#20 Albums Challenge

[thisisgraeme]

Muad'dib Runs the Voodoo Down (Arrakis Remix) - New Release from THISISGRAEME

Exciting times ahead! Join me on a musical odyssey as I craft 20 albums over 20 years, each a unique story. Your support is my inspiration. Let's embark on this journey together. 🎶 #THISISGRAEME

Muad’dib Runs the Voodoo Down (Arrakis Remix) I’m thrilled to unveil “Muad’dib Runs the Voodoo Down (Arrakis Remix),” my latest instrumental drum and bass masterpiece. This track is a product of deep passion and dedication, and I’m buzzing for you to experience the energy and creativity I’ve infused into it. If my tunes have captured your imagination and you’d like to support my musical…

[micolash-cage]

Day 20: FROST

For this prompt, I decided to go with Ghiaccio and his stand "White Album". Fun fact; "ghiaccio" is the Italian word for "ice"

I always felt he emanated a strong aura, he's a very angry dude and determined at that. Gotta be my favorite minor villain for part 5

[mashmouths]

save me 2014 bts

[ilostyou]

well now i have to start thinking of 24 whole different albums

[starkidmunson]

glitter & crimson

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7

“Marry.”

“What?”

“Marry. He’s hot, I’m not gonna kill him.”

“Eddie, we’re not playing FMK; you’re supposed to be telling me his name.”

“Oh. That’s…. Joe Jonas.”

“…he’s literally from Hawkins. And he’s holding a hockey stick.”

“Nobody from Hawkins is that hot, man, no way.”

~~~

Gareth posts the clip to his personal TikTok. Before he can get around to reposting it on Corroded Coffin’s band account, it has more than 100k views. Things only spiral from there, because once the band shares it, the video goes more viral and ends up on the screens of the right people.

chiblkhwks: harrington94 is social media challenged, but we’re going to make sure he sees this. Will keep you posted.

The comment is immediately overshadowed by a busy day of PR. A photoshoot to an interview to a radio show to the green room at the Fillmore in Boston, before an intimate pre-album release show for members of their fan club. Eddie has completely forgotten about the video entirely, but Gareth’s phone pings with a text notification.

“A response has been issued!” He declares to the room, still grinning down at the screen of his phone.

The rest of the band shares a collectively confused look, all seeming pleased to find they’re not alone in whatever they’ve missed.

“What?” Jeff asks for the group.

In lieu of an explanation, Gareth just flips the phone in his hand around to show a TikTok, stitched with the clip they’d made earlier that morning.

~~~

“Marry. He’s hot, I’m not gonna kill him.”

#Stitch

“Is… is that supposed to be a compliment?” Steve asks, making a pinched face as he laces up his skates.

“You watched the whole video. He compared you to Joe Jonas.” The girl behind the camera responds, but he levels her with an unimpressed look. She doesn’t respond, and after a beat, he sighs.

“Yeah, alright, I guess Joe Jonas is hot. I’ll take the compliment.” He huffs, standing to his feet and moving from the bench he’d been suiting up on toward the ice. The girl follows him, gliding toward the net once they're in the rink, never falling out of pace with him.

“Do you know who it is talking in the video?” She presses, and Steve looks unimpressed again.

“You mean the other hot guy?” He asks with a grin, then nods. “That was Eddie. I’m surprised you don’t know him, the Party listens to Corroded Coffin all the time.”

The video loops back to the stitched clip from Gareth’s initial TikTok then. Everyone in the room processes what just unfolded.

“The Party? Did… did Steve Harrington just make a reference to DnD? Or is that some sports thing I dont understand?” Jeff asks.

Freak raises his hand, indicating he’s next to speak. “Not only that, but his nerdy DnD friends listen to us all the time?”

“Did King Steve call Joe Jonas hot?” Eddie asks, visibly still trying to connect the wires in his brain that fried at Steve’s agreement. “Did he call me hot?”

All three turn toward Eddie, whose face is still reflecting the long form math equation his brain is trying to work out, and Jeff sighs.

“Well, boys. I think we’ve officially lost him.” He says, bowing his head. Freak and Gareth join him solemnly, making Eddie huff and cross his arms over his chest.

“You’re all so dramatic.”

“Gee, I wonder who encouraged us to be this way,” Freak exaggerates through a grin, before shoving a guitar into Eddie’s chest, just in time for Paige to open the door and summon them.

