#1800-1945

[liliregale-main]

Founding of the Vienna Philharmonic, 1842

For @historical-hetalia-week's prompt 1800-1945

[nakajimahikouki]

1871.

For @historical-hetalia-week​ Day 5 [ 1800 - 1945 ] Tried a comic for The Scene™ wherein the two of them become visually distinct for the first time, and Kiku embraces modernity while Hikaru clings to tradition for just a bit longer. the usual no reposting+etc. rules in my pinned post apply. wish i could share more of them this year but alas, i have time for only one bit of brainrot this year.

[faintvibes]

Historical Hetalia Day Five: 1800 - 1945

Day 5: 1800 - 1945 // Shadows @historical-hetalia-week

When making this piece, I'd been having Thoughts about the potential relationship dynamics between Nyo!Prussia and Germany. Then I happened to stumble upon a glorious mess of a German dress, and this happened. My only regret is making Germany so damn young when (judging by canon, vaguely) he's prooooobably an adult at this point.

More of an explanation is under the cut!

Let's start with Prussia, since the idea for this piece only began to be truly conceptualised upon finding that goddamn dress. Here it is, by the way:

It's from the book "Ein Hauch von Eleganz: 200 Jahre Mode in Bremen" (A Breath of Elegance: 200 Years of Fashion in Bremen)- which appears to have been created on behalf of the Bremen Museum of Art and Cultural History (you'll have to forgive me if that's incorrect- my German is still a work in progress!)

The moment I laid eyes on this, I knew for a fact Prussia would wear this. The dress is tacky, bewildering, and absolutely delightful.

It's dated to 1885, so take that as a loose setting (beyond just '1800s') for this piece. However, the dress is likely the only sure piece of proof you'll find of this. For one, Prussia's hair (nevermind that it hasn't been styled) does not fit the fashionable cut of the time. Women tended to cut their hair short at the front, and then curl those bangs. However, I have a headcanon relating to N!Prussia's hair/general sense of identity (a very long story, that I'd rather save for its own post... maybe... someday... than shove in here!) that makes me think she'd not be so inclined as to cut it. While here, in the privacy of her residence, she doesn't bother to even style here hair- though this is likely a different case in public.

As for what she's doing? Probably preaching about her awesomeness!

At the time of making this, I'd just recently discovered a 3 part series focusing on Prussia's life (uploaded to Youtube by rano) originally from Bilibili (here's part one). I'd adored a fair few of the outfits throughout the series, but two of little Germany's stood out to me:

I'd asked my parents to vote on which one they liked better, and they picked the one you now see! Fun fact: in the video's rendition of the outfit, all those little specks on the vest are tiny patterns. Prussia's dress was enough for me y'all, no way was I gonna be able to draw those on too (｀Д´)

The background is inspired by this image of a room in Sanssouci Palace, built by Frederick the Great of Prussia:

I didn't want to overload the piece with red, so I changed up that colour- but the patterns below the bench Prussia and Germany are sat on are based on the patterns bordering the bottom of the walls.

And yeah! From here I'm pretty sure the explanations are going to be shorter than the first few days :) But thanks for reading, if you've made it this far! That's pretty cool of you

[theshatterednotes]

Else Lasker-Schüler, German-Jewish poet

[hkpika07]

What moment in ttte made you shocked?

Idk man ttte isn't a very shocking show. It's incredibly down to earth, if a bit real with some of its stories. While yes some of the earlier episodes and especially the books can branch onto more serious and arguably darker content its nothing that would really shock me per se.

Nothing really shocks me, it just makes me think. Maybe be a bit sad or feel for the characters. But that's what any good story does.

[raggedy-spaceman]

Izzy in the 1700s singing a song written in 1945 🤝 Crowley in the 1800s singing a song written in 1965

[calabria-mediterranea]

25 April - Anniversary of Italy's Liberation

25 April also known as the Anniversary of Italy's Liberation is a national holiday in Italy that commemorates the victory of the Italian resistance movement against Nazi Germany and the Italian Social Republic, puppet state of the Nazis and rump state of the fascists, culmination of the liberation of Italy from German occupation and of the Italian civil war in the latter phase of World War II. That is distinct from Republic Day (Festa della Repubblica), which takes place on 2 June and commemorates the 1946 Italian institutional referendum.

Every year on 25 April Italy celebrates Liberation Day, known in Italian as Festa della Liberazione, with a national public holiday.

In addition to the closure of schools, public offices and most shops, the day is marked with parades across the country, organised by ANPI, Italy's partisan association which preserves the memory of the Resistance movement against Fascism.

