#109min

[9jalightrend11]

CRUSH – Nollywood Movie 2022

CRUSH – Nollywood Movie 2022

Download Crush Nollywood Movie Mp4 Film Enjoy this new Nollywood movie dubbed “CRUSH” brought to you by Nolly Family TV. Find out more. Starring Ebube Obio, Ray Emodi, Benita Onyiuke and many others Genre: Drama Stars: Ebube Obio, Ray Emodi Runtime: 109mins DOWNLOAD

[gk5fit3]

劇場鑑賞 DVD、Blu-ray所有 Blu-rayになって吹き替えも DOLBY TRUEHD 5.1chになりました！ フランクが時間訓練に使う このCASIOの時計が懐かしい（笑） 宿敵コクランのCatch you later、 字幕は「あとでな！」 吹き替えも「あとでな！」 で、安心（笑） TVやDVDで色々あって… 「んじゃな！」とか 「じゃあな！」とか… 「あとでな！」ってのが一番かなと思う（笑） そしてこの2人… 愛車がファイアバードトランザムに対しての シボレー　コーベットなのが面白い！ 当時は、このブルーサンダー派と エアウルフ派とあったが…俺はいまだ… ブルーサンダー派！ エアウルフは強すぎで嘘くさい！ あと、ヘリのローター音がブルーサンダーの方が カッコいい‼️ #やつはそこにいる #heisoutthere #ブルーサンダー #bluethunder #1983年製作 #109min #royscheider #warrenoates #candyclark #danielstern #malcolmmcdowell (Yokosuka, Kanagawa) https://www.instagram.com/p/ChRauL8J4v-/?igshid=NGJjMDIxMWI=

[vovego3442]

D e s c a r g a r Aves de Presa Latino Mega HD

Descargar Aves de Presa pelicula de Harley Quinn 2020, descargar aves de presa español latino mega, Birds Of Prey es una película de superhéroes americana de próxima aparición basada en el equipo de DC Comics Birds of Prey. La película está destinada a ser la octava película en el Universo Extendido de DC (DCEU) y una continuación de la película de 2016 Suicide Squad. Está dirigida por Cathy Yan y escrita por Christina Hodson.

Descargar la peli desde el siguiente enlace

https://latinpelis.me/descargar-aves-de-presa-latino-mega-hd/

Titulo Original : Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn)

Año: 2020

Duración: 109min

País: Estados Unidos

Dirección: Cathy Yan

Guion: Chuck Dixon, Jordan B. Gorfinkel, Christina Hodson

Género: Aventuras

Reparto: Margot Robbie, Mary Elizabeth Winstead, Ewan McGregor, Jurnee Smollett-Bell, Rosie Pérez, Chris Messina, Derek Wilson, Steven Williams, Ali Wong, Matthew Willig, Charlene Amoia, François Chau, Greice Santo, Eric Michael Cole, Nico Greetham, Judy Kain, Eddie J. Fernandez, Robert Catrini, Dana Lee, Anthony Molinari, Ego Mikitas, Michael Masini, Gerald Downey, David Bianchi, Sara Montez, Mike Ferguson, Lenora May, Dominic Pace, David Anthony Buglione, Jeff Lipary, Joe Bucaro III, Eddie Alfano, Ryan Wicks,

[meyouandnoah]

So I’m taking a film study class this semester

And it’s focused on horror films! It’s been so great thus far. I’m taking all online classes this semester so I have to find all the movies on my own and watch them, take a quiz, and participate in an online discussion. I think the only one I have to write a paper on is The Exorcist. I actually really liked Frankenstein and Night of the Living Dead even though I thought they’d be boring. It’s pretty cool learning about everything that goes into a movie.

