#(is there a reason for HIM being white???)

[chloesimaginationthings]

omggggg your crying child is sooooo cuteeeeeee more of him pleaseeeee

I’m glad y’all liked his design! I hope to draw him, and the other ghost kids more

[juniemunie]

If the game keeps calling us Angel why not go with it ya know

Gaster is the devil for uhh obvious reasons (looks at his association of 666 and darkness, his faustian deal with Spamton etc etc)

Here comes sansnomaly

[tytoalbatross]

god damn i do not post often but can i talk about intentionality for a second?? one second please

i'm gonna be talking about bg3 but this really applies to any fandom space. people will, surface-level, agree that a Black character is not getting enough content compared to their white counterparts because it's. obvious . take wyll, who is several hours behind on voiced lines compared to other origins despite being one of the original five (before they added karlach and whiteified her too but that's another post). it's hard to deny cold hard facts

but then instead of engaging in content that uplifts Black characters and creators, they'll go right back to pumping out more and more content of just their white faves. on its own, it's not actively harmful, but here's what the implication is, whether they acknowledge it or not: yes wyll has less in-game content, yes his writing didn't get the attention it deserved, therefore i don't like him as much. it only perpetuates wyll's lack of content by contributing to his sidelining in fandom spaces

what i would love for fans who claim to be allies to do is to step out of the comfort zone of their initial favorites (which can, in fact, be biased!) and start pursuing content centering Black characters with intentionality. like all things, anti-racism (actively pushing back against racism rather than simply "Not Being Racist") takes practice and effort. you can't really agree with us that wyll needs more content, then in the same breath say that it's because of that that he's not interesting to you . the point was right in front of you doing a jig and you still missed it

[sakebytheriver]

This was done specifically for me, because since day one(1) I have been headcanoning Gus as gay and now I have canon confirmation, can't wait for the Gustholomule kiss to solidify it 😁

[jaeyxns]

Jake ♡ -note (230729)

[overleftdown]

saltburn and privilege; an investigative tangent

god, where to begin.

i've seen a lot of people discussing this moving and specifically using the word "privilege," along with power, dominance, desire, control, greed, etc. me included. these are all very essential aspects of this movie. what i want to focus on is emerald fennell's nuanced portrayal of how different types of privilege interact. which one trumps the other? which types of privilege are more visible, while others are more subtle? what differentiates different levels and layers of privilege?

when emerald fennell describes the core of this movie, her inspiration for this script, she talks about desire versus untouchability. she chose the most absurd type of wealth to represent untouchability: the british aristocracy. old wealth, generational wealth, so far removed from the majority of their ancestors' sins that they can arguably ignore that the money they're standing on is dirty. and they live in fucking castles. this is one of the most unbelievable, gaudy, visible types of privilege you can imagine. everyone is entirely aware and feels entirely justified to call attention to this type of privilege.

oliver, being the main character, might be considered the least privileged within this movie. i'd like to take a critical look at this. this movie is not a straightforward class commentary; there is no traditional "the poor eat the rich" dynamic. because although some people perceive oliver as the least privileged character in this movie, he is incredibly privileged. oliver comes from a comfortable upper-middle-class home in the suburbs. oliver has two loving parents and two sisters. oliver is white. oliver is a man. interestingly, from oliver's perspective, he's not privileged at all. he hates the cattons because they are more wealthy, more comfortable, more untouchable. this extends to venetia and farleigh, even though oliver has applicable layers of privilege stacked above even them. he knows he has a certain type of power over them... yet he still hates them because they have one type of power he doesn't have.

that brings me to my next point. the existence of one type of privilege does not negate the effects of another, entirely different, type of privilege (or marginalization) [quote]. this is what venetia and farleigh's characters draw attention to. venetia experiences some of the same struggles as many women; she is ignored in her own household, perpetually existing within her brother's shadow (rosamund pike once lovingly pointed out that venetia does not have a single conversation with elspeth in this movie). she's insecure about her body and her worth, so she takes what little opportunity she has to use felix's friends as a form of self-fulfillment. farleigh is not only half black, but he's also queer, non-immediate family, and unaccustomed to english culture (specifically this type of english culture). farleigh is, in some ways, more financially unstable than oliver's family because his mom was too sheltered to understand money and his dad is, apparently, "a lunatic." (that's not to say farleigh isn't economically privileged because oh boy, he absolutely is).

this movie doesn't intend to incite pity from the viewers for any of these characters, and it generally doesn't. oliver is pathetically greedy, ungrateful, and desperate for a chance to lick the boots (or bathtubs) of those above him. venetia is pathetically bored of the privilege she does have yet is still so entrenched in emotional turmoil due to other areas in which she is marginalized. farleigh is pathetically attached to uninterrupted comfort and arbitrary white-centric expectations, constantly running from or attacking any threat of struggle. none of these people understand, comparatively, what the less fortunate experience. they are so ignorant to the bubble they exist in and just how grateful they should be for what monumental privileges they do have. but... felix.

