebreaking" behaviors are a desire to prove himself, and once you realize that, the way that he's being alienated is heartbreaking.

But Wait!! Hold on a minute! Where did he get a "patrol of apprentices" from to confront the dogs with, exactly?

Simple. Breezepaw CAN make friends! He actually values them a lot! So much that it's the first thing Crowfeather snaps at him over, out of frustration that his son is also being forced on this journey with him. It's an angry response to his child having emotional and physical needs, resentment that will continue all journey long.

Note that it's plural, friends. Breezepelt has multiple friends, at least one who is not Heatherpaw, and she promises to say goodbye to them.

Up next, they state over and over, Crowfeather and Breezepaw do not like each other. Crowfeather resents being around him and dealing with his rudeness, embarrassed and angry, and Breezepaw is absolutely miserable being sent on a journey to the mountains with a man who hates his guts.

The whole while, Crowfeather is brooding longingly about Feathertail, already thinking about her as soon as he kitty-kisses Nightcloud goodbye, his eyes looking somewhere distant. He makes a jab about loyalty when Breezepaw doesn't understand why they're helping the Tribe.

Breezepaw gets smacked after he's "shoved" at Purdy and acts rude to him, while the other three manage to be polite (while still having internal dialogue about how stinky he is).

Without so much as a, "cut that out," Crowfeather raises his paw and hits him. Breeze is quiet after that.

I don't give a shit how rude your teenager is being. Do not hit kids. Being throttled on the head is not okay.

In spite of the Three not liking Breezepaw, or even Crowfeather, they're constantly noting that their arguments are not normal, and that Crow is a cold, unsupportive father who digs into his kid constantly, and the only time he ever DOES "discipline" his child it's through immediately smacking him.

At one point, the apprentices get hungry, and decide to foolishly hunt in a barn that they know has dogs in it against Purdy's warnings. Once again, JUST like the first two books, Breezepaw is more friendly when Crowfeather is not around.

EVERY time he is alone with cats his own age, he's grumpy but cooperative. Even enthusiastic at times! The minute Crowfeather is in the picture, he's nasty.

Naturally, the dogs show up, but Purdy rescues them. Though Brambleclaw also chews his kids out (and i have strong opinions about bramble's parenting style for another time), Hollypaw is taken aback by the contrast of what a scolding from Brambleclaw looks like vs how Crowfeather reacts.

The narrative is desperately trying to tell you that the way Crowfeather treats his son is not normal.

And then Crowfeather is pissed off that Breezepaw is exhausted from running for his life from hungry dogs,

And he's constantly losing his shit whenever Breezepaw says something as innocuous as "dad im hungry"

Then, Breezepaw is made to watch his dad pine over the grave of a woman who died long before Crowfeather was even considering his mother for a mate. What he feels is jealousy, because he knows his own father doesn't love him anywhere near as much as he loves the memory of Feathertail.

This really goes on and on and on. The ENTIRE trip is like this, with Crowfeather treating Breezepelt poorly, giving him a smack before even verbally warning him, pushing him past his limits and blowing up on him when he asks simple questions about eating or resting.

It all comes to a head in this one exchange, towards the end. Hollypaw ends up snapping at Breezepaw for his rudeness, before having an epiphany.

It's explicit. Crowfeather's emotional abuse, his "scorn" for Breezepelt, is what is driving a wedge between him and all of his older Clanmates. Between EVERYONE in Breezepelt's life who wasn't already his friend. This awful treatment is only making him worse and worse.

Realizing this, she has more sympathy for him, but it's too late. He continues to be rude to her because he feels insulted, and her patience completely runs out. She's just a kid. They're both just kids. She's not responsible for fixing him when he's pushing everyone away at this point.

That's the end of Breezepelt in Outcast. It can't be helped anymore. Any spark of friendship they had together in the barn, or in the tunnels, is gone.

As the series progresses, Crowfeather continues to refuse any personal responsibility for the mistreatment of his son, even pinning all of Breezepelt's behavioral problems on Nightcloud. He is a cold, selfish father who only ever thinks about his own pain and reputation.

DARK FOREST: How these factors push him towards radicalization.

Everyone talks about the Attack on Poppyfrost, which happens in the first book of OotS, in oversimplified terms. YES he is going after a nun and a pregnant woman. I've never said that's not Bad.

But no one talks about "WHY", and that reason is NOT just that he desires power like so many other WC villains. Breezepelt makes his motivation very clear on the page.

Escalating to violence was about making Jayfeather feel the way that he does.

When Breezepelt says that he wants Jay to be surrounded by "lies, hatred, and things that should never have happened," he's talking about the way HE grew up, knowing his father never wanted him, and that his Clan HATES him as a result. Killing Poppyfrost is about trying to frame Jayfeather for her murder, so ThunderClan won't trust him anymore.

When Jayfeather points out the simple truth that what Breezepelt is saying doesn't make any goddamn sense, his hatred "falters." He's blaming his half-clan half-brother for his own treatment because of the reveal, but totally failed to consider that JAYFEATHER'S ALREADY GOING THROUGH IT... so his response is just this pitiful, "s-shut up, man."