“We can have a meltdown over Harrington after the gig,” Gareth promises with a pat to Eddie’s back as everyone moves around him, exiting the green room and heading for the stage.

~~~

Riding his post-show high, Eddie makes a bold move in the CC band TikTok, commenting under the video Steve had stitched.

corrodedcoff!n: we’ll be in chicago 1/26 if harrington94 and ‘the party’ are free 🎫

He only gets about 20 minutes of peace before Gareth is jumping around, proclaiming himself the greatest wingman in history.

“It’s an offer for free concert tickets made over social media, and he hasn’t even answered, Gare Bear.” Eddie tries to get him to relax, but he, too, is eager to see how the other reacts to the offer.

He wakes up the next morning to the answer he’d been waiting on, and his stomach flips as he reads it over.

harrington94: only if you guys come to the home game 1/27 🏒

__________

Steve doesn’t even bat an eye when Max shoves her way into the locker room, b-lining straight for him.

“Can I help you?” He asks without looking up, unhooking the padding from his calf and letting it drop to the ground in front of his locker.

“Are you using TikTok to publicly flirt with Eddie Munson?” She asks, voice quieter than he’d typically expect from her, but he just scoffs.

“I’m just being friendly! You’re the one who started this in the first place! What, you didn’t expect me to log on and check if they’d responded?” He asks in response, freeing his foot from the skate, before placing a cover over the blade and letting the boot drop into the lower shelf beside his locker.

“I’m just confused because you’ve been super weird about coming out, and now you’re out here hitting on a rockstar all over social media, that’s all.” Max says, and Steve freezes for a moment.

“Do you…” he trails off, before closing his eyes and rubbing a thumb into his temple. “You really think I just accidentally came out?”

“You called Joe Jonas and Eddie Munson hot, encouraged this rockstar to come to your game when he’s in town and also accepted tickets to see him perform, Steve.” Max was monotone, and held her hands up defensively when he groaned. “I’m not starting anything, I’m just saying that this could get blown out of proportion now.”

They discuss a little further, deciding neither of them will publicly acknowledge anything that’s been posted to the account for now, until they actually come up with a plan.

Once he’s in his car heading home, Steve calls Robin.

“Dingus,” she greets, as always, and he lets out a grumble. “Uh oh. What happened?”

“I think I accidentally came out on the internet, and it’s Eddie Munson’s fault.” He’s met with several seconds of silence as he starts his car on the path to him and Robin’s shared apartment.

“Eddie, the drug dealer from high school?” Robin eventually asks, confused, and Steve groans again.

“Yeah. He uh, also is in a band?” He supplies, and Robin’s quiet for a moment as she processes. Then, he hears the tapping of a keyboard. “What are you doing?”

“Looking Eddie up, obviously.” Steve can practically see her eye roll, even though they’re not FaceTiming. “You’re nothing if not consistent, I guess. Doe-eyed curly brunet.”

Steve scoffs. “You say as though you’re not the one currently waking up beside Nance every morning.”

He’s met again by a short silence, before Robin lets out a little puff of air, in a small laugh. “Thank you again for being so cool about that, by the way.” She says, before he hears clicking on her end. “Apparently, Eddie is out as bi. Corroded Coffin does a charity show for the Trevor Project every year, and he’s been to a lot of Pride events.”

Steve’s stomach twists with each new bit of information she provides, because a part of him wants to be that out, wants to be like Robin or apparently Eddie, freely sharing that part of themselves with the world and having no one give a shit. But that’s not how it works on so many levels for Steve. Beside the shit he’d have to deal with on the ice from certain other players, he had no idea how it would impact the team overall. There’s no way to gauge how fans would react, when there’s never been an openly gay player in the NHL. And that didn't even begin to touch on how his parents would react.

“Hey,” Robin breaks him out of his spiral and he realizes he’s been chewing a hole into his cheek. “I can hear how loud you’re thinking right now. Do you need me to come home?” She asks, gently, and he sighs.

“Please.” He mumbles after a long pause, and is grateful when he hears the jingle of car keys from the other end of the phone.

~~~

Robin scrolls through article after article once she gets to their place, pulling Steve onto the sofa with her and laying his head in her lap. Her fingers twist through his hair, doing her best to keep him calm as she reads up on the situation playing out to try and help gauge how big of a hole he’s dug himself this time.

“I don’t think there’s really anyone who thinks you were flirting with him. Not seriously, at least.” She tries to assure him, but he’d already seen the twitter posts to contradict that before she came over. He sighs and rolls onto his back, so he’s looking up at her, and shrugs.

“I kind of don’t think there’s any avoiding it, at this point.” He mumbles. “I’m not… I’m not ready to come out, not like this. Not on this scale. I think the only thing I can do is carry on and hope it doesn’t get turned into any bigger of a deal.”

Robin hums down at him, and continues to brush his hair back out of his eyes. “Okay. So you don’t come out yet. But don’t overcompensate for it, okay?” He scrunches his face up at her, and she types something into her phone before turning it back into his face. He immediately pales, met with a photo of him out with Heidi last year. With a black eye on full display, he looks miserable behind a fake smile.

“Low blow,” he grumbles, pushing himself away from Robin to sit up beside her, and she raises her eyebrow at him, still holding the photo pointed in his direction.

“‘Maybe they won’t notice or ask why my literal teammate punched me in the face at practice if I take a fucking supermodel out to dinner.’” Robin’s imitation is a little too good, a sure sign of too much time spent together.

“Hey, it worked, didn’t it!” He asks, taking the phone off of her and closing out of the image before locking it. He drops it back into her lap with a sigh. “I just don’t know how many times I can keep getting away with hiding it.”

“Well, it helps that Billy got traded out to LA. He would be insufferable about this, and would absolutely make everything 10 times worse.” Robin muses.

Steve sighs and hesitates for a moment before dropping his head back into her lap, curling into her. “I just want it to be on my terms, when I’m ready.”

“We’ll figure it out, and it’ll all be okay, no matter what. Okay?” She assures quietly, leaning down to press a kiss to his cheek.

His phone dings with a new notification; Max texted him a screenshot from TikTok.

corrodedcoff!n: you’ve got yourself a deal 🤝🏻

[awkwardwhims]

In celebration of reaching 900 followers!

Ever since I started playing the Globetrotter challenge by @moonfi; I've been creating a collection of UI Widget style templates. This collection includes 20(ish) different templates for you to use in your gameplay screenshots. I'm hoping I did my best to make this as user-friendly as possible; but if you have any questions or notice something off - don't hesitate to message me or send an ask!

[Terms of Use] Do: Use & edit as much as you want and/or know how to. Don't: Reupload & claim as your own. Do: Link back to this post if asked where they're from.

[You Need] Fonts: April | Lemonmilk | Kids Handmade TS4 Icons: deathbypufferfish | w-sims | TheSimKid (I've had L'Universims' icons before they were hacked but as far as I know they've moved to a new website so download from there at your own risk.)

DOWNLOAD (SFS) 66.3mb **FIXED** (Missing moodlet)

[Tips & Hints]

Open the awkwardwhims psd collection file in Photoshop, then drag & drop the folder or group of templates onto your image.

The photo album template was inspired by @folkbreeze (definitely check out their resources, they're all so nice!) & other various examples I saw online.

Resize the template by selecting the folder as a whole; resizing individual layers may makes things unaligned.

Feel free to change background colors/fonts/etc as much as you want.

The text message template has 3 styles: sender, green receiver & blue receiver. There are also reaction icons & a separate reaction bar.

For the to-do list template I didn't include every aspiration icon (I was trying to keep this file as small as possible) but you can download this pack by @deathbypufferfish that has all the aspiration icons you'll need. However, it may be missing some of the newer aspiratons.

When adding photos (album cover/recent photos/etc) use a clipping mask.

The weather template includes all the different weather icons, so be sure to hide/unhide the one that applies.

For the new transaction template, make sure to only change the number of the price otherwise the Simoleon symbol will get changed to Times New Roman.

The notification message template is for life events, bad events & default game notifications (ie: legacy player, etc).

