#2009 noir is around 17-18

[ghoodles]

A sort of ramble about noir's age because i did some sort of research on some things and well

Yeah

So a theory about specifically 2009/SD!noir's age, and a hc about his one in itsv/2020 comics

So, i recently got Shattered Dimensions working on my wii and played through a bit of it

There are character bios on there which helps me grab a good bit of an idea on his age.

It just says that he's a highschool graduate and saving for college, so, immidiately, that puts us at 17 or above for the 2009 comics

However, i could also probably narrow it down to, well being 18 or 19, considering that the legal drinking age in the 1930s in specific states were different, because it was before The National Minimum Drinking Age Act was passed in 1984.

In New york, you had to be 18 to drink. So, when Felicia asks Peter about his age and he quips with the liquor license thing, it does sort of imply that he is younger than that. So, i'd say that the 2009 comics version of Noir is around 17-18.

However,

I do not believe this to be the case for the 2020 comics/ITSV noir.

Not only does he look older, but those two personalities are extremely different.

Whilst 2009!noir has that sort of i guess... spunky teen energy???? Idk

2020!noir is much more chilled out, which inclines me to believe that he is older. I'd give or take about 27 years old. He's older, 'wiser,' and albeit, calmer.

[foolsocracy]

With all the age discourse around Spider-Man Noir right now, I thought I’d compile parts of the comic that imply his age. I want to state that this pulling from his 2009-2010 comic run before the time skip, specifically the first volume. The spiderverse movie has taken a lot of liberties with the characters, so it is very possible that what Peters age is in 1933 in the comics is NOT what his age is in 1933 in the movies.

Peter’s age is not directly stated in his 1st comic run (I can’t speak for the 2020 ones because it has been a while since I read them, plus there’s like a 10 year jump). It IS however heavily implied that he is young. So much so that you can’t seem to go more than a page without someone referencing it.

Like, these all happen in the same scene. The writers beat you over the head with it.

In this issue alone Peter is called both “son” and “sonny” once, “boy” twice, and “kid” 8 times. Outside nouns, he is also referred to as young, and when Urich brings him to The Black Cat, Felicia calls it “babysitting.” Urich also asks Peter if he is “allowed out after midnight” but after some research I can’t seem to find any evidence of NYC having juvenile curfews at this point in time, though they did exist in lots of towns in the late 1800s and early 1900s because of child labor laws. I think this instance is just Pete just being young and an adult being concerned about his well-being.

It is also mentioned in this volume, and again in Eyes Without a Face (vol 2), that Peter wants to go to college in the future and is currently studying & saving up money to do so. This alone doesn’t necessarily mean he’s under 18 as there isn’t a max age to apply for college, plus Peter comes from a poor family during the Great Depression. It wouldn’t surprise me if he started college later than usual because of that (lack of funds & catching up due to not being in school/working).

There is other evidence that does imply he is under 18 though— he’s too young to drink alcohol!

Spider-Man Noir Vol 1 issue 1 starts in January 1933 before jumping back three weeks to December 1932 where Ben Urich meets Peter Parker

It is during December 1932 that he meets Felicia Hardy who owns the speakeasy The Black Cat. Prohibition is still in place and won’t be overwritten until a year later in December 1933. It is important to note that before Prohibition was instated, the drinking age in New York was 18 years old. That law is what the characters reference when they discuss drinking age. And most importantly, Peter doesn’t deny the fact that he’s too young to drink. He just snarks back in true Parker fashion

This is the most concrete evidence there is towards Peter being under 18 in the noirverse. It can even be argued that Peter is under 17 with how easily Felicia picks up on the fact that he’s underage (and that she does so from a distance might I add, as seen in the ‘babysitting’ panel).

There is also a panel where JJJ refers to Peter as an “orphan.” By definition, an orphan is a kid under 18. This is JJJ, so this can be taken with a grain of salt as he loves good ol hard-hitting words. When people speak they don’t always use words by their exact definitions; sometimes if you’re young and your parents are dead, JJJ is going to label you an orphan even if ur a legal adult lol. But if you take this at face value it’s definitely another indicator that Peter is under 18.

TLDR; Spider-Man Noir from his 2009-2010 comic run is most likely under 18, and can be argued to be 15-16+. If not that, then is definitely college aged or younger.

[tomyo]

So I have life things right now but what if instead I just list off some shit I’ve done falling in love with Soul Eater 10 years ago.

Soul Eater was probable the first series I watched as the series was still airing. Not a huge deal nowadays but in 2008, all we had were some sketchy sites that would play four anime series in 360p. I think turnaround would still only be a week or two but it was so much more harder. I found the series when my site uploaded it as a Naruto episode by mistake.

Later on as I was reading the manga as it came out, I would go on just as horrible malware sites to look at the raws. 

Honestly, I stopped watching the anime around episode 30 initially because I preferred the manga.

I have some drawings somewhere planning to cosplay Maka in 2009 but I wasn’t that into it yet. 

Changed at the end of my sophmore year of school when I fucking crashlanded in crazy fan land.

Summer of 2010, I went on fanfiction.net from my dsi and read as many stories as I could until I fell asleep. My set up would either be propped up on my bed or floor with my bedding (it was hot and no fan and floor cool). I would sneak down stairs to grab an icecream cone. And then in the morning I would wake up to a dead DSi because I fell asleep when my body gave out.

Also since it was 2010 and smartphones were hardly a thing yet. I would print out novelas worth of fan fiction to read when my dad would drag me to see family who lived without internet and maybe one socket that had one three pronged socket. Rip environment.

Remember this really long drabbles collection. Sometimes it was 100 words, sometimes its a 10k Vampire AU that was so, so very tasty.

Maka Shop was a mispelling often made and I made my own AU based on that. I’m too much of a coward to share any fanfics I’ve ever made tho.

Was there for the blip that was ‘I’m writing this based on my criminology class’ hell fanfic. If you know it, you know it. If not. Good.

I was hype to buy a Soul plush from my local con that year and took embarrassing af photos with it because he was my first anime crush.

I also snuck into the one 18+ section of the one doujinshi booth at said con because there was only one book in the non

Niwatori and Kiss were legends, I own all of Niwatori’s SE doujinshi but now I’m onto finishing the Kiss ones I’m comfortable with own. Had managed to find Niwa’s old sites before she became pro.

Nowadays I keep up on Pixiv to see what still active SE doujin artists are up to and am desperately trying to collect their work.

Also holy shit, I nearly spent $90 on ebay at one point to get the official artbook but thankfully held out and got it for $15 a few years later.

Back into the timeline

Made OCs for an OCT and it was basically Soul and Maka

Followed a bunch of notable fans on DeviantART. Zraid was a big one. Was in love with Keiko-chan’s art. Also followed Dragula as they were releasing chrona centric doujinshi. 

I drew the characters a lot but didn’t post as much since I didn’t like how I drew them. There are tons of Maka and Soul scribbles from my notebooks though. I really expiremented because of how fluid Ohkubo was with his art.

Fighting dreamers pro did their soul eater group and made me determined to have my own. Lists exist somewhere of planning to go to NYCC when it was NYAF.

Started to get into Soul Eater cosplay. Determined to do Spartoi Maka. Bought a costume from Fanplusfriend for $180 on the outfit alone because no other listing existed. Still have my $1000+ limebarb quote when I nearly bought it through her (yikes)

I have still failed to this day to remake the outfit and scythe even though I try every katsucon. But I’ve done others tho.

Soul was the first case of me ever wanting to ‘crossplay’ (no longer accurate term)

Asked my mum for a white shirt from target that became the shirt I wanted to cosplay a splash page image of soul with. The white one with the red scarf

There was also the Soul Resonance Bad Romance parody skit when skits were big that was heavy inspiration.

Made a whole one up in my head to Don’t Stop by innerpartysystem. It had backdrop cutouts and lighting that I would never be able to do. Also like 20 person team beyond the cosplayers honestly.

Also wanted to do a high school centric amv to Arashi’s Troublemaker. 

Watched so many AMVS. Started to learn more about AMV culture because of it. Also Mentalprodigy is Soul Eater AMV god and I’m sad that she’s deleted some of them for good. ‘Insanity’ helped me get over a crush the next summer.

Tried making some of my own first CMVs. I put a lot of work into one of ‘If it really means a lot to you’ in which I tried making maka’s outburst from episode one match to the lyrics. Bad video quality but I’m still proud of it. Also did one to Be my escape and Lydia songs but most of them would never render properly because my computer was 2gbs on windows vista. Anyways here they are in case you were curious.

Lots of headcanons

Ponponpon came out and I immediately connected it to one off comment Maka makes about liking the PonPon dance even though she said it before Kyary’s debut.

Started estimating the main pairs ages based on info (Maka was 17 at the end of it fite me)

Designed a Kama Design and it turned out post end Maka was drawn with the same hairstyle so :OOOO

I hated wearing badge pins back then but I kept one of soul on my beret when they were popular.

Took up Piano for a semester at school. Sadly it was only a half year course but I spend a good amount of time trying to play Selenic Soul. Still remember a bit of how to play it. Also because of a Kiss image, I wanted and got a Melodica.

Started reading Bichi because I was DEADIATCATED

Fun fact: it has a proto version of like, every character. Maka is a maid.

Signed up on Nico Nico and Pixiv to start finding artists and video makers.

Recently found a whole bunch of old videos on Nico of Gangan CMs with a person dressed as Maka and its gooood.

When I joined in highschool , I had intent to start posting seasonal art and try to connect with japanese artists. Drew an unfinished NY art for the year of the rabbit with broken japanese.

I think I finished the Anime around this time??? We had just gotten Netflix. Hated the ending so much. ‘The manga is going to be so much better’

It was Book of Eibon Era so like, the best part before it all went down hill veeeery sloooowly

Genderbent chapters were fuuuuuuuun. Still about it

Soul Eater Not was announced and my body couldn’t take it. Loved it even though it was basically Kon in Soul Eater. It became harder to get even the raws because Yen Press was getting big and cracking down so I bought one of the books. 

Joined twitter to see if Ohkubo was okay during the Earthquake and Tsunami that hit Japan in 2011. This is a poor reason to worry about someone’s life but I was a dumb teen. 

After about a year and a half of non stop fixation, my interest went into a new direction because of Homestuck.

Fun Fact, I’ve seen huge crossover with the two. Every modern Soul Eater fan 200% was a Homestuck. ESPECIALLY IF YOU WERE INTO KAREZI.

Various Soul Maka supplement characters over the years: Ladybug and Chat Noir, Judy and Nick from Zootopia, Karkat and Terezi. Any strong female with a devoted male partner. 

Also some fave, I want Maka ships but I’ve watched soul eater enough already; Tonari no Kaibutsu and Kaiba. There is more but I forget :c

Fell down general obscure Soul Eater shit

Cosplay Meme because why the fuck not

Years of insisting groups never got me anywhere in college so I mostly solo and look it up on tumblr now and then

Manga ended so..yeah

Soul eater not comes and goes and everyone laughs. I still try to get peple invested in it because its the only time we get to see any Liz and Patty character development. Also lesbians >>

Get back in deep in 2017. Finally achieved buying doujinshi after a 7 year gap in availability. Have thus spent probably close to $500 on my collection and its sad. I spent so much money at Otaku Republic that they’ve sent me 3 freebie items since, a plush keychain, a pencil board, and a pass case that was actually useful and causes a bunch of intense moments of love for soul eater with my college peers.

Moved onto finding rare promo items in the mean time. Mouse? check. Speaker that looks like headphone illustration? check. Looking into an mp3 and rare instax as we speak. 

Did you know there was a calculator? Did you know there was a Lamp. And a fucking cd player.  

Debating learning how to drive a motorcycle and buying the same model as Soul’s. I hate harleys but man the aesthetic. God, one of my various information searching used to be on why soul could drive a motorcycle when most us law says you have to be 18. Why? who knows why. I was 17 and wanted the characters to be my age.

Started compiling Maka costumes. Episode 12 Maka? Check. Exams arc Maka? In progress. That one illustration for the chapter art? Check. Monster Hunter Promo art? Sure Why not. Black blood Maka, Halloween Maka, Halloween Fanart Maka, Christmas Maka, Shit why not deathbucks maka. 

Over the years many friends said they could be Soul for me and I’m sure none of them are prepared for if they actually do. The one case where it did happen...I was intense. It was bad.

After alot of internet digging, I finally found the site of Channel C who’s many people’s fav soul eater cosplayer. So many images that had been hidden away.