The occasion is held in commemoration of the end of the Fascist regime and of the Nazi occupation during world war two, as well as the victory of Italy's Resistance movement of partisans who opposed the regime.

Formed in 1943, the partigiani comprised a network of anti-Fascist activists, from diverse backgrounds including workers, farmers, students and intellectuals, across Italy.

Resistance

Together they united in armed resistance against the Nazi occupation and the Fascist regime, making their struggle both a war of liberation and a civil war.

The annual event marks the day in 1945 when a nationwide radio broadcast calling for a popular uprising and general strike against the Nazi occupation and Fascist regime was announced by the National Liberation Committee of Upper Italy (CLNAI), a political umbrella organisation representing the Italian Resistance movement.

This announcement - made by partisan and future president of Italy Sandro Pertini - resulted in the capture and death of Fascist leader Benito Mussolini, who was shot three days later.

The Festa della Liberazione represents a significant turning point in Italy's history, paving the way for the referendum of 2 June 1946 when Italians voted in favour of a republic and against the monarchy which had been discredited during the war and whose members went into exile.

Scurati controversy

This year's event takes place against the backdrop of a political controversy after the state broadcaster RAI stopped a well-known Italian writer from delivering an anti-fascist monologue on television a few days before the Festa della Liberazione.

Antonio Scurati accused RAI of censorship after his monologue was dropped abruptly from the Saturday night talkshow Chesarà for "editorial reasons".

The writer claimed that the move highlighted the alleged attempts by premier Giorgia Meloni's right-wing government to exert its influence over the state broadcaster which has seen several veteran presenters leave over the last year including Fabio Fazio, Bianca Berlinguer and Amadeus.

 In his speech Scurati criticised the "ruling post-Fascist party" for wanting to "re-write history" rather than "repudiate its neo-fascist past".

RAI director Paolo Corsini rejected any talk of censorship, as did Meloni who responded to the controversy by posting Scurati's text on her Facebook page, stating that the broadcaster had "simply refused to pay 1800 euro (the monthly salary of many employees) for a minute of monologue".

Meloni added that the Italian people "can freely judge" the contents of the text which was later read live on air by Chesarà presenter Serena Bortone in an act of solidarity with Scurati.

[natjennie]

just. the way that ghosts so thoroughly shows that people have always been people. they've always been a little bit messy and a little bit silly and they get mad and they laugh and they learn and they grow and they have forever and will continue to forever. and then when you consider the queer aspect of like. gay people have always been here. robin slept with anyone he wanted to and they raised children as a community. fanny's husband was gay in the 1800s. the captain was gay in 1945. sam and clare had their wedding at button house in the 2020s. people have always been here and sometimes they're gay and sometimes they fight and sometimes they grieve and sometimes they love and sometimes they're mean and sometimes they're kind and they apologize and they play games and they organize clubs and they play pretend and they cry and they live. they're dead but they live. they live.

[marietheran]

Add what country you're from in the tags.

[flowerishness]

Art Deco

Maybe the rarest tea cup in the collection is this Shelley 'Cloisonne Black Crackle Chintz' pattern made between 1925 and 1945. Shelley Potteries was established in mid-1800s in Staffordshire, England. However, Shelley is probably best known for its fine bone china "Art Deco" ware of the inter-War years.

[liliregale-main]

The First Swiss Army Knife, 1890

And I really wanted to give him the 19th century mustache and sideburns, but here is his mustache-and-sideburn-less version

For @historical-hetalia-week's prompt 1800-1945

[the-mic-drop]

World Events & Hazbin Characters

@shokolandish this is your fault.

1800s

1840s- Sir Pentious is born (approximately maybe)

1841- The word 'dinosaur' is coined.

1861- The American Civil War begins

1869- The Suez Canal is completed

1873- Blue jeans are invented

1879- Thomas Edison invents the lightbulb

1888- Sir Pentious dies

1888- Jack the Ripper murders occur

1890s- Husk is born (approximately maybe)

1890- 1st use of the electric chair

1892- Basketball is invented

1896- The Olympics are revived

1900s

1900s- Alastor is born (approximately maybe)

1910s- Angel Dust & Vox are born (approximately maybe)

1912- The Titanic sinks

1914- Panama Canal opens & WWI begins

1918- WWI ends

1920s- Niffty is born (approximately maybe)

1920- Prohibition begins in the U.S.