DOWNLOAD (SFS) 66.3mb **FIXED** (Missing moodlet)

@alwaysfreecc @maxismatchccworld

[iwanthermidnightz]

When I think back on the Speak Now album, I get a lump in my throat. I have a feeling it will always be that way, because this period of time was so vibrantly aglow with the last light of the setting sun of my childhood. I made this album, completely self-written, between the ages of 18 and 20. I've spoken about how I feel like those ages are the most emotionally turbulent ones in a persons life. Maybe when I say that, I'm really just talking about myself.

I think they might just be the most idealistic, hopeful years too. At this point in my life, I had released my second album, Fearless. It became the breakthrough moment I'd always dreamt of, one that catapulted my career to new realms of success. It had brought with it a tidal wave of pressures and pitfalls and growing pains. All the while, I was encountering the milestones and checkpoints of normal teenage growth. I had cataclysmic crushes and brushes with heartache. I moved out of my parents' house and set my bags down in a new apartment. I hung photos on my own walls and decorated the space where I would sob and cackle and shatter and dream. Sometimes I felt like a grown up, but a lot of the time I just wanted to time travel back to my childhood bed, where my mom would read stories to me until I fell asleep.

In my darker moments, I was tormented by the doubt that swirled loudly around my ascent and my merits as an artist. I was trying to create a follow up to the most awarded country album in history, while staring directly into the face of intense criticism. I had been widely and publicly slammed for my singing voice and was first encountering the infuriating question that is unfortunately still lobbed at me to this day: does she really write her songs? Spoiler alert: I really, really do.

In the years since, I've developed a thicker skin about public criticism and the cynicism with which some people approach the music I make. At that time, it leveled me. I had these voices in my head telling me that I had the perfect chance and I blew it. I hadn’t been good enough. I had given it all I had and been found wanting.

I wanted to get better, to challenge myself, and to build on my skills as a writer, an artist, and a performer. I didn't want to just be handed respect and acceptance in my field. I wanted to earn it. To try and confront these demons, I underwent extensive vocal training and made a decision that would completely define this album: I decided I would write it entirely on my own. I figured, they couldn't give all the credit to my cowriters if there weren't any. But that posed a new challenge: It really had to be good. If it wasn't, I would be proving my critics right.

I had no idea how much this pain would shape me. That this was the beginning of my series of creative choices made by reacting to setbacks with defiance. That my stubbornness in the face of doubters and dissenters would become my coping mechanism through my entire career from that point forward. This exact pattern of enacting my own form of rebellion when I feel broken is exactly why you're reading these very words, and I'm re-releasing this album now.

I went through my first worldwide scandal (the mic grab seen around the world). I experienced the weirdness of trying to get to know a boy while a swarm of paparazzi surrounds the car. Media contacting my publicist for an official statement on why two teenagers broke up. These are weird experiences to have at any age, but even more surreal when you're 19.

I had the nagging sense that in the most intense moments of my life, I had frozen. I had said nothing publicly. I still don't know if it was out of instinct, not wanting to seem impolite, or just overwhelming fear. But I made sure to say it all in these songs. I decided to call the album Speak Now. It was a play on the speak now or forever hold your peace' moment in weddings, but for me it symbolized a chance to respond to the chatter and commentary around my own life.

Some of these emotional revelations were surprising to people. Some expected anger and instead got compassion and empathy with 'Innocent'. Some expected a kiss-off breakup song but instead got a hand-on-heart apology, 'Back to December. It was an album that was the most precious to me because of its vast extremes. It was unfiltered and potent. In my mind, the saddest song I've ever written is 'Last Kiss'. My most scathing is 'Dear John' and my most wistfully romantic is 'Enchanted'.

I'll be forever proud of setting a goal and seeing it through. I'lI always feel shivers all over when I remember singing 'Long Live' to close the show every night on tour. The outstretched hands of those bright and beautiful faces of the fans. Their support was like an open palm that reached out and helped me up off the ground when others were, frankly, mean.

These days I make my choices for those people, the ones who thought I had been good enough all along. I try to speak my mind when I feel strongly, in the moment I feel it. I'm still idealistic and earnest about the music I make, but I'm less crushed when people mock me for it. I know now that one of the bravest things a person can do is create something with unblinking sincerity, to put it all on the line. I still sometimes wish I was a little kid again in a tiny bed, before I ever grew up.

I always looked at this album as my album, and the lump in my throat expands to a quivering voice as I say this. Thanks to you, dear reader, it finally will be.

I consider this music to be, along with your faith in me, the best thing that's ever been mine.

Yours,

Taylor

[eyivibyemi]

✧ I won’t really write descriptions for these, but see original post tags for explanation/commentary on the song snippet ✧  

[kpop]

K-Pop Spotlight: DAY6

Come one, come all to a K-Pop Spotlight that is sure to dazzle and delight ’til the final curtain. This week, all eyes are on DAY6 following the release of their eighth mini-album, Fourever, and brand new title track, "Welcome to the Show." We caught up with the band to discuss their goals as they approach their 10th anniversary and their ever-growing connection to their fans through their music. Check out our full interview below!

Tracks like “Welcome to the Show,” “The Power of Love,” and “Get The Hell Out” seem to have very different themes. Can you tell us a little about how these songs relate to each other and what aspects make this album cohesive?

SUNGJIN: As we pursue the idea of being a 'band that sings every moment,' it seems like our albums, including the recent one, prioritize diversity in songs and situations rather than unity. Consequently, our albums contain various genres and narratives. However, there seems to be a commonality in most songs, depicting situations that everyone has either gone through or might experience.

Young K: First and foremost, I would say this album is a compilation of the best songs we could create. There's definitely a theme of love running through it. "Welcome to the Show," "The Power of Love," and "Get The Hell Out" all talk about the concept of love.

What goes into creating titles for DAY6 songs and albums, especially those that don’t come directly from your lyrics? Do you find it hard to condense the intentions and themes of a song into a title?

Young K: While there have been cases like that, all the songs on this album came from the lyrics. Sometimes, when choosing a title, we select the one that best describes the song—other times, we choose to give it a twist or make it more intriguing.

WONPIL: Naming songs involves a lot of deliberation. We often contemplate which title will catch the eye and capture the song's essence. Usually, we try to take it from a verse in the chorus. This can be a challenging part of the songwriting process.

