Great Big Good Omens Graphic Novel Update
AKA A Visit From Bildad the Shuhite.
The past year or so has been one long visit from this guy, whereupon he smiteth my goats and burneth my crops, woe unto the woeful cartoonist.
Gaze upon the horror of Bildad the Shuhite.
You kind of have to be a Good Omens fan to get this joke, but trust me, it's hilarious.
Anyway, as a long time Good Omens novel fan, you may imagine how thrilled I was to get picked to adapt the graphic novel.
Go me!
This is quite a task, I have to say, especially since I was originally going to just draw (and color) it, but I ended up writing the adaptation as well. Tricky to fit a 400 page novel into a 160-ish page graphic novel, especially when so much of the humor is dependent on the language, and not necessarily on the visuals.
Not complainin', just sayin'.
Anyway, I started out the gate like a herd of turtles, because right away I got COVID which knocked me on my butt.
And COVID brain fog? That's a thing. I already struggle with brain fog due to autoimmune disease, and COVID made it worse.
Not complainin' just sayin'.
This set a few of the assignments on my plate back, which pushed starting Good Omens back.
But hey, big fat lead time! No worries!
Then my computer crawled toward the grave.
My trusty MAC Pro Tower was nearly 15 years old when its sturdy heart ground to a near-halt with daily crashes. I finally got around to doing some diagnostics; some of its little brain actions were at 5% functionality. I had no reliable backups.
There are so many issues with getting a new computer when you haven't had a new computer or peripherals in nearly fifteen years and all of your software, including your Photoshop program is fifteen years old.
At the time, I was still on rural internet...which means dial-up speed.
Whatever you have for internet in the city, roll that clock back to about 2001.
That's what I had. I not only had to replace almost all of my hardware but I had to load and update all programs at dial-up speed.
Welcome to my gigabyte hell.
The entire process of replacing the equipment and programs took weeks and then I had to relearn all the software.
All of this was super expensive in terms of money and time cost.
But I was not daunted! Nosirree!
I still had a huge lead time! I can do anything! I have an iron will!
And boy, howdy, I was going to need it.
At about the same time, a big fatcat quadrillionaire client who had hired me years ago to develop a big, major transmedia project for which I was paid almost entirely in stock, went bankrupt leaving everyone holding the bag, and taking a huge chunk of my future retirement fund with it.
I wrote a very snarky almost hilarious Patreon post about it, but am not entirely in a position to speak freely because I don't want to get sued. Even though I had to go to court over it, (and I had to do that over Zoom at dial-up speed,) I'm pretty sure I'll never get anything out of this drama, and neither will anyone else involved, except millionaire dude and his buddies who all walked away with huge multi-million dollar bonuses weeks before they declared bankruptcy, all the while claiming they would not declare bankruptcy.
Even the accountant got $250,000 a month to shut down the business, while creators got nothing.
That in itself was enough drama for the year, but we were only at February by that point, and with all those months left, 2023 had a lot more to throw at me.
Fresh from my return from my Society of Illustrators show, and a lovely time at MOCCA, it was time to face practical medical issues, health updates, screening, and the like. I did my adult duty and then went back to work hoping for no news, but still had a weird feeling there would be news.
I know everyone says that, but I mean it. I had a bad feeling.
Then there was news.
I was called back for tests and more tests. This took weeks. The ubiquitous biopsy looked, even to me staring at the screen in real time, like bad news.
It also hurt like a mofo after the anesthesia wore off. I wasn't expecting that.
Then I got the official bad news.
Cancer which runs in my family finally got me. Frankly, I was surprised I didn't get it sooner.
Stage 0, and treatment would likely be fast and complication-free. Face the peril, get it over with, and get back to work.
I requested surgery months in the future so I could finish Good Omens first, but my doc convinced me the risk of waiting was too great. Get it done now.
"You're really healthy," my doc said. Despite an auto-immune issue which plagues me, I am way healthier than the average schmoe of late middle age. She informed me I would not even need any chemo or radiation if I took care of this now.
So I canceled my appearance at San Diego Comic Con. I did not inform the Good Omens team of my issues right away, thinking this would not interfere with my work schedule, but I did contact my agent to inform her of the issue. I also contacted a lawyer to rewrite my will and make sure the team had access to my digital files in case there were complications.
Then I got back to work, and hoped for the best.
Eff this guy.
Before I could even plant my carcass on the surgery table, I got a massive case of ocular shingles.
I didn't even know there was such a thing.
There I was, minding my own business. I go to bed one night with a scratchy eye, and by 4 PM the next day, I was in the emergency room being told if I didn't get immediate specialist treatment, I was in big trouble.
I got transferred to another hospital and got all the scary details, with the extra horrid news that I could not possibly have cancer surgery until I was free of shingles, and if I did not follow a rather brutal treatment procedure - which meant super-painful eye drops every half hour, twenty-four hours a day and daily hospital treatment - I could lose the eye entirely, or be blinded, or best case scenario, get permanent eye damage.
What was even funnier (yeah, hilarity) is the drops are so toxic if you don't use the medication just right, you can go blind anyway.