1923- Time Magazine is first published & Disney is founded

1927- The first sound film "The Jazz Singer" is released

1929- The Great Depression begins

1933- Alastor dies & U.S. Prohibition ends

1937- The Hindenburg Disaster

1939- WWII begins

1945- WWII ends

1947- Angel Dust dies

1948- Gandhi is assassinated

1950s- Niffty & Vox die

1953- 1st color TV is produced

1954- Rock & Roll hits the American mainstream

1959- 1st documented AIDS cases

1960s- Cherri Bomb is born (approximately maybe)

1960- The Beatles are formed

1967- The New Orleans Saints football team is formed

1968- MLK Jr is assassinated

1969- 1st moon landing

1970s- Husk & Valentino die

1977- Star Wars is released

1980s- Cherri Bomb dies

1982- Michael Jackson's album Thriller is released

1984- Radio Ga Ga by Queen is released

1985- The Macintosh 128K is released

1990- The World Wide Web begins

A few takeaways:

They all died before the the internet as we know it began.

Vox died just before color TV came around

They all could have worn blue jeans in life

Angel Dust and Vox lived through both World Wars and they were likely at an age to be drafted into service during WWII. Maybe that's where Angel got so good with Tommy Guns? And MP-40s, come to think of it...

[stirringwinds]

Do you think Alfred is insecure about being young? Like I know that there’s countries younger or closer to age to Alfred, but the people Alfred hangs out with the most, has more economic ties, and has military alliances with are way older than Alfred (ex literally all of Europe and Asia). So I was wondering if you think Alfred, being always around people with way more experience than him, feels insecure about being so young and ‘inexperienced’ maybe that’s why he wears glasseS

Interesting question! As I see it, yes and no. 

Yes—in the 18th century, when he was much younger, and rebelling against Arthur. Going hat in hand to the other Old World empires and nations like Francis and Antonio for money was a pretty intimidating experience. So it was with Gilbert, coming to whip his ass into shape in Valley Forge. Even with other nations where he wasn't asking for major favours to fund his rebellion but more like 'hey recognise me? please? can my ships come to your ports?' like Morocco or Yao, during the Old China Trade (uhhhhh ive been banned from all the usual trading posts all across my father's empire...and I heard you guys like otter pelt and ginseng?).

No, because from the 19th century onwards, he's very much growing into a world power. I see Alfred as being quite a zealous idealist who sees potential for improving the world (not always in the best way, but from his POV it is), and this is the period where his mindset is increasingly one of brazen, youthful self-confidence. To him, his age is an asset. He's casting a pretty jaundiced eye on the Old World as a whole—perceiving them as being full of religious feuds, outdated monarchies and straitjacketed by nonsensical traditions: they’re ossified fucks who ought to realise the glory of republican civilisation and everything else he's got grand ideas about. Like, one contrast is really how much more intimidated I see him being going to China during the Old China Trade in the late 1700s—versus the brazen gunboat diplomacy of the Perry expedition to Japan in 1853. Like, the contrast with how the Americans behaved themselves when they had no navy and their ships were so small the Chinese traders thought they were tenders from larger vessels and not ocean going ships (lmao) and the Perry expedition is huge. 18th century Alfred would’ve been more intimidated around a nation who beheaded Kublai Khan’s emissaries and fought in more battles long before he was born—19th century Alfred isn’t. 

And even less so in the 20th century—especially during WWII. There’s no victory unless he puts his thumb on the scale, and even Sir Lord Arthur Kirkland is openly begging for it. If people had any remaining thought of him as the young, ambitious crown prince somewhat walking in the shadow of his father, all that is gone in WWII. He steals the fire of the gods and literally makes it shine brighter than a thousand suns in all its terror and awe. Other nations can get under his skin, especially in the dynamics of a rivalry (Arthur, in their power struggle over influence, Kiku, as a duelling Pacific empire in the late 1800s—1945 and then also Ivan). But older Alfred is far less likely to be insecure solely on account of them being older than him. It’s more if he perceives they’re challenging his dominance and hegemony—or if they’re questioning his idealism and principles. Like Antonio at the end of the Spanish-American War—oh, you really are your father’s son. I can see moments of vulnerability where his youth and inexperience shines through (such as the American Civil War), but older Alfred’s insecurities tend to dig on faultlines regarding: challenges to his hegemony and principles because unlike Lord Father (tm), I think he’s far more of an idealist. He wants to be great and good, but greatness often is in direct conflict with the latter. 

[arthistoryanimalia]

#TwoForTuesday for #InsectWeek: Japanese praying mantises!