Heres the list...if anyone cares (check is next to the ones I’ve watches so far)

NOSFERATU (F.W. Murnau, 1922) – 81min ✅

FRANKENSTEIN (James Whale, 1931) – 70min✅

ABBOTT & COSTELLO MEET FRANKENSTEIN (Charles Barton, 1948) – 83min ✅

NIGHT OF THE LIVING DEAD (George A, Romero, 1968) – 96min ✅

THE DESCENT (Neil Marshall, 2006) – 99min

LET THE RIGHT ONE IN (Tomas Alfredson, 2008) – 115min

INVASION OF THE BODY SNATCHERS (Don Siegel, 1956) – 80min

THE THING (John Carpenter, 1982) – 109min

PSYCHO (Alfred Hitchcock, 1960) – 109min

THE SHINING (Stanley Kubrick, 1980) – 146min

THE TEXAS CHAINSAW MASSACRE (Tobe Hooper, 1974) – 83min

BLACK CHRISTMAS (Bob Clark, 1974) – 98min

SCREAM (Wes Craven, 1996) – 111min

THE UNINVITED (Lewis Allen, 1944) – 99min

THE OTHERS (Alejandro Amenabar, 2001) – 104min

CARRIE (Brian De Palma, 1976) – 98min

THE EVIL DEAD (Sam Raimi, 1981) – 85min

THE CABIN IN THE WOODS (Drew Goddard, 2012) – 95min

THE EXORCIST (William Friedkin, 1973) – 122min

POLTERGEIST (Tobe Hooper, 1982) – 114min

THE CONJURING (James Wan, 2013) – 112min

PARANORMAN (Chris Butler & Sam Fell, 2012) – 92min

I’m so excited to be able to say I’ve seen and studied all these!

[classicmoviesetc1]

[tornbluefoamcouch]

Artista: Iosonouncane Álbum: IRA Ano:  2021 Faixas/Tempo: 07/109min Estilo: Post-Industrial/Darkwave Data de Execução: 28/09/2021 Nota: 6,0 Melhor Música: hiver

[emilyontime]

Time Walk: Recording and performing 10 seconds for every ten minutes

https://youtu.be/v3DiUDK-xo4

https://www.youtube.com/watch?v=v0ZrWxo1b_4

Conducted over two walks on Friday 7th and Saturday 8th of May, this is my ‘Time Walk’ Film! It’s been split into two parts for the Youtube upload.

On the Friday, I walked again from my house to the Greenwich Meridian Line, which has become a point of fascination to me! I think of it as a redundant symbol of time, but also as a way of looking at or understanding time as having a locational or visual form... 

During the walk, I recorded 10 second audios on my phone, at intervals of 10 minutes (using alarms set every 10 minutes from the time that I organised to set off).

My mother kindly filmed the whole walk- as we didn’t know where I would stop according to the timers. She filmed me from across the road wherever possible, so that I could be clearly seen amidst my environment. This was perhaps a misjudged opinion as we passed through this road: 

... where I became submerged in the traffic that was between us.... but we both ended up enjoying the complexities of this, and the ways that the film reflected the changes in environment... One frustration is that the distance between us made it hard to see what I was doing when I recorded the sounds on my phone... This was pointed out in a crit- In the end, I’m not sure how well the premise translates into film, but alternatively, I like the idea that the concept becomes clearer over the duration of the film...

From my recordings, I  transcribed the sounds phonetically, each audio represented by a printed page that stated the time of recording.... 

The texts appear poetic as I’ve moved to another line where breaks between the sounds occurred, though sometimes the sounds moved into each other fluidly, and appear as long sections of text (I.e: traffic sounds or wind)

Where sounds overlapped, I had freedom to splice them together in different orders as letters on the page (I.e: the sound of wind alongside the sound of a car or a child shouting)... for this reason, the texts reccolect the sounds ‘at a distance’ from what was originally heard, and bring my own hand (and my ears..?) into the process of transcribing them- A breeze might have been visualised as a HOOOOO/ HUUUUU/ HAAAAOOOOOO sound by me, but a VAAAAAAOOOO sound by somebody else. I listened for the patterns, but also found that similar sounds (I.e: traffic sounds) often looked totally disparate from each other when I recorded them in writing.... 

I like where I came into this process: A vessel for the subjective translations.... 

On the Saturday, I took my translations, a roll of tape and a megaphone, and re-walked my walk to the Meridian Line point in Greenwich, stopping at the locations where I had recorded the sounds a day earlier...