Realized when watching Mob Psycho 100 that I now recognize the Japanese VA. Sadly can’t say the same for Laura Bailey since I don’t watch a lot of anime anymore. 

Most importantly I had a feverish desire to make more soul eater art just before Ohkubo announce perfect edition.

[general-du-vallon]

Okie dokie, a long post about Commodities. This is not rigorous scholarship, history is not my field, I knew nothing about this subject before, really. It’s just a quick google. So, without further ado. 

“Well, there was this one time I dropped anchor near a small island called Gorée…”

Gorée Island is a small island off the coast of Senegal which played a part in the transatlantic slave trade. The House of Slaves and the Door of No Return, now a museum and UNESCO World Heritage Site, was built in the 18th century. There are so many different estimations of how many people passed through Gorée and different analyses on how important it was to the trade. However, it is important now, and now is when the series was made. It’s a name that carries connotations of not only the lives directly affected by the slave trade then but the continuing repercussions that we’re still seeing and still understanding. There’s an annual festival, “a way to use art and culture to remember [the sad page in history] and to unite the island's diaspora… it is not enough to remember the past, but that it must be used to build a better future in which communities can grow closer to eliminate all forms of discrimination”, (Augustin Senghor, the mayor of Gorée Island, speaking in 2010 about the festival). The Facebook page for the festival says

“Le Gorée Diaspora Festival est un ciment fédérateur entre la Communauté Sénégalaise à travers Gorée et l’ensemble des visages et voix de la diaspora Africaine s’engageant à « rectifier voire inverser les conséquences négatives de l’esclavage et du lourd tribu payé par le continent noir et ses enfants sous le vocable de Renaissance Africaine qui englobe la notion de Développement que l’Afrique n’a pu connaître du fait, justement, de l’esclavage”

I don’t speak French but I can translate a little… the Gorée Diaspora festival is… something about unifying the Senegalese communities through different voices…. Something about reversing and counteracting the consequences of the slave trade, something about a heavy tribute (price?) paid by the ‘children’ of the continent and the diaspora, and includes ideas about the development that Africa could not know because of the slave trade. My dudes, je ne parle pas Francais, so do correct me or translate better.

The Gorée Institute promotes culture and arts in Africa and in 2015 (I think) they ran a poetry residency on the island that aimed “to reignite a literary tradition that has begun to fade, and to help promote arts, culture, and freedom of expression as intrinsically effective methods of fostering open societies in the region”

 How to Fall in Love with an African City

by Gbenga Adesina, a 24-year-old poet from Nigeria

 In time, you too will come to learn dear friend, the soft rustle,

Soft whoosh of affection for a city like a lover like a love song: Nairobi, Abuja, Dakar

throbbing in your ribs: Accra, Harare, Port Novo, carving a place for themselves, to nestle

In spite of yourself in the jar

of things you call loved.

 I know eyes have their own memories and fears

and you come here seeking only the darkness you’ve been

promised. But come again to Abidjan friend, come to Yamoussoukro, come

to Kigali, to Luanda, to Lagos, where the city vowels sing to you, sing to you.

Sidewalks that are nations on their own. Yellow buses that write you into a story

Wi-Fi spots and shopping malls and smiles that warm your arms and strangers that become

friends in an instant. Grilled meats that introduce your tongue to you.

 In time, you too will come to learn dear friend, the soft rustle, soft

Whoosh of affection for a city like a lover like a love song: Nairobi, Abuja, Kigali,

Dakar throbbing in your ribs. What it means for a city to hold you by the hands

and love you and lead you to places you’ve never been inside yourself

again and again at the junction of laughter.

  Ok. So, these are a few facts I’ve come up with after a quick Google around, and a few things that are coming out of Gorée today. Back to the series, Bonnaire name drops an island that would have already been involved in the slave trade in the 17th century. The thing about the transatlantic trade was that even when not trading people, trade was deeply involved in slaving. The transatlantic triangle meant that cargo was being shipped to pay for slaves and nurture ties in Africa and supply the colonial settlements, a cargo of people was then shipped to the Americas, then the produce of the Americas was shipped to Europe. Paul Munier, as a trader, was as implicated in the trade as Bonnaire, just a different side of the triangle. His cargo might not have been people, but it would have been from the Americas and in all probability produced by the people taken on Bonnaire’s slave ships. The name-drop, then, is suggestive of the slave trade and brings up a whole host of connotations and connections.

I suppose it was probably put in to suggest to an audience that Bonnaire is a slaver, as a ‘clue’. I think it works beyond that, though. It is also, because of what the island is now, suggestive of a diaspora, and the series brings in Samara, and Porthos, people who are perhaps part of a diaspora (I am not naming Sylvie because her story never brushes on her… what is it Bonnaire calls it? Ah. Here we go: “ancestry”). I don’t know what else is within that allusion, probably many things, but I just wanted to pick up the casual reference and think about it.

http://www.aaregistry.org/historic_events/view/goree-island-home-door-no-return (basic info about the island from an American site. I looked at a lot of sources but this seems the most straightforward)

http://www.nytimes.com/2009/02/19/world/africa/19ndiaye.html (an article about Boubacar Joseph Ndiaye, curator of the House of Slaves, from 2009 after he died)

https://www.voanews.com/a/goree-island-festival-celebrates-african-diversity-107230813/130315.html (quote from Augustin Senghor)

https://www.facebook.com/pg/GoreeDiasporaFestival/about/?ref=page_internal (facebook ‘about’ page)

www.goreeinstitut.org (Gorée Institure’s page, in French)

https://afrolegends.com/2016/07/27/reclaiming-african-history-goree-and-the-slave-trade-in-senegal/ (another page about Gorée and reclamation)

 “A calabash. Grows all over West Africa.”

I just want to quickly pick up on this allusion, mostly because it is used to make musical instruments and you know, I like music. So. I’m just gonna share a couple of things I found. The first is a page from RCIP-CHIN [a Canadian… it’s in French again, CHIN stands for Canadian Heritage Information Network, it’s a heritage site basically I think], a teaching page aimed at children about traditional calabash objects from Senegal, so stuff made from calabash, from a region that we know Bonnaire visited.

http://www.virtualmuseum.ca/edu/ViewLoitLo.do?method=preview&lang=EN&id=10659

 The Kora is an instrument made from the calabash, so here are two videos of kora music,

https://www.youtube.com/watch?v=XEoMz79NT60 I don’t know this one I got it by googling, it’s called  ‘KORA TRIO SENEGAL Konzert Rote Fabrik Zürich’

https://www.youtube.com/watch?v=Ig91Z0-rBfo this one is Sona Jobarteh and band, it says it’s music from West Africa.

 Also just a thing from a quick google, A Drunken Ode on an Ashanti Calabash, based on Keats’ Ode to a Grecian Urn, because, you know, how awesome is that?

You bald head crackpot of an unworshipped gourd

Owner of sweet whine, lined with alternate this chord

What incense wafts incessant on your inside

What merry joys accompany your company.

What brave brow, what bold curve

Hairless rim-head, competitor of shaved eggshells

Afraid to touch the earth but on your belly.

 Glass wine is sweet, but gourd wine is sweeter

Funeral wine, party wine, you hold them better

What a roll you make on your underbelly

When rocking here this way and that

What browned fare, what fair brow

What endless, gaping gap on your inside

Forever open to wine and air.

 Pour me a drink, pour me two

Which are sipped ‘pon suppers supped

Momentous joy for a dugout unleaked

What thin wall, what thick skin

What strong ethers of spirits reek

Shanty half body of insipid taste.

Sleeping is truth, and truth sleeping

Let me now lie and tomorrow waste

https://afrilingual.wordpress.com/2013/11/28/drunken-ode-on-an-ashanti-calabash/

 “A bottle of rumbullion. The colonists make it out of sugar molasses, so potent they call it kill devil”

Last allusion I’m picking up, I swear, and again I’ll be quick about it. John J. McCusker says that “rum and molasses early became strategic items in the vital trade with the West Indies, being readily available and readily acceptable returns for colonial goods shipped there. The distilling of rum from molasses created a substantial colonial industry, employing local capital, management skills, and labor[sic]”. Bonnaire’s rum is again just an indication of both his trade and the deeper implications. Rum is a ‘commodity’ (a word McCusker uses over and over that I can’t hear without wincing anymore) that was used substantially in the transantlantic trade. Again, the commodities and luxuries that Bonnaire is shipping, his cargo, is all implicated in the slave trade and, again, I want to point out Paul Munier as a trader who might not actively be a slaver but is still part of the slave trade.

 The Rum Trade and the Balance of Payments of the Thirteen Continental Colonies, 1650-1775

Author(s): John J. McCusker

Source: The Journal of Economic History, Vol. 30, No. 1, The Tasks of Economic History(Mar., 1970), pp. 244-247

Published by: Cambridge University Press on behalf of the Economic History Association

Stable URL: http://www.jstor.org/stable/2116737

Accessed: 26-10-2017 20:35 UTC

[sorry, I’m sure there are other more accessible sources on the rum trade and its parallels/uses in the slave trade, but I have google fatigue. The article is focussed on economy and is numbers and ledgers and is only really relevant to show how rum was used by the colonists in the slave trade]

https://www.thoughtco.com/triangle-trade-104592 [oh, here’s another source, and this one talks about the triangle as well]

FINALLY I want to just mention how confused I am by Louis and Richelieu and their conversation about the navy. I always read that as the French didn’t have a navy, and had a trade agreement with Spain about exploration/colonisation. I can’t find any evidence for this, however, and in fact Richelieu pretty much is the source of the modern French navy; he built the damn thing. And in terms of colonization, while it seems to be true that the French in 1630 were only just starting really, they WERE starting. Richelieu [historical type not Capaldi] went on to colonize the Antilles, and the French navy took Gorée from the Dutch in… 1677. David Gegus says that “for the little-studied seventeenth century, some data recently uncovered by Clarence Munford and others are combined with material from older works by Elizabeth Donnan, Abdoulaye Ly, and John Barbot. The compilers note, however, ‘much of the seventeenth century French traffic is missing.’ A large part of France's slave trading was then clandestine, conducted by interlopers challenging royal monopoly companies”. Which seems to fit in with Bonnaire’s position with the court. Richelieu actually set up a Company of San-Christophe with an explorer called Pierre Belain d'Esnambuc in approx. 1626 (“I found myself my own little utopia, a little piece of heaven called San Christophe”). [‘San-Christophe’ is ‘Saint Kitts’]. The company failed, d’Esnambuc died, Richelieu set up the Company of One Hundred Associates instead and they colonised Canada, the Antilles, etc.

https://en.wikipedia.org/wiki/Pierre_Belain_d%27Esnambuc

https://en.wikipedia.org/wiki/Company_of_One_Hundred_Associates

  And for those who like academical journalies and JSTOR:

Hausa Calabash Decoration

Author(s): Judith Perani

Source: African Arts, Vol. 19, No. 3 (May, 1986), pp. 45-47+82-83

Published by: UCLA James S. Coleman African Studies Center

Stable URL: http://www.jstor.org/stable/3336411

 In the Shadow of the Castle: (Trans)Nationalism, African American Tourism, and GoréeIsland

Author(s): Salamishah Tillet

Source: Research in African Literatures, Vol. 40, No. 4, Writing Slavery in(to) the AfricanDiaspora (Winter, 2009), pp. 122-141

Published by: Indiana University Press

Stable URL: http://www.jstor.org/stable/40468165

Accessed: 26-10-2017 18:30 UTC

 The French Slave Trade: An Overview

Author(s): David Geggus

Source: The William and Mary Quarterly, Vol. 58, No. 1, New Perspectives on theTransatlantic Slave Trade (Jan., 2001), pp. 119-138

Published by: Omohundro Institute of Early American History and Culture

Stable URL: http://www.jstor.org/stable/2674421

  Mercantilism as a Factor in Richelieu's Policy of National Interests

Author(s): Franklin Charles Palm

Source: Political Science Quarterly, Vol. 39, No. 4 (Dec., 1924), pp. 650-664

Published by: The Academy of Political Science

Stable URL: http://www.jstor.org/stable/2142344

  The French Slave Trade: An Overview

Author(s): David Geggus

Source: The William and Mary Quarterly, Vol. 58, No. 1, New Perspectives on theTransatlantic Slave Trade (Jan., 2001), pp. 119-138

Published by: Omohundro Institute of Early American History and Culture

Stable URL: http://www.jstor.org/stable/2674421

 Scientific travel in the Atlantic world: the French expedition to Gorée and the Antilles,1681-1683

Author(s): NICHOLAS DEW

Source: The British Journal for the History of Science, Vol. 43, No. 1 (March 2010), pp. 1-17

Published by: Cambridge University Press on behalf of The British Society for theHistory of Science

Stable URL: http://www.jstor.org/stable/40731001

[redsoapbox]

28 BANDS / WHAT HAPPENED TO MY TIPS FOR THE TOP?

 18 months ago, in an attempt to nudge the redsoapbox blog outside of its comfort zone, I spent many a long hour trawling the internet in search of up and coming artists with the potential to make an impact on pop culture. 28 bands (click the archive link to find the original article) featured acts from the blog’s base here in Wales, from many other parts of the U.K. as well as musicians from America, Canada, France, Sweden, New Zealand and Finland. All manner of genres were included - from country, soul and easy listening to indie-noir, psych-funk and art-punk. Some artists were easier to identify than others - Liz Brasher, for example, seemed an obvious star in the making, while others, such as Turku’s Those Forgotten Tapes, had yet to play even a single gig!  

