#Alexandra Rocha

[unes23]

Alexandra Micu at Rochas FW19

[battyaboutbooksreviews]

💖 Sapphic Books Coming Out August 2024

🩷 There's something especially sweet about a sapphic romance. Here are only a few of the amazing sapphic books hitting shelves in July 2024.

💖 Which ones are you adding to your TBR?

Contemporary 💖 Can’t Buy Me Love - Georgia Beers 💖 The Heart Wants - Krystina Rivers 💖 Hers for the Weekend - Helena Greer 💖 You Can’t Go Home Again - Jeanette Bears 💖 Worth the Wait - Kenna White 💖 One Summer in Miami - Amber Rose Gill 💖 The Last Woman I Kissed - Venetia Di Pierro 💖 Changing Her Tune - Amanda Kabak 💖 Chance Encounter - Renee Roman 💖 The Italy Letters - Vi Khi Nao 💖 Our Slice of Paradise - Tiana Warner 💖 Dancing With Dahlia - Julia Underwood 💖 Untethered - Shelley Thrasher 💖 Comes in Waves - Ana Hartnett 💖 Libertad - Bessie Flores Zaldívar 💖 The Avian Hourglass - Lindsey Drager 💖 Mamele - Gemma Reeves 💖 Mighty Millie Novak - Elizabeth Holden 💖 A Bánh Mì for Two - Trinity Nguyen 💖 Don’t Let It Break Your Heart - Maggie Horne 💖 Chance Encounter - Renee Roman 💖 Southern Lights - Liz Arncliffe

Paranormal/Horror 💖 The Curse - Alexandra Riley 💖 The House Where Death Lives - ed Alex Brown 💖 Full Shift - Jennifer Dugan & Kit Seaton 💖 The Dark We Know - Wen-yi Lee 💖 This Ravenous Fate - Hayley Dennings 💖 Come Out, Come Out - Natalie C. Parker

Fantasy 💖 The Crimson Crown - Heather Walter 💖 The Phoenix Keeper - S.A. MacLean 💖 Oath of Fire - K. Arsenault Rivera 💖 The Palace of Eros - Caro De Robertis 💖 Gentlest of Wild Things - Sarah Underwood 💖 Queen of Dreams - Kit Rocha 💖 The Sunforge - Sascha Stronach 💖 The Ending Fire - Saara El-Arifi 💖 Skyscraper - Gun Brooke 💖 Fyrebirds - Kate J. Armstrong 💖 The New Camelot - Robyn Schneider 💖 The Storm and the Sea Hawk - Kiran Millwood Hargrave 💖 Practical Rules for Cursed Witches - Kayla Cottingham 💖 Netherford Hall - Natania Barron 💖 The Duchess of Kokora - Nikhil Prabala 💖 Rise and Divine - Lana Harper

Historical 💖 Not for the Faint of Heart - Lex Croucher 💖 Accidental Darlings - Crystal Jeans

Mystery/Thriller 💖 Better Left Buried - Mary E. Roach 💖 A Midnight So Deadly - Wren Handman 💖 Death At Morning House - Maureen Johnson 💖 A Gravely Troubling Discovery - Hannah Hendy 💖 Verity’s Game - Jennifer Giacalone

Sci-Fi 💖 Time’s Agent - Brenda Peynado 💖 New Adventures in Space Opera - ed Jonathan Strahan

[unholyverse]

waterparks // alternative press spring 2023

(full article text under the cut:)

TO THE MOON

With their new album INTELLECTUAL PROPERTY, WATERPARKS are diving deeper than ever before. The result is an exorcism of deep trauma and the sweet afterglow of catharsis.

STORY: Alessandro DeCaro • PHOTOS: Jawn Rocha • Styling: Josh Madden

Between international flights, jet lag and no days off in between, it is a miracle that Awsten Knight isn’t face down in a pile of pillows. For the past two weeks, Knight and his band Waterparks have been head down in a run of massive shows throughout the U.K. supporting British rockers You Me At Six as well as a series of intimate appearances at record stores with some of the band’s most die-hard fans. It was a landmark run for a group who have hit the road relentlessly the past year-and-a-half, with sold-out North American and European headlining tours, a top slot at the 2022 Sad Summer Festival and even a “bucket list” opening slot for My Chemical Romance. Their latest milestone? They played to 10,000 people — their largest show in the U.K. region — at London’s historic Alexandra Palace. Exhaustion should be Knight's baseline, but instead, he's as chipper as ever when he hops on Zoom back home in Los Angeles. There's only one problem. The bandleader has been on vocal rest for days leading up to this very interview.

