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#ARRI AMIRA
aimimage083 · 2 years
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So, you get to hire the latest camera for a reasonable rate. It’s the sensible way to access quality equipment without paying a fortune for it.
 Renting equipment first however can be the sensible way to test a variety of cameras without investing too much.
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ayfiv · 5 months
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Alright hereeee we go, here's a good steal. "Atlanta." These are all s1 from pretty much the first few episodes, but damn if the entire show doesn't have "ok i love that, i love that, I love that." this with both the texture of the image and lensing feels both SUPER modern but also a little memory/surreal coded to me. The composition is also always great, and more or less exactly what i have in mind. Paper boi alone is vaguely what i had in mind for michael alone doing tarot (a little closer and a little more up angle but i like the off centering and eye line). I love the frame within a frame of donald glover on bottom right. I like the profile CU of him for an analog for the cherry cricket scene. the shot of him and zazie in bed is burned into my memory frame wise, and i really love the shot of her by the car.
this is probably the biggest reference for me in terms of overall closeness. so s1 they actually shot on an amira (cheap!) with ARRI Kowa Prominar Spherical Prime lenses.
they went to 16 in subsequent seasons which i also love, but i like the amira look a lot
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courseone · 5 months
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Shooting my Sony Fs5 alongside my ARRI Amira to get the best possible match. The problem with Sony cameras has always been their colours - they have tremendous dynamic range when shooting S Log 2 & 3 and a host of other fantastic features but in order to unlock the full potential out of my Sony Cameras, I needed to fix the colour. To do so, I designed Phantom LUTs that come in two 5-packs . The 'Alexa Look' and the 'Film Look' Packs. Each LUT comes with Slog2 and Slog3 Versions. These LUTs will ensure your highlights roll off smoothly, and gracefully like Film/Alexa and your shadows will be rich and filmic - while still maintaining detail. They are super easy to use and will help you get that cinematic look you’re looking for. The 'Alexa Look' This LUT pack was developed alongside Joel’s ARRI Amira over hundreds of hours of testing and side by side comparison footage. As well as the ‘Neutral’ LUT which emulates ARRI’s Rec709 LUT, there are 4 other stylised LUTs included. These LUTs are designed to deliver: 1) An organic, smooth and gentle highlight roll-off that mimics Alexa in it's highlight rendering to give an overall organic and naturalistic feel to the footage. 2) Natural skin tones designed to render contrast levels on skin like an ARRI Alexa. 3) Naturalistic, organic and classic colours. 4) Rich but not crushed shadows so that these LUTs can be used in low light scenes as well as broad daylight. 5) Commensurate exposure levels with the input footage that didn't shrink the dynamic range of the camera by blowing out the highlights and crushing the shadows and that didn't radically change the 'brightness' or 'darkness' of the footage one way or the other. The 5 LUTs Described Below: LUT 1) Neutral - A neutral ARRI look - no colour cast or 'look' - just the classic ARRI Rec709 look developed for my Fs7 alongside my ARRI Amira. LUT 2) Tungsten - A slightly warmer golden cast designed to be utilised for subjects bathed in tungsten light. LUT 3) Ice Blue - Blue, colder cast with punchy, deep blues (looks amazing on subjects with blue eyes). LUT 4) Jamaica - Green and gold cast - distinctive, rich, filmic greens and beautiful golden skintones. LUT 5) Utopia - the most filmic look of the LUTs, with blood red reds and filmic blues and greens. It’s my personal take on what Utopia would look like. The 'Film Look'
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josiptaylor · 8 months
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vimeo
Alex Merriman - 4K Live Event Cinematography Demo Reel (2018) from Alex Merriman on Vimeo.
AlexMerriman.com
Over the last few years, I have been fortunate enough to travel the globe and film some of the UFC's most historical moments. Here is a brief look at those moments I captured while being both inside/outside the Octagon.
Every frame in this video was shot solely by me, pulling my own focus as well for the MoVI rig shots. Below is a list of the mix of gear I used throughout this demo.
Camera's: Arri Alexa Mini Arri Amira Red Epic Helium
Glass: Fujinon 19-90mm Fujinon 20-120mm Canon 17-120mm Leica 35mm Arri Ultra Prime 32mm
Rigs: Freefly Systems MoVI Pro and M15 Wooden Camera Handheld RT Motion Control with Thumbwheel Redrock Micro Wireless follow focus with Thumbwheel
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lesterplatt · 11 months
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vimeo
Rest Duvet - The Hot Sleepers from STLL STUDIOS on Vimeo.
Client: Rest Duvet Executive Producer: Lester Platt Producer: Chloe Singer Co-Producer: Yuliia Alexander Creative Director: Olexiy Kryvych Director/DP/Editor: Lester Platt 1st AC: Joe Marks 2nd AC: Jake Stockstill Gaffer: Spencer Greene Grip: Tanner Toland Production Designer: Dina Kiseleva 3D Animation: Joseph Rodriguez Virtual Studio: Stray Vista Virtual production Supervisor: Ace Patel Virtual Studio Director: Aaron Mouer Location: Austin TX
Shot with ARRI Amira and Zeiss Prime Otus.
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dfoxblog · 2 years
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vimeo
Medieval Martha Stewart from Taylor Hawkins on Vimeo.
Josh Brock has been fashioning weapons of war since childhood. Countless knives, swords, and axes line the walls of his apartment in Lakewood, WA. Though his decor may seem unusual, his inspiration behind it feels strangely familiar. Come take a ride in Josh’s 1993 Cadillac Fleetwood (hearse) and see why this self-proclaimed “Medieval Martha Stewart” is someone’s acquaintance you’d want to make in case of the zombie apocalypse.