So, how have they all fared? Well, as might be expected, it’s something of a mixed bag. There have been successes - one artist appeared in an Academy Award-winning musical, another in a long-running BBC soap, national album prizes have been won and summer support slots with Dylan and Neil Young secured. There have been dispiriting failures too  - one or two bands have barely gigged, some have remained unsigned (though in many cases they continue to self-release sublime music) and one group folded straight after an excellent debut album.

Taking the artists in the original order in which they were featured, here’s an update on progress made -

Hand Habits

Meg Duffy released sophomore album Placeholder in January 2019 to widespread critical acclaim. Pitchfork said it best, describing the album as a ‘bucolic mix of pleasing melody, soft guitars and gentle vocals’.

Boy Azooga

It’s been a massive year for the Cardiff combo. Storming singles “Face Behind Her Cigarette” and “Loner Boogie” secured the band a spot on the cult show Later... With Jools Holland and a record deal with Heavenly followed. The band’s debut album (One) (Two) (Kung Fu) won the 2018 Welsh Music Prize (for which I was a juror) and the group has recently been confirmed as support for Bob Dylan and Neil Young gigs later in the summer. I interviewed frontman Davie Newington for New Sound Wales last year  http://www.newsoundwales.com/interviews/boy-azooga-interview-by-kevin-mcgrath/

Liz Brasher

As mentioned in the intro, North Carolina’s Liz Brasher seemed an obvious choice in the ‘next big thing’ stakes. In 28 bands, I predicted a ‘tidal wave of hype’ would greet the release of her debut album. I wasn’t kidding, either, with  PopMatters declaring Painted Image to be evidence that Brasher is ‘one of the next thundering and commanding voices of soul music’.

Liz Brasher live

Family Jools

A run of exceptional tunes through 2016 - 2018 including “Get Off”, “Fallacy” and “Don’t Know” was supposed to lead to a debut album by the end of last year. The departure of Jack Hawkins (guitar) was the first outward sign that the project was in danger of veering off the rails and there is no sign at present of that elusive album. Another fine single “She’s a Mother” surfaced a few months back and exactly five hours ago they band have announced a forthcoming single by the name of “California Sun”. I’m still a true believer, though. You can find my interview with the band via the archive link. 

There is a Family Jools gig available here https://bndrmusic.io/

Sarah Munro

Sarah released a fine sophomore album Angel Road in June last year and, somewhat bizarrely, turned up busking outside a hospital in the long-running BBC soap Holby City which aired in February.  

Armstrong

The fact that I became somewhat smitten with Armstrong last year will be no secret to readers of this blog. That this fellow Welshman’s incredible music had hitherto escaped me boggled the mind somewhat. Discovering timeless albums like “Under Blue Skies” and “Songs About The Weather” gave me one hell of a kick. In an interview I conducted with Julian Pitt (the sole member of Armstrong) for Wales Arts Review in April last year, the singer/songwriter was excited about a planned re-release of Under Blue Skies (with a whopping 8 extra tracks!) and his continuing work on a brand new album Happy Graffiti. Anyone who read the interview closely, though, might have been a little worried about how long those projects might take to come to fruition. Happily, I can confirm that the sterling efforts of The Beautiful Music and Country Mile Records have borne fruit, with Under Blue Skies available to order from the following links

http://thebeautifulmusic.com/

http://www.countrymile.org/Releases/Armstrong/armstrong.html

You can read the interview here -

https://www.walesartsreview.org/interview-armstrong/

Keeva

While the much-hoped-for album has yet to materialise, there was a richly tender EP Four Sad Songs and a Ballad to cling on to in the meantime. Keeping my fingers firmly crossed that an album is just around the corner.

The Salient Braves

Aside from a single track,“Slob,” released last July, all seems deathly quite. I assume the Braves continue ‘pissing into the indie wind’ as their twitter profile proudly boasts!  Until we hear anything new then, we’ll just have to resort to re-playing the majestic Delusions of Grandeur over and over again. Believe me, that’s no hardship!

https://thesalientbraves.bandcamp.com/

Estrons

Local favourites with a fantastic live reputation, Estrons released a corking debut album You Say I’m Too Much, I say You’re Not Enough to huge approval and then promptly split. They made their mark though, 2015 single “Make a Man” should be on anyone’s shortlist for best song of the twenty-tens.

Thou Swell

Absolutely fell in love with the demo version of “What’s Your Name” that appeared on Soundcloud in December 17. There was a smattering of London gigs in the first half of 2018 and the promise of a live EP, but everything has gone worryingly quiet since.

https://soundcloud.com/user-911275129

The Regrets

Seattle’s pristine purveyors of jangle pop released a new EP, Endless Desire, which featured five frothy tracks including the rather marvellous “Under a Sideways Moon”. 

 https://wearetheregrets.bandcamp.com/album/endless-desire

Head Noise

Mitch Tennant’s electro art-punks continue to battle Welsh music establishment indifference. A sequence of intriguing EP’s has been met with stunned silence. Hopefully, a debut album, due before the year's end, will finally break down some of these artificial barriers. As Mitch himself often says, ‘D.I.Y or Die, Baby!’. 

Head Noise

You can read my interview with Mitch here

 https://www.walesartsreview.org/interview-head-noise/

Jade Jackson

Jackson’s sophomore album Wilderness earned across-the-board critical acclaim on its release last month with American Songwriter complimenting the singers ‘tenacious honey-and-grits voice’. Opinion former’s No Depression called it the same way, highlighting Jackson’s ‘warm, confident vocal delivery’.

QTY

The band seem to have disappeared from all thing social media!  Still, we’ll always have the eponymous debut album!

HOTEL LUX

Hotel Lux’s latest single, the stunning “English Disease”, had more than a dab of Robert Lloyd about it. If Hotel Lux can measure up to theNightingales, then you won’t hear me complaining. Set to play Cardiff’s Swn Festival in October, where I can get a closer look at them. 

Hotel Lux  

Cozy Slippers

Seattle’s three-piece Cozy Slippers released a cracking EP Postcards last April and are set to follow up with a new single “A Million Pieces” for German independent label Kleine Untergrund Schallplatten on the ninth of August. The band has also confirmed that plans for a U.K. tour are in the pipeline.

https://cozyslippers.bandcamp.com/album/postcards

Common Holly

The band is about to launch it's Back From the Dead’ tour later this month, taking in Toronto and Winnipeg along the way before hopping across the border to support Mauno on their short American sojourn.

BUZZARD BUZZARD BUZZARD

An enforced name change saw Cardiff outfit Buzzard triple their moniker in an unfortunate start to Tom Rees’ campaign for superstardom. Rees aims pretty high, recently telling N.M.E. that the combo’s single “Late Night City” made him cry in a way that only “Wichita Lineman” ever had before. Fresh from playing the BBC Introducing stage at Glastonbury, the band are set to release a new single “Love Forever” later this month. Mark them down as potential world-beaters!

Nervous Dater

The band is currently opening for Los Campesinos! on their ‘Save America Tour’. If you haven’t invested in their spiky Don’t be a Stranger album, then why the hell not? 

The Greek Theatre

As recounted in the original 28 bands blog, Swedish duo Sven Froberg and Fredrik Perrson wrote an entire series of albums and then decided on a date for their break up all within weeks of their formation in 2009. So far, the Greek Theatre masterplan has yielded two sublime albums Lost at Sea (2013) and Broken Circle (2017). I have struggled in vain to discover when the next record is slated for release, all to no avail. We can only assume that their surreal plan is still in force and that a third album is on the way! 

oblong  

Andrew Clement, Hwys Grav and Rob Daniel should apply to join the magic circle forthwith. The Llanelli post-punk band’s trick of conjuring up two feisty, furious and humorous albums Brilliant...Gwd (2017) and  Hollulluog (2019) in double-quick time deserve the respect of their musical peers.

https://oblong1.bandcamp.com/

The Glad Machine

Nothing to report here, save for the release of a Christmas single “Days Gone By” and, wait a mo, a brand new single released this very day (5th of July). Just going to take a listen.......be back soon!  Okay, the song is called “Virginia” and sits pretty neatly alongside the material from their debut album - file under thumping, melodic American rock.

Illuminati Hotties

The Hotties’ terrific debut album Kiss Yr Frenemies, the sound of which is described as “tenderpunk” by the group’s sole permanent member Sarah Tudzin, was rapturously received by the music press. Pitchfork, in particular, was persuaded, claiming that “every emotional abrasion and pang of longing on Kiss Yr Frenemies is conveyed with just the right mix of sadness and acerbity”.

Somehow

Erwan Pepiot’s tantalising description of the Somehow sound - ‘halfway between Joy Division and Belle and Sebastian’ should grab the attention of even the most jaded pop music consumer. The duo’s brand new single “Shut Your Eyes and See” certainly lives up to the billing. A new album, Low Tide, will be released on October the 25th.

Somehow

Crystal Furs

Having released a new album, Pseudosweet, in January, the band seems to have successfully overcome the departure of lead vocalist Amanda Hand (now fronting electro-pop combo Big Heaven). 

Jetstream Pony

A rip-roaring EP, Self-Destruct Reality, captured the group on top form. A new song “Mitte” has just been demoed and is a forerunner for an album release later on in the year. 

Sandra’s Wedding

The band’s debut album, Northern Powerhouse, is a certifiable classic of indie-pop. An album for the ages! How to follow that? - with a corking EP Good Morning, Bad Blood which builds the anticipation for a much-anticipated sophomore album.

Marlon Williams

William’s sophomore album Make Way for Love racked up three New Zealand music awards, but perhaps the most surprising development among the 28 bands featured here was Marlon’s role in Bradley Cooper’s Oscar-winning remake of A Star is Born.

Those Forgotten Tapes

I’ve left the most disappointing news until last. Sadly, Those Forgotten Tapes have put their rock ‘n’ roll project on indefinite hold. When I interviewed the Finish combo shortly after blogging 28 Bands, the group was in the midst of recording a debut album and there was a real air of optimism around. Following the interview, I kept in touch with Jari Oisalo, the driving force behind TFT, but as time went by without any word of an album it became clear that something had gone awry. Without breaking any confidences, there have been health issues which contributed in large part to the dissolution of the group. Jari intends to remix the four recorded TFT tracks (which you can hear below) and has hopes that a TFT album will see the light of day at some point.

In the meantime, Jari has recorded an album Tahtijuttuja as Salainen avaruusohjelma (Secret Space Program), there is a link below to their track “Buffalo” as well as resuming work on a shoegaze album under the moniker Tyynyt. You can listen to their track Pusuudelleen, reviewed positively in the N.M.E back in the day, below.

https://soundcloud.com/thoseforgottentapes

https://www.youtube.com/watch?v=bd91VstQyWk

https://soundcloud.com/solinarecords/tyynyt-pusuudelleen

A number of the acts featured here are reviewed/interviewed in Pop Hack, my debut collection available now via Amazon Kindle and are included in my Spotify Pop Hack playlist (see the archive link for details) while I have also created a brand new 28 bands’ Spotify playlist which can be can be accessed here -

https://open.spotify.com/playlist/5tKzsqVHGTQZzZVUDkxlGd?si=F1G7ZFTRTI2SXJ1uBOo_gg)

[justanothercinemaniac]

Epic Movie (Re)Watch #119 - Who Framed Roger Rabbit

Spoilers Below

Have I Seen It Before: Yes.

Did I Like It Then: Yes.

Do I Remember It: Yes.

Did I See It In Theaters: No

Edit: At the time of writing this I did not see the film in theaters, but have recently.