“Dude, my voice feels so shot,” Knight confesses from his living room couch. “We did 12 performances back to back, then combined with really short cut-up sleep on the flight, 1 just feel, ugh.” Sleep deprivation aside, Knight is almost at a loss for words (not from the vocal rest) but because the experimental pop trio he formed 12 years ago have unlocked another level of fandom where new listeners are still flocking by the droves. “It turns out there are a lot of people [in this world].” Knight quips, referring to his newfound fans. But in reality, global domination doesn’t really seem too far off.

Knight barely has time to slow down. The band are set to release their fifth studio album, INTELLECTUAL PROPERTY (out April 14 via Fueled By Ramen). But the self-professed workaholic has never known any other way. “It's a really hard mentality to shake,” Knight reveals. “When we were a local band, we didn't have any family connections in the music industry, and no one cared, so you had to take on every role. Even though we are not local anymore and get to play arenas with our favorite bands, if I'm not actively doing stuff to push the music, then I don’t know if anyone else will."

In some ways, Knight fears downtime or stillness because that's when he feels like his brain will start to turn on him. He admittedly functions better when he's working on something creative, whether that’s writing a new song or simply designing streetwear for his clothing brand hii-def. “It's not necessarily the most healthy thing in the long run, but people have worse coping mechanisms,” he laughs nervously.

But Waterparks remain his main focus. The trio, which initially formed in 2011, began to truly put the pieces together the following year when Knight enlisted his now-best friends, guitarist Geoff Wigington and drummer Otto Wood, to round out the lineup. “Otto loved classic rock and bands like La Dispute and Touché Amoré, whereas Geoff was all about EDM," Knight recalls. “We all had different tastes, but at the core of it, it's guitar and drums.” Their individual musical backgrounds helped craft the genre-less sound they have now cultivated.

"THE BIGGEST REASON I didn’t want that pop-punk label is that I know exactly what we are capable of." - AWSTEN KNIGHT

It wasn't until 2016 when Waterparks finally released their debut album, Double Dare — an intentional choice. “I always felt like if no one was looking at us, why put out a large body of work? I wanted to do cool shit as opposed to oversaturating and waiting until enough people [actually] wanted to hear it.” There is a common adage that you have your entire life to write your first record and six months to write your second, to which Knight agrees, and from there, the band began making records like clockwork.

With those albums came carefully curated eras — a moment in time with a clear aesthetic, theme and overall mission statement. While always writing music from a subversive and experimental perspective, it was when the band released both FANDOM (2019) and Greatest Hits (2021) that they began to stray from the confinement of genre and inaccurate labels. Knight himself spoke out vehemently about being boxed in by the term “pop punk. “I learned [during that time that] you can’t control everybody, and you can only frame the narrative so much,” Knight explains. “Obviously, we grew up loving and still loving blink-182, Green Day, Sum 41 and Good Charlotte, so it’s in our DNA to a degree, but I just don't want that label because it’s so synonymous with the past and what cynical dickheads or mega naysayers say is just for preteens and kids. However, the biggest reason I didn’t want that label is that I know [exactly] what we are capable of and what our output is.”

Take, for example, the breakbeat madness of the FANDOM single “Turbulent” or the distorted experimentation of “Numb” from Greatest Hits. Nothing is off the table for Waterparks. The group join a cohort of other trailblazing acts like Bring Me the Horizon and Paramore, who both successfully pivoted away from the late Warped Tour circuit in favor of mainstream appeal without losing any substance. “There's a song for everybody, and I once tweeted that anyone who doesn't like Waterparks just doesn't like Waterparks yet,” Knight says confidently.

If you have yet to be on board with the band's music, you've at the very least been entertained by — or seen — Knight's fiery social media presence.

It's undeniable that Waterparks’ meteoric rise has stemmed from the bandleader’s unofficial side hustle as a social media celebrity. And at times, his online presence can feel truly monolithic in scale, something Knight has attempted to analyze over the years in many songs, including the aptly titled “You'd Be Paranoid Too (If Everyone Was Out To Get You)" When asked if his status as an extremely online figure has influenced the band’s latest album, INTELLECTUAL PROPERTY, Knight isn't entirely sure but reveals that he has had to set boundaries nonetheless, as someone who's regularly met with constant praise and vicious internet trolls. “I try not to let it influence things too much [lately], and with therapy, I've learned that you can only control yourself. However, that doesn’t mean I'm not still vulnerable in the music that I write.”

He tackles the subject on INTELLECTUAL PROPERTY with closer "A NIGHT OUT ON EARTH" and parts of the song “RITUAL,” where he recalls when he felt things were “caving in" around him due to the pressures of constant attention. “There are people who listen to Waterparks who aren't on Twitter. and then there are those who view the band in this bubble where it's just them and the people who reply to the tweets,” Knight resigns.