Then the ghost of Brokenstar and Breezepelt bounce him back and forth between them like a beach ball for a bit until Honeyfern's spirit shows up.

Breezepelt's childhood abuse and social alienation was a hook that the Dark Forest latched onto, to reel him in. His anger at his half-brother is so obviously misplaced that its absurdity was something Jayfeather pointed out.

We soon learn that it's the Dark Forest who's planting that ridiculous idea in his head;

The narration is SCREAMING, "The Dark Forest is validating the anger he feels towards his father, and redirecting it towards The Three." He's described as 'kitlike,' Tigerstar's eyes are compared to a hypnotizing snake.

This prose could not make it more obvious if it drove to your house, beat you with it, and then spoon fed you the point while you were hospitalized.

At the end of this scene, Tigerstar sends Hawkfrost to recruit Ivypaw. This scene where Breezepelt is being lovebombed, and the command to start grooming Ivypaw, ARE LINKED. That was a choice.

A VERY GOOD choice! Again, as many issues as I have with OotS, its handling of indoctrination is unironically fantastic, and it owes a good amount of that to the outstanding setup of Breezepelt that was done back in Po3. And that setup doesn't work if Crowfeather was merely distant.

Breezepelt was abused by his father, both verbally and physically. It drove him to be more aggressive to prove himself, modeling the battle culture around him. The adults of WindClan judged him based off Crowfeather's responses, shunning and belittling the 'problem' teenager, which eventually drove Breezepelt to the only group that he felt "understood" him.

In a book series that is RIFE with abuse apologia, this is one of the few times that there's any behavioral consequences for abuse and the narrative holds the perpetrator accountable for it.

But people hear Crowfeather's deflective excuse in The Last Hope where he says he never hated him, blames Nightcloud for everything, and just lick it up uncritically.

Gee whiz, I wonder why the guy who never blames himself for any of his problems would suddenly say it was his ex-wife's fault. Real headscratcher!

(Crowfeather's Trial then goes onto, for all my own problems with it, also hold Crow accountable as the reason why Breezepelt turned out like he did. But that's a topic for another day.)

[dysfunctionalcreature]

obviously all the characters in Interview With The Vampire have such tragic pasts, and they each have so many good lines of dialogue that beautifully capture that trauma, but the one I just keep coming back to is Armand saying, voice shaking, "No one has painted me in over 400 years". It's the sadness and resentment in his voice, the implications of it, partly he just misses Marius I'm sure, but I really think that it's more than that, Armand is so deeply insecure, I can't help but think that maybe he doesn't consider himself worthy to be painted, he says "No one has painted me in over 400 years" and I can't help but hear "It has been 400 years since I was worth painting"

[unfinishedslurs]

The boy stops in his tracks. “I know you,” he says, tilting his head curiously. He’s not tall, but he’s regal nonetheless, dressed all in white. Something about him makes Leia’s hair stand on end, and although she hides it she feels a stirring in her own chest. I know you like I know my own soul, she thinks wildly, and wonders where it came from. Has she gone insane?

“That’s nice,” she says, and shoots him anyway.

He deflects it in a flash of light, a glowing blue laser sword appearing in his hand like magic. She’s only seen one of those before, and it’s Vader’s. If this boy is anything like Vader, she realizes, she’s in deep shit.

She’s smart enough to know when she’s outmatched. Leia makes the tactical decision to run for her life.

Later, as she’s getting the hell out of there, she wonders why he didn’t try to stop her.

She remembers being young and tugging on her mothers skirts, demanding to know why their guest was so sad. “Does he not like it here?” She’d asked, and then, trembling, because Kenobi always seemed saddest around her. “Is it…because of me?”

“Oh, Leia,” her mother sighed, lifting her into her arms. “It’s not that, I promise.”

“Then what is it?”

“Master Kenobi lost a child under his care, years ago.” Breha’s eyes grew deeper, darker. “It was not his fault, but he blames himself. You remind him of that child, that’s all.”

Leia had quieted at that, contemplative.

The next time she’d seen Master Kenobi, she had given him a hug. He didn’t seem to know what to do with that, so she resolved to give him more of them. “He’s lonely,” she’d told her mother. “No one should be lonely.”

Looking at Obi-Wan Kenobi now, the memory seemed so far away. He’d aged thirty years in the ten it had been.

He looks, Leia thinks with a small twinge of regret, very lonely.

“Leia,” he greets. “It’s been a long time.”

Out of the corner of her eye, Leia sees a glint of white.

Kenobi freezes in his tracks. “Luke?” He whispers, and through the distance Leia can hear it as if he’d been speaking directly into her ear.

Master Kenobi lost a child under his care, her mother whispers in her head. He blames himself.

In an instant, Leia understands everything.

Kenobi is still staring at the boy he’d lost so long ago when Vader cuts him down.

Later, as she’s pacing around on the Falcon to Han muttering darkly about Princesses and supernatural abilities, she rememberers the way the boy collapsed, as if all his strings had been cut. Vader was too occupied with him to even look at her as she shot at him desperately.

Luke. She hates him more than she hates herself.

“They know where you are,” he hisses frantically. “They’re coming for you. You have to run.”