Was it a movie I saw since August 22nd, 2009: Yes. #565.

Format: DVD

1) Starting this comedy/noir film off with what appears to be an animated cartoon from the 40s is a good way of establishing tone for a few reasons. First of all it tells us what kind of toons Roger and company are. The kind that star in short after short after short like Mickey Mouse or Bugs Bunny, as opposed to say the Care Bears (it was the 80s, so I’m going with that example) who had a TV Show and a movie. It also introduces us to Roger, Baby Herman, the idea of ACME in cartoons, and Maroon studios. Also the film’s excellence in slapstick is there from the get go.

2) But as soon as the cartoon is over, we’re in the “real” world. This film has a slight bit of edge to it that I wildly appreciate. Not like Martin Scorsese edge, but come on. This is a film starring animated characters that has swearing, murder, sexual innuendo galore, and an alcoholic main character. For example in the original version of the film (now edited out): after Baby Herman walks under the skirt of a female employee on set, his finger is extended upward and has some liquid on it. That is VERY adult but will go over the heads of children.

3) According to IMDb:

Joel Silver's cameo as the director of the Baby Herman cartoon was a prank on Disney chief Michael Eisner by Robert Zemeckis and Steven Spielberg. Eisner and Silver hated each other from their days at Paramount Pictures in the early '80s, particularly after the difficulties involved in making 48 Hrs. (1982). Silver shaved off his beard, paid his own expenses, and kept his name out of all initial cast sheets. When Eisner was told, after the movie was complete, who was playing the director - Silver was nearly unrecognizable - he reportedly shrugged and said, "He was pretty good."

4) Bob Hoskins as Eddie Valiant.

Eddie is a wildly interesting character. He’s a former goofball who has kept his sharp tongue for wiseass remarks and being a pain in the ass, which is always appreciated by me. His conflict is incredibly interesting (more on that later) and he’s just a great character to follow around in this world.

Bob Hoskins is perfect for this role. I’ll go into detail on this later but his interactions with the cartoon characters look easy when they’re not, and Hoskins is able to balance the sourpuss aspect of Eddie’s personality with the wiseass, heartache, alcoholism, and former goofball in a complete package.

According to IMDb:

On the Special Edition DVD, Robert Zemeckis recounts that he had stated in a newspaper interview that Bill Murray was his and producer Steven Spielberg's original choice for the role of Eddie Valiant, but neither could get in contact with him in time. Bill Murray, in turn, has stated that when he read the interview he was in a public place, but he still screamed his lungs out, because he would have definitely accepted the role.

I think Hoskins can’t be replaced though.

5) This film is more of a noir film than an animated fantasy. You have your archetypes like RK Maroon begin the big money slime, Judge Doom is the shady government official, and Jessica Rabbit it the femme fatale. This is felt in every aspect of the film, from the cinematography right down to Alan Silvestri’s wonderful music.

6) Remember how I said Eddie had a great conflict?

Angelo [bar patron who Eddie flipped out on]: “What’s his problem?”

Dolores [Eddie’s sort-of-girlfriend and bar owner]: “Toon killed his brother.”

Like that is such a strange idea, a murderous toon, and it provides such great conflict for Eddie. A conflict which we see laid out before us when the camera takes the time to look at all the stuff on his and Teddy’s desk. You SEE that Eddie is in pain, and without a flashback you see the guy he used to be when his brother was around. The fun goofball who liked working Toontown and helpings toons out. To go from that to where he is now takes a lot of heartbreak.

7) I love that the password to get into the Ink & Paint Club is, “Walt sent me.”

8) Daffy and Donald Duck.

This is the first (and to date only) time cartoon characters owned by Warner Brothers and Disney have appeared in a film together. Since the film was being made by Disney, WB only allowed to have their characters show up if the major characters had the same amount of screen time as the Disney characters. That’s why Donald/Daffy and later Mickey/Bugs always share the screen together.

As a kid THIS was my favorite part of the film! The crossover aspect. Getting to see characters interact who normally don’t. AND they got the official actors at the time to voice them. Mel Blanc voices all his Looney Tunes characters, Tony Anselmo is Donald, and Wayne Allwine is Mickey Mouse. These aren’t cheap cameos, these are the genuine articles and that’s amazing!

9) There are also some appearances by non-Disney/non-WB characters, such as Betty Boop.

I think the inclusion of Betty is a nice way to pay respect to the early days of studio animation, and her original voice actress was still alive at the time so she got a chance to reprise the character.

10) Jessica Rabbit.

Before anything else, I would just like to point out that Jessica’s proportions are PURPOSEFULLY impossible. I think that this is done to play into the idea of her being a femme fatale, but more so even to critique some of the ridiculous bodies animated female characters have (but that last part may just be wishful thinking on my part). Kathleen Turner unfortunately does not get credit for her voiceover work as Jessica, which is a shame because she gives the character so much of her heart and intrigue. When she’s just the femme fatale Jessica’s a bit of a stereotype but by the end of the film she becomes truly interesting to me because she doesn’t just fill that role. There’s also a fan theory about Jessica I’m totally onboard with, but more on that later.

11) Robert Zemeckis’ films are marked for their incredible special effects, and Who Framed Roger Rabbit is no exception. Ask yourself: every time an animated character opens a door, or moves a desk, or splashes water, or bumps into a lamp, or (in the case of Jessica) pulls Eddie close to them by his tie and then lets him go, how did they do that on set? Because they had to! CGI is not a factor in this film. The animation is done by drawing over the film that was shot in the traditional fashion, but everything else had to be done practically on set. It’s so subtle and so natural that I marvel at it every time.

12) Okay, I love the theory that Jessica Rabbit is asexual. If you want to read the full post click the link above but here are the basic points of argument:

She’s in love with a rabbit because he makes her laugh.

She uses her body to get things she wants from people, but outside of that doesn’t she interest in anybody.

Her line, “I’m not bad, I’m just drawn that way.”

Her line, “You don’t know how hard it is being a woman looking the way I do.”

The only thing that really contradicts the theory is that later in the movie Eddie says to Jessica that Roger is a better lover than a driver, to which she replies, “You better believe it buster.” But I can easily see that as her defending his loving husband side instead of any sexual prowess.

13) Another thing that supports the asexual Jessica theme is that instead of her doing anything sexual with Marvin Acme, she plays Patty Cake with him. Like literally, patty cake.

(GIF source unknown [if this is your GIF please let me know].)

That is a joke I did not understand as a child.

14) I haven’t talked too much about Roger’s voice actor yet, Charles Fleischer.

During filming, Charles Fleischer delivered Roger Rabbit's lines off camera in full Roger costume including rabbit ears, yellow gloves and orange cover-alls. During breaks when he was in costume, other staff at the studios would see him and make comments about the poor caliber of the effects in the "rabbit movie".

Fleischer’s voice IS Roger in so many ways. All he can do to deliver Roger’s heart is speak, and Fleischer’s performance in this film is not to be underwritten because it is amazing. It is full with such life, such heart, and a surprising amount of honesty. It works brilliantly.

15) You have to keep your eyes open for the little innuendos in this film. For example, when Eddie meets Jessica at the crime scene he quickly peeks down at her boobs. This is the first time I’ve ever noticed that and I’ve seen this film a lot.

16) Christopher Lloyd as Judge Doom.

Director Robert Zemeckis had worked with Lloyd on their most iconic film Back to the Future (where Lloyd played Doc Brown), and now Lloyd gets to show off his villainous side. He is wonderfully and gleefully evil, showing no remorse and has a cartoon like quality which makes the bad guy work wonderfully in the role. He’s just threatening enough but also just funny enough. And Lloyd never phones it in once. It’s a fantastic performance through and through.

16.5) Can we talk about how this judge just murdered a cartoon shoe for no other reason than to show that he could and no one stopped him. Like, is the shoe technically a prop and so it doesn’t count as murder? Because that thing seems more alive than a prop!

17) So I talked about Roger’s voice actor but not much about Roger as a character yet.

Roger is a pure cartoon character, and I mean that in a sort of literal sense. He’s not tainted by greed or hatred, he is pure joy and humor. A bit of a dunce but he trusts people and WANTS to see the best in them. His entire purpose in life is to make people life and that feeds every decision he makes. It’s a wonderful cartoon counterpart to Hoskins as Eddie.

18) Hoskins’ interactions with Roger is where he shines. Because remember, Hoskins was not on set with Rogers. He was looking at an empty space which would be drawn in latter. But when you watch the film he’s never looking through the space. He’s miming it excellently, he is looking AT an animated character who isn’t even there yet. It’s amazing and the key reason he excels in the role.

19) I never caught this line before.

Roger [asking Eddie for help]: “You know there’s no justice for toons anymore.”

So toons are sort of a disenfranchised minority. That’s an interesting concept. If there’s a sequel maybe they’ll play with it.

20) According to IMDb:

When Eddie takes Roger Rabbit into the back room at the bar where Dolores works to cut apart the hand-cuffs, the lamp from ceiling is bumped and swinging. Lots of extra work was needed to make the shadows match between the actual room shots and the animation. Today, "Bump the Lamp" is a term used by many Disney employees to refer to going that extra mile on an effect just to make it a little more special, even though most audience members will never notice it.

21) @theforceisstronginthegirl, this is for you:

(GIF originally posted by @i-am-the-wallflower)

Nothing sums up Roger more than the fact that he can only get out of those handcuffs when it’s funny. It feeds into how Roger entertains all the guys at the tavern because they’re down on their luck, even though they could turn him over to Doom for a ton of cash (but they don’t). He believes in the power of laughter.

22)

Judge Doom [upon observing the record on the record player]: “‘The Merry-Go-Round Broke Down’. Quite a looney selection for a bunch of drunken reprobates.”

“The Merry-Go-Round Broke Down” is the theme to the Looney Tunes shorts.

23) The rest of the bar scene is filled with so many great cartoon gags. The fact that Judge Doom is able to lure Roger out by having him respond to, “Shave and a haircut,” is great. But a subtler reference is how Eddie gets Roger to drink the alcohol and loose control (thereby freeing himself from Doom). They go back and forth where Eddie wants Roger to drink the drink but Roger doesn’t want it, but when Eddie says Roger DOESN’T want the drink Roger says he wants it just to continue the conflict. Sound familiar?

24) Benny the cab is another fun original character added to the film, and he’s the same voice over actor as Roger!

25) I find this hysterical.

Benny [right before they’re going to hit a car]: “Pull the lever!”

Eddie: “Which one?”

Roger: “Which one?”

Benny: “‘WHICH ONE?’!?”

26) I am so ashamed of myself that I never caught the Back to the Future reference this film makes! Benny is driving down an alleyway and the evil weasels are driving straight towards him, and one of the weasels declares, “I’m gonna ram him!” Well in Back to the Future (also directed by Robert Zemeckis) Biff Tannen is about do the same thing to Marty McFly and says the EXACT same line as we get the EXACT same shot of his car!

I love that.

27) Me too Roger, me too.

Roger [expecting another cartoon to play in the movie theater but it’s a news reel]: “I hate the news.”

28) When we were introduced to Roger in the opening cartoon, I was trying to dissect what made him a unique cartoon character. Like Donald has his temper tantrums, Bugs Bunny is a wise guy, and Roger I’ve discovered likes to go on tangents. Like someone will tell him to do something and he’ll talk for five minutes about how well he’ll do it even when no one is around to listen. I like that.

29) The animated bullets Eddie uses in the gun given to him by Yosemite Sam are very much in the style of Chuck Jones and I can appreciate that.

30) It’s pretty fun watching for all the animated characters the filmmakers inserted into Toontown.

31) Droopy Dog is another cartoon character who shows up despite not being owned by Disney or WB. This meant he got to show up again later in an animated Roger Rabbit cartoon.

32) When Eddie is in a Toontown bathroom there’s writing on the wall that says, “For a Good Time Call Alyson ‘Wonderland’,” but then there’s no phone number. The theatrical release DID have a phone number but it was Michael Eisner’s home phone (I think) so it was edited out for the home video release.

33) What could possibly top Donald Duck & Daffy Duck dueling pianos?

I love everything about this. But it also gets to another agreement between WB & Disney: Disney did not want any of their characters doing anything to harm Eddie, so that’s why when he gets the “spare” from Mickey & Bugs (it’s a spare tire but he thought it was a parachute) it is BUGS who gives it to him!

Honestly it’d be awesome if Disney and WB could make more crossover cartoons. That would be pretty awesome.