But beyond the topic of social media, Knight gets admittedly “introspective” on the record. When asked to discuss the overall lyrical themes and concepts behind INTELLECTUAL PROPERTY, he takes a deep breath and delivers a warning: Things might get a little turbulent.

“There is a love story throughout the record that is expressive to and for other people, but the album itself has to do with overcoming, unlearning and growing past religious guilt,” Knight explains. “It's something that I've struggled with for a long time.” On “FUNERAL GREY," he delivers the punchy line “baptized in my spit,” which is a playful twist on a weighted subject. The theme of religious guilt doesn’t just apply to the overall lyrics of the record but also extends to the album's striking cover art, which at first glance appears to be an image of a blue frog over a red backdrop; in actuality, it possesses a much more poignant meaning.

“Frogs have always been one of my favorite animals,” Knight reflects. “However, when I learned that frogs were seen as dirty and unclean in a biblical context, it was interesting to me that something that I saw as so good, natural and beautiful could also be seen as a bad thing through a biblical lens.” In other words, the concept of shame plagued the charismatic bandleader for as long as he can remember, and INTELLECTUAL PROPERTY was the moment for Knight to finally face his trauma head-on and “come to terms with himself” once and for all. That explains why a majority of the new songs possess “hypersexualized” energy — a conscious rebellion against a conservative past. “Growing up in church, you're taught that everything is so wrong and bad. I always felt like shit, so [this album] is the breakaway from that specifically.”

By overcoming his religious guilt, Knight was able to tap into an evolved sense of self-worth that he’s since applied to his very own love life, which he details on the album's stripped-down ballad “CLOSER.” “My concept of love has changed throughout the years, and that song is about [looking at the past] and realizing that when I was younger, it was maybe more of an obsession. Now I'm taking it apart and learning more about love and the way I present the current version of myself to other people.” Inversely, there is the alt-radio-ready anthem “BRAINWASHED,” where Knight admits that he still wrestles with the idea of true love, constantly making sure that he’s not just wrapped up in the “honeymoon phase.” Knight jokes that this track and “FUCK ABOUT IT” which features a guest vocal spot from blackbear, are “polar opposites,” as the latter couldn't be further from the “hyperfixation” he details in “BRAINWASHED.," once again proving that he feels the most comfortable when inserting juxtaposition wherever he can.

"I've learned that you can ONLY CONTROL YOURSELF. However, that doesn’t mean I'm not still vulnerable in the music that I write." - AWSTEN KNIGHT

Beyond the emotional clarity that Knight gained during the creation of INTELLECTUAL PROPERTY, it's the album's sonic risks and exploration that he is the most fired up about. Though Knight wanted the band to return to their more guitar-driven and organic roots for certain parts of the LP, much of the record ventures into eclectic territory, with hyperpop, trap, synthwave and even subtle elements of hard rock and nu metal. “RITUAL, ‘A NIGHT OUT ON EARTH, ‘REAL SUPER DARK’ and ‘ST*RFUCKER' are the craziest instrumentals we have done ever,” Knight exclaims. “I love the idea of taking something like a guitar or my voice and making it sound entirely like something else” “A NIGHT OUT ON EARTH,” however, is what Knight describes as “the biggest production flex,” and it most definitely shows. “There's fucking elephant sounds in there and weird Batman villain-sounding horns — it's evil and heavy, and not to mention, the outro is just game over,” he says.

Beyond production, Knight pushes his voice and stretches the idea of what constitutes a strong hook on INTELLECTUAL PROPERTY. With “END OF THE WATER (FEEL),” Knight is at his most “bombastic,” in a “cartoon-like” state, weaving falsetto melodies that are meant to shock. “I always make a mental note when I hear a song that makes me go…" He pauses, imitating an explosion. “For me, that's when I hear some high-ass vocals that I'm not expecting.” Even on the first day of demoing “END OF THE WATER (FEEL)” in his home studio, Knight was already so confident in the song that he called longtime producer and collaborator Zakk Cervini and “essentially” forced him to come over to his house right then to help finish it. “I also want the record to show that I had a mustache [during this time], too,” Knight laughs.

