SATANIC HISPANICS | Trailer, Poster & Images
Satanic Hispanics is an anthology of 5 short films from some of the leading Latin filmmakers in the horror genre, spotlighting Hispanic talent both in front and behind the camera.
When police raid a house in El Paso, they find it full of dead Latinos, and only one survivor. He’s known as The Traveler, and when they take him to the station for questioning he tells them those lands are full of magic and talks about the horrors he’s encountered in his long time on this earth, about portals to other worlds, mythical creatures, demons and the undead. Stories about Latin American legends.
Directed by Mike Mendez, Demián Rugna, Eduardo Sánchez, Gigi Saul Guerrero, and Alejandro Brugués.
Written by Alejandro Mendez, Demián Rugna, Pete Barnstrom, Lino K. Villa, Shadan Saul, Raynor Shima; and starring Patrick Ewald, Mike Mendez, Alejandro Brugués; starring Efren Ramirez, Greg Grunberg, Hemky Madera, Jonah Ray Rodrigues, Patricia Velásquez, Jacob Vargas, Ari Gallegos, Demian Salomon, Christian Rodrigo, and Michael C. Williams.
DREAD's SATANIC HISPANICS in Theaters September 14th, 2023.
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New Fiction 2023 - September
"Baruch" ed. Richard Challoner (1752)
A short interlude before another juggernaut of a chapter.
Creature Teacher by R.L. Stine (1998)
They really hold out on the monsters here in Series 2000, so this is a welcome entry.
Invasion of the Body Squeezers - Part 1 by R.L. Stine (1998)
An unnecessarily long red herring.
Invasion of the Body Squeezers - Part 2 by R.L. Stine (1998)
That's some way to prevent an extinction event.
I'm Your Evil Twin! by R.L. Stine (1998)
They always do the ol' switcharoo.
Revenge R Us by R.L. Stine (1998)
The Uncut Gems of Goosebumps.
Fright Camp by R.L. Stine (1998)
Fool me several dozen times, shame on us all.
Headless Halloween by R.L. Stine (1998)
Here we GOOOOO. A+ Goosebumps.
Attack of the Graveyard Ghouls by R.L. Stine (1998)
A bit weirder but still more welcome than kids being dicks and no actual spooky happenings.
Brain Juice by R.L. Stine (1998)
Just bizarre. Leaning a little too far into the weird science angle I've no interest for in these books.
The Deadly Experiments of Dr. Eeek by R.L. Stine (1996)
Nope. These gamebooks aren't good for reading one after another, and the ones that more or less stay in place are especially meh.
Night in Werewolf Woods by R.L. Stine (1996)
Another meh entry in spite of the werewolves running around.
Beware of the Purple Peanut Butter by R.L. Stine (1996)
More weird science and generally not scary stuff, less and less interesting.
"Hotline Miami" by KC Green (2023)
The speedrun.
"I was told by my doctor that this'll completely compensate my human meat diet" by scribblingchimp (2023)
Gotta find an alternate.
"Carl's Date" dir. Bob Peterson (2023)
Good to see the gang again.
The Equalizer 3 dir. Antoine Fuqua (2023)
Didn't need to do all that.
Bottoms dir. Emma Seligman (2023)
The kids are alright.
Elemental dir. Peter Sohn (2023)
A personal story.
They Live dir. John Carpenter (1988)
That's a long fight.
Jawan dir. Atlee (2023)
The Robin Hood we need.
Christine dir. John Carpenter (1983)
Somehow, a car is scary.
The LEGO Movie dir. Phil Lord & Christopher Miller (2014)
Too familiar, but perhaps because it kicked off something we've seen a lot of since then.
Outlaw Johnny Black dir. Michael Jai White (2023)
A fun and shooty romp.
Satanic Hispanics dir. Alejandro Brugués , Mike Mendez, Gigi Saul Guerrero, Eduardo Sánchez, Demián Rugna (2023)
The anthology offers much.
Prey dir. Dan Trachtenberg (2022)
Hell yes. If they made Predator movies that are just "a Predator fights someone at this point in history" I'd be all in.
Tales from the Crypt Presents: Demon Knight dir. Ernest Dickerson (1995)
Definitely a feature-length version of an episode, but they pull it off.
Tales from the Crypt Presents: Bordello of Blood dir. Gilbert Adler (1996)
Or do they? But this is still better than...
Tales from the Crypt Presents: Ritual dir. Avi Nesher (2002)
A very boring movie like this.
Vault of Horror dir. Freddie Francis (1973)
Ooh that second story is tops.