34) File this one under jokes I didn’t get as a kid:

35) So Judge Doom’s end goal, his whole villainous plan, is to construct...a freeway? God, if it weren’t for the twist coming up that would’ve been so stupid.

36) Eddie’s comedy routine is great. It shows Bob Hoskins’ skill at slapstick and goofball and is just a joy to watch. Also we get this fun line:

Eddie: I'm through with taking falls / And bouncing off the walls / Without that gun, I'd have some fun / I'd kick you in the...

[bottle falls on his head]

Roger: Nose!

Head Weasel: Nose? That don't rhyme with "walls."

Eddie: No, but this does. [kicks Head Weasel in the balls, propelling him into a vat of Dip]

37) Doom is a toon!

This is a nice twist in the film that you can totally see was setup if you’re looking for it. Christopher Lloyd is able to play Doom with an even bigger sense of cartoony evil, and it means his end goal of a freeway isn’t so stupid after all.

38) The train that hits the dip machine at the end has a bunch of window. If you go through it frame by frame, each window depicts someone being murdered. Fun fun fun.

39) According to IMDb:

The opening track on the Sting album "...Nothing Like the Sun", the song "The Lazarus Heart" was originally written as the movie's musical finale, at an early stage of the movie's production when the book's tragic ending, where Roger is killed in the crossfire during the final duel, was still in the script. When the studio ordered its default ending to be used at the film's end, in which Roger is alive at the end of the duel, however, the song was deleted from the script and ended up on Sting's album instead.

40) I like that the film ends not only with the classic, “That’s All Folks,” but also Tinkerbell to let us know this was special.

Who Framed Roger Rabbit is awesome. It’s fun, funny, gives us interesting characters, has effects which stand the test of time even 29 years later, and is just a wonderful ride. Hoskins’ performance and the animation are the true standouts here, but that is not to discredit any of the other amazing aspects of the film. A true joy to watch all the way through.

[ultralifehackerguru-blog]

New Post has been published on http://www.lifehacker.guru/bbc-has-concluded-a-list-of-best-25-films-in-the-21st-century-that-you-should-not-miss/

BBC Has Concluded A List Of Best 25 Films In The 21st Century That You Should Not Miss

If I ask you to name some of the best movies in the 21st century, what will you say?

The Lord of The Rings? A Beautiful Mind? Little Miss Sunshine? Finding Nemo? Her? Inception? The Martian? Inside Out? Moonlight? Or La La Land?

There’re many amazing films released over the past 17 years. Some are very popular among the public, some got nominated or even received widely-recognized awards. They’re all amazing in their unique way but some of them really stood out from the crowd.

BBC Culture recently reached out to 170 famous film critics around the world and asked them each to pick the best 10 films released from the beginning of 2000 to present days. And based on the critics’ votes, BBC came up with the list of the 21st Century’s 100 Greatest Films.[1]

Here’s the famous film critics’ shortlisted best 25 films with the review for BBC, and you can save a bit of time and know which one to go first. Here we go:

25. Memento (Christopher Nolan, 2000)

Christopher Nolan’s Memento, an airtight puzzle of a movie about a man who can’t form new memories searching for his wife’s killer, set a standard for narrative sophistication that few mainstream films have tried to duplicate…The film forces us to consider the unreliability of human memory and our tendency toward self-deception, even as it thrills us with a captivating crime-noir story…Unforgettable. – Eric D Snider, Freelance, US

24. The Master (Paul Thomas Anderson, 2012)

Paul Thomas Anderson’s ambitious, powerful and ultimately elegiac masterpiece centres on the question of whether man is, in fact, an animal. Tormented alcoholic Freddie Quell (Joaquin Phoenix) returns from World War Two and struggles, unsuccessfully, to conform to post-war America’s social evolution…but the real point of the film is an exploration of thought and consciousness, and whether submission to belief systems can genuinely tame atavism. – Ali Arikan, Dipnot TV, Turkey

23. Caché (Michael Haneke, 2005)

All of Michael Haneke’s films are bound to haunt you. With Caché he cuts to the chase and makes the idea of haunting the theme of the story itself. Daniel Auteuil and Juliette Binoche star as a bourgeois Parisian couple that start to receive disturbing video tapes showing their home…The act of not looking away is the moral imperative at the heart of Caché, which makes it a supreme political and cinematic movie at the same time. – Hannah Pilarczyk, Der Spiegel, Germany

22. Lost in Translation (Sofia Coppola, 2003)

The 21st Century’s reigning empress of cinematic ennui, Coppola has always used celebrity as a shortcut to the loneliness that exists between private lives and public images… Lost in Translation as her most perfect film, the one that best articulates how it can be to find yourself in a world that seldom lets you forget where you are. – David Ehrlich, Indiewire, US

21. The Grand Budapest Hotel (Wes Anderson, 2014)

The Grand Budapest Hotel is the 21st Century’s farewell salute to the century before. It vaults backwards in time from today to 1985 to 1968 to 1932, where Ralph Fiennes’ concierge Monsieur Gustave welcomes us to proper civilisation with a nod. We know Gustave’s immaculate world is ticking towards destruction, first by war, then by decades of neglect. Inevitably, the lazy and impersonal present will win, mass-producing not just our hotels, but our cinemas and the blockbusters on their screens… This oddball tragicomedy enlists us in the fight for beauty. Sir, yes, sir. – Amy Nicholson, MTV, US

20. Synecdoche, New York (Charlie Kaufman, 2008)

Synecdoche, New York was initially conceived when Charlie Kaufman was approached about doing a horror film. Instead of masked killers and extraterrestrial monsters, though, Kaufman set out to make a movie about the stuff that really keeps us up at night. Synecdoche, New York is every deep-seated fear you’ve ever had, writ large: you’ve disappointed your spouse and failed your children, you’ve let your loved ones die lonely, excruciating deaths… Kaufman’s masterpiece is a reminder that even at our lowest and darkest, we are not alone. – Angie Han, Slashfilm, US

19. Mad Max: Fury Road (George Miller, 2015)

A cohesive vision with a structured journey built around themes of survival and endurance, the fourth entry in the dystopian franchise showcased what is otherwise the narrative and thematic drought within the Hollywood blockbuster machine… Without resorting to cheap cynicism and faux-grittiness, Miller zeroes in on the sensuality of the environments, the carefully crafted machines and scorched landscapes. – Justine A Smith, Freelance, Canada

18. The White Ribbon (Michael Haneke, 2009)

“By setting the story in a north German village in the months prior to World War One, Haneke not only challenged the myth of childhood innocence but also delivered a fictional prequel to the upcoming events in Germany… it speaks to this century’s audiences: an unsettling view of the danger of righteousness, an ominous threat that always seems to recur. – Fernanda Solórzano, Letras Libres Magazine, Mexico

17. Pan’s Labyrinth (Guillermo Del Toro, 2006)

It’s Del Toro going back to his roots, to his alchemy of pop and auteur cinema, to give us a look into the horrors of war – in this case the Spanish Civil War… Pan’s Labyrinth gives us tragedy through the filter of fantasy, going deep into a well of suffering and magic. Its power lies in its purity: nothing we can imagine is as terrible as what we can do to each other. – Ana Maria Bahiana, Freelance, Brazil

16. Holy Motors (Leos Carax, 2012)

Holy Motors is not a movie. It is an act of grief designed as an expression of love, and while enfant terrible Leos Carax has been an essential director for any film fan since his debut… Surreal, silly, sexy and sad, Holy Motors is a guided tour through everything about cinema that matters to Carax. He was drowning as a man in his own life – Holy Motors was his first feature in 13 years after struggling to get financing – and he turned his art into a life raft. Movies matter. Here’s why. – Drew McWeeny, Hitfix, US

15. 4 Months, 3 Weeks and 2 Days (Cristian Mungiu, 2007)

One scene, one cut, zero music… Imbuing a backstreet abortion with the brutal tension of a crime thriller – and abortion was a crime in 1980s Romania… Yet despite much harrowing imagery, depicted in unblinking detail within a fraught 24-hour timeframe, the film’s underlying humanism is glimpsed through the unbeatable spirit of protagonist Otila, a college student who takes unthinkable risks and goes through grueling lengths to help her friend Gabita fix her unwanted pregnancy. – Maggie Lee, Variety, Hong Kong

14. The Act of Killing (Joshua Oppenheimer, 2012)

Few films have dared to capture the full spectrum of human evil so candidly, so perceptively, as Oppenheimer does in his unclassifiable non-fiction epic in which the Texas-born Danish film-maker convinces members of the death squads to reenact their murders in the style of their favourite Hollywood films… it’s about national amnesia, about the power of self-deceit and the questionable morality of truth-seeking… it’s one of the most celebrated documentary in 21st Century. – Joseph Fahim, Freelance, Egypt

13. Children of Men (Alfonso Cuarón, 2006)

Here’s a bold statement about a bold movie: Children of Men, like no other film this century, and perhaps no other movie ever, solves the meaning of life… it’s rich and vital in its emotional and philosophical depth: its sadness, its anger, its reverence and worry for humanity… Children of Men has endured to become a cult favourite that should be required viewing for anyone grappling with feelings of dread about modern civilisation. – Richard Lawson, Vanity Fair, US

12. Zodiac (David Fincher, 2007)

Zodiac, his meticulous, gorgeous and haunting true crime movie, is a deep dive into obsession, following a newspaper cartoonist who becomes consumed by the 1970s Zodiac murders… Gloriously detail-driven, Zodiac drags viewers into a compulsive world where the smallest hint can be the biggest clue, and it presents the obsessive’s worst nightmare: that, in the end, answers are utterly unattainable. – Devin Faraci, BirthMoviesDeath, US

11. Inside Llewyn Davis (Joel and Ethan Coen, 2013)

Set in the Greenwich Village folk scene of the 1960s, the Coen brothers’ Inside Llewyn Davis is an achingly melodic tribute to an unloved underdog. Davis (Oscar Isaac) is striking out on his own after his musical partner goes solo. Along his dour journey, he’ll find others vying for similar success and others just trying to survive… Inside Llewyn Davis is a solemn song for anybody trying to become somebody. – Monica Castillo, The New York Times’ Watching, US

10. No Country for Old Men (Joel and Ethan Coen, 2007)

Bardem’s film characterisation is so powerful, so splendidly overwhelming in his random application of violence, that he manages to extinguish whatever preceded it in the mind of the audience. Set in West Texas in 1980, the film’s sense of time and place are unparalleled… There’s a hypnotic quality to the movie’s pace, watching characters you can’t help but like… make a series of catastrophic decisions that bring each into Chigurh’s universe, a world soaked in blood with a predetermined outcome. – Ben Mankiewicz, Turner Classic Movies, US

9. A Separation (Asghar Farhadi, 2011)

If there is a film that makes you take a deep look at yourself in the mirror again and again, this is it. Asghar Farhadi’s searing relationship drama does not make a judgement about its characters. Rather, it pitches the situations so realistically that the viewer ends up sympathising with both protagonists even though they are pitted against each other… all made to look as if one is watching one’s neighbours, or maybe someone in one’s own home – create an unparalleled cinematic morality play. – Utpal Borpujari, Freelance, India

8. Yi Yi: A One and a Two (Edward Yang, 2000)

Audiences in 2000 were astonished by how fluently Edward Yang’s Yi Yi portrays contemporary life through the intermingling stories of members of a Taipei family separated by the dilemmas specific to their stations in life. That’s quite ironic, because in today’s world of personal alienation through the allure of social media, the film now feels like a period piece, yet somehow, it resonates with an even greater urgency… Its quiet reflections on life, love, family and death are all gracefully affecting, no matter the gap in generation and culture. – Oggs Cruz, Rappler, Philippines

7. The Tree of Life (Terrence Malick, 2011)

Like a great poem, The Tree of Life opens itself to a thousand interpretations, as director Terrence Malick takes a spiritual and lyrical journey through time, from a dusty 1950s childhood in Texas back to the beginnings of the cosmos itself… The joys and aching losses of parenting become transcendent, even Biblical, in Malick’s hands. – Kate Muir, The Times, UK

6. Eternal Sunshine of the Spotless Mind (Michel Gondry, 2004)

The story of a breakup gone wrong… But this wasn’t your average whimsical tale of romantic yearning… the movie belongs just as much to Kate Winslet, whose character’s decision to erase her own memories of the ex-couple’s time together sets the drama in motion. Eerie and surreal, charming and tragic, the movie wrestles with the fundamental instability of all human relationships, achieving a wise and powerful vision that is — ironically for a tale about fading memories — unforgettable. – Eric Kohn, Indiewire, US