Hi Ho.
Ulcer is on the right. That big green blob.
I had just finished telling my cancer surgeon I did not even really care about getting cancer, was happy it was just stage zero, had no issues with scarring, wanted no reconstruction, all I cared about was my work.
Just cut it out and get me back to work.
And now I wondered if I was going to lose my ability to work anyway.
Shingles often accompanies cancer because of the stress on the immune system, and yeah, it's not pretty. This is me looking like all heck after I started to get better.
The first couple of weeks were pretty demoralizing as I expected a straight trajectory to wellness. But it was up and down all the way.
Some days I could not see out of either eye at all. The swelling was so bad that I had to reach around to my good eye to prop the lid open. Light sensitivity made seeing out of either eye almost impossible. Outdoors, even with sunglasses, I had to be led around by the hand.
I had an amazing doctor. I meticulously followed his instructions, and I think he was surprised I did. The treatment is really difficult, and if you don't do it just right no matter how painful it gets, you will be sorry.
To my amazement, after about a month, my doctor informed me I had no vision loss in the eye at all. "This never happens," he said.
I'd spent a couple of weeks there trying to learn to draw in the near-dark with one eye, and in the end, I got all my sight back.
I could no longer wear contact lenses (I don't really wear them anyway, unless I'm going to the movies,) would need hard core sun protection for awhile, and the neuralgia and sun sensitivity were likely to linger. But I could get back to work.
I have never been more grateful in my life.
Neuralgia sucks, by the way, I'm still dealing with it months later.
Anyway, I decided to finally go ahead and tell the Good Omens team what was going on, especially since this was all happening around the time the Kickstarter was gearing up.
Now that I was sure I'd passed the eye peril, and my surgery for Stage 0 was going to be no big deal, I figured all was a go. I was still pretty uncomfortable and weak, and my ideal deadline was blown, but with the book not coming out for more than a year, all would be OK. I quit a bunch of jobs I had lined up to start after Good Omens, since the project was going to run far longer than I'd planned.
Everybody on the team was super-nice, and I was pretty optimistic at this time. But work was going pretty slow during, as you may imagine.
But again...lots of lead time still left, go me.
Then I finally got my surgery.
Which was not as happy an experience as I had been hoping for.
My family said the doc came out of the operating room looking like she'd been pulled backwards through a pipe, She informed them the tumor which looked tiny on the scan was "...huge and her insides are a mess."
Which was super not fun news.
Eff this guy.
The tumor was hiding behind some dense tissue and cysts. After more tests, it was determined I'd need another surgery and was going to have to get further treatments after all.
The biopsy had been really painful, but the discomfort was gone after about a week, so no biggee. The second surgery was, weirdly, not as painful as the biopsy, but the fatigue was big time.
By then, the Good Omens Kickstarter had about run its course, and the record-breaker was both gratifying and a source of immense social pressure.
I'd already turned most of my social media over to an assistant, and I'm glad I did.
But the next surgery was what really kicked me on my keister.
All in all, they took out an area the size of a baseball. It was hard to move and wiped me out for weeks and weeks. I could not take care of myself. I'd begun losing hair by this time anyway, and finally just lopped it off since it was too heavy for me to care for myself. The cut hides the bald spots pretty well.
After about a month, I got the go-ahead to travel to my show at the San Diego Comic Con Museum (which is running until the first week of April, BTW). I was very happy I had enough energy to do it. But as soon as I got back, I had to return to treatment.
Since I live way out in the country, going into the city to various hospitals and pharmacies was a real challenge. I made more than 100 trips last year, and a drive to the compounding pharmacy which produced the specialist eye medicine I could not get anywhere else was six hours alone.
Naturally, I wasn't getting anything done during this time.
But at least my main hospital is super swank.
The oncology treatment went smoothly, until it didn't. The feels don't hit you until the end. By then I was flattened.
So flattened that I was too weak to control myself, fell over, and smashed my face into some equipment.
Nearly tore off my damn nostril.
Eff this guy.
Anyway, it was a bad year.
Here's what went right.
I have a good health insurance policy. The final tally on my health care costs ended up being about $150,000. I paid about 18% of that, including insurance. I had a high deductible and some experimental medicine insurance didn't cover. I had savings, enough to cover the months I wasn't working, and my Patreon is also very supportive. So you didn't see me running a Gofundme or anything.
Thanks to everyone who ever bought one of my books.
No, none of that money was Good Omens Kickstarter money. I won't get most of my pay on that for months, which is just as well because it kept my taxes lower last year when I needed a break.
So, yay.
My nose is nearly healed. I opted out of plastic surgery, and it just sealed up by itself. I'll never be ready for my closeup, but who the hell cares.
I got to ring the bell.
I had a very, VERY hard time getting back to work, especially with regard to focus and concentration. My work hours dropped by over 2/3. I was so fractured and weak, time kept slipping away while I sat in the studio like a zombie. Most of the last six months were a wash.
I assumed focus issues were due (in part) to stress, so sought counseling. This seemed like a good idea at first, but when the counselor asked me to detail my issues with anxiety, I spent two weeks doing just that and getting way more anxious, which was not helpful.