Directed by: Taylor Hawkins Music by: Caleb Buse Medieval Martha Stewart: Josh Brock Title design: Jennifer Buse
Shot on the Canon C300 Mark II and Arri Amira. Graded with Koji Color in Davinci Resolve.
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artistnahas · 2 years
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Maintain audio pitch when scrubbing or playing back at higher or lower speeds, so it’s easy to hear spoken and musical cues.Īlso includes: A Reverse Match Frame command a Track Select Backwards tool improved Project Panel search and sort times Mercury OpenCL support for Intel Iris architectures and more.Īdobe Premiere Pro CC 2015.3 Crack is an outstanding and professional tool which is no 1 for video editing and production,this tool is full reliable to record any desktop movement and video and image editing,Fully functional to gives exporting and publishing data with easy procedure. After setup, record voiceover directly in the Timeline with one click. Also get native support for Sony STtP, Canon RAW, and improved support for CinemaDNG formats.Īccess audio input settings, recording preferences, and signal monitoring from the Timeline panel. Get built-in support for the ARRI AMIRA camera, with appropriate color LUTs applied as master clips on import. Also, export stereo audio to Dolby Digital and Dolby Digital Plus.īrowse fonts from Typekit from the Title menu and download them for use in your projects.Īutomatically back up your Premiere Pro projects to Adobe Creative Cloud. Both formats include associated metadata. Multiple new editing features respond to key customer requests like reverse match frame and volume keyframe nudge.Įxport to industry-standard AS11 for broadcast and Digital Cinema Package (DCP) for screening rooms.
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attorneynahas · 2 years
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Work faster thanks to OpenCL workflow improvements, a GPU debayer for RED media, and new support for Intel Iris.Īccess audio input settings, recording preferences, and srecord voiceover directly in the Timeline.Ī Reverse Match Frame command, a Track Select Backwards tool, improved Project Panel search and sort times, Mercury OpenCL support for Intel Iris architectures and more.ĭownload Adobe Premiere Pro CC 2018 12.0.1 Offline + patch ( 1.5 GB) from here. Get built-in support for the ARRI AMIRA camera, with appropriate color LUTs applied as master clips on import.Įnhanced graphics performance in Mercury Playback Engine Get better handling of large projects plus faster sorting and searching in the Project panel. When you apply effects to a master clip, the changes ripple down through every part of that clip in your sequence. Send masks to After Effects via Dynamic Link to access more advanced tracking features. Modify the text in After Effects compositions without leaving Premiere Pro.Ĭreate feathered masks that obscure or highlight objects by following their movement across frames.
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musicanddarkness · 5 years
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Merry Christmas all and have a happy new year
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leicafeed · 7 years
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Gone 
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andreagambadoro · 3 years
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A bit of sun to finish a day after a day spent under the rain filming with horses in a very muddy field… what more could you ask for! Lol . #cameraoperator #beardedcameraman #beard #cameraman #dop #amira #arri #morpheus #feauture #movie #wales #snpwdonia #filming #filmmaker #camera #camerawork #horses #sun #picoftheday #instapic #photooftheday #screenshot #bts #behindthescenes (at Dolwyddelan) https://www.instagram.com/p/CbLhu4iN2zZ/?utm_medium=tumblr
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aimimage083 · 4 years
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DEDO 150W KIT – 4 LAMPS
4x Precision Tungsten lamp heads, each with inline dimmers. Supplied with stands in soft case.
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video production los angeles capitola media san francisco #5amcall #dualing #amiras @capitolamedia #fullcrew #4K #bts #arri #directorofphotography #commercial #videosquad #bayarea #camerasready #hollywood #losangeles #agency #marketing #advertising #filmcrew #rehearsalsup #fortune500 #focus #videoproduction #fordmotorcompany #actor actors #videosquad #sfbay #client #onset 🎥📸🎥 (at Capitola Media LLC) https://www.instagram.com/p/BuKnSMFn9nk/?utm_source=ig_tumblr_share&igshid=nr6levqf7oz3
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kygoecuador · 6 years
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RepostBy @motion_air: "What better way to spend a rainy day in Bergen than shooting some ground stuff with @kygomusic? We even got a few outdoor scenes in between rain showers today 🎥🙌🏻☔️ #setlife #kygo #arri #alexamini #amira #twocamshoot #smallhd #bergen" https://www.instagram.com/p/BoM00UOFP9B/?utm_source=ig_tumblr_share&igshid=8ut9txhxiyc3
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lesterplatt · 11 months
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vimeo
REST DUVET - The Athlete from STLL STUDIOS on Vimeo.
Client: Rest Duvet Executive Producer: Lester Platt Producer: Chloe Singer Co-Producer: Yuliia Alexander Creative Director: Olexiy Kryvych Director/DP/Editor: Lester Platt 1st AC: Joe Marks 2nd AC: Jake Stockstill Gaffer: Spencer Greene Grip: Tanner Toland Production Designer: Dina Kiseleva 3D Animation: Joseph Rodriguez Virtual Studio: Stray Vista Virtual production Supervisor: Ace Patel Virtual Studio Director: Aaron Mouer Location: Austin TX
Shot with ARRI Amira and Zeiss Prime Otus.
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steadyproline · 2 years
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buy Arri Amira & Alexa Mini Power Cable online
Looking for the best arri amira & alexa mini power cable in USA? Find more details, visit steadyproline.com or call us @ +1 (786) 6581019.
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