Is there a creative project you’ve always wanted to work on but haven’t gotten the chance/found the time?

SUNGJIN: I'm very curious, and have a principle of "trying to experience as much as possible." There are so many things I want to try musically and personally, especially among the things I know but haven't tried yet.

DOWOON: I hope we can have a song that we can collaborate on with My Day, like a choir.

What does your work/studio setup look like? Where do you feel the most creatively inspired?

DOWOON: We try to keep the studio as tidy as possible and make it comfortable for practice sessions.

WONPIL: When working on songs, we talk a lot. We get inspiration from little conversations, joking around, sharing stories, and listening to music from various eras regardless of genre while giving opinions. We also try to build emotional connections with the songs. There’s a lot of communication going on. The songwriting process takes place in the studio of our long-time collaborator, composer Hong Jisang, with whom we've been working together since our debut.

How do you want to evolve as a musician/producer?

Young K: I want to be eagerly anticipated and awaited as an artist. Without those who wait for us, we wouldn't release or even step onto the stage. So I’m always thankful for My Day.

WONPIL: My biggest goal is to make good music for My Day and the public, so I think I'll continue to ponder. When working on songs, I pour my sincerity into them. I constantly strive to express this sincerity musically, fully capturing the emotions I want to convey. I hope to create songs that can still be listened to even after 10 or 20 years.

Design your own Tumblr blog: choose an aesthetic, a blog name, and would you be a frequent poster or lurker?

SUNGJIN: I think I’ll use it to catch up on friends' updates. For the blog name, THUMB BLUR sounds good to me. I might end up being a lurker who never posts.

DOWOON: Maybe a blog for plants? I think I'll post it like a diary.

Want more DAY6? Check out their new mini album Fourever and the music video for the title track “Welcome to the Show,” both out now!

[robsheridan]

Nine Inch Nails The Fragile released 25 years ago today. Here’s a 1999 digital camera photodump from the months surrounding the album’s release; a surreal, transformative time in my young life. Words can’t describe what it was like, but these photos and textures bring back the strangest hazy memories that feel like a dream: Not even a year out of high school, moving to New Orleans to work for my heroes as they were in the final year of recording a dense, challenging masterpiece of an album. Not everyone was ready for The Fragile at the time, but it now stands as one of the seminal works of pre-millennium art. If you’ve never experienced it, or haven’t in a while, it deserves a focused, solitary beginning-to-end listening in the highest fidelity, on your best sound system, at the loudest volume.

1: Recording The Fragile, Nothing Studios. 2: Various Fragile concept art by David Carson, Nothing Studios. 3: Gear, Nothing Studios. 4: Early NIN website concept screenshot. 5: Control Room A, Nothing Studios. 6: Live room, Nothing Studios. 7: The Fragile printer proofs, David Carson’s office, NYC. 8: Meeting with David Carson in his office, NYC. 9: Mixes, Nothing Studios. 10: Recording journals, Nothing Studios. 11: Filming the “We’re In This Together” video, Guadalajara, Mexico. 12: Band rehearsals, Bahamas. 13: Gear, Nothing Studios. 14: Robin Finck, Nothing Studios. 15: Charlie Clouser and Danny Lohner, band rehearsals, Nothing Studios. 16: The Day The World Went Away artwork, Nothing Studios. 17: MTV Awards rehearsals, NYC. 18: Skull, Nothing Studios. 19: Control Room B, Nothing Studios. 20: Various images posted to nin dot com teasing The Fragile in the months prior to its release.

[thisisgraeme]

Discover "The Unheard Music of Eternal Concord (Apotheosis)": A New Drum & Bass Adventure from THISISGRAEME Music

The Unheard Music of Eternal Concord (Apotheosis) Greetings to all you rhythm aficionados out there! I’m excited to unveil ‘The Unheard Music of Eternal Concord (Apotheosis),’ a bold new addition to the THISISGRAEME Music portfolio. Picture this track as more than just a series of notes—it’s another landmark on my expedition to craft a collection of 20 albums in the coming 20 years. ‘The…

[tennessoui]

so i've been thinking about this premise for so long but it wasn't working for obikin (which of course i took as a challenge) and i think i finally got it where i want it so

au where 35 yo obi-wan is a music sensation across the world but he's recently divorced and going on tour again after releasing a very cutting, personal, and well-received album

and 19 yo anakin joins his tour with his very small band of two other people (ahsoka, padmé) to be his opening act - they have a small but loyal following, a pretty big social media presence, and there are even people who ship anakin and padmé which you know means these are die-hard fans

anakin has definitely looked up to obi-wan and his music for a good portion of his life and he's like. beyond excited that he's going to tour with The Obi-Wan Kenobi - this is big, not just for his music career but also for himself and the little boy he was listening to obi-wan's music for the first time!!

i'm just imagining like....obi-wan and anakin meeting after a few days of rehearsal for opening night, and it's not the most auspicious start because obi-wan's going through like 20 different emotions at any given moment (he's on tour, he's divorced, he's tired, he loves the music, he can't be the person he was in his twenties when he was first on tour but that's a whole different matter, he has all the media training and charismatic instinct to cover up these less than savory emotions with flirtatious empty words) and anakin is just like. sorta starstruck sorta shy sorta eager sorta awkward so:

"i'm uh, i'm a singer it's nice to meet you. hi yeah. hello. i'm on tour. as well. with you. actually." "ah no, are you one of my backing vocal artists? we can't have that - you're much too gorgeous and my ego is much too dependent on the audience focusing on me." "um 😳"

so it's a relationship that begins with a lot of flirting and being flustered and progresses through moments of vulnerability and honest emotion which turns into mutual affection which turns into anakin's celebrity crush becoming very real....meanwhile obi-wan googled anakin and the opening band after the first show/introduction and finds all the stuff about him and padmé being together and that's. that's fine. young love. how sweet. any sort of disappointment obi-wan feels is because he's recently divorced and bitter about it and he's going to have to spend at least half his tour watching the lovebirds snuggling up together.

and even when all the misunderstandings about relationship statuses have been addressed and the pretense has fallen away to leave just attraction, both have to think about their careers - it's all well and good for obi-wan to date someone sixteen years his junior, post divorce, but that's an image he's never wanted to deal with or be associated with. and this is the biggest shot of anakin's career - his best chance to make it in the music industry. in the words of his bandmate, is he really, honestly thinking about risking it for a chance to sleep with The Obi-Wan Kenobi?

but what his bandmate doesn't seem to really understand is that for anakin, obi-wan hasn't been The Obi-Wan Kenobi in a long time. he's just been obi-wan. and that makes a world of difference.