felix is the epitome of privilege. oliver is specifically obsessed with felix. just like oliver, felix is a white man. but felix is more wealthy, more comfortable, more untouchable than oliver. oliver isn't as infatuated with farleigh and venetia because he's fully aware of the privilege they lack. he's fully aware of the privilege he holds above them, and he enthusiastically uses this power he has against them. to be in the position of oliver is to be consumed by jealousy and greed so bottomless that you will assert your dominance over any group that you're able to. felix doesn't need to do this. he's been handed every privilege under the sun and therefor welcomes the less fortunate with childlike interest and an equally childlike attention span. there's an aspect of farleigh and venetia's marginalization that is so invisible, so quiet and unassuming, that felix doesn't even notice it. he can't possibly be confronted by it. to be in the position of oliver is to understand what power you hold over others, because there is always more power to have.

racism, sexism, wealth, power, control, desire. there are so many facets of this movie that come into play. it may seem overwhelming, but this is... how things work. commentary on wealth is, and should be, equally a commentary on other areas of privilege. to be black and wealthy means different things than to be white and wealthy. to be a wealthy woman means different things than to be a wealthy man. to be rich to some also means you're much less rich than others, unless you're the richest person in the world. and, as this movie so beautifully portrays, to be richer than most doesn't make you less messy. the catton family is an ugly one, but also a complexly human one. each catton (or start) is jealous of someone else for another reason. each catton is emotionally damaged or incompetent for another reason. each catton has a different layer of privilege over the other. and each catton loves everyone in saltburn, because this is still a family, albeit a terrible one.

[nothing-behindher-eyes]

bro I need him so bad

[trashcanwithsprinkles]

*breathes deeply* new fic? new ongoing fic to read? holy moly there's so much to catch up on, that is a lot of reading. (not speaking about fic only. i mean also asks here, because they can be gold nuggets of fun things. and i have not checked for months for tiredness,, woe)

favourite things about new fic so far: zhongli going down rabbit holes of information of Things he Does Not Know because alternate reality and a most favourite shared disconnect from the rest of the world. very understandable. love to see that. also love to see how he's trying to act according to appropriate power levels and is still overpowered. ... actually, is it a full alternate reality or is it another time travel shenanigans (or both)? because. just because. i have a feeling i'm reading it too fast in haste so i may well be missing things that make that more or less obvious

my confusion of reading in haste too much aside, did i see something about being able to ask for outfit doodles? 👀 if no one else has yet i am here for it (as long as it is not a trouble)

absolutely no trouble, i just cleaned it up a bit and colored it in. here's the crew so far! god i can't believe i nailed guizhong's hair color and blue-white color scheme in cyanide LMAO literally colorpicked her haircolor from one of my drawings of her hahah

[joskippy]

There is such a big racism and antisemitism problem in the nightvale fandom that its fucking crazy

[dennisboobs]

some of you should not speak on dennis until you've rewatched sunny in full instead of just the macden-centric eps.

[fckedupnerd]

Mathew Baynton in the Dodges and Feints music video for DM Stith

Video here:

[leon-on-the-froggy-chair]

Remembering that one time i got cancelled in a tiktok comment section for implying Luis isn't white

[youngyoo-apologist]

OG Choi Han they could never make me hate you cause if some random rich boy was yelling at me and telling me my family deserved to die like a day after it happened and all I wanted was to know how I could get help I’d beat him up too

This plus the added fact that the Harris Village people were the first people to take Choi Han in and take care of him after years and years in the dark forest. Like he’s obviously not going to be mentally stable after all that, and he was so young when everything happened to him like I cannot blame him at all. I don’t think I can ever hate OG Choi Han like ever, he’s flawed, he has problems, but I love him dearly. He deserves the world. This kid who had to fight for his life, was taken away from his family, and in the process had to give up parts of his own humanity to survive, and like went to war two years later, they could never make me hate u OG Choi Han…

Like yeah violence is bad I guess but OG Cale had it coming(saying this as an OG Cale fan, I love him, but he was mean as hell when he was younger!)

If I’m honest, I think they were both in the wrong to an extent. Like OG Cale shouldn’t have said all that no matter the circumstances, and OG Choi Han shouldn’t have beaten him up so much. But u say mean shit and you get hit, that is how it will work when you’re talking to the guy who just saw his entire village get murdered like idkkkk man

I understand where OG Cale was coming from, but he had many issues and while he wasn’t an awful person, he was capable of doing bad things because of his own internalized pain and emotions that he never got to properly process because of his emotionally distant childhood and relationship with his father who should have been there for him more when he was younger.