1. Ohara Koson (1877-1945) Praying Mantis and Full Moon, c. 1920s woodblock print, ink & color on paper The Trout Gallery of Dickinson College

2. Murata Seimin (1761-1837) Brush Rest in the Shape of a Praying Mantis, c. 1800 metalwork sculpture, copper alloy The Walters Art Museum

[greatworldwar2]

• Operation: Body Snatch

Operation Body Snatch, which began on April 27th of 1945, just three days before Adolf Hitler’s suicide, was an operation by U.S forces to return the remains of Germany’s most celebrated rulers: King Frederick Wilhelm I, King Frederick the Great, and Field Marshall Paul von Hindenburg. To their proper burial locations.

On The 27th of April, seven members of the U.S. Army Ordnance Corp were searching the northern reaches of Germany’s Thuringian Forest – basically the middle of nowhere - for hidden ammo dumps. That is when they stumbled across a salt mine in Bernterode that had been used as a munitions manufacturing and storage facility. The size of this mine, that one reached it by taking an elevator down about 1800 feet – that’s about a 1/3 of a mile or ½ a kilometer from the surface. Down there, the men found an estimated 400,000 tons of stored ammo in its estimated 14 miles or 23 kilometers of tunnels. However there was an ever bigger surprise in store for them. About 1/4 of a mile or 4/10 of a kilometer from the elevator shaft, the soldiers stumbled across a side passageway that appeared to be sealed off with fresh cement. They decided to find out what was behind that newly mortared wall. They tunneled an opening through an estimated 6-feet or 2-meters of masonry and rubble.

It was a room that had been partitioned off into bays that were filled with artwork, boxes, and tapestries. An estimated 225 Prussian flags and banners were hanging unfurled. More importantly, everything surrounded four coffins, one of which was adorned with a large wreath and red ribbons with swastikas and bore the name Adolph Hitler. Upon closer inspection, they noticed that someone had quickly scribbled a few words in red crayon on each casket. Three of these were the remains of Germany’s most celebrated rulers: King Frederick Wilhelm I, King Frederick the Great, and Field Marshall Paul von Hindenburg. The fourth casket belonged to Frau von Hindenburg. These remains had been placed down in the mine about three weeks earlier as the Russians were closing in on Potsdam, the location of the Tannenberg Memorial. The Nazis feared that the Russians would destroy not just the monument, but also the remains that were buried there – those of Hindenburg and his wife. They quickly removed the caskets and blew up the remaining sarcophagi, ultimately finding their way, along with the two Fredericks, to the Bernterode mine.

It has been theorized that this room deep in the mine was set up to preserve the most precious artifacts of German military history for the next rise of the German Reich. The job of getting these four coffins and all of the associated regalia up and out of the mine became the responsibility of the MFA&A – or the Monuments, Fine Arts, & Archives – branch of the military. This was a group of 345 art historians, museum directors, architects, educators, and curators that hailed from thirteen different countries. Better known today as the Monuments Men. The coffins were the last objects to be removed from the mine. Frau von Hindenburg had the lightest casket and was the first one to take the fourteen minute ride up to the surface. Next was Frederick Wilhelm I, followed by Field Marshall von Hindenburg. The last coffin, however, was not going to return to the surface easily. Frederick the Great’s casket was massive and weighed over half-a-ton. In addition to being incredibly difficult to maneuver. To the surprise of the men accompanying Frederick the Great on his journey skyward, as they approached the surface they could hear a radio blasting the Star Spangled banner followed by God Save the King. Germany had just surrendered the war.

These four caskets created an incredible dilemma for the US Army. Three of these four caskets belonged to men that played a significant role in Germany’s military history. They couldn’t be reburied in just any ordinary way. On the other hand, to give each a grand burial with an ornate tombstone or monument could help bring the Nazi party back to life. So, the Army without certainty of what to do with the caskets quickly passed the responsibility on to the higher-ups in Washington, DC to deal with. Since the US government was dealing with the bodies of dignitaries, the issue was deferred to the State Department, the branch of our government that deals with international relations. For an entire year the coffins didn’t move from their guarded storage location in the basement of a castle in Marburg. Ultimately, it was decided that these bodies were of historical importance and should be treated just like any other historical treasure or artwork plundered during the war. This top secret reinternment of the bodies once again became the responsibility of the Monuments Men.