“Wait!” Leia quickly pulls up their sonar. Nothing yet, but it would explain the distant queasiness she’d felt since they’d landed. She tended to trust her gut. “How do you know? How much time do we have?”

“Not important, and not enough,” he says. “I have to go, and so do you. You need to leave yesterday.”

“How do I know I can trust you? I don’t even know who you are.”

He pauses. “Call me Skywalker.”

“That’s not an answer, Skywalker.”

“Yes it is.”

She opens her mouth to argue, but there are faint voices on the other end, drawing nearer.

“Shit,” Skywalker mutters. “I have to go. I’ll be in contact, okay? Don’t ever tell me where you are, or where you’re heading. Vader and Palpatine aren’t shy about reading minds. Just leave as soon as you can, and figure out the rest.”

“But—“

It’s too late. The comm has disconnected.

She stares down at it, disbelieving. How would the Empire know they’re here? Why should she trust a stranger who somehow got her personal comm code?

Gut feeling or not, on paper this was a perfect location. Supplied, armored, and most importantly, extremely well hidden. There was no real reason to think it would possibly be found out.

It’s probably a trap. Almost definitely a trap.

Han sticks his head in the door, a sour look on his face. “Hey Princess, can you tell these idiots—“

She makes a decision then and there.

“We’re leaving.”

“What?”

“We’re evacuating, effective immediately.” She pushes past him, and he follows so close he’s nearly stepping on her heel.

“Why? I think it’s pretty cozy here. Actual sunlight doesn’t hurt, either.”

“Apparently too cozy.” She grabs the first person she sees, a pilot who stares at her with wide eyes. “Emergency evacuation. Spread the word to pack everything you can and leave, I’ll let you know where we’re headed when we’re in orbit.”

He salutes and scurries off.

“Woah, hey now.” Han snatches at her elbow until she turns around to face him. “What’s going on?”

“There’s a new informant. He told me the Empire knows we’re here. They’re coming for us.”

“And you trust this person because…”

“I don’t have a choice,” she snaps. Someone runs past them, holding three packs filled to the brim with rations. “It’s either he’s lying and we’re not in danger, or he’s telling the truth and we’re going to die if we don’t listen. It’s not exactly hard math.”

It could be a trap of course, but he hadn’t suggested any sort of direction or destination to follow, and Leia wasn’t inclined to share. Especially not after his tidbit about Vader and Palpatine reading minds.

He squints at her. “That’s not it.”

“What?”

“I don’t believe you,” he insists. He’s so infuriating. Leia doesn’t know why she hasn’t kicked him out yet.

“I don’t know what you’re talking about.”

“Yes you do, and you’re either gonna tell me why, or find a different transport when we head out of here.”

“Who said I was riding on your hunk of junk?” She demands. She actually was planning on going with them, since the Falcon has more than enough room for all the supplies that can’t fit in the other ships and none of the trustworthiness of the other pilots, but Han doesn’t need to know that.

“Well?”

Damn him. Damn him for knowing how to read her. She doesn’t know when she let that happen.

“I feel it,” she admits, defeated. “Something tells me he’s trustworthy. We’ll wait and see if it’s right.”

He studies her. She holds her head high, but inside she’s jittery at the scrutiny. They don’t have time for this.

“Yeah, all right,” Han finally says.

“Really?”

“Yes, really.” He rolls his eyes, like she’s not acting absolutely insane by putting all her trust in a random man she’s never even met. “Now come on, Princess, weren’t you the one who said we had to hurry?”

What is it about this man that makes it impossible to tell whether she wants to punch him or drag him into the nearest supply closet? They don’t have time to find out.

“So there’s good news and bad news.”

“Bad news first,” she demands.

“They know there’s a mole.”

“Shit.” Of course they know, how could they not? She should have been more careful, less obvious about the correlation of their movements with the Empire’s plans. “The good news?”

“They’ve tasked me with hunting down this ‘pathetic rebel spy,’” Skywalker says, humor in his voice. “That should buy me some time.”

Leia can’t quite stop the snort she lets out. “Seriously?”

“Yep. You’re speaking to a professional mole-hunter, here.”

“Well congratulations on the promotion, Skywalker.”

“Thank you,” he says grandly. Then, quieter, “It won’t last, Princess. They’ll find out eventually.”

“I know. Just hang in there, it will be over soon.”

“Will it?” He asks, suddenly sounding very young. She realizes that she has no idea how old he is. She doesn’t know anything about the man who has saved them more times than she cared to admit, and the idea rattles her until they sign off.

Later, she looks up the name Skywalker in their archives. There are a few results, but only one sticks out.

Anakin Skywalker, Jedi Knight and hero of the Clone Wars. Killed at the hands of Darth Vader. There are gossip articles too, speculations on his relationship with the pregnant Senator Padmé Amidala, who died around the same time Skywalker did. The baby, it seems, died with her.

Unless he didn’t.

It’s ridiculous. It’s impossible. The idea is so ludicrous that Leia almost rejects it entirely.

But it makes sense. By the Maker, it makes sense.

The child of Anakin Skywalker, it seems, would be a powerful Force user indeed. Powerful enough for Kenobi to take the baby and run. Powerful enough for the Emperor to want him for his own gain. Powerful enough to send Vader after Kenobi and take the boy himself.