With collaboration on the brain, Knight is the first to admit that for many years, he was precious about his art and was hesitant to work with others. However, during the COVID-19 pandemic and quarantine, Knight changed his mind, which was evident on Waterparks’ previous album, Greatest Hits. This time around, Knight, who's an outspoken fan of the U.K. boy band One Direction, finally got a chance to live out one of his dreams by working with esteemed songwriter Julian Bunetta, who co-wrote beloved One Direction classics like “Olivia,” “Infinity” and “Best Song Ever,” among others. “I flew to [Julian's] place in Nashville, and we ended up making five songs together, two of them being ‘FUNERAL GREY" and ‘BRAINWASHED,” Knight recalls. And while he still plans to keep the majority of his music close to his chest long term, he won't rule anything out. Knight would undoubtedly jump at the chance to work with everyone from Post Malone and Damon Albarn to Donald Glover and Toby Keith.

"I'd rather make the coolest f*cking thing, RATHER THAN HOLD BACK and make something that wasn't that good." -AWSTEN KNIGHT

Now, with the band's new LP incoming, there raises the question: Does Knight feel a sense of relief after both exorcising his deepest traumas and inviting listeners on his journey to self- discovery? "I still feel pressure with it," Knight concedes. “It would be a lot easier if only strangers heard this, but everyone in my whole fucking life is going to hear this album, so that's what makes it strange." But he's never let any awkwardness or controversy hinder the artistic output. "I wasn't not in trouble when I put out a song like [2018's] 'TANTRUM' where I listed a bunch of dudes I wanted to kill, calling out by name," Knight acknowledges. Though his lyrical choices have sometimes resulted in strong reactions, even within his close circle of friends, Knight can't help but accept that he is meant to be unapologetic. "At the end of the day, I'd rather make the coolest fucking thing, rather than hold back and make something that wasn't that good."

Pressures of lyrical vulnerability and transparency aside, INTELLECTUAL PROPERTY is Knight's attempt to "normalize” the catharsis he finds within songwriting, which ties into the album title itself. "Intellectual property is the mental space you give to something in your head. The 'property' may be the thing that you are struggling with. By materializing it and giving it its own world, it's actually a great way to express it and then, eventually, expel it,” he explains. "I want this album to go to the fucking moon." ALT

[the-final-sentence]

Top Final Sentences of 2022

 I was everything I needed.           Xoài Phạm, from “The Greatest Pleasure”

He helped me find what I truly craved and identify what had been there all along: an unwavering sense of self.         Jennifer Chowdhury, from “In Pursuit of Brown-on-Brown Love”

Such an old, old memory, why should it make me cry?         Lloyd Schwartz, from “The Two Horses (A Memory)”

“I love you,” he whispered again, against the top of her head.         Mary Balogh, from Thief of Dreams

And he paused, in the space between inhalation and exhalation, and invited magic in.          Freya Marske, from A Marvellous Light        

“Nothing I didn’t already know, deep down.”         Dante Medema, from The Truth Project

It was a fine cry - loud and long - but it had no bottom and it had no top, just circles and circles of sorrow.         Toni Morrison, from Sula

For just a little while more, I think, let me hide here.         Jonathan Robbins Leon, from “The Same Kind of Monster”

In search of, an approximation:            desire of, love of.         Iliana Rocha, from “Elegy Falling Forward & Down“

I still crave the comfort of a hand in mine, the warmth of being claimed in the daylight.         Laura Bogart, from “A New Kind of Heroine”

And it is you, it is you she is holding like an open book, well-loved, in her hands.         Eve Alexandra, from “Heroine”

We survived to whisper our names to each other even if we could not yet confess them to anyone else.         Anna-Marie McLemore, from “Roja”

And this is the story of how I am caught.         Margaret Owen, from Little Thieves

I’m trying to hold on to this rope, and I’m trying to let go.         Melissa Faliveno, from “Tied, Tethered, Unfettered, Free”

Imagine you don’t fit anywhere, not even in your own head.         Bassey Ikpi, from “What It Feels Like”

I look to the sky and feel her ghost.         Colton Haynes, from Miss Memory Lane

It would be nice if we could talk about how we went online, driven by some sort of longing, and why we stayed there, pushing that want outward, over and over, until it couldn’t be ignored.         Kaitlyn Tiffany, from Everything I Need I Get from You

Care tasks exist for one reason only… to make your body and space functional enough for you to easily experience the joy this world has to offer.         K.C. Davis, from How to Keep House While Drowning

I had become one of the people on the street who knew where he was going.         Andrew Rannells, from Too Much Is Not Enough

Until everything was sea and sky, and the falling was flying, and he realised he was laughing too.         Alexis Hall, from A Lady for a Duke

Under the wrack and wreck of what had come before, the sky was new, and I reached for it with a yearning eager hand.         Nghi Vo, from The Chosen and the Beautiful

My beating heart is still yours, the letter said, and I’ll be waiting for you.         Dana Schwartz, from Anatomy

It won’t last for long, but it’s beautiful for now.         Linda Oatman High, from December

She holds my hand as I leave them all behind.         Erica Waters, from “Stay”

And then I fall back into my sheets, still warm and crumpled, and close my eyes.         Alice Oseman, from “Hands Against Our Hearts”

[fashinistagirlunit4]

diversity on the catwalk

fashion creatives are embracing inclusivity and body positivity, exploring themes such as size, gender, age, race, and disability.