Three officers were assigned: Theodore Heinrich, Francis Bilodeau, and Everett Lesley Jr. It was Lesley that coined the name of this top secret mission: Operation Body Snatch. Their instructions were fairly straightforward. The two kings were to be reburied in the US controlled zone Greater Hesse, while the two Hindenburgs were to be buried near Hanover in the British Zone. Why Hanover? That’s because Hindenburg had requested that he be buried on his family plot there. It was Hitler who decided to override his final wishes and have his remains placed at the Tannenberg Memorial. The US was simply trying to respect Hindenburg’s wishes, but it was not to be. The British government wanted nothing to do with the bodies. Word came back from London that would not allow the bodies into their zone under any condition. So, they couldn’t be buried in the British or French zones. It became clear that all four bodies needed to be buried somewhere in the US zone. Since all four of these corpses were of the Protestant faith, it seemed logical to bury them in a Protestant church. That idea quickly fizzled after it was determined that all of the suitable Protestant churches were either badly damaged or totally destroyed in the war. The next step of the three Monuments men was to see if they could find a place, any place, that had even a slight connection to the Hohenzollern family. After careful research, the Kronberg castle near Frankfurt seemed like the perfect fit. Once again, luck was not on their side. The Monuments Men, Theodore Heinrich in particular, had a bigger problem thrown on their plate. Someone had stolen the jewels that had been hidden in the Kronberg castle. Valued at $7.6 million dollars in 1947 or about $77 million today, the great mystery of the theft focused worldwide attention on the castle.

Ultimately, the answer they had been seeking was hidden right under their noses: St. Elizabeth’s church in Marburg. The church had survived the war in good shape and lie just a few hundred yards from where the bodies were currently being stored. But, the real question was whether or not the church had any space left to bury the bodies. The three officers spent a considerable amount of time searching through the church’s burial records to locate possible burial spots. It was decided that the two Fredericks would be buried below the floor of the north transept, while the Hindenburgs would find final rest at the base of its north tower. Before moving forward with their plan, descendants of both families were consulted to seek their approval. The French would not allow Crown Prince Wilhelm, the eldest son of Germany’s last Emperor, to leave their zone, so a letter notifying him that his eldest daughter Cecilia. Getting Hindenburg family approval didn’t go smoothly either. They were to meet his only son Oskar in Wiesbaden, but he was a no-show. It turns out that he had been arrested by American security police for signing a Wiesbaden hotel register with his full military title. Once released, Hindenburg was taken to St. Elizabeth’s and granted his family’s approval for the reburial plan. The four bodies were finally laid to rest on August 19th of 1946, 479 days after they were first discovered deep down in that Thuringian mine. There was fear that fanatics may want to steal the bodies, so the graves were covered with steel plates and a layer of concrete. In September of 1952, the caskets of the two kings were moved once again. This time they were taken to Hohenzollern Castle in Hechingen where a family spokesman declared they were to remain “until Germany is united again and they can return to Potsdam.” When the Berlin Wall fell in 1989, the decision was made to do just that. On August 17th of 1991, the 205th anniversary of Frederick the Great’s death, they were interred one last time.

[historical-hetalia-week]

2023 Prompt Announcement

Hello everyone and welcome to Historical Hetalia Week 2023! This year, the event will be held from February 20st to February 26th, 2023.

Prompts:

Day 1 (20.02): 10,000 BCE – 5000 BCE // Heirlooms

Day 2 (21.02): 5000 BCE – 0 // Celebrations

Day 3 (22.02): 0 – 1500 // Discovery

Day 4 (23.02): 1500 – 1800 // Ages (Ex: Iron Age, Gilded Age, Ming Dynasty)

Day 5 (24.02): 1800 – 1945 // Shadows

Day 6 (25.02): 1945 onwards // Reform

Day 7 (26.02): Free Day

Rules & Content Guidelines:

Your work must be tagged with the following: #historicalhetaliaweek and/or @ this blog, Day and prompt being fulfilled (i.e. #hhw day 1 & #prompt: 0-1500), proper tagging for any mature or triggering content (please see a non-exclusive list HERE)

The event prompts will be broken into time periods to encompass all of history. However, there will also be additional prompts provided for each day. Participants are required to fulfill at least one prompt for that day. Content made for the addition prompt must have a historical setting, but not necessarily the time period it is paired with.

Works including topics like genocide, ideologically sensitive issues, or recent tragedies will not be accepted. Works portraying topics like incest, pedophilia, rape, gore, and graphic violence will also not be accepted. If you are unsure if a work/idea conforms to this rule, our ask box is always open.

Additional Rules and Tagging Guidelines can be found HERE

If you have any questions about the prompts or any of the rules, please don’t hesitate to ask! Our ask box is always open and we are happy to clarify.