Maybe even powerful enough to shield his mind from Vader and Palpatine’s intrusions.

Powerful enough to hide the fact that he’s a spy.

Leia sinks into her chair, covering her face as she laughs.

Maybe Luke isn’t so bad after all.

“No, no, no,” she mutters, digging through the smoking wreckage of the TIE fighter. “Don’t be dead, please don’t be dead.”

“Princess…” Han lays a hand on her shoulder that she immediately shrugs off.

“No, he’s not dead. He’s not. Luke!”

A faint cough answers her, and she’s so relieved to hear it she could cry. Behind her, Han starts bellowing for a medic and, “Some damn help here, do you expect us to move all this ourselves?”

“Luke, it’s me,” she sobs. “It’s Leia. You’re at the Rebel Base. You’re safe.”

More coughing, and there’s a worrying rasp to his voice when he says, “You know…my name?”

“I figured it out.”

“Smart.” This time, the coughing is so bad Leia and Han both wince.

“Shit, kid,” Han says, moving another piece of rubble. “Don’t talk. We’re gonna get you out of here, all right?”

“Stand back,” Luke chokes out.

“What?”

“Stand back. Please.”

Han protests, but something in Leia knows they should listen to him. She drags him back, and motions everyone else to fall back with them. They do, albeit reluctantly.

“Clear,” she calls, hoping Luke can hear her.

The TIE explodes.

“Fuck!” Han goes back in, Leia on his heels with the terrifying feeling that she’d just allowed Luke to die, before they both stop in their tracks. Around them, the broken pieces of the TIE are floating.

And curled up in the middle is a man dressed all in white.

“Luke!” She pushes past Han to start dragging him out, and after another moment of staring around them, he helps her.

As soon as they get clear, the pieces fall to the ground with a clatter. Luke falls limp with them.

Han is still looking at the TIE. “Can you do that?” He asks quietly.

Leia pauses her examination of the unconscious man in front of her to glare at him. “Is that what you’re most concerned with right now? Really?”

“Excuse me for asking, Princess!”

“It’s white,” Luke grumbles, pulling at his hospital gown bitterly. “I hate wearing white.”

“Should I be offended?”

He rolls his eyes. “Don’t even. You look great and you know it. I just feel like I never left.”

“Well,” she says gingerly. “I guess it’s a good thing you got sick of it. If we went around in matching outfits all the time, people might think we’re twins.”

He snorts. “Yeah, right.”

[spotaus]

If you're still accepting requests, you could draw Cross x Lust?

Hello anon! Definitely still accepting requests! And I need you to know that this request literally short-circuited my brain, because I rendered all of these doodles 🙏

Cross X Lust was Not on my bingo board of things I'd draw, but the combo just settled in my head and felt Super Right and I got to sketching and realized I really liked their energy and just... didn't stop drawing! Thank you SO MUCH for the request! (They give me the vibes of Cross being the one who insists on being chivalrous and very protective, while Lust gets some freedom to relax and be himself and get pampered a bit! Idk if I explained it right, but it makes sense in my brain-)

[firewasabeast]

Bucktommy all dressed up and dancing together

oh you gave me the perfect excuse to write buck and tommy dancing to the song I put on repeat and imagine them having played at their wedding. If you'd like to listen before, after, or while reading, here you go.

“You look fancy!” Buck noted with a smile as he walked into their new place. “Got a hot date I don't know about?”

Tommy was dressed to the nines. A black and white tux with a bowtie, hair perfectly coiffed. It was a bit confusing, seeing as they had planned to order tacos and spend the evening putting furniture together once Buck got off work.

“Something like that,” Tommy replied slyly. “Go get changed. I've got your tux on the bed.”

Buck tilted his head, confused. “Where are we going?”

“Who said we were going anywhere?”

“Tommy, I- I don't get it.”

“Humor me, Buckley.”

“Oh, we're whipping out the last name, are we?” Buck asked, wiggling his eyebrows as he headed for the bedroom. “Okay, Kinard, I'll play along with your silly little games.”

Buck went into their room and got changed, put on his dress shoes and fixed his hair as well. He had no idea what was going on, but he couldn't help the butterflies in his stomach. Tommy had a way of making Buck feel like he was the only person in the world. And even though he didn't know what was about to happen, he had a feeling this was one of those times.

He came back into the living room to dimmed lights, candles lit, and Tommy holding a bouquet of red roses.

Now Buck felt a little worried. His eyes widened. “Did I forget an anniversary? Oh my God, Tommy, I-”

Tommy moved in closer, cutting off his worries with a kiss, two fingers under the chin as per usual.

“You did not forget an anniversary,” he whispered against Buck's lips before pulling back from him and handing over the flowers. ��I just wanted to surprise you.”

“Well,” Buck smelled the flowers, “you succeeded.”

Tommy shrugged. “You're always surprising me, keeping me on my toes, figured I should return the favor sometime.”

“Oh please, you surprise me every day. I'm always learning something new about you.”

Tommy held out his hand for Buck to take, and Buck glanced between him and the flowers. “Shouldn't I put these in a vase?”

“We will in a minute,” he nodded toward the table near them, hand still outstretched. “Lay them there for now.”