Precious Lee, Ashley Graham, Paloma Elsesser

The fashion industry is constantly improving and evolving, we are starting to see more culture and diversity through ought each season.

In July 2020, Gucci launched its new genderless shopping category on its website called ‘Gucci MX’ using only gender neutral models to showcase the pieces.

Brands such as Simone Rocha, Rachel Comey and Vivienna Westwood are starting to include many more older models to showcase their work this is making the fashion world more diverse and as the seasons go on their seems to be more inclusivity each time.

AlexandraKutas

Hailing from Ukraine, Alexandra Kutas claimed the title of the world’s first runway model in a wheelchair as well as Ukraine’s first fashion model with a disability. Alexandra modelled on the runway during Ukraine Fashion Week in 2015 and a couple of months later unveiled a photography exhibition called “Break Your Chains” alongside photographer Andrei Sarymsakov in an effort to break down society’s stereotypes and negative perceptions of people with disabilities.

Kelly Knox for Grazia 2018

Greater diversity within the fashion community opened up a space to celebrate all beauty and gave a platform for people with disabilities to be more visible. As a result we are seeing more people with disabilities making appearances on runways, on the cover of magazines, in fashion ads and beauty campaigns.

Jean Paul Gaultier haute couture spring/summer 1998

among the roster of major designers Jean Paul Gaultier is notable for his concerted adoption and celebration of queer aesthetics from placing men in skirts in 1985 to repeatedly drawing on the homoerotic motif of the Genet-esque muscly. Over the years he has had many collaborations and with friend and muse Tanel Bedrossiantz to various striking ends. In his spring summer 1998 Age of Enlightenment influenced couture show, Bedrossiantz apps rated in a tightly corseted ruffled gown over a white shirt and tie an image so iconic it was included in the catalogue for vogues 2019 camp.

Somali-American model, Halima Aden 2017

Halim Aden was the first Muslim woman to wear a hijab on the international high fashion catwalk at the Max Mara show held in Milan on 23rd February 2017.

Madeline Stuart is a 20-year-old model with Down syndrome from Brisbane, Australia. Madeline has walked in Art Hearts Fashion Week, Mercedes Benz Fashion Week China, Style Fashion Week, Melange Fashion Week, Runway Dubai, Sunshine Coast Fashion Festival, and Birmingham Fashion Week. She has appeared in Vogue, Teen Vogue, Cosmopolitan, Woman’s Day, Women’s Weekly, Elle, New York Times, People, Marie Claire, Huffington Post, and many more. She was also named Model of the Year in 2016.

Nina Marker famous model with autism

Nina Marker was scouted at a McDonald’s in 2014 and was quickly snatched up by Elite Model Management. She has walked the runway for Chanel, Dior, Alexander McQueen, Stella McCartney, Valentino, Givenchy, Fendi, and Versace, among many others. Nina is an advocate for the Autistic community, as she herself has Asperger’s. She has talked openly about being treated differently when she was young and the depression she experienced following that; she is passionate about creating awareness for Autism and wants to show people that Autistic people can do anything they want to do.

Harvard Referencing:

Shutterstock (2020). Unforgettable Photographic Moments: 2020’s ‘Big Four’ Fashion Weeks. [online] The Shutterstock Blog. Available at: https://www.shutterstock.com/blog/big-four-fashion-weeks [Accessed 28 May 2023].

Mcloughlin, L. (2017). Ashley Graham shows off curvy figure in clinging latex mini dress. [online] Mail Online. Available at: https://www.dailymail.co.uk/tvshowbiz/article-4871728/Ashley-Graham-shows-curvy-figure-latex-mini-dress.html [Accessed 28 May 2023].

Brain, E. (2020). Gucci Mx Line Explores Gender Fluidity Within Fashion. [online] HYPEBEAST. Available at: https://hypebeast.com/2020/7/gucci-mx-non-binary-gender-fluid-collection-fall-winter-2020-jackie-1961-bag-lookbook.

Tsui, D. (2019). Finally, Some Age Diversity on the Runway. [online] The Cut. Available at: https://www.thecut.com/2019/02/older-models-of-all-ages-were-on-the-runway-at-fashion-week.html.