After that I went EFF THIS NOISE, I want practical tools, not touchy feelies (no judgment on people who need touchy-feelies, I need a pragmatic solution and I need it now,) so tried using the body doubling focus group technique for concentration and deep work.
Within two weeks, I returned to normal work hours.
I got rural broadband, jumping me from dial up speed to 1 GB per second.
It's a miracle.
Massive doses of Vitamin D3 and K2. Yay.
The new computer works great.
The Kickstarter did so well, we got to expand the graphic novel to 200 pages. Double yay.
I'm running late, but everyone on the Good Omens team is super supportive. I don't know if I am going to make the book late or not, but if I do, well, it surely wasn't on purpose, and it won't be super late anyway. I still have months of lead time left.
I used to be something of a social media addict, but now I hardly ever even look at it, haven't been directly on some sites in over a year, and no longer miss it. It used to seem important and now doesn't.
More time for real life.
While I think the last year aged me about twenty years, I actually like me better with short hair. I'm keeping it.
OK. Rough year.
Not complainin', just sayin'.
Back to work on The Book.
And only a day left to vote for Good Omens, Neil Gaiman, and Sandman in the Comicscene Awards. Thanks.
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Final Goal
Body a day - #30: Pecs
The final entry in @max-the-many's challenge.
“Paul? Why?” those were Lucas’s last words before he collapsed on the floor, his hand still pressed against his throat, his gaze becoming vacant. I chuckle, “you really haven’t figured out yet? I’m not Paul,” I pinch my cheek and pull, making my face distort grotesquely as Paul’s face detaches from my own underneath. I let go and Paul’s face snaps back in place, restoring my disguise. There’s a brief expression of soul-crushing horror on Lucas’s face, but then it disappears as the sparks in his eyes fade.
“Paul was a really nice disguise, as was your other friend, Stefan, but they were just the means to an end,” I say gloatingly to the unconscious hunk on the floor, kneeling to stay level with him, “you were always my final goal!”
There’s no response, Lucas seems to be well on his way in the conversion, soon he’ll be ready to wear.
“All it took was a couple of bodysuits to get close to you, your friends will become part of my collection, but you – you are the crown jewel.”
I begin to undress, taking off Paul’s bike leathers, his undersuit and the rest of his motorcycle equipment.
I place my hands on Paul’s forehead and begin to push it backwards, causing his mouth to expand for my own head to poke through it. Feeling the air on my original face feels strange and weirdly unfamiliar, but I’m not staying like this for long, once I’m inside Lucas, I’ll never take him off again.
Slowly I squeeze out of Paul’s skin, struggling to get my body out of his. It isn’t exactly a graceful transition as I clumsily pull out of Lucas’s biker friend, then again nobody is going to know.
I let go of Paul’s skin, letting it collapse on the floor as I eye up my new possession: Lucas Wilson.
He’s ready. I lift up the hollowed-out skinsuit, that used to be Lucas. I was aroused and excited with making this my new permanent body, but I wanted to savour the moment. I strip Lucas, pulling off his clothes piece by piece, placing them in a neat little pile, smelling them as I remove them – it’s a musk, I can’t wait to make my own.
Stripped naked like myself, I admire Lucas’s beautiful and sculpted body, those gorgeous muscles, especially those pecs. And they are all mine!
I carry the Lucas-suit into his bedroom, technically it’s my bedroom now – almost. I place it on the bed, even when deflated and visibly hollow, this body still looks amazing.
I run my fingers gently across his impressive chest, his defined abs, (they aren’t exactly rock-hard, but they will be, once I’m inside,) his well-endowed… his thick thighs and calves. I also run my fingers down his massive arms, from his broad shoulders, to his toned biceps and triceps and big hands. Finally I run my fingers across his angelic, handsome face, distorted by the lack of a skull, but still beautiful. I’m insatiable and feel like I’m about to burst with excitement, I can’t delay this any further.
I grab Lucas and stretching his mouth wide open, I begin to slither in. It’s always such an indescribably arousing feeling to pull on a bodysuit. It’s warm, smooth and squishy inside, and I slid my feet in like I had done a few times before taking my time to get the toes in. I pull Lucas up around my legs, his muscular legs now back to life. I slip his ass over mine and I slip my own meat into his; and like pulling it on like a condom, it springs to life, perfectly reflecting how aroused I am.
I pull Lucas’s mouth further up my torso, making my flat and featureless stomach disappear, and be replace with Lucas’s sculpted abs. I keep pulling, so that I can get the pecs almost in place, then I plunge my hands into Lucas’s impressive arms. Stretching out Lucas’s mouth wide enough to pass my shoulders, I finally get the upper torso into place. Running Lucas’s finger across my wide shoulders, muscular arms and perfect pecs, I smile to myself, before I flex hard, the muscles respond flawlessly. They are ready to serve their new master. I look at my reflection, seeing my face one final time, I must admit, that this pristine body suits me, but I want it all. I then stretch Lucas’s mouth one final time to stretch it over my head, then I let go with a snap. It’s dark for a moment, but I soon open my eyes and see the room again through new eyes.