Buck gently set them down, then placed his hand in Tommy's. He let Tommy lead them to the center of the living room, where he then stopped.

“What're we doing?” Buck asked, utterly confused.

Tommy pulled their stereo remote out of his pants pocket, pressed a button, then stuffed it back into his pocket. He kept his hold on Buck's hand, but took a couple steps back, asking, “May I have this dance?”

The music began and, although he felt like he had just arrived on a new planet and skipped the tour, Buck said, “Of course.”

From this moment, life has begun

From this moment, you are the one

Right beside you is where I belong,

From this moment on

“You look beautiful tonight.” Tommy spoke softly, bringing Buck close to him. They each had an arm wrapped around the other's waist, their other hands still intertwined as they began to dance.

“Thank you. My boyfriend picked my outfit for me.”

“Oh he did, did he?”

“Mhm.”

“He's got good taste.”

Buck swore Tommy's eyes twinkled as they stared at one another. The whole world could have imploded in that moment and Buck would have been none the wiser.

“Hell yeah he does. You should, uh, should see how good he looks though. Smokin' hot.”

From this moment, I have been blessed

I live only for your happiness

And for your love, I'd give my last breath

From this moment on

“Not that I'm complaining but, um, what's all this for?” Buck asked.

Tommy let out a sigh. “I was thinking about how we never got to dance at Maddie's wedding, and that's a damn shame. I was looking forward to it.”

Buck couldn't help but laugh. “That was six months ago, Tommy!”

“Six months too long.”

I give my hand to you with all my heart

I can't wait to live my life with you, I can't wait to start

You and I will never be apart

My dreams came true because of you

Sometimes, Buck felt like he was dreaming. That Tommy was a figment of his imagination. Someone he created to make himself feel complete.

And maybe another person couldn't actually complete you, but Tommy came pretty damn close.

Buck moved his arms to drape over Tommy's shoulders, hands cradling at the nape of his neck. Tommy used the change as an opportunity to bring them even closer, his arms around Buck's waist, hands settled at the bottom of his back.

“I love this song,” Buck said, resting his head on Tommy's shoulder. “Reminds me of when I was little, hearing it on the radio.”

From this moment, as long as I live

I will love you, I promise you this

There is nothing, I wouldn't give

From this moment on

“Anything Shania is a favorite of mine, but you know that already.”

Buck smiled, humming as he turned his head to nuzzle into Tommy's neck. “Walking in on you dancing to Any Man of Mine in your underwear? I'll never forget that one.”

Tommy snorted. “It's a wonder you didn't leave me right then and there.”

“It's a wonder I didn't propose right then and there.” When Buck realized what he said, his body stiffened. He went to pull back, to ask if that was too much, but Tommy kept him close.

“I would've said yes.”

The words were spoken barely above a whisper. Buck almost missed it completely. But he didn't. He heard Tommy and it made his heart skip a beat. He melted into him further.

Oh, you're the reason I believe in love

And you're the answer to my prayers from up above

All we need is just the two of us

My dreams came true because of you

Technically, they weren't dancing anymore. Instead swaying gently as they held each other up.

Buck lifted his head slightly, just enough to look into Tommy's eyes. “Did we just sort of propose to each other?”

Tommy smiled, his nose scrunching up in the way Buck loved so much. “I don't know. A little bit, I think. A promise, maybe?”

Buck nodded, laid his head back down. “I like that.”

From this moment, as long as I live

I will love you, I promise you this

There is nothing I wouldn't give

From this moment, I will love you

As long as I live, from this moment on

Buck made no effort to release himself from Tommy's grasp as the song ended. He closed his eyes, now wet with tears as he became overwhelmed by the amount of love he felt. “Can we play it again?” he muttered out, willing his voice not to break.

Tommy moved just enough to hit replay on the remote and press a lingering kiss to Buck's forehead. “As many times as you want.”

From this moment, life has begun

From this moment, you are the one

Right beside you is where I belong

From this moment on...

[lazylittledragon]

right now i'm very torn between "taking critique is important as an artist and it's not an attack on me personally" and "people commenting about my same face syndrome under my posts upsets me an unreasonable amount and i wish they would stop doing it"

[thesunisatangerine]

against all odds (to wait for you is all i can do) – part six

alexia putellas x photojournalist!reader

warnings: explicit descriptions of violence, blood, and death

(a/n in the tags) [parts: one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve]

word count: 3.3k

You had to get out of there.

Tremors shook the ground as another shell made impact somewhere far to your right but it was close enough that the explosion left your ears ringing. You flattened your back further against the fallen wall behind you when you heard the unmistakeable sound of gunfire, the rubble that cut into your skin barely registered in your mind from the adrenaline that rushed through you. But the cacophony of noise amalgamated into something continuous, something malevolent and cruel; something that promised death in its wake. 

Bullets embedded themselves in a column, a wall, a body–everywhere–and fine pieces of debris flew and pelted against the exposed skin of your cheeks and against your helmet. Your eyes watered from the fine powder of pulverised cement and the oppressive heat, while your lungs were smothered by smoke and a choking stench–something like freshly-laid asphalt mixed with the distinct, rancid smell of burnt human flesh, sulphuric and sharp. 