Managment, M. (2018). | MiLK Model Management. [online] www.milkmanagement.co.uk. Available at: https://www.milkmanagement.co.uk/women/women/1152-kelly-knox/ [Accessed 28 May 2023].

The Photo Studio. (2018). 20 Disabled Models And How They Got Their Starts. [online] Available at: https://thephotostudio.com.au/all/modelling/20-disabled-models-and-how-they-got-their-starts/. [Accessed 7th June 2023]

Stuart , M. (2015). Madeline Stuart NYFW 1st catwalk appearance with my Jellyfish men. [online] www.youtube.com. Available at: https://youtu.be/n9PMB9y9xAc [Accessed 7 Jun. 2023].

‌

[elisanous]

ㅤㅤㅤ Model Hazel Townsend, photographed by Alexandra Von Fuerst (Vogue Italia, 2016). Blouse and dress by Simone Rocha.

[nelove22]

Liga BPI 2022/23 | Matchday 14 | Round results

04/03

SC Braga 3 - 0 Valadares Gaia FC | Anouk Dekker (17'), Vitória Almeida (49'), Paige Almendariz (63').

05/03

Sporting CP 1 - 0 SCU Torreense | Fátima Dutra (31').

CA Ouriense 2 - 3 Amora FC | Lorena Santana (11'), Jéssica Pastilha (90+2'). Carolina Duque (10'), Mafalda Marujo (56', 59').

FC Vilaverdense 1 - 7 SL Benfica | Francisca Silva (10'). Jéssica Silva (12', 45+3'), Pauleta (43'), Cloé Lacasse (47', 78'), Kika Nazareth (50', 54').

Clube de Albergaria 2 - 2 FC Famalicão | Alexandra Henriques (31'), Samara Lino (90+3'). Marie-Yasmine Alidou (16'), Carolina Rocha (43').

CS Marítimo 3 - 1 SF Damaiense | Telma Encarnação (40'), Carina Baltrip-Reyes (48'), Érica Costa (60'). Giovanna Santos (16').

League table 👇👇

[aprendizajeydesarrolloportafolio]

Ficha de lectura: Papalia y Martorell (1978). Estudios del desarrollo humano

Por Alexandra Romero

Referencia  

(formato APA) 

Papalia, D. y Martorell, G. (1978). Estudio del desarrollo humano. En M. Rocha. (Ed), Desarrollo Humano (pp.3-19). Mc Graw Hill Education. 

Síntesis  de los argumentos del/la o los/las autores: 

Se exponen los principales argumentos del autor o autores de manera ordenada y con coherencia lógica. Se rescata lo esencial del texto y se cubre la totalidad de éste, demostrando una comprensión del texto como unidad.  

 En el texto seleccionado “Desarrollo Humano”, se presentan casos sobre el estudio del desarrollo humano y la importancia que tiene el ciclo vital en este estudio para cada ser humano, con eso en mente los científicos se interesaron en el desarrollo en la etapa adulta. Se da mención que el ciclo vital es un concepto de ámbito constante dentro de toda nuestra vida. Los estudios que se presentan en este texto han ayudado para dar un enfoque directo en la educación, la crianza dando un enfoque dentro del ambiente, salud y en políticas sociales donde en el texto se menciona explícitamente que no pueden existir sin la otra para poder tener un desarrollo de una manera progresiva. Dando mención con anterioridad al ciclo vital lo presentan teniendo un concepto tanto  positivo como negativo ya teniendo eso en cuenta se puede explicar la importancia que genera tener un buen ambiente familiar dentro del ciclo vital ya que eso marca en cierto punto el desarrollo de la persona. También se van mencionando las etapas del ciclo vital de manera estructurada y clasificada en un rango aproximado de edades  y mencionando como vamos cambiando y generando en cada una de ellas, al tener esta clasificación se explica por que es tan importante tener una investigación del desarrollo humano ya que al tener el conocimiento de dicho este, los factores dentro del desarrollo pueden cambiar, también mencionan influencias del desarrollo como los son la genética biológica(herencia), el medio ambiente dando ejemplo y explicando que dependiendo de del ambiente en donde uno se va desarrollando repercuta a lo largo de la vida  y el estatus socioeconómico, estos factores se complementan unos con otros dentro de nuestra sociedad como se va explicando dentro de todo el texto. 

Breve comentario: 

Se elabora un breve comentario final en el que se destaca el principal aporte del texto a la construcción de conocimientos del curso y la formación profesional. 