The second-to-last thing I have to do is to push Lucas’s facial features into place. Staring insatiably as my handsome features fall into place, the facial massage has done it’s trick, I pull a few faces, it’s perfect. “Looking good, Lucas, looking really good,” I say to the stud in the mirror with my new voice.
I rub my new pecs, I’ve dreamt of rubbing hands my hands all over them since I first saw them on Lucas’s social media, and now they’re all mine! I twist the nipples, each placed on a big slab of muscle. My muscles!
Finally I inject myself with another syringe, I am making this process irreversible. I am Lucas, now and forever. I have never tried this injection before, but it feels like I’m bubbling inside, binding with my new skin, I can feel my senses sharpen and I feel ‘more real’ than ever.
Looking at myself in the mirror, I laugh, a fiendish laughter expressing my sheer delight of my accomplishment. I rub my nether regions, not able to contain myself any longer and a chill rushes through me, down my spine as I climax satisfyingly. Not bothering to clean up the stains right now, and done with what would only be the first of many sessions of self-gratification, I walk out of the bedroom, where I left the Paul-bodysuit. I smirk to myself, then I grab Paul’s motorcycle leathers, the ones I arrived in, and begin pulling them on my naked body. I’m now bigger and stronger than Paul, so the suit is going to get tested to see if it can contain my new muscular frame. I had no reason to worry, the suit is a perfect fit. It looks even better on Lucas me, than on Paul. Lucas doesn’t have a lot of motorcycle gear, but I’ll make sure to change that, in the hallway I find Lucas’s own motorcycle boots and gloves, well, my motorcycle boots and gloves, both several sizes bigger than what I wore before, but now they fit perfectly on my feet and hands.
Riding a motorcycle as Paul was incredible, but going as Lucas is going to be many times better, but it’s going to have to be a short ride for now, there’s so much else I have to do - to put this new body to the test. Pecs and everything!
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Sweet Like Candy
Day 5: Sex pollen (Horacio Carrillo x F!Reader)
(For the 2023 Kinktober event that I created on my own because I am boring and basic and am trying to keep it simple this year...found here!)
CW: Dub-con due to sex pollen trope; smut (PiV, unprotected); 18+ only.
Word Count: 4990
AN: This was requested by an anon with an excellent memory who remembered when I mentioned a sex pollen Carrillo piece in passing! Also, not edited. I'm sick and barely ran it through spell-check.
It’s Carrillo’s fault, this entire terrible situation.
If he hadn’t been so severe when he first met you, he could have a genial working relationship with you. You wouldn’t have been afraid of him from the start. You would have been willing to work directly with him, handed off your lab reports directly instead of filtering them through Peña and Murphy, through Trujillo.
He wouldn’t have gotten grief from Peña to try and make peace with you. He wouldn’t have gone to visit you, a play at being a softer, kinder Carrillo who perhaps smiles and says thank you for all of your exemplary work.
He wouldn’t have found himself in your lab on this day—the day you’re running tests on a separate case for the Medellín police, separate from the Search Bloc and its pursuit of Escobar. Not testing cocaine at all: a scatter of innocuous-seeming candy in your workspace. Supercoco—chewy caramel with coconut pieces folded in.
Any Colombian recognizes the green wrapper. Carrillo smiles to see it, slips a couple of pieces into his pocket when you turn away for a moment.
Only this isn’t Supercoco. It’s a version infused with the distillation of a plant found in the Amazon, then wrapped in the familiar green paper. A powerful love drug, an aphrodisiac, passed on the sly in the bars and night clubs of Medellín.
It’s Carrillo’s fault. He’d been so severe when he met you, he tries to make amends now by being casual. You stare at him as though he has two heads as he asks you about your day, how you’re settling into your apartment, if you’ve had a chance to explore the city yet.
You answer his questions with your brows furrowed. Confused. He’s hardly the same man who barked at you on your first day in Colombia. A timer in the lab goes off, and you turn to one of your complicated pieces of lab equipment to read the ticker tape being spit out of the machine.
Your back turned, he snags another piece of candy and eats it. He’s trying to be Casual Carrillo, not the flinty version of himself with a cold gaze and a grim set to his mouth. He takes a second piece, chews it, feels a million memories from his childhood resurface at the taste. But then you turn around, see what he’s eating, and your face—usually guarded and wary when he is around—turns to pure horror.
“No!” You bridge the distance between the two of you, and you’re touching him before he can even register it. Your hands are on his face, pinching the corners of his mouth, trying to force him to spit out the candy. It’s pure instinct, like a mother forcing a toddler to spit out something poisonous. You move on instinct, manhandling his face, and he moves on instinct too.
He spits out the half-chewed candy.
Which doesn’t help with the piece he already ate. The piece already in his stomach, being digested.
“Shit, rinse out your mouth,” you order him, and you dart to the sink, pour him a glass of water. You thrust it into his hand, and his heart starts to hammer at your panicky reaction. What has he eaten? Poison? Some terrible, addictive drug? Something that’ll do permanent damage to him, leave him with a weakened heart or a compromised liver? Something that’ll shave years off of his life?