5. Boyhood (Richard Linklater, 2014)

For more than a decade, Richard Linklater spent a few weeks each year chronicling the life of Mason (Ellar Coltrane)… and watching the cast, which also includes Ethan Hawke and a remarkable Patricia Arquette, age before our eyes, adds an extra layer of poignancy to every single scene. In an era when every aspect of society was accelerating, Linklater slowed down to tell the one of the definitive stories of our time. – Matt Singer, ScreenCrush, US

4. Spirited Away (Hayao Miyazaki, 2001)

Miyazaki’s story of a young girl trapped in the spirit world, trying to rescue her parents, feels like a throwback to an earlier age of hand-drawn animation… it has an ambitious sweep to its elaborate visuals of Japanese spirit-monsters and a sense of soaring adventure. It’s a traditional fairy tale turned into an exciting narrative of transformation and discovery. – Tasha Robinson, The Verge, US

3. There Will Be Blood (Paul Thomas Anderson, 2007)

From its near-wordless opening scene, Paul Thomas Anderson’s There Will Be Blood feels like something forged, not filmed. Daniel Day-Lewis, as turn-of-the-century prospector Daniel Plainview, grunts, spits and scrapes his way into a hole under baked Western earth; he strikes silver, drags his half-broken body to certify his claim…The rest of the movie – a sprawling, half-mad testament to greed, industry, moral hypocrisy and ballyhoo at their most elementally American – could be watched with no sound at all and still be perfectly understood. – Ann Hornaday, The Washington Post, US

2. In the Mood for Love (Wong Kar-wai, 2000)

Wong Kar-wai is one of world cinema’s most notorious perfectionists, but he earned every moment of editing-room indecision with In the Mood for Love… We never see the faces of the spouses whose affair pulls two lonely neighbours into their delirious romantic spiral… all the better to heighten the erotic charge of every swaying hip and every voluptuous swirl of the camera. And we never hear the lost, whispered words at the climax… never before has a film spoken so fluently in the universal language of loss and desire. – Justin Chang, Los Angeles Times, US

1. Mulholland Drive (David Lynch, 2001)

WH Auden called Los Angeles “the great wrong place”. James Ellroy called it “the great right place”. The idea that two, or more, seemingly conflicting ideas can simultaneously be true is so often forgotten in the zero-sum culture of today, but it’s at the heart of David Lynch’s empathetic masterpiece… Mulholland Drive is a reverie of sex, suicide and “silencio”…. Lynch’s film is so gorgeous and so painful, so mysterious and, in many ways, so recognisable – drive on the actual road, Mulholland, at night, and then walk from Western to Vermont, and you’ll see – that, whatever theory you ascribe to it, the picture does indeed reflect a reality that moves beyond southern California and parks itself in our brains, tapping into our dreams, deepest fears, inscrutable natures, erotic desires, and pool boys. – Kim Morgan, Sunset Gun, US

Are some of your favorite films on the list too? And have you got some new films to watch up next?

This is just the top 25 from the list of the greatest films, check out the complete list on BBC Culture here .

Reference

[1] ^ BBC Culture: The 21st Century’s 100 Greatest Films

©

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My Most Anticipated Films of 2017

Looking out at the cinematic landscape on January 1st and trying to handicap which films you’ll end up connecting with is always a fools errand  (see: 2016, 2015, 2014, 2013, 2012, 2011, 2010, 2009), but also a fun one. So with a mix of naivete and enthusiasm here are the films I’m looking forward to most in 2017.

1. Untitled 1950s Fashion Film (Paul Thomas Anderson) Duh. (TBD)

2. Star Wars: Episode VIII (Rian Johnson) Because The Force Awakens was so much better than anybody had anticipated and I can’t wait to see what comes next. But mostly because it’s Star Wars. (Dec 15)

3. Dunkirk (Christopher Nolan) Even after his first disappointment, Nolan is still the best blockbuster director working today. And the 6-minute preview filmed in IMAX rattled my insides on the big screen. (July 19)

4. Mother (Darren Aronofsky) After a quiet few years following Noah, Aronofsky is back with a new, presumably smaller scale (secret) film starring Jennifer Lawrence. Also: they are dating, don’t tell David O. Russell. (TBD)

5. The Shape Of Water (Guillermo del Toro) I loved Crimson Peak and yes, Pacific Rim, so I’m gonna be first in line for whatever del Toro does next. In this case it’s a fantasy/adventure/period piece starring Sally Hawkins, Michael Shannon and Doug Jones. (TBD)

6. Guardians of the Galaxy: Vol. 2 (James Gunn) I’ve gotten a little tired of Marvel Studios schtick recently but this sequel to arguably their best (and best looking) film, is the exception to that rule. Also LOL’d at the trailer. (May 5)

7. Blade Runner 2049 (Denis Villeneuve) Resurrecting 30 year old sci-fi classics can sometimes be a good idea (Force Awakens, Fury Road) so here’s hoping that Ryan Gosling, Harrison Ford and co. can bring something worthwhile to the table. (Oct 6)

8. Untitled 1967 Detroit Riots Film (Kathryn Bigelow) I’m not generally a huge fan of films based on real events but after Zero Dark Thirty I’m down for whatever Bigelow does next. (TBD)

9. Roma (Alfonso Cuaron) In the last 10 years Cuaron has only made 2 films: Gravity and Children of Men. This simply cannot stand. For his latest he returns to a smaller scale Y Tu Mama Tambien territory. (TBD)

10. Justice League (Zach Snyder) The Avengers are pretty cool I guess, but they don’t have Batman or Superman or Wonder Woman, do they? I didn’t think so. (Nov 17)

11. Logan Lucky (Steven Soderbergh) NASCAR heist film starring Adam Driver and Daniel Craig marks Soderbergh’s return from his 4 year self-imposed retirement/hiatus/exile. Welcome back, sir. (TBD)

12. Baby Driver (Edgar Wright) As Wright’s filmmaking chops have gotten better his films have somehow gotten worse, perhaps because he has been held back by his material. Hopefully this bank robbing action film (not a comedy?) allows him to fly. (Aug 11)

13. Downsizing (Alexander Payne) Long in development deadpan sci-fi comedy from About Schmidt and Sideways director stars Matt Damon (and an insane supporting cast) as a man who shrinks himself. (Dec 22)

14. Wonderstruck (Todd Haynes) Julianne Moore. Todd Haynes. I’m in. (TBD)

15. Coco (Lee Unkrich) Hoping that there is still some magic left at Pixar with this original tale centered around the Day of the Dead festival in Mexico. (Nov 22)

16. The Kidnapping of Edgaro Montera (Steven Spielberg) Hoping that there is still some magic left in Spielberg with this adaptation of a novel about a Jewish boy secretly baptized and raised as a Christian in Italy. (TBD)

17. War For The Planet of the Apes (Matt Reeves) The apes reboot films have been way better than anyone expected them to be thanks to some smart directors and the central performance of Andy Serkis as Caesar. Let’s hope that trend continues here. (July 14)

18. Kong: Skull Island (Jordan Vogt-Roberts) A 70s set King Kong sidequel inspired by Apocalypse Now starring Tom Hiddleston, Brie Larson and John C. Reilly. Are you not entertained? (Mar 10)

19. Wonder Woman (Patty Jenkins) Come. On. Dude. (Jun 2)

20. Under The Silver Lake (David Robert Mitchell) If you were one of those people who loved It Follows, then you should also be very interested to see what that filmmaker does next, which is a modern noir thriller set in Los Angeles starring Andrew Garfield and Riley Keough. (TBD)

Also: The Beguiled (Sofia Coppola), T2: Trainspotting (Danny Boyle), The Glass Castle (Deston Daniel Creton), The Circle (James Ponsoldt), Last Flag Flying (Richard Linklater), Annihilation (Alex Garland), Logan (James Mangold), Kingsman: The Golden Circle (Matthew Vaughn), Ghost In The Shell (Rupert Sanders), The Sisters Brothers (Jacques Audiard).

[pussymagicuniverse]

Werewolf Heart, a Hallow's Eve #meowlist by Jessie Lynn McMains

This year, for Pussy Magic’s second Hallow’s Eve: SCREAM issue, our music-lover, Jessie, compiled a spooky list of tracks for you to enjoy with some details below about the songs and musicians, why she chose them, and lyrics that she loves. Enjoy, Kittens, and we’ll see you later for the special upcoming issue!

1. Tom Waits — Dirt in the Ground

I could easily make an entire Halloween-season playlist using only Tom Waits songs, and it was difficult to narrow it down to just one. I chose this one for two reasons. One being that it is both spooky and sad, a perfect ode for this holiday which is all about honoring the dead and accepting death as a natural part of the life cycle. The other being my own personal associations with it—at a Halloween party in 2003, while in costume as a fallen angel, I performed an a capella version of this song.

The quill from a buzzard The blood writes the word I want to know am I the sky or a bird? ‘Cause hell is boiling over And heaven is full We’re chained to the world And we all gotta pull 

2. Johnny Cash — The Man Comes Around

This song isn’t so much creepy-sounding as it is lyrically terrifying. If anyone can make me believe in a Biblical-style apocalypse, it’s Johnny Cash. It also gets Halloween bonus points for its use in Dawn of the Dead.

The hairs on your arm will stand up At the terror in each sip and in each sup Will you partake of that last offered cup Or disappear into the potter’s ground? When the man comes around 

3. Nick Cave and the Bad Seeds — Red Right Hand 

Nick Cave is another artist who could fill up an entire Halloween playlist all on his own. Be it with the Birthday Party or the Bad Seeds, the man can write a scary tune. This is by no means his scariest song (as far as I’m concerned, that titles belongs to “Song of Joy”*), but it does have a definite foreboding feeling; particularly during the organ solo. Ultimately, I chose this one for the playlist because of its use in the Scream franchise.

(*Fun fact: in “Song of Joy,” Nick references the same passage from Milton’s Paradise Lost that “Red Right Hand” was drawn from.)

You’ll see him in your nightmares You’ll see him in your dreams He’ll appear out of nowhere but He ain’t what he seems You’ll see him in your head On the TV screen Hey buddy, I’m warning You to turn it off 

4. Puerto Muerto — The Hangman’s Song

A sad and beautiful apocalyptic death-song. This is another one I once performed, at a Halloween show in 2009. And, like “The Man Comes Around,” this song is also on the Dawn of the Dead soundtrack.

The days will turn black, you soon will see. Soon we’ll all be swinging from a tree. Pray your neck breaks when the rope is taut. Pray your mother isn’t there to see. 

5. Delta Rae — I Will Never Die

Fleur suggested this song and as soon as I heard it I knew it was going on the playlist. It has a powerful, witchy, incantatory feeling to it, and the imagery in the lyrics is perfectly eerie. And I have a weakness for any song that uses chains as percussion instruments. 

Hickory, oak, pine and weed Bury my heart underneath these trees And when a southern wind comes to raise my soul Spread my spirit like a flock of crows 

6. Nina Simone — I Put A Spell On You

This tune is a must on any Halloween playlist. I adore the original Screamin’ Jay Hawkins version, but I think Nina Simone’s version is the sexiest and witchiest. Her deep, commanding voice and the jazzy sway of the music will put a spell on you for certain.

 I put a spell on you ‘Cause you’re mine You better stop the things you do I ain’t lyin’ No, I ain’t lyin’ 

7. Eartha Kitt — I Want To Be Evil

In this fun little tune, the inimitable Eartha Kitt (aka Catwoman) asks why bad boys get to have all the fun. C’mon, good girls and non-binary babes, cast off the shackles of gender-based behavioral expectations and be evil!

I want to be horrid, I want to drink booze And whatever I’ve got, I’m eager to lose I want to be evil, little evil me Just as mean and evil as I can be! 

8. Jill Tracy — Evil Night Together

Being bad can feel so good. This vampy dark cabaret number is the love song a femme fatale would sing in a film noir. It’s the kind of song you’d use to seduce the person you want as your partner. And by partner, I mean partner-in-crime.

I’ll hold your hand while they drag the river I’ll cuddle you in the undertow I’ll keep my hand on your trigger finger I’ll take you down where the train tracks go Let’s wile away the hours Let’s spend an evil night together 

9. Lana Del Rey - Season of the Witch

This is another seasonal classic. Hole’s cover is my favorite, but it’s not available on Spotify, and this version by Our Lady of Vintage Cool, Lana Del Rey, is really good, too. (Also, it appears on the Scary Stories to Tell in the Dark soundtrack.)