Este texto presenta varios aportes para el curso y la formación profesional ya que va fundamentando sobre el desarrollo humano y sus etapas, siendo esta información fundamental para la investigación del curso, especifica y clasifica las etapas del ciclo vital. Presento un aporte a mi conocimiento ya que el texto me ayudo a diferenciar entre los tipos de desarrollos que existen como lo son el cognitivo, psicosocial y el físico y poder tener un mejor entendimiento de cada uno. Esos conceptos son un aporte  importante para mí  conocimiento tanto académico como en el ámbito profesional ya que me ayudara en el proceso de formación docente y poder dar y tener un mejor entendimiento de diferentes tipos de niños como de adolescentes.  El texto presenta todo de una manera tan ordenada y comprensible que para mi fue mucho mas agradable de comprender dando así un mejor comprensión de los conceptos mencionados en clases con los cuales en el ámbito profesional podre identificar en mis alumnos/as para así identificar y mejorar ámbitos en su propio desarrollo transformándolo en uno más completo y estable para ellos.  

Citas textuales 

(útiles para ser recogidas en informes y publicaciones) 

Explicitar autor/es, año, número de página. 

“El desarrollo es desordenado, complejo, multifacético y formado por arcos de influencia que interactúan. Por lo tanto, se logra comprenderlo mejor con aportes de distintas orientaciones teóricas y de investigación; además, la forma más adecuada de estudiarlo es a través de múltiples disciplinas” (Papalia y Martorell, 1978, pág. 4) 

“Aunque, en este libro, tratamos por separado el desarrollo físico, cognoscitivo y psicosocial, estos ámbitos están interrelacionados: cada aspecto del desarrollo afecta a los demás” (Papalia y Martorell, 1978, pág. 4) 

“Para entender el desarrollo, es necesario entonces examinar las características heredadas que dan a cada persona un inicio en la vida. También es preciso considerar los diversos factores medioambientales que influyen en el desarrollo, en especial los contextos importantes como la familia, el vecindario, la posición socioeconómica, la raza o etnia y la cultura” (Papalia y Martorell, 1978, pág. 9) 

[noticiasdecolnizamt]

Engenheira agrônoma e jovem de 20 anos morrem em acidente entre moto e caminhonete em MT

Condutora da moto ultrapassou carreta e colidiu frontalmente com a caminhonete. Ela morreu na hora. Já a segunda vítima chegou a ser socorrida, mas morreu ao chegar no hospital. A engenheira agrônoma Janaina Alexandra da Rosa Tonello, de 28 anos, e a jovem Cristina Rocha dos Santos, de 20 anos, morreram em um acidente de trânsito envolvendo a moto em que estavam e uma caminhonete, na zona rural…

[battyaboutbooksreviews]

💖 Sapphic Books Coming Out August 2024

🩷 There's something especially sweet about a sapphic romance. Here are only a few of the amazing sapphic books hitting shelves in July 2024.

💖 Which ones are you adding to your TBR?

Contemporary 💖 Can’t Buy Me Love - Georgia Beers 💖 The Heart Wants - Krystina Rivers 💖 Hers for the Weekend - Helena Greer 💖 You Can’t Go Home Again - Jeanette Bears 💖 Worth the Wait - Kenna White 💖 One Summer in Miami - Amber Rose Gill 💖 The Last Woman I Kissed - Venetia Di Pierro 💖 Changing Her Tune - Amanda Kabak 💖 Chance Encounter - Renee Roman 💖 The Italy Letters - Vi Khi Nao 💖 Our Slice of Paradise - Tiana Warner 💖 Dancing With Dahlia - Julia Underwood 💖 Untethered - Shelley Thrasher 💖 Comes in Waves - Ana Hartnett 💖 Libertad - Bessie Flores Zaldívar 💖 The Avian Hourglass - Lindsey Drager 💖 Mamele - Gemma Reeves 💖 Mighty Millie Novak - Elizabeth Holden 💖 A Bánh Mì for Two - Trinity Nguyen 💖 Don’t Let It Break Your Heart - Maggie Horne 💖 Chance Encounter - Renee Roman 💖 Southern Lights - Liz Arncliffe

Paranormal/Horror 💖 The Curse - Alexandra Riley 💖 The House Where Death Lives - ed Alex Brown 💖 Full Shift - Jennifer Dugan & Kit Seaton 💖 The Dark We Know - Wen-yi Lee 💖 This Ravenous Fate - Hayley Dennings 💖 Come Out, Come Out - Natalie C. Parker