“What—” he starts to ask, but you gesture at the glass, so he does as he’s told. He takes a mouthful, swishes it around. Spits it out in the sink, then does it again and again.
“It’s some sort of love drug,” you tell him once he’s done. You sag in relief against the counter. “Medellín police found a bunch of it in a bust the other day. The DEA contracts my lab out to the local force, so I’ve been running tests.”
“Love drug?” he asks, his stomach sinking. “What does that mean?”
“Tests reveal organic compounds from a plant. Like maca root, only…times a thousand.”
He swallows hard, and you catch the audible gulp, misunderstand it.
“You’re fine,” you tell him, and you gift him a rare smile. “You didn’t eat it. And anyway, there’s no long-term side effects if you had. It just makes the user really, uh, friendly.”
“How friendly?” he asks, using your cutely prudish American adjective for horny, and you give him the anecdotal evidence from the Medellín police about spontaneous orgies in local clubs, and then he tells you the bad news about how he ate a first piece before spitting out the second, and the way your eyes go wide and your mouth forms a perfect “O” of horror would make him laugh, if he weren’t so nervous about what is about to happen to him.
-----
You drive him home in his own car. There’s no point in taking him to the hospital—the only treatment is to ride it out.
It’s hard to describe the way it feels when the drug starts to affect him. Carrillo has little experience with any drugs beyond the morphine he was prescribed when he was shot and had surgery. He remembers the morphine, even years later: the warm, syrupy calm that spread through his limbs, erasing the pain of his wound.
This…is not that.
Twenty minutes. Half an hour after he eats that fucking laced candy. He feels it in his stomach first, right under his rib cage: warm, but not calm. Warm, but…alert. Aware. If the morphine put his senses to sleep, then this wakes them up.
Wakes all of his senses up, then as the warmth spreads—up into his chest, down into his gut—wakes his senses up even more. Carrillo’s senses dialed up to a thousand.
Not just smelling your delicate perfume, but smelling the soap from your laundry detergent, the shampoo you used that morning. The faintly chemical smell of your lab that clings to your hair and clothing.
Not just hearing you—your cautious questions of how he’s feeling, where you should turn next to get him home. He swears he can hear your heart beating, the pulse and slush of your blood as it moves through your body. Swears he can hear you breathing, can hear the quiet creak of your jaw as you clench it in worry.
Not just seeing you, the mousy little scientist that he managed to scare shitless her first day in Colombia. Put the fear of God in you after the last DEA scientist got caught skimming Escobar’s cocaine from the bricks confiscated by the Search Bloc. His own fault, how he barked at you that first day, and this is his fault too—not following the rules of your lab. Now he’s not himself.
Now he sees you with the drug roaring in his veins. The tight clench of your hands on the steering wheel. The worried set of your jaw, the way you study him out of the corner of your eye. He sees more, now, too: the delicate shell of your ear, the tiny pinprick in the lobe of a piercing but no earring because of your lab protocols. The way the line of your neck disappears into the neckline of your shirt, the curve as it meets your shoulder. The thin silver chain around your neck, a locket, and Carrillo wonders if you’ve got some sweetheart back home who gifted it to you before you left for South America.
The thoughts rise in his head like carbonation, rapid-fire. Usually so logical, so cool-headed: now his thoughts are gummy, sticky. He wants to lean against the seatbelt and put his mouth on your neck, follow the line of it into your shirt, then pull it aside and keep going. Tasting you. Such a sweet, mousy little thing—he wonders if you taste sweet, or if he’d taste the salt of your skin, maybe a bitter spot where you daubed perfume that morning—
“Shit.” It comes out a groan, pained. He lifts a hand and presses it over his eyes, and he feels how hot his palm is. This is bad. It’s so bad. He’s not himself; he’s losing who he is: Horacio Carrillo, the man who is always so staid…that man is fading into the background. That Horacio is going quiet, ceding control to this other Horacio who is ruled only by want, by feeling.
-----
You manage to get him home, and he is still enough of himself to thank you.
He’s also enough of himself to bark out that you need to leave: take his car and go, leave him alone.
But Carrillo never really got to know you. He put the fear of God in you that first day. You’ve been ducking him ever since. He has no way of knowing the type of person you are.
He has no way of knowing that you are the caring sort. You’re soft-hearted. You worry for people when they are hurt or sick; you check in on them. You take care of them.
He has no way of knowing that while you are brilliant at your job and largely level-headed, your heart often drives you and your brain often follows. Which is why you ignore his orders and follow him into his house: your soft heart driving you to help a person in distress, when your brilliant mind is perhaps warning you to stay away.
-----
You follow him into his house, and Carrillo is still enough of himself to try and force you to leave.
“You gotta go,” he says, and his usually-crisp English comes out slurred, slushy and rounded off with his Colombian accent. “Gotta leave.”
He curls his hands on your upper arms, pushes you backwards but not meanly. Pushes you towards the door carefully so you don’t stumble or trip, but it’s another sense dialed up to a thousand—the feel of you under his hands. The warmth of your body underneath the crisp cotton of your blouse, the way his fingertips bite into the surprisingly firm muscles there.