Through lidded eyes you witnessed the depravity; the extent of humanity’s appetite for senseless destruction and anarchy. It was total chaos–no, it was worse than that: it was butchery and brutality at its finest; a type of hell on earth.

All around you were bodies upon bodies, men and women alike–children. Their faces, frozen and pallid, permanently bore imprints of terror and agony; their crooked fingers and still eyes fixated to the sky imploring in violent judgment–resentful and anguished in their silence–the unspoken question: 

Why?

Why? 

Why?

Everything overwhelmed you all at once: the sight and the smell made your stomach churn to no end. Even when you heaved the remnants of your stomach to the ground, the nausea remained, pulsing and gnawing.

Wiping your mouth with the back of your hand, you brought your camera to your eye and you willed the shaking in your bones to still. 

You took a shot. 

Another round of bullets splattered to a nearby wall and this time, you threw yourself front-first to the ground and you felt the rhythm of your heart reverberating against the mud. And a sinking feeling hit you. You’d bore witness to many conflicts, faced mortal peril, and was familiar to death like it was an old friend. Each time you were in such a situation, hopelessness never got the better of you–it was like you’d always known you were going to make it out each time. 

This time it was different, you could feel it in your bones. You were going to die here and it wasn’t a matter of if, just when and how. 

But you had a job. If you were going to die, you would die being the mouthpiece for the ones who’d already been silenced–from their premature deaths or from the hand of the power meant to protect them or both–to show the world what they’d suffered, what they’d sacrificed.

With that in mind, you steeled yourself. You loaded your camera with another ring of film, fingers stiff from the cold and marred by blood and mud, and you captured the scene.

Repeat.

There were people screaming, running, clamouring for survival. As you moved with them, you kept an eye out for other survivors who needed help to get out of there. You scanned the faces for the familiar ones of Jones and Gilda but they were nowhere to be seen. You’d lost track of them after the initial explosion and the chaos that followed so the only thing you could do now was to look for them as you went and hope for their safety. 

Meter by meter, inch by inch, you moved slowly away from the direction of gunfire. You were farther ahead now but the gunners were still dangerously close, still close enough to be able to catch up to where you were if they continued their pursuit, so you remained crouched and cautious for any sound that could indicate danger. 

When you came across the rubble of a fallen building–freshly destroyed by artillery from the smoke that came from it–you heard a whimper. It startled you; the softness of the sound barely pierced through the ringing in your ear but when you peered under a slab of concrete braced by a rugged beam, you caught sight of a scene that shattered what was left of your heart.

In the shadows, big eyes that you could not mistaken belonged to a child shone with terror, a little girl that looked no more than ten years of age, her mouth partly open in fear. You could discern another person next to the child but they weren’t moving at all and from the blood smeared on the girl’s cheek, you had a sinking feeling that the other person was dead. 

Gunfire echoed somewhere behind you and you flinched at its closeness. How did they get so close so fast? You needed to get the both of you out of there. If you could save this child’s life then maybe, just maybe, your life was worth something after all. 

You raised both of your hands up and spoke gently, hoping the little girl would be able to understand that you were there to help as you stooped to fit through the gap. The child hesitated and receded further back into the rubble so you tried again as you inched closer to where the other person laid unresponsive, patient despite the ever-closing sound of shots being fired. 

You reached the other person–a woman–and when you placed two fingers against her pulsepoint and found no rhythm, you bit your quivering lip and looked at the child, chest heavy. And as if the little girl finally understood that you meant no harm, she inched towards you and placed her small hand in your open one. With a firm yet gentle grip on the girl, you guided the both of you out of the rubble.

Once outside, you carried the little girl behind a wall, heart breaking when you felt her shiver and at the fact that it took little effort carry to her for she weighed so little. And now with light and cover, you inspected the little girl.

To your relief, other than the trail of flaking blood that originated from the crown of her head and on her cheeks, the little girl looked like she didn’t sustain any other physical injuries. Satisfied for the time being you began to tend to her, gave her water and what little food you had on you, and then wiped away the blood.

After she finished, you detached the velcro of your bulletproof vest and unbuckled your helmet before you put them on the little girl. Then you hoisted the girl up on your back, leaving your camera dangling heavily on your chest.

You managed to sneak across the district without being noticed but you knew the danger was never far away. A little farther on, you began to recognise key landmarks that let you know you were close to the base you came from. So even when the muscles in your legs protested for you to rest, you pushed on.  

Not a moment later though did loud shots fill the air and immediately, you fell to the ground, feeling fine rubble and shrapnels cut into the side you landed on as you manoeuvred your body so that the child wouldn’t get hurt. The little girl cried out and adrenaline coursed through your veins, instinct driving you to keep the child safe so you pushed the two of you against a nearby wall, your back to the open space while you shielded the child with your body, her head safely caged between your arms and chest.

You craned your head over your shoulders to figure out where the shots were fired but then a feeling of lightness passed through you followed by a growing thickness at the back of your throat. You coughed, the force of it made you keel forward, and as you looked down you saw fresh blood splattered on the face of the girl, her eyes wide with horror as she looked up at you.