Tales from the Crypt dir. Freddie Francis (1972)
This first movie was just a tad too straight-faced. Where's the camp?!
The Origin of Evil dir. Sébastien Marnier (2023)
A-n-x-i-e-t-y.
The Expendables 4 dir. Scott Waugh (2023)
I know they can't all come back every time, but the concept seems to be slipping away from them.
The Creator dir. Gareth Edwards (2023)
Hm. Striving toward something I might've liked but somehow doesn't land.
Tales from the Crypt - Season 7 (1996)
I've been annoyed with many people writing off season 7 as not worth watching. It's fine! There's even a few episodes really worth watching.
Tales from the Cryptkeeper - Season 1 (1993)
Basically Goosebumps, so John Kassir recording wraparounds is what makes it special.
Star Trek Strange New Worlds - Season 2 (2023)
I like it, but 10 episodes is not enough. Bouncing from fun to deadly serious episodes too often makes it feel disjointed.
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10-minutes at the border: Revving the US-Mexico economies
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Feb 17, 2023
The transformative power of reduced wait times at the US-Mexico border: Economic benefits for border states
By
Alejandro Brugués Rodríguez, Noé Arón Fuentes Flores, David Gaytan, John Gibson, Mayra Maldonado, Jason Marczak, Jorge Eduardo Mendoza Cota, José Ángel Moreno, Roberto Ransom, and Ignacia Ulloa-Peters
Atlantic Council’s new data shows that a mere 10-minute…
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CALIFICACIÓN PERSONAL: 5 / 10
Título Original: Nightmare Cinema
Año: 2018
Duración: 118 min
País: Estados Unidos
Director: Mick Garris, Joe Dante, David Slade, Ryûhei Kitamura, Alejandro Brugués
Guion: Sandra Becerril, Alejandro Brugués, Lawrence C. Connolly, Mick Garris, Richard Christian Matheson, David Slade
Música: Richard Band, Kyle Newmaster, Aldo Shllaku, J.G. Thirlwell
Fotografía: Andrew Russo, Matthias Schubert, Jo Willems
Reparto: Mickey Rourke, Richard Chamberlain, Adam Godley, Orson Chaplin, Eric Nelsen, Kevin Fonteyne, Maurice Benard, Calista Bess, Faly Rakotohavana
Productora: Cinelou Films, Cranked Up Films, Good Deed Entertainment, Indy Entertainment
Género: Drama, Horror, Mistery
https://www.imdb.com/title/tt7349910/
TRAILER:
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400 Words on POOKA LIVES! ★★★
The Pooka franchise is like the Purge series in that one must first accept their wildly outrageous premises at face value before they can be enjoyed. The idea of a government-sponsored murder holiday is just as inherently preposterous as believing that children would actually love something as horrific as the Pooka dolls, an unholy cross between a teddy bear and Wes Craven’s Ghostface. Combine that with their eerie red eyes, their habit of repeating back random words they hear in a deep voice, and their maddeningly sinister jingle and you have something about as appealing to kids as the Annabelle doll. But the cognitive disconnect between their mass appeal and their appearance was perfect for Nacho Vigalondo’s Pooka! which premiered in 2018 as an episode of Hulu’s Into the Dark web anthology series. The doll’s terrifying design was the first and most striking indication that something was wrong in the life of its protagonist, a traumatized actor and obviously unreliable narrator. But now Alejandro Brugués’ sequel Pooka Lives! has arrived, and since this film doesn’t take place exclusively in the mind of its hero it must be assumed that it’s occurring in the “real” world and that millions of “real” children love the damned thing. If one can’t get past that premise—and indeed, who could blame them?—they would do better to pass on the film entirely, for it takes Pooka’s popularity as given fact, not imagined fantasy. Mercifully though, Brugués abandons the original film’s bleak tone and aura of tragedy for more straight-forward comedy horror. If Pooka! was the atmospheric, high-concept Alien of the franchise, then Pooka Lives! is its over-the-top Aliens, raising the stakes, raising the body count, and raising the number of unstoppable enemies. The film follows a group of thirty-something friends whose “Pooka Challenge” accidentally goes viral and somehow begins physically manifesting slimmed down versions of the toy to slaughter those they deem “naughty.” How? Well, witches and Tibetan mysticism are mentioned in passing, but in practice the causes are unimportant—what matters is that the killer Pookas serve as a metaphor for internet cancel culture and urban legends. It’s an interesting concept, but one that ultimately doesn’t live up to its potential as the film relies too heavily on hit-or-miss comedic relief. But as an sporadically light-hearted ensemble comedy thriller, one could certainly do worse.
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