When I look out my window, many sights to see. And when I look in my window, so many different people to be. That it’s strange. So strange. 

10. Austra — Spellwork 

Dark and danceable witchy synth-pop. Thanks to Cassidy Scanlon for the suggestion.

You must be the call The evil at night Speaking words of grace While spellwork delights Feel my desire, it burns like a fire 

11. World/Inferno Friendship Society — One for the Witches! 

The World/Inferno Friendship Society is another band that could easily fill up a Halloween playlist all on their own. Hell, their biggest show of the year is their Hallowmas show every October the 31st. I chose this one because it is an anthem of mine (so much so that I have a tattoo relating to it); it is an anthem for all witches and weirdos and misfits. You know? I mean, do ya know? 

“Supposed to be? I never gave it any thought Never gave a damn about what I’m supposed to be But if you’re asking what I am? I’m a fucking walking question mark I am a walking fucking time bomb!” 

12. Hag Face — Witch Stomp

This short instrumental tune sounds something like if Elvira had a garage band, and you combined their music with a tape of spooky sound effects. It’s fuzzed-out grunge, dark and hypnotic, and full of screams and howls.

13. The Distillers — I Am A Revenant

In folklore, a revenant is an animated corpse that is believed to have revived from death to haunt the living. In this loud-fast-rules punk song, Brody Dalle reminds us that even if the bastards kill us, we can return to haunt them for the rest of their days. 

We are the revenants We will rise up from the dead We become the living We’ve come back to reclaim our stolen breath 

14. Against Me! — Dead Rats 

This isn’t specifically a Halloween song (in fact, the only holiday it references is Easter), but sound and image-wise, it’s perfect. It’s a heartbroken rager, a love song for a fucked-up goth girl. It reminds me of so many girls I’ve known and loved; so many girls I’ve been.

Dear succubus, I miss you more than the rest But there’s a little bit less divide each time I look back In the eaves of your attic, I know how to haunt Shallow graves for all dead rats I like the dark clouds the best 

15. The Cramps — Sheena’s in a Goth Gang 

I had to include The Cramps and their brand of horror-surf-punk-psychobilly. In this song, Sheena’s not a punk rocker no more...she’s in a goth gang, now.

Mixed up women Do you have one in your house? She’s in the forbidden Vampire underground In the cult of the cobra Snakes in her hair She looks so macabre With her cobweb stare 

16. The Damned — Nasty

This song is such a rollicking tribute to horror and slasher flicks. Listen to it, then go watch the performance they did on The Young Ones, with Dave Vanian at his vampiric finest. Only pop music can save us now!

The axe is sharp And the blade is keen Creature features spill from the screen Shadows fall and all is gloom You’re not so safe In the safety of your room

17. Siouxsie and the Banshees — Halloween

This would be a poor excuse for a Halloween playlist if I didn’t include a song by the Queen of Goth herself, Siouxsie Sioux. It was a toss-up between this one and “Spellbound,” but I chose this one for the drive of the drums, the angular slash of the guitars, and the surreal and atmospheric lyrics. 

A sweet reminder In the ice-blue nursery Of a childish murder Of hidden luster And she cries “Trick or Treat” “Trick or Treat” The bitter and the sweet 

18. Bauhaus — Bela Lugosi’s Dead

I almost feel like I should apologize for including this song, but listen: this year’s Hallow’s Eve edition of Pussy Magic has a pop culture bent, and I’m currently working on a chapbook inspired by Bela Lugosi (amongst other classic horror actors), so I couldn’t not include it. Not to mention it’s a goth classic with the clattering-bone percussion, the reverb, the mesmeric bass line. Every time I listen to it I feel like I’m in a goth club in the ‘80s, all decked out in black lace and too much makeup, smoking clove cigarettes and dancing.

White on white translucent black capes Back on the rack Bela Lugosi’s dead The bats have left the bell tower The victims have been bled 

19. Oingo Boingo — Dead Man’s Party

Another Halloween classic by my favorite new wave/rock/ska/whatever (seriously, how does one classify Oingo Boingo’s music?) group of weirdos. It’s one of those great songs where the lyrics can be read into really deeply if you so choose, but it’s also just a hell of a lot of fun.

I got my best suit and my tie With a shiny silver dollar on either eye I hear the chauffeur comin’ to my door Says there’s room for maybe just one more 

20. The Gun Club — Death Party 

Poor old Jeffrey Lee. He had a lot of devils, and nowhere can you hear that better than in the yowl of this song. Musically, it’s something akin to Jim Morrison having psychedelic visions in the L.A desert, combined with blues, country, and punk. Lyrically, it’s about being drawn to self-destruction. 

Throw down your heartache, throw down your worldly blues They’ll tear your heart out, lookin at you wail the blues Come to the death party, you ain’t got nothing to lose 

21. Concrete Blonde — Bloodletting (The Vampire Song)

Concrete Blonde always had a dark side, but with the album Bloodletting they went even deeper into goth-rock territory. This, the title track, was inspired by Anne Rice’s novel Interview with the Vampire, and has a sexy swagger perfect for a creature of the night.

There’s a crack in the mirror And a bloodstain on the bed Oh, you were a vampire And baby, I’m the walking dead 

22. Sonic Youth — Halloween 

According to Kim Gordon, the lyrics to this song were inspired by watching Henry Rollins perform with Black Flag, which makes me chuckle. But in any case, this is a strange, creepy, and yeah, kinda sexy tune. There’s something ritualistic about it, like the incantation of a priestess as filtered through the lens of Sonic Youth’s noisy art-punk.

It’s the devil in me Makes me stare at you as you Twist up along you Sing your song and you’re Slipping up to me and you’re So close I just uh Want to touch you

23. Pixies — On Graveyard Hill

This track off the new Pixies album definitely has that off-kilter rock’n’roll Pixies sound I know and love. And the lyrics make it a perfect fit for a Halloween playlist.

In the poisonous forest, Donna lights up her torches Her eyes are flying saucers Her hair is black and gorgeous I see her down at the crossroads She can lead you to madness She’s leading me into darkness, in the witching hour

24. Tempers — What Isn’t There 

As I’ve been writing these descriptions and listening to the playlist again, I’ve realized a lot of the tracks are long—like, between five and ten minutes long. I think that’s fitting for this season and this holiday. Imagine the long songs on this playlist as aural films to get lost inside. This track by Tempers makes for a very dark and moody piece of ‘cinema.’ Thanks to Cassidy Scanlon for the suggestion.

25. Sigils — Samhain

If all metal sounded like this I would listen to more metal. I love the heavy drone of this song, so eerie and mysterious. And the lyrics make me picture teenagers sitting around an autumn bonfire, stoned, telling scary stories.

Everything is gold The wind a sickly sweet The smell of rotting leaves Bathe in ashes from the fire 

26. Dax Riggs — Ghost Movement

Yet another artist whose entire oeuvre, from Acid Bath to deadboy & the Elephantmen to his solo stuff, lends itself well to this season. This one’s a personal favorite when I’ve got those haunted blues. (After you’ve listened to the playlist, go listen to Dax’s cover of the Misfits’s “Skulls,” which he turned into a ballad.)

Kissed a blue girl While it rained broken glass Rode a bolt of white light With Satan on my lap 

27. Queens of the Stone Age — Mosquito Song

With imagery straight out of Hannibal Lecter’s cookbook, this song is a gorgeously scary ode to the cycle of life and death.

Cutting boards, hanging hooks Bloody knives, cooking books Promising you won’t feel a thing at all Swallow and chew, eat you alive All of us food, that hasn’t died 

28. Rasputina — Gingerbread Coffin

I would be remiss as a former creepy little girl who totally held doll funerals and as an overly dramatic goth who totally had a Rasputina phase if I didn’t include this song.

We brought, but not used A collection of knives We’ll remember this moment Through all of our lives She’ll rise

29. Dead Man’s Bones — Werewolf Heart

I’d never heard of Dead Man’s Bones until I was looking for songs for this playlist, but I love this song so much that I went to find more about the band and discovered... Ryan Gosling co-wrote this album with Zach Shields. Like: “Hey girl, I heard you liked ghosts and monsters and love stories, so I wrote you this monster-ghost-love story...” 

You’d look nice in a grave I smile at the moon, death is on my face And if you wait too long Then you’ll never see the dawn again 

30. Cat Power — Werewolf

I've had a long-time love for this eerie and beautiful Cat Power tune.

Oh the werewolf, oh the werewolf Comes stepping along He don’t even break the branches where he’s gone Once I saw him in the moonlight, when the bats were a flying I saw the werewolf, and the werewolf was crying

31. Neko Case — Deep Red Bells

This song was one of the inspirations for my poem which is appearing in the Hallow’s Eve issue. (The other inspiration was Seanan McGuire’s book The Girl in the Green Silk Gown.) It is a sad tribute to the murdered girls who are often forgotten.

Does your soul cast about like an old paper bag Past empty lots and early graves Of those like you who lost their way Murdered on the interstate While the red bells rang like thunder?

32. Nina Nastasia — In the Graveyard 

This season is all about honoring our dead, but sometimes we’re just not ready.

Someone told me that I should visit you in the graveyard Pull out all the weeds But I’m still lonely and I’m not ready You scared me when you hid behind the trees

33. Hozier — In a Week (feat. Karen Crowley)

This is another song, like “Dirt in the Ground” and “Mosquito Song,” which is about the cycle of life and death (we’re all gonna be dirt in the ground / all of us food that hasn’t died / after the foxes have known our taste). And call me weird and morbid, but I think it is one of the most romantic songs ever written. These lovers will not be parted even in death; death will only bind them closer together.

And they’d find us in a week When the buzzards get loud After the insects have made their claim After the foxes have known our taste After the raven has had its say I’d be home with you

Jessie Lynn McMains (they/them) is a poet, writer, zine-maker, and small press owner. They are a queer and non-binary mama to two wild kiddos. Aside from words, music is their favorite thing in the world. They’re also obsessed with tarot, the Midwest/Great Lakes/Rust Belt, ghosts, and the undying spirit of punk rock. You can find their website at recklesschants.net, or find them on Tumblr, Twitter, and Instagram @rustbeltjessie.

[klararaskaj-blog]