This meant that I had to memorise these points by interrogating the footage from the day before, which really made me feel like I was learning the 10 second intervals, just as I was learning the sounds through writing, a step between experiencing and replicating what could be heard and where that had to be done on the Friday night and Saturday morning/ afternoon... 

I taped the phonetic translations up at the locations, choosing different surfaces each time... and then read aloud each one using a megaphone. The performances, which rarely lasted exactly 10 seconds, play out as surreal and comical nonsense ‘announcements’, exaggerated by the volume and presence of the megaphone. I like this effect, and the way that it is naturally connected to giving a speech at a protest or making an announcement in case of fire.... a formal, emotive, and yet wordless speech that acts almost as a dedication to the ten second recordings, but is also a reaction to these sounds that is at a disconnect from what was actually heard. 

Clips of the recordings were put together with the readings for each individual location, the film slowly following the length of both walks. Proceeding this footage, is a 10 second video per location- Taken of the posters during the second walk, to which I added the original recorded sound from the same space on Friday:

A symphony of Friday’s sound, Saturday’s space and the transcription that exists between them, collated times...

(Or an unnecessary complication?)

The initial walk took over 70 minutes. An eighth set of recording/performance videos show my arrival at the meridian line on both days. The walk on the second day took 109mins

[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 6 / 10

Título Original: The Vanishing

Año: 1993

Duración: 109min.

País: Estados Unidos

Director: George Sluizer

Guion: Todd Graff (Novela: Tim Krabbé)

Música: Jerry Goldsmith

Fotografía: Peter Suschitzky

Reparto: Jeff Bridges, Kiefer Sutherland, Sandra Bullock, Nancy Travis, Park Overall, Maggie Linderman, Lisa Eichhorn

Productora: 20th Century Fox

Género: Drama, Horror, Mystery

https://www.imdb.com/title/tt0108473/

TRAILER: https://www.youtube.com/watch?v=cBg7gjX9xBM

[flickpicks]

The Devil’s Rejects (2005)

Scary Movie Fest Day 3

Film: The Devil’s Rejects (2005)

Directed by: Rob Zombie

Run Time: 109min

Available on: Starz (expires Oct 13th)

As an avid horror fan, I’m embarrassed to say I’d never seen this film before. It’s one of those that I’d always heard about and knew wholeheartedly that I should see it; I just never got around to it.

This is a hard one for me to talk about, because I feel like I should love it more than I do. Don’t get me wrong, I liked the film, but there were many artistic choices that stopped me from loving it. The whole thing reminded me of The Hills Have Eyes (1977) (hell, even Michael Berryman, who played Pluto in the original, was in this film). And The Hills Have Eyes is one of my all time favourite horror films. So it’s already got a high bar to go against for me. And it almost made it. But Zombie’s questionable choices about what to include and what not to include in this film just struck me as bizarre.

There are several scenes where I found myself asking “what does this have to do with this story?” The majority of these scenes were with the Sheriff (William Forsythe). I get that he’s neurotic, but it still feels that many of his scenes were not needed. When he meets with the movie critic and they fight about Elvis -- it just didn’t fit. It was such a weird scene that it took me out of the story. It didn’t feel relevant to the film (and as it turns out, it really isn’t). Scenes like this strike me as disruptive and made me lose interest in the film. That in conjunction with Rob Zombie’s borderline obsession with his wife (Sheri Moon Zombie who played Baby) almost made me want to turn off the film. There are so many unnecessary shots of Baby all the time. And her lines are played on loop at times when she’s not on screen. And if she were actually a good actress, I would understand. But she’s not. Her obnoxious laugh and horrendous line delivery were grating and unbearable. Most everyone else in the film gave a phenomenal performance; it only makes sense to give the others more screen time. A stronger performance makes a stronger film.

That being said, there were several elements of this film that I did enjoy. First and foremost, the soundtrack. As a classic rock lover, I found myself paying more attention to the music than what was happening at times. But hey, you just can’t passively listen to “Freebird”.

The dialogue at times is lyrical, in the beginning. But as the violence increases, it eventually just becomes a never ending stream of expletives and shouting. Until the dialogue just stops, and “Freebird” begins.