Then you felt it, a burning sensation that enveloped the entirety of your right side which left you cold. When you looked to your side your shirt clung to your skin, soaked with blood.

No. 

You sputtered again and you tried to breathe but the pain only intensified and instead of feeling relief, the act smothered you–it felt like you were drowning. Then everything began to blend together: the shapes lost their edges and some images doubled, but the light seemed to intensify on its own, swallowing all in its wake. Then you sagged forward and the ringing in you ears, too, blared unceasingly.

No.

You must… 

The child… 

Wait. 

Alexia–

“–are you okay?”

You started as Derek’s voice brought you from your reverie, your mind someplace else that you’d already forgotten but the feeling that you were missing something important lingered behind in the back of your mind.

“Huh?” 

“Honey, your brother’s been trying to get your attention for the past minute. Are you alright?” The familiar voice of your mom brought your focus to her. She sat at the head of the long table while Derek opposite you, and you found twin pairs of blue eyes looking at you with concern. Your mom stood, chair scraping against the tiled floor as she did and she made her way towards you. She put a palm over your forehead once she was close enough before she asked, “do you have a fever?”

“Mom, I’m fine. I’m just–” You began but suddenly, a wave of exhaustion came over you which left you cold. It was as if a sheet of ice was put over you and you felt the coldness cling to your bones, weighing you down as your body slowly began to freeze over. “I’m–I’m just tired. I think I’ll rest up now.” 

When you moved to stand, staggering slightly due to the weakness in your knees, Derek snatched your hands and clung to them, and you looked at him in alarm, eyes wide.

“Please, don’t. Don’t.” He said through gritted teeth, the corners of his mouth drooped low in a pained grimace, blue eyes glazed over and brows furrowed in a silent plea. 

His obsecration confused you and you were about to ask him why you shouldn’t rest if you felt tired when your mother placed a hand on your shoulder, her grip gentle yet firm. You turned to her and when you found her gaze, she wore the same expression as your brother. 

“You’re brother’s right, honey. Just–please, just stay with us for a bit more.” 

What was going on? Why weren’t they letting you go?

Another wave of fatigue doused over you but this time, pain erupted from your chest. So intense was it that it nearly made you keel over the table, nails digging into its hard surface as you tried to catch your breath but with each inhale the more it felt like you were running out of air.

“I’ll–I’ll join you in a bit. I just… I just need a nap.” You staggered to your feet, pulling your hands away from Derek’s grip with the remaining strength you had and brushed off your mom’s protest.

As you passed the full-body mirror just beside your bedroom door, you saw your reflection, haggard and pale, and with her were the familiar silhouettes of the people that haunted you… your mother and father. They stood there behind you–your mother to your right and your father to the left–but you only found an empty space where they stood when you whipped your head back to look for them.

So there you stood, rooted in front of the mirror as you soaked their images in but for some reason, your couldn’t quite discern their faces. They were blurred; it was as if someone had swiped their thumb over the freshly laid ink of their image and made their features indecipherable. 

Longing prompted you to reach out a hand to try and trace the lost edges of their faces but instead of meeting the mirror’s smooth surface like you expected, your fingers sank into the mirror like it was made of water. Quickly, in fear that it would hurt you, you retracted your hand and you watched in awe as the mirror image went still again, back to the reflection of yourself and your parents.

Then out of curiosity you plunged your hand again into the mirror and instead of feeling pain, you felt… nothing. The sensations in your hand in the mirror stopped as if it had ceased to exist completely. 

Would it soothe then the pain in your body if you stepped into it?

The thought tempted you and you stepped forward, ready to sink into this silver miracle, but something stopped you–a weight on your shoulder pulled you back from the mirror. You staggered backwards, caught off guard from the force of it, but when you looked back you found nobody however this time, when you returned your attention to the mirror, the reflection of your parents was gone. 

Emotions bubbled in your throat, bitter grief and burning confusion a familiar taste on your tongue. Where did they go? Why did they leave you? And as these questions filtered through your mind, another wave of exhaustion doused over you, its weight was unbearable. You needed relief, and soon.

You were ready to step into the mirror–into oblivion–but it wasn’t there anymore. In fact, everywhere you looked there was nothing, just negative space as if the light had dissolved all existence but you. You looked down and you saw your reflection on the still water you were apparently standing on. 

It was so still, so peaceful, and you feel so heavy. It would be easy to just sink into this blissful nothingness–this silence–after… that’s right, after having witnessed the revolting boil of humanity’s thirst for blood. Yes, that was it, the reason you were here: you were here to forget. 

The longer you stared into the water, the more your will to remain standing frayed. 

Not a moment later, you let yourself be plunged downwards into the cold water. Into nothingness. 

You woke with a start, breathing sharply as you did, the sensation of falling still with you and the memory of the dream you just had lingered. It was about… what was it?

When you opened your eyes, you found golden light and you squinted at the stream of the early sun that found its way through the gap between the heavy curtains. Your cheek was warm against Alexia’s bare back and you relished the way her muscles shifted beneath her skin as she breathed, still deep asleep. 

With her so close like this a sense of peace and calm washed over you, the kind that only Alexia’s presence could provide. You turned your head slightly and shifted closer to her, pressing a soft kiss on one of her shoulder blades before you nuzzled the nape of her neck where her scent was most prominent.