Paranormal books to read

20. The Nymphos of Rocky Flats, by Mario Acevedo (2006) This is the first book in Acevedo’s Felix Gomez saga, a series that went a long way toward redefining the genre when it was released in ‘06. And talk about great opening lines: “I don’t like what Operation Iraqi Freedom has done to me. I went to the war a soldier; I came back a vampire…” 19. Forbidden Feelings By Sherlyn Peterson (2018) Sabastian Jones has always been a player, never staying with the same girl for more than a few late night booty calls and for good reason; he doesn't belong in the human world. But when he meets Olivia Miles, a hot young nurse, at the club during one of his hunts, he is left confused by feelings he didn't think he was capable of having anymore. Torn between keeping her for himself or protecting her from the secrets and death that surround his life, he is forced to make a choice; turn her or kill her. 18. No Hero, by Jonathan Wood (2011) This sadly underrated debut is one of the most audacious novels I’ve ever read. The novel’s main character, Oxford police detective Arthur Wallace, is obsessed with Kurt Russell. Throw in conjoined triples, an antisocial ninja assassin, prophesizing twin girls who live in a pool with octopi, battery-licking sorcerers, grimoires hidden in Peruvian temples, killer cats, and more tentacled monstrosities than you can shake a sword at, and you have an unforgettable read! 17. Rosemary and Rue, by Seanan McGuire (2009) The first book in McGuire’s October Daye saga, this series is an utterly readable fusion of dark fantasy, mythology, and hard-boiled mystery. It’s a profoundly deep series that is at times filled with starkness and existential angst and at others with breathtaking images of magic and beauty. 16. Moon Called, by Patricia Briggs (2006) The first Mercy Thompson novel, this series has experienced a few ups and downs in the last few installments, but for my money, Moon Called has to be on this list. A sexy, tattooed shape-shifting auto mechanic, Mercy is arguably one of the most memorable paranormal fantasy heroines ever created. 15. Already Dead, by Charlie Huston (2005) Huston’s first novel featuring vampire Joe Pitt, this series expanded the boundaries of paranormal fantasy. In my review, I described this novel as “a savage and sardonic novel that blends blood-sucking fantasy and horror elements with the hard-boiled style of noir thrillers.” 14. and Falling, Fly, by Skyler White (2010) White’s debut novel was an intensely passionate, sublimely poetic, soul-rending work of art. The entire novel—which revolves around the relationship between a vampiric fallen angel named Olivia and Dominic, a neuroscientist with a “bizarre” affliction—reads like dark ethereal poetry. Unforgettable. 13. Four and Twenty Blackbirds, by Cherie Priest (2005) Priest’s debut and the first of her Eden Moore novels, this haunting and poetic read marked the fledgling steps of a writer who has become one of the most innovative—and significant—figures in genre fiction. This novel and its two sequels are vastly underrated. 12. Blue-Blooded Vamp, by Jaye Wells (2012) The concluding volume of Wells’s stellar Sabina Kane saga, this is how you end a series! This novel is chock full of shocking plot twists and bombshell revelations. I’ve said it before and I’ll say it again: this series will go down as one of the best paranormal fantasy sagas of all time. It’s that good. 11. The Taken, by Vicki Pettersson (2012) This was just an amazing read. From my review: “This novel transcends genre categorization—yes, paranormal fantasy readers will LOVE this novel but so too will hardcore mystery and romance fans and, most importantly of all, mainstream fiction fans. This is Vicki Pettersson’s coming out party—and we’re all invited.” 10. A Rush of Wings, by Adrian Phoenix (2008) Phoenix’s debut novel—and first installment of The Maker’s Song saga—is one of the edgiest series out there. I mean, c’mon! How can you go wrong with a duo that includes an undead rock star and a sexy FBI agent? A hugely under-appreciated series. 9. Dead to the World, by Charlaine Harris (2004) The fourth book in Harris’s Sookie Stackhouse series, this is when the series really got good for me. You can say what you want about the HBO series True Blood but, regardless, this is an iconic series featuring an iconic heroine. 8. Tempest Rising, by Nicole Peeler (2009) The beginning of one of the most beloved paranormal fantasy series on the shelves, the novels are powered by selkie-halfling heroine Jane True, who is in many ways the the antithesis of the conventional paranormal fantasy heroine. She’s short, not exactly athletic, socially awkward, works in a bookstore, and instead of wearing stiletto heels and leather miniskirts, Jane rocks comfortable jeans and purple Converse. I love this series! 7. Cerulean Sins by Laurell K. Hamilton (2003) LKH’s Anita Blake saga is easily the most divisive saga on the shelves. This long-running—and historically significant—series has had its ups and downs over the years, but a high point for me was Cerulean Sins, still my favorite book in the series. 6. Greywalker by Kat Richardson (2006) Richardson’s debut novel and beginning of her Greywalker saga, one of my all-time favorite series. Featuring Seattle-based private investigator Harper Blaine, who can see into the realm of the dead, these novels are exceptionally written and almost flawless in their execution. Classy and classic, this is one series that will stand the test of time. 5. Blood Blade by Marcus Pelegrimas (2009) The Skinners novels read like a cool, supernatural-powered video game—nonstop action, ghastly monsters, unique weapons, intriguing and well-developed protagonists, and plot twists around every turn. But the series is so much more than that. It’s a highly addictive blend of splatterific horror, dark fantasy, mystery, supernatural thriller, and sardonic social commentary. I’ve called Pelegrimas “the Bram Stoker of the 21st Century” for good reason. 4. Unholy Ghosts by Stacia Kane (2010) The first novel in Kane’s Downside saga, this is the most socially significant fantasy saga I’ve ever read. From my review: “Never before in paranormal fantasy have I read a series that features the combination of grand-scale world building, labyrinthine mystery, superb character development, and social relevance. Stacia Kane’s Downside saga is taking paranormal fantasy to another level…” 3. Dead Beat by Jim Butcher (2005) Butcher’s Dead Beat—the seventh installment in his Dresden Files—was a blockbuster book when it was first released. Not only was it the first Dresden Files novel to be released in hardcover, it was a clear indication of just how much the series had expanded to embrace mainstream fiction readers. The first printing sold out in a just few days! The commercial success of the Dresden Files paved the way for countless other noteworthy protagonists, including Charlie Huston’s Joe Pitt and Mario Acevedo’s Felix Gomez. 2. Sandman Slim by Richard Kadrey (2009) An in-your-face fusion of fantasy, horror, and hard-boiled mystery. It’s Kadrey’s biting wit that makes this novel so unforgettable. His blunt and acerbic writing style makes for simply addictive reading. For example, here’s how he describes Los Angeles: “L.A. is what happens when a bunch of Lovecraftian elder gods and porn starlets spend a weekend locked up in the Chateau Marmont snorting lines of crank off Jim Morrison’s bones. If the Viagra and illegal Traci Lords videos don’t get you going, then the Japanese tentacle porn will.” Classic. 1. For a Few Demons More, by Kim Harrison (2007) The fifth installment of Harrison’s phenomenally popular Hollows saga featuring endearing gray witch Rachel Morgan and company, this novel was the first hardcover release in the series and, at least for me, heralded its ascension to elite series status. With only two novels to go until the series concludes, there is no doubt in my mind that the Hollows saga will go down as arguably the very best paranormal fantasy series ever written.

[popradar]

Weekly Agenda: 13 of the Coolest Things to Do in Los Angeles, May 14-17

Pop Radar LA returns with 13 of the best events happening in Los Angeles this week. Follow @christine​ziemba on Twitter or Instagram for other happenings around L.A. And if you like what you’re reading, consider donating to Pop Radar LA to help defray the costs of running the site.

5Art Gallery in West Hollywood holds its grand opening reception for the show Art De Rue on Thursday. | Image: Pro176

MONDAY, MAY 14

LIVE TALKS LA: MARCIA GAY HARDEN (Discussion)

On Monday at 8 p.m., Live Talks Los Angeles presents actor Marcia Gay Harden in conversation with Lisa Napoli to discuss Harden’s memoir, The Seasons of My Mother: A Memoir of Love, Family, and Flowers. The book uses the imagery of flowers and the art of Ikebana (Japanese flower arrangement) to describe the creative bond between Harden and her mother throughout the years—and now during her mother’s struggle with Alzheimer’s disease. Live Talks Los Angeles takes place at the New Roads School’s Ann and Jerry Moss Theatre in Santa Monica. Tickets: $45 (general admission + book); $55 (reserved seat + book); $20 for general admission; $95 reserved seat + 6:30-7:30 p.m. reception (6:30-7:30 pm) + book. 

TUESDAY, MAY 15

XX-TRA 20TH ANNIVERSARY BENEFIT (Art fundraiser)

X-TRA is LA’s longest running contemporary art journal—celebrating 20 years on Tuesday night at there-there on Fountain Avenue. Proceeds from the 20th Anniversary Benefit directly support artists and writers to “help grow and sustain contemporary art discourse in Los Angeles.” At the event, guests can view and bid on the more than 30 artworks donated for the benefit; if you can’t make it in person, the works can also be bid on via Paddle8 (through Tuesday at 8:30 p.m.). The event also features music by Arshia Haq of Discotan, cocktails, bites and a special raffle for a print by Paul Mpagi Sepuya. General tickets ($60, $100 for a pair) include party entry and raffle ticket for artwork. 

STORY COLLIDER LOS ANGELES: INSIGHTS (Live storytelling + podcast)

Story Collider is both a podcast series and a live storytelling event night that meets at the intersection of science and entertainment. Hosted by Audrey Kearns and Joseph Scrimshaw, Tuesday night’s show at the Lyric Hyperion Theatre has the theme “Insights” and features true stories from comic Brian Bradley, mathematician Seth Cottrell, activist Ve Magni, medical professional Emily Sikking and comic Riley Silverman. 8 p.m. Tickets: $10. Reservations encouraged. 

ADAM DEVINE (Comedy)

Adam Devine headlines two shows at the Hollywood Improv on Tuesday at 8 p.m. and 10:15 p.m. The 8 p.m show (tickets $18 and two-item minimum) features Devine with Theo Von, Brian Monarch and very special guests, while the 10:15 p.m. show (tickets $15 and two-item minimum) features Rory Scovel, Mark Serritella, Harland Williams, Erik Griffin and others.  

WEDNESDAY, MAY 16

MARK AND JAY DUPLASS: LIKE BROTHERS (Book talk)

On Wednesday at 8 p.m., Book Soup & Spaceland present actors-writers-directors-producers Mark and Jay Duplass, who discuss and sign their new book, Like Brothers. The memoir examines their partnership through “essays that share the secrets of their success, the joys and frustrations of intimate collaboration, and the lessons they've learned the hard way.” The Duplass brothers will be interviewed by Los Angeles Times writer Mark Olsen at the Regent Theatre in DTLA. Doors at 7 p.m., and the event starts at 8 p.m. Tickets: $32 (one entry and one copy of Like Brothers); $40 (two entries and one copy of Like Brothers). 

FOODBOWL: NIGHT MARKET (Food)

The L.A. Times’ Food Bowl—a month-long festival celebrating the city’s food scene—continues this week with its centerpiece event, Night Market in Grand Park, from Wednesday through Sunday. The outdoor street-food market features dozens of restaurants, vendors as well as food trucks, themed bars and music and other experiences. The Night Market is free to attend, but $10 gets you access to The Super Market, which gives access to some of Jonathan Gold's favorite vendors, additional seating, premium lounges and more. Night Market hours: Wednesday and Thursday from 5-10 p.m.; Friday from 5-11 p.m.; Saturday from 3-11 p.m. and Sunday from 3-9 p.m. 

THURSDAY, MAY 17

VERTIGO (Film)

Film Noir Los Angeles and American Cinematheque present a screening of Alfred Hitchcock’s Vertigo in 70mm at the Egyptian Theatre on Thursday at 7:30 p.m. As an extra-added bonus, the night begins with a conversation with the film’s co-star Kim Novak. Tickets: $35 general, $25 Cinematheque members. 

YAMAGATA BREWERY (Sake event)

Shibumi restaurant in DTLA with Kuramoto US presents a selection of special sakes from Yamagata Brewery on Thursday from 6 to 9 p.m. The brewery’s namesake will be on hand to pour sake—including Moriko, Shoin and the Mori Junmai Muroka Genshu—and discuss the process. 

MOCA MUSIC (Music)

MOCA and Spaceland Presents continues its MOCA Music series on Thursday night from 6:30-9:30 p.m. at The Geffen Contemporary at MOCA in Little Tokyo. MOCA Music focuses on new and emerging artists, and this week’s concert features performances by THE MARIAS, Jarina De Marco, Sister Mantos and Chulita Vinyl Club. The concert is free with RSVP, and priority entry goes to MOCA members. 

Sarah Cain's mural, hey babe take a walk on the wild side, located on the facade of LAND’s offices, will be removed by the new owners. | Image: Courtesy of LAND

LAND IS MOVING (Moving sale + art)

LAND (Los Angeles Nomadic Division) is a nonprofit that’s been curating site-specific public art exhibitions throughout LA and beyond since 2009. New ownership of the strip mall that houses LAND HQ has asked the organization to leave, but before it goes, they’re holding a moving sale and performance on Thursday from 2-8 p.m. Stop in to buy original work, artist multiples, furniture, office supplies, knick-knacks and other odds and ends at a discounted rate. From 8-8:30 p.m., there’s a performance of Inventory between percussionist Corey Fogel and dancer Abigail Levine. 

5ART GALLERY (Grand opening)

5Art Gallery in West Hollywood holds its grand opening reception for the show Art De Rue on Thursday from 6-9 p.m. The new art gallery focuses on the works by French street artists, including BABS, Christophe Catelain, L'Atlas, Pro176, Richard Orlinski, Tanc, MonkeyBird, DON, Xare and Zenoy, RISK and Russian-born artist Elena Bulatova’s candy sculptures. 

LYNNE TILLMAN + KERRY TRIBE ON JOSEPH BEUYS (Art discussion)

The Broad’s ongoing public program series The Un-Private Collection presents Lynne Tillman + Kerry Tribe on Joseph Beuys at The Broad on Thursday at 7:30 p.m. Organized by the museum and X-TRA, writer Tillman and artist Tribe take on the legacy of German Fluxus artist Joseph Beuys in relation to contemporary art practice. Tickets: $15. 

BUFFER FESTIVAL L.A. (Digital fest)

Buffer Festival is an annual international digital video festival, held in Toronto. For the first time this year, the festival holds an L.A. edition on Thursday at the Montalban Theatre in Hollywood. The day includes an Insight Series on collaborations and best practices from 12-5 p.m., a meet and greet red carpet from 6-6:30 p.m., and world premiere screenings from 7-10 p.m. Full event passes: $75. Passes to the Insight Series and screenings are $50 a piece. 

—by Christine N. Ziemba