So, let’s talk about that ending scene. It was beautifully done. The song was well chosen; the scene was well shot. It’s emotional and exciting. It reminds me of the ending of Thelma and Louise (1991). I felt like pumping my fist in the air and shouting. The quick interchange between shots and the handheld effect of not having perfect framing all the time feeds the excitement and adventure. Part of me was rooting for this family of serial killers to go out in a blaze of glory. The ability to elicit that sort of response for characters such as these shows me that Zombie has the capacity to make a great and wonderful film; he’s just got some fine tuning to do.

--Victoria

[gk5fit3]

結構評価低いけど…どうなんだ？ #sabotage #2014年製作 #109min #arnoldschwarzenegger #samworthington #oliviawilliams #mireilleenos https://amzn.to/3iNloHQ (Yokosuka, Kanagawa) https://www.instagram.com/p/CU1yuQLl3RZ/?utm_medium=tumblr

[cimono]

那些年，我們一起追的女孩 /  You Are the Apple of My Eye (2011)

Taiwan | Giddens Ko | 109min

[dnblines]

Narbis Old Skool April Part 2 mp3

181kbps, 109mins

Narbis Old Skool April Part 2 mp3 was originally published on Drum and Basslines

[lamadreculta78-blog]

Ayer estuvimos horas rompiéndonos la cabeza tratando de hacer una lista con nuestras 13 películas favoritas de miedo //por eso del VIERNES 13��//. Se nos hizo imposible nada más poner 13 y terminamos mejor haciendo varias listas que les estaremos compartiendo a lo largo del mes. Estas son las que consideramos son CLÁSICOS del cine de horror. ¿Cuáles son sus favoritas?  HALLOWEEN Dir: John Carpenter Año: 1978 País: USA Duración: 91min --- THE AMITYVILLE HORROR Dir: Stuart Rosenberg Año: 1979 País: USA Duración: 118min --- HASTA EL VIENTO TIENE MIEDO Dir:  Carlos Enrique Taboada Año: 1968 País: MEX Duración: 90min --- EL LIBRO DE PIEDRA Dir:  Carlos Enrique Taboada Año: 1969 País: MEX Duración: 99min --- THE SHINING Dir: Stanley Kubrick Año: 1980 País: UK/USA Duración: 144min --- THE EXORCIST Dir: William Friedkin Año: 1973 País: USA Duración: 121min --- IT // es una minserie // Dir: Tommy Lee Wallace Año: 1990 País: USA Duración: 192min --- PSYCHO Dir: Alfred Hitchcock Año: 1960 País: USA Duración: 109min - - - #movies #moviesfriday #quehacermty #mty #quever #horrormovies #fridaythe13th#viernes13 #halloween #amityvillehorror #hastaelvientotienemiedo #ellibrodepiedra#theshining #theexorcist #it #psycho #cinedehorror #Mty #viernes

[mouxmyoung-blog]

나머지 밤들

어둠이 오기 전에 (82min)

켄 로치의 삶과 영화 (94min)

의식의 물리학 (82min)

기록작가 하야시 에이다이의 저항 (100min)

리처드 링클레이커: 꿈의 연대기 (90min)

가족의 탄생 (80min)

도시 농부 프로젝트 (109min)

우리 사랑 이야기 (80min)

[tornbluefoamcouch]

Artista: Hammock Álbum:  Chasing After Shadows... Living With the ghosts Ano: 2010 Faixas/Tempo: 18/109min Estilo: Ambient/Post-Rock Label: Self-Released Data de Execução: 08/02/2018 Nota: 9,5 Melhor Música: Breathturn

[theinformantspy]

Steel Cold Winter

Profile Movie: Steel Cold Winter (English title) / Girl (literal title) Revised romanization: Sonyeo Hangul: 소녀 Director: Choi Jin-Seong Writer: Choi Yoon-Jin, Choi Jin-Seong Producer: Choi Yoon-Jin, Choi Seung-Hyun Cinematographer: Son Won-Ho World Premiere: October 4, 2013 (Busan International Film Festival) Release Date: November 7, 2013 Runtime: 109min. Genre: Mystery / Suspense-Thriller /…