Fantasy 💖 The Crimson Crown - Heather Walter 💖 The Phoenix Keeper - S.A. MacLean 💖 Oath of Fire - K. Arsenault Rivera 💖 The Palace of Eros - Caro De Robertis 💖 Gentlest of Wild Things - Sarah Underwood 💖 Queen of Dreams - Kit Rocha 💖 The Sunforge - Sascha Stronach 💖 The Ending Fire - Saara El-Arifi 💖 Skyscraper - Gun Brooke 💖 Fyrebirds - Kate J. Armstrong 💖 The New Camelot - Robyn Schneider 💖 The Storm and the Sea Hawk - Kiran Millwood Hargrave 💖 Practical Rules for Cursed Witches - Kayla Cottingham 💖 Netherford Hall - Natania Barron 💖 The Duchess of Kokora - Nikhil Prabala 💖 Rise and Divine - Lana Harper

Historical 💖 Not for the Faint of Heart - Lex Croucher 💖 Accidental Darlings - Crystal Jeans

Mystery/Thriller 💖 Better Left Buried - Mary E. Roach 💖 A Midnight So Deadly - Wren Handman 💖 Death At Morning House - Maureen Johnson 💖 A Gravely Troubling Discovery - Hannah Hendy 💖 Verity’s Game - Jennifer Giacalone

Sci-Fi 💖 Time’s Agent - Brenda Peynado 💖 New Adventures in Space Opera - ed Jonathan Strahan

[3gnoticias]

Clasifican primeros chihuahuenses para los Juegos Nacionales CONADE 2023

  -En la primera etapa del proceso estatal, 15 bolichistas de Chihuahua, Juárez y Parral obtuvieron las mejores puntuaciones

  Este fin de semana se llevó a cabo la primera etapa de los Juegos Estatales CONADE 2023, en donde fueron 15 chihuahuenses los primeros en clasificar para participar en la próxima justa nacional a realizarse en Aguascalientes.

 La Bolichada CUU fue escenario de las competencias que reunieron a 24 deportistas de Ciudad Juárez, Parral y Chihuahua, quienes buscaron la victoria para poder representar al Estado de Chihuahua.

 En la categoría Juvenil Sub 21 los ganadores fueron Daniela Garza de Ciudad Juárez (Puntuación Total 2 mil 460), Valentina Páez de Parral (PT 2 mil 289), Marian Rivera representando a Ciudad Juárez (PT 2 mil155) y Milka Flores originaria de Parral (PT mil 724).

 En la rama varonil de la Sub 21, el primer lugar fue para Mariano Páez de Parral quien logró una puntuación total de 2 mil 572 pinos, seguido por Juan Sáenz de Chihuahua (PT 2 mil 409), Rafael Meléndez, seleccionado de Parral (PT 2 mil 307) y José Segura de Ciudad Juárez (PT 2 mil 251).

 Categoría Sub 16 Femenil

Lugar          Nombre               Municipio            Puntuación Total

1       Italia Luján                    Chihuahua          1,500

2       Regina Ruiz                  Chihuahua          1,461

3       Alexandra Jáuregui        Ciudad Juárez      1,440

 Categoría Sub 16 Varonil

Lugar          Nombre               Municipio   Puntuación Total

1       Erick Gutiérrez              Chihuahua 1,999

2       Miguel López                Ciudad Juárez 1,889

3       Gabriel Rocha                Ciudad Juárez 1,748

4       Esteban Martínez           Chihuahua     1,669

[unes23]

Alexandra Micu at Rochas FW19

[ladygarfunkel]

[therunwayarchive]

Alexandra Micu at Rochas, Fall 2019

[nelove22]

LIGA BPI 2022/23 | MATCHDAY 19 | Round results

22/04

FC Famalicão 0 - 2 SC Braga | Caroline Kehrer (30'), Ana Rute (45').

23/04

SF Damaiense 0 - 2 Sporting CP | Diana Silva (55'), Ana Capeta (78').

SCU Torreense 1 - 0 Valadares Gaia FC | Ana Rocha (24').

SL Benfica 6 - 0 CA Ouriense | Jéssica Silva (7'), Ana Vitória (13'), Carole Costa (41'), Cloé Lacasse (52', 67'), Kika Nazareth (80').

CS Marítimo 2 - 2 FC Vilaverdense | Darija Dukic (44'), Érica Costa (80'). Malu Schmidt (73', 86').

Amora FC 0 - 1 Clube de Albergaria | Alexandra Henriques (76').

League table 👇👇

[honey-moon-suite]

Dior Couture S/S 2007

Alexandra Agoston, Vlada Roslyakova, Flavia de Oliveira, Eugenia Volodina, Romina Lonaro,  Hana Soukupova, Coco Rocha, Alison Nix, Rachel Alexander & Mariya Marikina