You sighed as you breathed her in.

“What are you up to back there?” Alexia’s voice, rough and heavy from slumber, met your ears and the question elicited a small laugh from you.

“Nothing. Just getting comfortable.”

Alexia hummed then she murmured, “come here.”

You moved as she began to turn and disappointment filled you from the separation but when she pulled you into her embrace after she settled on her back, the disappointment quickly faded away. And when she kissed you, soft and languid, everything melted away except for the tender warmth of Alexia’s lips.

You were content.

Suddenly, a gnawing feeling seeped into the edges of your mind and, little by little by little, apprehension filled you. There was something you’d forgotten, somewhere you needed to be.

You pulled away from Alexia’s lips. “What time is it?”

“Don’t go.”

Her answer jarred you. You lifted yourself up on your elbow and considered Alexia, confused as to why she would say such a thing. She knew you had to go. How could you not go? Where else could you possibly be? So you asked her as much.

“No, you don’t have to. Please.” Alexia placed a hand on your cheek, her eyes glassy. You sighed, turned your cheek away from her touch, and extricated yourself from her warm embrace. You stood at the foot of the bed and regarded Alexia again who was now sitting up, the sheets pooled around her waist, her chest bare, shoulders hunched forward as she looked at you. You only shook your head before you went into the en suite bathroom to get ready.

Once you got in the shower you, unsurprisingly, thought of Alexia and your confusion returned twofold. Why was she making this difficult? She knew you had to go. You already told her… 

At that thought, you frowned as you tried to remember. When did you tell her? Why did you need to leave? The questions were beginning to make your head hurt so you left the shower, wrapped yourself in a towel and headed to the closet. In there, you found your stack of simple white clothes. You picked a white shirt and a matching pair of jeans and you made your way to the bedroom door. 

As you passed by the bed, you saw Alexia just as you left her and from where you stood, you saw how small she looked. And those eyes… they shone with something you could only name as plea, the tears in them now in danger of falling. 

Your chest ached and so did your head. 

You shook your head and made your way to Alexia, pressed an apologetic kiss against her temples, then you moved to the door.

You opened it and an abyss greeted you, a world of no outlines, shape nor colour, just a brilliant white that called to you. Its pull was magnetic, like a tide that wanted to sweep you away, but there was something keeping you in place, an invisible tether and it was anchored to the woman sitting in your bed.

“Please, don’t go.”

You had one foot out of the door when Alexia spoke with such gentleness you couldn’t do anything but look over your shoulder. The sight of her crying made the pounding in your temples unbearable and the pain in your chest blazed anew, excruciating and cruel. The world blurred and warmth slipped down your cheeks. 

Why were you crying? Why was this difficult? You had to leave, you were about to miss something important.

“Alexia, why?” You sobbed, clutching your chest. It hurt.

She was out of the bed now, right beside you, and she reached out and cupped your face with one hand, the other went to your hand on the door handle. Her touch that used to soothe you, that used to bring you peace and clam, sent pain to every nerve in your body. You gasped, your chest was in danger of bursting and your knees lost their strength. And then you remembered why you needed to leave: you needed this pain to disappear; you had to get better.

Finally, your knees buckled under your weight but Alexia was there to catch you, her body strong and firm, and oh, so warm.

“Alexia, please let me go,” you sobbed into her arms. 

Everything hurt. But she held you, unyielding.

“Stay. Please, stay with me,” she whispered in your ear and the words were followed by another wave of pain. This time, you screamed in agony and clawed at Alexia’s shoulders to get yourself away but still, she didn’t budge.

“I got you. I got you. I got you,” she repeated as every nerve in your body screamed at you. Everything coalesced into a singular, never-ending noise but Alexia’s voice pierced through the veil like a silver lining, a life line that you held onto as you were washed away into an ocean of light.

[beanghostprincess]

Luffy not knowing about Zoro promising Sanji to kill him if he ever ends up losing himself makes me go feral because that's something they can only know about. Because Zoro's respect for life and death goes beyond anything, and Sanji knows he understands. Sanji knows that if somebody has to kill him, it's him.

And I don't even think it's because Sanji assumes Zoro's opinion of him is hatred and it would hurt less for him to do this, but because Sanji knows only Zoro would be able to treat the promise as it is. Because he would put Sanji's wishes before any feelings he has for him. It's not that Zoro doesn't care, but I think he respects people's ideals and decisions to the extent of being able to kill Sanji if he so desires.

That being said, he'd do it if there's no other way to fix it. If it's either dying or living as an emotionless machine, which is the same as dying for Sanji, Zoro would fulfill his promise. And there is just... Something about Luffy not knowing. Their captain. The man they're devoted to the most as if he were their God. Luffy doesn't know. It's something only the captain's wings are aware of and the thought of these two keeping this from Luffy until the end is just insane. Not even trying to make it romantic here, but the bond and respect these two have for each other is crazy.

Maybe it's the poetry of it all, too. Somebody like Zoro, who has looked at Death in her face multiple times and said "no", ending Sanji's life, who wants to give in to death to not experience a fate worse than death for him.