[earlycuntsets]

07/2005 rock sound

english translation:

"mikey's way" before hitting the road again, heading for Germany, the band members take a lunch break… The waiter asks them if they prefer sandwich bread or a "French baguette"? The Way brothers choose French bread. Once served, Mikey Way's face falls in front of his roast beef sandwich. "It's raw!", the bassist wonders. (the only time of the day when he spoke…) "That's normal, it's eaten like that!", his brother replies. "Oh? Okay…"

"It was unmanageable on the day of the concert. It's too much stuff in one day. As a result, we rarely have time to enjoy the places where we stop for more than a day." Gerard then joins the rest of the group in front of the Carrousel du Sacré-Cœur. Together, the five of them happily indulge in a photo shoot organized for an English teen magazine. The photographer is keen to take advantage of the very 'Frenchie' setting of the Montmartre district. Under the astonished gaze of a few tourists who wonder what is going on, the group takes their place in front of the merry-go-round. "This is the first time we've been asked to smile for a photo shoot!" laughs Ray Toro, guitar. A fan of Jean-Pierre Jeunet's film, the group then recognizes a few places seen in the film Amélie Poulain. The tour continues, with a few comments on French architecture and culture. As soon as they arrive at the first comic book store, everyone forgets their fatigue and doesn't waste a second rushing to buy the new Star Wars figurines and other comics.

A customer stares at Frank before asking him if he's in a band: "Do you play in The Cure?" Frank bursts into laughter and answers in the negative before going to tell the others his little story. After a few purchases (Misfits figurines, etc.), it's already time to get back on the tour bus. "We write a lot on our tour bus. We've practically converted the 'lounge area' into a studio! We've already written a few songs. We might even go back into the studio after the tour. It's a bit different, but it's a logical evolution since Three Cheers For Sweet Revenge," says Gerard Way, who recently did some backing vocals for Every Time I Die's new album. But the band's current news is on the road. "We're thinking of doing another tour in the United States in September," Frank continues. "For the moment, nothing is certain, but it could well be that we open for a big band with whom we've already played…" Green Day? "We can't say anything," smiles Gerard. In any case, playing with Green Day has taught us a lot. Just by watching them. They can fill stadiums and keep a constant communication with the audience. Billie Joe is an incredible frontman. We are much better on stage today, partly thanks to opportunities like these. It's amazing to go from 300 people to 10 or 20 times more. A real challenge for us and also the best learning for a young band. […] Otherwise, we really want to do splits with other bands. We were talking about a split 45 with Alkaline Trio, it will be done according to our schedules." Time is on your side!"

[eiightysixbaby]

i've got you under my skin now

word count: 2.9k

pairing: rockstar!eddie munson x rockstar!fem!reader

warnings: 18+ ONLY - MINORS DNI. SMUT SMUT SMUT. kind of asshole!eddie but he's really just a moody baby, oral (m receiving), masturbation, reader and eddie argue but everything is consensual, really just absolute filth with a plot.

summary: you're an up-and-coming musician in the rock scene and have been asked to join corroded coffin on a song. only thing is, their singer - eddie munson - proves to be challenging to collaborate with.

author's note: my first lengthier work so sorry in advance if there are errors! this is a daisy jones and the six inspired one-shot, and for the sake of this fic i directly reference the title and lyrics of the song 'honeycomb' from the tv show - but you really don't need to know the book/show to understand. ok anyways hope u all like it and here u go @taintedcigs i know u've been waiting for this one em i hope u love it!!

“Honestly Eddie, I don’t care anymore! I’m not listening to your little rockstar tantrum. She’s coming in, and she’s joining you on the song. That’s final.”

Eddie scoffs at his manager. Ever since he was informed that ‘Y/N - biggest fucking nobody in the rock scene’ was going to be coming in and recording his song with him, Eddie had been relenting.

Eddie scoffs at his manager. Ever since he was informed that ‘Y/N - biggest fucking nobody in the rock scene’ was going to be coming in and recording his song with him, Eddie had been relenting.

“Tom, you don’t fucking get it man. Clearly. My song is perfect. What do we need her for? She doesn’t even have an album out, she’s made no name for herself. She’s going to ruin Corroded Coffin.” Eddie continues pestering, despite Tom’s insistence against it.

“No, Eddie, see that’s where you’re wrong. You wrote a good song man, okay? A good song. But just a good song. She could make it great. You haven’t heard her sing like I have. She has real talent.”

Eddie scrunches up his face and pinches the bridge of his nose with two fingers. “Oh a good song, huh? But you said the label liked it. Why change it?”

Tom sighs, taking a step towards Eddie. “The label didn’t dig the song… okay? They said it needs more, otherwise they’re gonna pass on it.”

“So you fuckin’ lied man, fuck-“ Eddie grits his teeth. “Fine, whatever, she’s gonna sing on the song with me. But that’s it.” Eddie grumbles, storming out of the small room.

•••

“He doesn’t get it, guys, he doesn’t fucking get it!” Eddie yells. “This is my song. My fucking baby. And this... bitch is gonna come in here and destroy it. I don’t need her singing on the song - I don’t need anyone to make my music ‘better’” he spits.

The thing is, things have always gone Eddie’s way since Corroded Coffin gained traction in the music world. Eddie writes the songs, Eddie dictates which songs go on the album, so on and so forth. This makes sense to Eddie, and if you ask him, he’s being completely fair to the rest of the guys in the band. ‘Of course I let them have a say in things. I don’t care what rumors you’ve heard - it’s a fair process around here.’ It’s only natural that he can’t handle the idea of someone else singing on his song. Eddie is always the one singing, save for Gareth and Jeff doing backing vocals.

Eddie thrives off of being liked. The way the fans hang onto every word he sings- it’s electric to him. He’s addicted to the way people adore him. And he’d never admit it to anybody… but he’s nervous you might just show him up, and then *poof* no one cares about him anymore.