“If you don’t leave, m-might not be able to stop myself.” He pushes you towards the door, but already that driving want is roaring in him, and he doesn’t stop to open the door and push you through it.
He keeps it closed and pushes you against it.
He traps you between the door and his body, so close to touching you. There’s hardly any space separating you. Millimeters. Molecules. Close enough to feel the heat of your body, the magnetism the fucking drug is convincing him is there—
Carrillo stares down at you; you gaze back with those widened eyes. Nervous. As scared as you’d been that first day, and it chastens him just a bit. You probably think he’s a monster.
You take a breath, and the motion makes the locket around your neck move. It catches the light and draws his eye. Carrillo takes a hand from your shoulder and lifts the locket from where it lays against your chest. He holds it between his thumb and forefinger, considering it.
“Your boyfriend give you this?” he asks.
You blink at the question, shake your head faintly. “It was my grandma’s.”
A dumb thing, but the thought of you having a grandmother—of course you have two, as most humans do—reminds him that you’re a person with an entire history. A family back home in the States. Likes and dislikes. And Carrillo knows none of it.
“You need to go,” he says in a low voice, ignoring the wave of lust that sweeps through him. “I can handle this alone.”
You shake your head again. “It was my lab. My responsibility. I can help. I can get a cold shower going and then—”
He silences you. He puts his finger over your lips, stills them. The wrong thing to do: now he knows how your mouth feels, and Carrillo grits his teeth and breathes shallow through his nose.
“If you don’t go, I’m going to want to—Dios, I already…you need to go.”
The last vestige of the sensible, stoic Carrillo wants to open the door, shove you out of it, throw the bolt. That Carrillo wants to stagger deeper into the house, alone, and strip out of his clothes. He wants to lay on the cool tiles and relieve the tension as best he can.
That Carrillo is gone. Silenced, tucked away into a corner of his mind. This Carrillo doesn’t push you away: instead, he shifts his hand, traces his finger over the plump curve of your lower lip, and your eyes widen at his touch—
This Carrillo remembers something. With his other hand, he reaches down. Into his pocket, where a few pieces of the laced candy are. The ones he pocketed on the sly and forgot.
He pulls one out. Unwraps it clumsily with one hand while the other hand remains on your mouth, stilling your words. Once it’s unwrapped, he holds it up for you to see, like a trainer teaching a dog with a treat. Then he removes his hand from you, takes a step back. It takes every single bit of his resolve to stop touching you, but he does.
He’s giving you a choice: leave, as he’s ordered you to do more than once. Or stay and join him.
In this moment, Carrillo still doesn’t know anything about you. He doesn’t know what you’re thinking. He knows so little about you, only knows that you avoid him, are frightened by his tough colonel of the Search Bloc routine.
There will come a time in the future when he will be able to guess, with startling accuracy, what you are thinking. He’ll know you better then. He’ll know that as mousy as you seem, you have sudden surges of bravery. Sudden moments of nerve.
That comes later. Right now, when Colonel Horacio Carrillo gives you a choice, you startle him. You don’t turn and flee.
You shift your eyes from the laced candy in his hand to his own eyes, and you seem to see something there that informs your decision.
You don’t flee. You open your mouth and allow him to lay the laced caramel onto your tongue, a perverse sort of communion. It’s one of your sudden moments of nerviness, and you never blink once, never look away from him while you chew carefully, then swallow.
*****
It’s morally grey, at best. The man is not himself.
It’s utter madness at worst.
There will come a time in the near future when he will ask why you didn’t leave. Why you ate the candy. You’ll tell him a half-truth: that it was professional curiosity, how taking the drug would feel. You’ve never tried the drugs you test in your lab; you always rely on your equipment and anecdotal evidence from those who do inject or smoke or eat the various drugs. But there is always the curious part of you, the most essential part of being a scientist, that wants to know how it feels.
Why not try it? It isn’t cocaine or heroin or LSD.
There will come a time in the further future when he will ask again, and that time, you’ll tell him the whole truth: that yes, you were curious about the drug. But more than that: you were curious about him. You were terrified of him and attracted to him in equal measure (you blamed the fact that he was usually in uniform), which made for a weird combination of emotions every time you had to deal with him. The sinking fear in your gut that he’d turn his flinty gaze on you…paired with the fluttery swooping in your gut of burgeoning infatuation.
That all comes later. Right now, there’s nothing but the sweetness of caramel lingering in your mouth, almost cloying, and Colonel Carrillo staring at you like he wants to devour you. You inch around him, move away from where you’re trapped between him and door.
You make your way deeper into his home, and you sit on his couch and wait. He follows and sits beside you, but he doesn’t touch you. He clenches his hands into fists in his lap, his knuckles white with the effort, but he doesn’t touch you.
That means something, you think. Says something about his character, even when he’s drugged.
Fifteen, twenty minutes after eating the laced candy: you’re ready to be devoured.
*****
Carrillo doesn’t know exactly how the drug works—if it affects men and women differently—but he can guess when you start to feel it.