Okay speaking of his childhood, Deruth isn’t the WORST father in the world but there are a lot of things he could have done better. I think a lot of Deruth’s flaws come from his fear of failure and messing up. He’s scared of doing the wrong thing, and so he sticks to doing what he knows and using what he knows best. That’s why he uses his money, that’s why gift giving is his way of showing affection, he knows that it is one thing he cannot mess up.

The problem is that money and gifts is NOT what OG Cale needed. I think what that guy needed the most was a parent who wasn’t afraid to talk to him, to ask him questions. Not to say that Deruth gave up on OG Cale, but I think in a way he gave up on OG Cale by giving up on himself. Deruth didn’t trust himself to have the capabilities to talk to OG Cale, which is why he never did. It’s because that Deruth was scared, and didn’t trust himself, that he could never face OG Cale

If Deruth was able to trust himself a little more, and pull himself together, I don’t think OG Cale would have turned out the way he did. As a kid, he probably thought the only way he could help his family without relying on anyone(no doubt this whole ‘I have to do it myself’ thing came from the fact that he couldn’t rely on his father when his mom died, and instead was acting as a pillar of support for his father when it should have been the other way around) was to sabotage himself, the only heir. If he was shown to be unfit to be heir, then everyone else would have no choice but to direct their hatred towards him instead of his family.

If Deruth had talked to his son at least ONCE when he was a kid, asking him why he was upset or why he did the things he did, I think OG Cale would have told him. Why? Because he’s a kid!! A kid will obviously want to rely on his father, if he just had one sign telling him that he didn’t have to do it alone I’m 90% sure OG Cale would have said something.

Basically, while Deruth isn’t the worst father, he’s not really a great father either. I think he does do his best, but he has issues with communication lol

OG Cale and OG Choi Han are both complex characters and had their own reasons to behave the way they did. The thing is with people is that they’re complicated and have layers, so the situation with them would have layers behind it as well with multiple co-existing truths and stuff

[enlichened]

The thing thats consistently bothered me the most in the fallout show is the racism. I would hesitate to recommend it because of that alone. And there was obvious love that the set and prop designers, actors, costume department, and even maybe the writers put into the show! There are themes and characters in fallout that i'm certain would resonate with fans of color!

It KILLS me that so many of the fallout entries are damn well unplayable/watchable in this regard because the writers simply Don't Care how the people in their work are presented. That this like hugely popular world with a lot of worldbuilding and thought behind it does such wrong to so many people, fans and otherwise, that you cannot find any game in the series that does it right or well. It alienates a lot of people who might've been fans just because the majority white creators and fanbase don't give a shit, and I'm sick of it.

it's not enough to say "in the fallout in my head that racism doesn't happen," you actually have to put some things into PRACTICE. Allow space in your head, your games/show, your fan spaces for people of color! notice and say something when you see racism coming from media, yourself, and others!

[whalehouse1]

I don’t know which Tim and Jason fans need to hear this, but it’s okay to have a white guy as your fav. It’s not okay to ignore the poc in the Batman comics and give their characteristics along with the females’ to them.

[stellerssong]

ok sorry the OTHER thing about lucienne is like. as previously stated she is dream's handpicked emissary from the waking world to the dreaming she's the diplomat in chief she's the translator she's the bridge. because the dreaming is, in a very real way, dream's own psyche, this is tantamount to giving lucienne a tremendous degree of access to his interiority and by transitive property also tantamount to entering into a deeply emotionally intimate relationship with her (unimportant for the purposes of this post whether that relationship is platonic or romantic).

now, in general, looking at the pattern of dream's close emotional relationships—dream doesn't share himself with people as a rule (beyond the access that all things that live have to the dreaming; but i'm talking about his self here, the one he doesn't like to acknowledge he even has), but when he does share with people, it's with people who have some shadow on the soul, so to speak. just looking at attested relationships in show canon, his deepest emotional connection seems to be with death, who embodies the duality of light and dark even better than he does himself. calliope is the muse of epic poetry—heroism and tragedy—and also bears the sort of divine pride that led her to cut dream off for hundreds or thousands of years when he wronged her. the less said about that other guy, the better, but he's no sunshine-rainbows-unicorns type—he's a soldier of fortune, a bandit and a killer, a man who profits from the sale of human life. even best bird matthew, in comix canon, had a sordid past that will maybe be partially retconned for the show but has still been gestured at.

dream likes the complicated ones. he's drawn to them. they speak to something in him that he won't acknowledge in himself (he has to be Whole, fully integrated, without reservation, because he is the king and he is the dreaming and if the dreaming ain't whole then the universe is in trouble—but he feels that ache nonetheless).

all that is to say: when people try to portray lucienne as dream's Designated Well-Adjusted Neurotypical Friend, i begin to harm and maim.