“Come on, Eddie. Ease up a little! This could be fun, you never know.” Gareth says, following Eddie back and forth as he paces the recording studio.

“I give you like, 20 minutes before you’re in love with her… or bending her over a table.” Jeff interjects, screeching when Gareth throws a drumstick at him to shut him up.

Eddie can’t get a rebuttal in before the door swings open. Tom walks in trailed by a young woman. Quite possibly the most beautiful woman Eddie’s ever see- nope. Nope. Not going there. What was that?

“Guys. This is Y/N, as I’m sure you could guess. She’s here to record ‘Honeycomb’ with us today.” Tom smiles politely at the group, jolting Eddie from his thoughts.

“Y/N, hey. It’s so nice to finally meet you. I’m Gareth, this is Jeff, Greg, and I’m sure you know Eddie - the star of the show.” Gareth goes around the room, pointing at all of the guys.

You meet Eddie’s gaze as Gareth talks, and your breath hitches in your throat. Of course you know who Eddie is- you’ve seen him on magazine covers and in interviews. You’ve always thought he was alluring, but he’s even more gorgeous in person. Long, curly hair pulled back into a low ponytail. Tattoos trailing up his arms and chains around his neck. His signature ripped black skinny jeans that hug him so well in all the right places… fuck. Focus. You are not here to sleep with Eddie Munson. You redirect your attention to Gareth as he finishes speaking.

The rest of the guys all greet you warmly - except Eddie, you notice - who gives you a tight-lipped smile and a quick nod.

You walk straight up to him, holding out your hand for him to shake. “It’s so nice to meet you Eddie. Thank you so much for letting me be on the song - seriously, it means the world.” You say, exaggerating sincerity a little.

Eddie reluctantly shakes your hand. “Yeah. Let’s get this over with.”

He walks away to set up a microphone before he can think too hard about the way his heart pounded as your hands touched.

•••

The recording session starts, and take one of the song has begun. You insisted on using the same mic as Eddie, who begrudgingly allowed you to stand beside him, shoulders brushing ever so slightly. The contact sends chills down his spine. Eddie sings the first lines confidently into the mic, not making eye contact with you. Tom, along with the rest of the band watch the two of you intently from the sound booth. Honestly, Eddie has to admit everything is going smoothly. That is, until the chorus starts. Eddie sings one lyric into the microphone… and you sing a different one.

“Woah, woah, okay, stop!” Eddie yells to Tom to cut the track, pulling the clunky headphones off of his head. “Those aren’t the lyrics, what are you doing?” He’s turned to face you, incredulous.

“Um I- I’m sorry, did he not get my version? Does he not know?” You say, avoiding eye contact with Eddie to level with Tom.

“Your version!? This is my song- you are here to sing on my song. Not to rewrite the damn song!” Eddie hisses, throwing his hands in the air.

“No, darling, I’m here to make your song better. And that’s exactly what I’ve done.” You narrow your eyes at him, a syrupy sweet smile on your face.

Eddie’s face is burning, his whole body is burning. You weren’t supposed to write new lyrics. This is not happening. And for the love of god stop staring at her lips, Eddie.

“Eddie, uh, let’s give her version a shot, yeah?” Tom says, framing it like a question, but Eddie knows he doesn’t really have a choice.

The track starts from the top again, and Eddie finds that his hands are trembling as he holds your songbook. He sings the lyrics as you have written them, and his stomach sinks as he does it. He hates that you’ve changed his perfect song. He hates that he was made to look like an idiot because Tom didn’t tell him you had rewritten anything. And most of all, he hates that he can hear how good your voices sound together. He hates that he thinks he’d like to hear the sound of your voice for the rest of his life, on the rest of his songs.

“Oooh, we could make a good thing bad,” the two of you sing out in unison, and the song ends.

Eddie stares at you and you stare at him, chest heaving and absolutely beaming. The rest of the band are looking at the two of you in awe from the sound booth. Eddie can’t bring himself to smile, can’t bring himself to let you know that he thinks you really might have made his song better. Can’t face you while his mind races with thoughts of grabbing your face and kissing you. Instead, he hands you your lyric book and hurries out of the studio.

You excuse yourself to the group amid their praises and follow him out the large wooden doors. You’re surprised to find the lobby empty, but then you hear noise coming from down the hall. Walking over to a small closet, you peer in and see Eddie in the dim light, leaning against the wall, hands covering his face and his head tipped back.

“Eddie, what was up with that?” You ask him gently, closing the closet door behind you for privacy. “I thought we sounded great.”

“You rewrote my fucking song!” He booms over you. “That wasn’t the plan. You were supposed to sing on it with me and that would be that.” He’s stepped towards you, leaving little room between the two of you in the already-cramped closet.

“It’s not my fault Tom didn’t tell you I changed some of the lyrics, okay? I didn’t expect you to be blindsided like that. But you could’ve been more mature about it!” You defend.

“Who the hell do you think you are? No- seriously, tell me. Corroded Coffin has worked so hard to make a name for ourselves. I have worked so hard. And you just waltz in here like you own the place? What the fuck is your problem?” Eddie’s words come out sharp, bitter, but there’s an emotion behind his eyes you can’t quite place. Fear? Maybe.

“Oh get your head out of your ass already, Eddie! I made your song better! We sounded fucking amazing together- the label might actually want it now!” You’re screaming back at him at this point, heat rising in your face as he steps impossibly closer to you. “And don’t even get me fucking started on the Corroded Coffin bullshit. Do you even give the other guys a say in what happens in this band? Cause you seem like a big cocky crybaby who always gets his way. I may not be rich and famous like you are but at least I’m not a fucking prick!” You’re seething, and you press your hands to his chest in an attempt to shove him backwards.

Eddie stops you, though, grabs you by the wrists. Firmly, but not hurting. His huge brown eyes haven’t stopped boring into yours. He thinks his heart might sprout wings and fly out of his chest. He thinks he might hate himself forever if he doesn’t get to have more of you.

“What- now you’re speechless? Don’t have anything to s-“ Eddie cuts you off, pressing his lips to yours like his life suddenly depends on it. Maybe it does.