Your face twists into an expression of concentration, as if you’re surveying how you feel. Like you’re checking in on your pulse, your breathing, your temperature. You narrow your eyes, and he wonders if you’re making mental notes that you’ll later print in your small, neat handwriting in the little notebook you keep.
Carrillo? He’s in hell. Twenty minutes of waiting for you to sink to his level, and every cell of him aches for relief. He’s not in any physical pain—whatever formula the chemists use for their so-called love drug, it’s meant to be fun, not painful. But it’s like pain, the endless want he has, the lust that’s sunk its claws deep into his gut.
The twenty minutes pass like twenty years.
Then you swipe your palms along the thighs of your jeans as if they are sweaty, and you breathe out a shaky, “holy shit,” and he knows you’re finally in the same place as him so he pounces, damned near: a graceless move, quick, that bridges the distance between the two of you. He presses himself against you, cages you against the arm of the couch, and when he bends his head to kiss you, you raise up to meet him more than halfway.
He knows it’s just the drug, but you kiss him with a passion he’s never experienced before: not with his now-ex-wife, not with the handful of girls before her. Every other kiss before pales in comparison to the heat behind your kiss now: the fierce way you slot your mouth over his, how eagerly you slide your tongue against his without an ounce of the shyness he associates with you. He can taste the sickly-sugary laced-candy, but he swears he can taste you too, and when he groans in your mouth, you answer with your own whine.
There’s only a small sliver of him that is still him, and that tiny shred of the sensible Carrillo manages to break away. You’re both tearing at each other’s clothing—your shaky hands fumbling at the buttons on his shirt, his hands tugging the hem of your blouse out of your jeans. But he breaks away with every remaining bit of his inner strength, and he gazes down at where you’re awkwardly splayed across his couch.
“Not here,” he pants. All of this will shame him when he’s sober, he thinks, but he can try to be a gentleman, can claim you on a proper bed and not on an uncomfortable couch.
He stands up, and a wave of dizziness washes through him. He staggers, and you sit up and reach out to steady him. You wrap a hand around his wrist and stare up at him. Your eyes glitter black because your pupils are so wide that the color of your irises is little more than a crescent—but he thinks he sees concern there underneath the lust.
“You okay, Colonel?” you ask, confirming his suspicions. Even now, under the influence of the drug, he’s seeing your caring nature that he’s never been privy to before. It sobers him up just enough.
Carrillo nods. He twists out of your light grip and takes your hand in his. He tugs you to your feet and feels how you sway against him too.
“N-not here,” he repeats. A fresh wave of lust courses through him, nearly knocks him to his knees like the incoming tide. “I don’t…not here, okay? C’mon.”
You nod and allow him to lead you back to his bedroom. He keeps his hold on your hand, unwilling to give up the tame touch, and when you squeeze his hand—maybe you’re nervous—he squeezes yours back in reassurance.
-----
That small, quiet voice that was sensible Carrillo is silenced the minute he gets you in the bedroom. The drug takes him over completely, and he’s almost relieved to cede all control to it. He’s always so tight-laced, so straight-edged.
This Carrillo is nothing but id: driven by desire, chasing pleasure. He feels like little more than an animal, and he finds that he likes it.
Your clothes don’t survive him. He tears at your blouse and the buttons ricochet across the room. He’ll find them for weeks afterwards; he’ll send you home in one of his plain white T-shirts the next morning, and the sight of you in such a tame outfit will make a curling wave of lust course through him, though the drug will have worked itself out of his system by then.
He tugs at the clasp of your bra, fumbles it but then unlatches it, and he pushes it off of your arms to reveal your breasts, and Carrillo sways closer to you. He touches you there first, cups the soft roundness of you, and he feels how diamond-hard your nipples are. He bends his head and puts his mouth to you—suckling, nipping, licking at you, and he feels your hand thread through his hair to hold him there. He hears the keening whine you loose, the throaty way you say his name.
Not his name. You whine out Colonel, his stupid fucking title, and he lifts his head. He stares into your dark, unblinking eyes. He reaches up a hand and grips your chin, firm but not hard, because even underneath the raging animal lust burning through him, he doesn’t want to hurt you.
“Horacio,” he tells you. “Say it.”
You do, and it’s no mousy whisper. Your tongue darts out and lays a wet line on your lower lip.
“Horacio,” you reply. You say it carefully like it’s a new word for you.
“Say it again,” he demands, but you only get the first two syllables out before he’s muttering a curse at hearing his name in your mouth, the intimacy of it, and he seals his mouth over yours in a fierce kiss.
The rest of your clothes—your jeans, your panties—fall away as he strips you. There’s no art to it. No seduction, because you strip him just as fiercely. You tug at his belt and undo it, pull it from the loops of his pants with a snap as the leather whips against the air. You get him out of his uniform shirt and t-shirt underneath it but then he pushes you back against the bed and you fall, naked and gorgeous.
Horacio pounces.
There is a part of him, terribly small and far away, that worries you don’t want this. The straight-edged part of him despairs that this is just the drug, that you’ll be horrified in the morning.
