Speaking of Cyrano de Bergerac, I recently saw the movie musical version of it released last year, with Peter Dinklage in the lead role. And I already thought it was an incredible casting choice, but today I found out that the screenplay (and the stage version) was written by Dinklage's wife, Erica Schmidt, and I just. Holy shit.
Is there not something so fucking romantic and intimate about loving your partner so much that you rewrite one of the most iconic and classic stories in the world to be about them, about the way they are overlooked for having a stigmatized physical trait, and portraying them as a sexy, compelling romantic lead so that the world can fall in love with them like you have? And making that classic story better, more meaningful and personal, because you put your own love for this person into it?
I'm just, I'm losing my shit over here, you guys. Now the whole movie just feels like we're seeing this man through his wife's eyes and I'm genuinely crying over this revelation.
Amazing new article from Radio Times in honor of it being five years since the release of Good Omens season 1, and the excerpt below (especially the part in red) is completely sending me...
I truly love that Radio Times has constantly been in the show's/Michael and David's corner and shown so much support for both over the years. I also love that they're acknowledging that it's Michael and David's chemistry that was a massive part of what made the TV adaptation what it was, and is likely what has made a third season possible.
Also, that whole bit in red is giving shades of this moment from RT's coverage on the night of the NTAs three years ago, and I am here for it...
absolutely adore the way you interpret megumi's hairstyle in your style its peak, delicious, iconic to me i love it sm
thank u !!!! this actually made me want to go back and look at how the way i draw megumi's hair has evolved over the years because as long as i've been drawing jjk fanart megumi has always been The Character that's been Easiest to draw fr me, although the results are of.... varying levels of quality as u will soon see. let me take u on a lil tour
Lando Norris does not have a champion's mentality and it's going to deteriorate his passion for this sport in the long term, maybe even make him lose chances of achievement. At a gap of 62 points he has already crumbled under pressure and is surrounded by doom and gloom in his head.
Max said that both championships aren't a possibility at this point in time, and Norris dismissed Max's concerns and essentially said that "even if I win every race, he's [Max] is still in a better position". While that is certainly true, Max hasn't won a GP since Barcelona, McLaren has had a rocketship longer than that, it is entirely on the team to not snatch a golden opportunity.
Charles Leclerc, who got lapped in 3 out of 4 races, was still optimistic about winning both the WDC and WCC. Even before he won at Monza. His difference to Max is 86 points, but you still see that he's ready to fight for the title even if it might be a little unrealistic. The 2024 season has really shown why you need the fastest driver, even if you don't have the fastest car. Oscar has shown more resilience and hunger than his senior, who has 4+ years more experience in F1. Simply on logistics, McLaren and Lando could take the wins this year, but it will never be an earned victory, as simple as that.
[ID: Apollo Justice and Trucy Wright from the ace attorney series at a concert. trucy is leaning over with excitement in her eyes and apollo has is arms crossed and leaning towards trucy. end ID]
semi frequent apollo justice redraw! now featuring trucy. previous apolli here speedpaint under the cut
[Video Description: A speedpaint of the above mentioned image. end Description]
Oh yeah time is real and makes sen- what do you mean tma ended in early 2021. What do you MEAN it's been nearly four years. My good friend jon was getting stabbed just last winter, i literally heard him myself
This is Siren's Song by @kedreeva (Hi! I asked to bind your fic months ago, sorry it took so long XD). It's an incredible Good Omens siren AU, which needs no introduction from me but it gets one anyway. It's one of the most in-character fics I've ever read, tackles a lot of the most resonant themes of the original (love in the context of aromanticism and asexuality, human labels in the context of non-human perspective), and has incredible world-building. Later parts of the fic always make me cry but they're good tears. You'll see. When I first learned that fanbinding was a thing and started looking into how to do it, this was one of the first fics I thought of. It just took me a while to learn the skills I needed before I could do it.
More pics and process talk under the cut!
So the cover up there is black faux leather and momi paper that I bought...about two years ago? And just kept on hand till I was ready to do this project. This is the first time I've worked with it and it was fairly nice, though harder to get a nice crease into than lokta or chiyogami. It felt very fragile when I was handling it but I didn't have any issues with tearing or glue bleed-through like I thought I might. It did bleed some color when I got it damp with the glue, and it took way longer to dry than normal, but once that was done it's been fine. Which is nice because I have a lot left over, so it'll probably be making many future appearances in my binds.
Look! It's rounded! I got a backing setup recently and this is my first time using it. It was Very Hard and I am not very good at it yet. But I think it looks pretty good for a first attempt, and there was really no other way to mitigate the spine swell on this one. I used a thick paper so I've got a thick book. I also tried something new with the case, though it isn't visible. Usually I make the text block and the case separately and then attach them as the last step, but for this one I actually built the case around the text. Like, boards attached to mull/tapes (sandwiched between thinner boards, with grooves cut for them so there are no bulges), then covered with momi, then leather corners and spine, then paste down the endpaper. It's got an oxford hollow, too! The tapes and mull actually wrap around the outside of the boards instead of the inside like I've done before. Endpapers are my favorite feather chiyogami. Combined with the marbled momi they make for a very opulent look, and I had just barely enough to do this. Like, down to the millimeter. I had to trim the edges and then glue the endpapers after to be sure they were right. I'm glad they were, because I didn't have a backup plan. Handmade endbands, colors picked to match the cover. Also, last note, I got the corner bits right for the first time. Measured properly, with no weird pointy bits that come out at funny angles. Very proud.
Title page and bookmark/interior shot. Did you know that some basic fonts in MS Word look different when you use a huge font size? Because I didn't until I made this title page. That's Parchment for the title, and it only gets those swirly bits around the capital letters if you take it to 26pt or higher (I used 72 here). Now I wonder if any of the other fonts have easter eggs in them like that. The ribbon is very fancy, to go along with the rich endpaper/cover combo. I think it's pretty appropriate for a mythological golden age of piracy story, as are the text ornaments:
Chapter header image, chapter end image, and section break image. It was a very image-heavy typeset. I was originally planning to only have a header and a section break, but I couldn't decide whether I liked the ships or the book/shell/feather better, and they both suited the story so well that I just went with both. Again, opulent, but I think it fits. All the images came from rawpixel, all I did was resize them.
There was a small error in the trimming process. Comes of having to calculate so closely the exact amount you can trim off, that you have to trim off so your slightly-too-small endpapers fit. I think something got misaligned when I poked the sewing holes because only the first signature is like this. The rest of the book has a more appropriately-sized margin between the page number and the edge. I got very lucky here, and I know it, and I'm never cutting it this close (lol) again. Next time we just order another sheet of chiyogami.
And that's it! I have one author's copy and one new bind in progress right now (that's taking a while because I'm learning more new stuff for it), and then I have two Christmas gift books to do, so it might be a bit before I have another book to share.