You’re caught off guard, frozen in place for only a second until you kiss him back, pushing him up against the shelves behind him. His hands leave your wrists and hastily scour your body. You’d think he was a man starved the way he grips at your hips, lips basically devouring yours all the while. Eddie gasps as you lean down to his neck, sucking red and purple marks onto the skin that Jeff is definitely going to mock him for later. He can’t bring himself to care. He grabs your face in his hands to meet your lips once again, needing more.

“You wanna know something, Y/N?” Eddie says between kisses, moving down to nip at your neck. “I can’t fucking stand the way you came in here so confidently today-“ another kiss to your neck. “The way you came right up and sang into the same mic as me instead of using your own, like you just own the whole room-“ another kiss, and another “I can’t stand the fact that your lyrics are better than mine- that maybe you made 'Honeycomb' something I couldn’t make it,” he’s talking through gritted teeth, agitated and yet completely enamored with you. “I hate that the entire time I was watching you sing, I couldn’t stop thinking about your pretty mouth wrapped around my cock..”

Before you can respond, he’s unbuttoning your jeans, pushing you against the opposite wall of the closet, taking control.

“I think you’re absolutely insufferable and immature” you breathe out, pulling his hair out of its ponytail so you can run your fingers through it.

He lets out a breathy chuckle, but it’s arrogant, smug. “You can spit whatever insults you like, sweetheart, but you’re absolutely soaked right now.” He gives you a smile, tilting his head to the side as he does. His fingers had slipped inside the waistband of your pants, and are now circling the lace fabric of your panties.

You feel yourself clench around nothing as his fingers tease your core. You let out an involuntary moan, rutting your hips down against his touch. He gets the hint and shimmies your jeans down your legs, and you slip out of them after quickly taking your shoes off. You meet his gaze again as he tugs his jeans down slightly, pulling his cock free from the thin fabric of his boxers.

And - oh my god - he’s fucking huge. Thick and long with a dripping pink tip. You swallow, hard, and you swear you feel your mouth start to water. Suddenly you can’t figure out how you’ve survived this long without him, and you certainly won’t be able to after this.

“Get on your fucking knees, babydoll” he purrs, lips inches away from your ear.

You oblige, of course, settling yourself so that your pussy rests on the toe of his combat boot, aching for whatever friction you can get. You take his cock into your mouth without further instruction from the rockstar, and he inhales sharply above you.

“Fuck, baby, shit-“ Eddie groans, collecting your hair in one of his hands and tugging, his cock twitching slightly in your mouth.

“What, big shot, can’t handle it? Should I tell the press that Eddie Munson of Corroded Coffin comes three seconds into a blowjob?” you tease him, but you can’t ignore the way your head spins at his praise.

“Shut up and fucking suck it, sweetheart- I can handle it.” He hisses.

You don't need further instruction. Your tongue works on his cock, licking a stripe up his length and then kitten-licking the tip. Eddie’s seeing stars as you engulf him entirely in your mouth once again. You go at it for a while before he feels you rutting yourself against his boot.

His laugh is devious, wicked. “So desperate for me huh, sweet thing? Gonna get yourself off while you suck my cock, baby?”

You want to retaliate, taunt him back, do anything to make yourself seem like more than a pathetic fucking whore for him, but you’re dripping through your panties and the friction is so, so delicious you can’t stop your movements. Warmth is beginning to pool in your stomach and you need this release. You take him as deep into your mouth as you can, his tip practically nudging the back of your throat, gagging around him. Eddie thinks he might die, seriously, this is it for him. ‘Rockstar Dies In Supply Closet With His Dick Out’ he can see the tabloid headlines now. He tugs your hair and holds your head still as he starts to fuck into your mouth, reveling in the moans and mewls you let out beneath him.

“Shit, sweetheart, you feel s’fucking good around my dick-" he grunts, throwing his head back as he picks up his pace. "Go ahead and touch yourself for me, sweet girl. I know you need more." He says roughly.

You happily let him throat-fuck you as you tug your panties down slightly, bringing a hand down to allow your fingers to rub harsh circles into your clit. You feel yourself getting closer, a coil tightening more more more as he fucks into the heat of your mouth. You can sense his movements getting erratic, and you glance up to look at his face. He's delirious, so fucked out, and you feel as if you could melt into a puddle right here at his feet as you watch him.

“I’m gonna fucking cum, sweetheart, shit- you want it in your mouth?” He asks you, brown eyes blown out wide as he awaits your response.

You nod, mouth too full of him to speak, and you squeeze his heavy balls in your free hand as he thrusts faster faster faster into your mouth. He lets out a strangled moan as his cock twitches, ropes of hot cum coating your tongue. You quicken your pace on your aching clit and it doesn't take long for the coil in your stomach to snap. You cum all over your fingers and Eddie's boot that still rests beneath you, as he finishes riding out his high above you. He watches you as you swallow his load and he silently swears to himself he’ll do whatever he can to have you like this more often.

“Fuck, baby, you soaked my shoes huh? You okay?” He asks you tenderly, grabbing your arms to pick you up off the floor and steady your shaking frame. You nod, collapsing against him, head pressed to his chest. The two of you stay like that for a while, listening to each others heavy breaths before Eddie finally breaks the silence.

“I’m sorry for being a dick about having you on the song, okay?” He says, his voice softer and far more unsure than you've ever heard it. “You made it better- I really fucking mean that.”

“I know I did.” you reply, shifting to meet his gaze, and he smiles at you. “A few more rounds of this," you gesture around the two of you, "and I think you’ll have made it up to me” you smirk at him.

“Alright, sweetheart, same place same time tomorrow?” Eddie teases, and you laugh. That’s a sound he thinks he could get used to.

•••

When the two of you walk back into the recording room, Eddie's neck littered with hickeys and mascara smudged around your eyes, no one says a damn word.

"'Honeycomb' take three anyone?" Eddie asks.

[fabiana-walles]

30 Days of Linkin Park Challenge

In light of my favorite band's epic reunion, I’d like to start a challenge. 1 day = 1 post. 

Inspired by this music challenge

I would love to see other LP fans joining! Let's fill the tag with something wholesome as we are waiting for the new album Nov 15.