His worrying will be needless. He’ll wake before you in the morning—the consequence of being in the army so long—but when you finally wake too, you’ll only be a little shy. You won’t have any regrets, and you’ll prove it to him by climbing onto him, by riding him slowly in the pre-dawn Medellín morning. And neither of you will be drugged when you do.
Now, he stretches the length of his body over yours, feels the feverish press of his skin to yours. You open your legs to him, but when he settles between your spread thighs, you hook your feet onto his pants, reach down with your hands, and clumsily try to work the rest of his clothing off of him.
“Eager,” he mutters against your mouth, and your lips are slick, swollen from how much he’s already kissed you.
“Please,” you reply. You gaze up at him, blink as if you’re trying to clear your head. “Please, Horacio.”
Then you shift the hand that is already reaching down, and you touch him—your hand slips under the low-slung elastic of his boxers, and your warm hand is on his cock, and the sudden touch makes him jump and twitch in your palm as you grasp him firmer, start stroking him.
“Fuck,” he chokes out. “F-fuck, cariño.”
If he can be grateful for anything, it’s that he got dosed in your lab and managed to get home before this moment. You told him this drug was circulating though Medellín clubs and bars, and Horacio cannot imagine succumbing to this sharp, all-encompassing desire in public. He’s grateful he got you to his bed, where you have privacy.
The first time he fucks you, Horacio gets no further than freeing his cock from the confines of his pants, shoves his uniform slacks and his boxers down just enough for his aching length to spring free. You moan as you stroke him—he’s slick with pre-cum—but he breaks free from your grip and shuffles forward. He pushes forward until he’s touching your slick folds, and then he pushes into you, unable to stop himself, but your hands reach down and grasp his ass and pull him into you, and once he’s buried to the hilt, you wrap your legs around him.
The first time he fucks you, Horacio can’t manage intelligible words. Not in English, not in Spanish. He can only grunt like an animal, can only breathe harsh, ragged breaths as he thrusts into you. You’re unbearably wet, unbearably hot. It’s like fucking some tight, searing thing, and the heat is everywhere—your cunt, your bared skin, your panting mouth, your hands gripping his shoulders. The heat sinks into his skin, into his tense muscles, into the very bones of him. It’s like he’s being unmade at the molecular level, broken down into base elements, and his grunts turn to snarls as he fucks you harder, deeper.
You? You take it. You take it eagerly. You wrap your legs around him. You wrap your arms around him, and even if he wanted to stop, he’d have to untangle himself from your limbs. Each jarring thrust where he’s completely buried in you makes you groan, and even you have an animal quality to the sounds he’s pulling from your perfect lips. When the crown of his cock hits the end of you, you groan, but it’s throaty—almost a growl.
A moment later, he feels a sting of fire on his back where you dig your fingernails into him. Where you scratch long lines of burning into his skin, like a brand. He’ll carry those marks for days, feel how they burn under the spray of his shower.
Then you aren’t just taking it anymore. You start to fuck back against him, lifting your hips an inch off the bed, tilting your pelvis enough to grant him more depth to you. You find his rhythm and meet him thrust for thrust, until you’re moving not as two people but one.
The first time he fucks you, Horacio has no clue how long it lasts. It goes by in a blink. It lasts for hours. It’s nowhere near long enough before he feels the burning tension at the pit of his belly snap and spill over like molten metal poured out of a crucible. He can’t even warn you that he’s about to come because it happens so quickly—a particularly deep thrust where he swears he can feel himself breeching the entrance of your womb, where you hiss in his ear some phrase he won’t remember. The tension snaps, and he breathes out your name, and he comes inside you, brands your perfect cunt with his spend.
But the feeling of him filling you must be the last bit of stimulation you need because you come a beat later too, and the sensation of your cunt rippling against him when he’s already so sensitive nearly makes him cry.
It gives you each a moment of reprieve. Horacio’s burning lust recedes just enough that he gazes down at you. He feels a sting of guilt—you’re disheveled, your hair wild and your eyes leaking tears down into your temples. Your lips are swollen as you struggle to catch your breath, and you look so gorgeously, thoroughly fucked that he leans down and kisses you gently on the corner of your mouth.
“Are you okay?” he asks.
You nod. You reach out a gentle hand too, curl it into a loose fist and run your knuckles lightly over the side of his face. It’s an oddly sweet gesture, soft, and when Horacio tilts his head into your touch, you uncurl your fist and cup his face.
This is the moment, he will realize later, where love takes root. This simple, intimate moment between the two of you. Eye of the storm, where he kisses you sweetly and you cup his face. The love won’t blossom or fruit for a while yet, but this is where it reaches its tender shoots into him.
But the realization won’t come until later. For now, the receding tide of lust reverses, comes rushing back in. He’s still buried in you, still hard as steel, but everything is getting warm again.
“You okay?” he asks again, but he’s already pulling out a fraction, pushing back into you, his hips making small movements.
“Again, Horacio.” Your thumb strokes along his stubbled cheek, and you nod up at him. “Again, please.”
You ask so nicely. He pulls out long enough to finally strip out of his clothes, but then?
Then he obliges.
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