Day 1: A song that was your introduction to Linkin Park

Day 2: A favorite Linkin Park song that needs to be played LOUD

Day 3: A song that feels overlooked/underrated by Linkin Park fans

Day 4: A favorite Linkin Park music video

Day 5: A Linkin Park song that hasn’t got a music video but you wish it had

Day 6: A Linkin Park song that makes you happy

Day 7: A Linkin Park song that makes you sad

Day 8: A Linkin Park song that makes you want to dance

Day 9: A Linkin Park song you know all the lyrics to

Day 10: A Linkin Park song that you think everybody should listen to, even if they're not into rock

Day 11: A Linkin Park song that you never get tired of

Day 12: A Linkin Park song that you’ve listened to lots of times recently

Day 13: A favorite cover of a Linkin Park song

Day 14: A favorite live performance of a Linkin Park song

Day 15: A favorite heavy Linkin Park song 

Day 16: A favorite Linkin Park song with rapping

Day 17: A favorite ballad or/and acoustic version of a Linkin Park song

Day 18: A favorite remix from Reanimation

Day 19: A favorite song with Chester singing

Day 20: A favorite song with Mike singing

Day 21: A favorite song with Emily singing

Day 22: A favorite Linkin Park song that isn't part of the main discography

Day 23: A favorite Linkin Park song with a featured musician/vocalist

Day 24: A favorite Linkin Park song from a soundtrack

Day 25: A Linkin Park song with the most beautiful/poetic lyrics

Day 26: A Linkin Park song with the most powerful message

Day 27: A Linkin Park song that reminds you of yourself

Day 28: A Linkin Park song that reminds you of a loved one

Day 29: A Linkin Park song that you love, but rarely listen to

Day 30: Free Choice Day

[vampylily]

Notes from the new Rolling Stones Japan article with Pete and Patrick Pt.1 :

[WARNING: The article is in Japanese, I'm not a Japanese speaker. I'm machine translating the article from Japanese to Korean & English, and then doing paraphrasing in English. Thus, the wording is not entirely accurate, and may contain errors. Please don't consider this as a proper translation. This is so I can have a reference more than anything. ]

When the interviewer noted Patrick's Los Crudos t-shirt, he responded enthusiastically that it was a Chicago band! Pete was in a Napalm Death t-shirt.

Interviewer asked about how Summer Sonic was, especially since it was their first since 2019. Patrick said the show went like they hoped, which rarely happens (lol). Said Japanese audiences are special. He gets asked about how concerts in Japan are, but it's hard to explain unless you experience it. Said can't explain it well, but there's a lot of give and take of energy.

Interviewer asked about Pete saying there was a song inspired by Japan on the SMFS album. Pete said "The Kintsugi Kid" was the song about how he felt when he was in Japan, it's obvious by the title. "The Kintsugi Kid'' bridges "I Am My Own Muse" and "So Much (For) Stardust." Said Patrick wrote the songs but in his interpretation, the sonic landscape of the song reminds him of Japan.

Patrick said he's always been quite influenced by Japan, especially on this album. Said people might not register it from the sound, but he's been influenced by the Yellow Magic Orchestra & their synthesizer sounds. He didn't use much synthesizer on the album but a lot of the songs started with synthesizers. He got the same synthesizer Yellow Magic Orchestra used and started writing songs from there. He's a big fan of Studio Ghibli movies and loves Joe Hisaishi's music. Said when doing string/orchestra horn arrangements, he wanted to create a sound that was as appealing to the heart/poignant as his. Even though their music/sound was completely different, he wanted to try it. Said he especially tried to evoke the feeling he got on "The Pink Seashell."

Interviewer asked about TTTYG's 20th anniversary and how they could have done an anniversary tour but they didn't and instead released SMFS with gusto.

Pete said the most important thing is that you stick to what you think is right. Said there was a punk band he liked when he was younger, and they didn't change at all. Talked about how artists like David Bowie or the Clash changed their styles to almost unrecognizable lengths and how some fans left because of it. But when he listens to the albums after getting older, he can reflect on his own changes and find new appreciation for songs he might not have liked at the time.

Pete said celebrating the past too much feels patronizing and not very fall out boy-like. They continue making new music, sometimes they succeed, sometimes they don't. Even if something doesn't work out as well, he's like [it is what it is/that happens], and that some people might say they liked it. He's got albums he likes and albums he dislikes from his own favourite artists. Said they always make new albums that challenge their past works. Of course they hope people like it, but getting good reviews/being appreciated isn't the only reason they continue making music.

Patrick said he doesn't like making an album to celebrate the 20th anniversary, or having an anniversary to showcase past songs. Reasons was that first, the past songs are always in rotation in their sets so they don't stop playing them. Second, like Pete said, they prefer to keep pursuing new music and that stance hasn't changed from 20 years ago. Said deviating from that feels dishonest like they're lying to themselves.

Pete was like [it's how Steven Spielberg didn't make E.T. Part 2.] Patrick was like [exactly!] and said that being honest with themselves was their pure form.

also there's a page 2 to the article but i'm tired :[. they talk about "emo" changing from a specific music genre to the word entering the mainstream vernacular, patrick talked about how when they started out they didin't consider themselves "emo," they were a hardcore band. said he liked playing hardcore though when he sang people used to tell him his voice was too cute. they focused on making the music they wanted to, and before they knew it, they were being called "emo." Pete talked about the word, how it encompasses too much, feeling restricted by that in the past, etc. Talked about wanting to become like Metallica in that the word Metallica has becomes its own thing, Metallica doesn't need a description, etc. Patrick talked about perfoming in Japan, from small venues way earlier to now, etc

-

-

I love long FOB articles and I quite liked this one.

Love that Patrick talked about musical inspirations and SMFS. It’s so cool to hear because I love how beautiful and grand the sounds are in SMFS, even with spoken tracks like The Pink Seashell or Baby Annihilation. 

Also him buying the same synthesizers is so real. He’s a music nerd <3 

They’ve been consistently talking about always wanting to make new music and looking to the future instead of the past. And getting questions about their sound changing since forever haha.

It's really cool that they're very self aware and how convinced they are about making new music. Love that Pete can look back at older albums and find new appreciation for them. I’d be down for another half dozen FOB albums if they are, so (๑•̀ㅂ•́)و✧

The new Pete and Patrick photos!!! They've got such pretty eyes <333