#AliExpress Script

[sangvishtechnologies]

Make your Mark in eCommerce Industry with AliExpress Clone Script

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Why Choose AliExpress Clone Script?

Proven Success: AliExpress has a successful track record, so by adopting its features and functions, you're putting yourself in a position to succeed.

Cost-effective: It might be expensive to build an eCommerce platform from scratch. The Aliexpress Clone Script provides a less expensive option without sacrificing quality.

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Secure and Scalable: Designed with security in mind, the AliExpress Clone Script is scalable to support your expanding business.

Features to Look Forward To:

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Product Listings: Upload and manage a wide variety of products with ease.

Multilingual support: By providing a multilingual interface, you can reach a wider audience worldwide.

Payment gateways:  Offer your customers secure and efficient payment options.

Reviews and Ratings: Use consumer comments and product reviews to increase customer trust.

Mobile responsiveness: All devices will be able to access your platform.

Analytics and Reports: Learn how your business is performing.

Launch Your Online Store Right Now!

The AliExpress Clone Script enables you to compete in the eCommerce sector on a solid basis. It's an incredible opportunity to stand out and get involved in the booming eCommerce industry.

Take the first step toward eCommerce success with AliExpress Clone Script! Create your eCommerce platform right away with Sangvish Aliexpress Clone Script.

[alki-studio]

Bookbinding Process (2/2): The Wolf Queen, from The Elder Scrolls V: Skyrim

Leather Covering

I consulted pretty closely with my client on selecting a leather for this book, as I don’t maintain a stock of full hides, and instead exclusively buy industry remnants. I had some pieces that I could have patched together very nicely for the cover, but my client wasn’t a fan of the tone of the leathers. We almost decided on me buying a hide, but I ended up finding this chocolate brown nubuck from my stash.

For those unfamiliar (via bestleather.org):

WHAT IS NUBUCK LEATHER? Ever gone to a shop to buy a pair of shoes and wondered about the difference between nubuck and suede? Don’t worry, soon you’ll know where nubuck comes from, what it’s used for and how to care for it. Nubuck has a feel similar to suede but it’s more durable since it comes from the top grain of the hide. It has a great look and feel and is used for a wide variety of products. It brings together some of the finer qualities among the various kinds of leather. To make nubuck leather, the outer (top-grain) layer of calfskin or cowhide is used. The top-grain layer is tougher and more resilient than the inner layer, which is used to make suede. However, because it may have visible markings and defects, the top grain is sanded and buffed on the outside to provide a consistent appearance. The sanding process leaves a slight nap of short protein fibers, giving a velvet-like finish to the leather. In order to hide any defects remaining in the nubuck surface, it is stained or dyed.

It’s certainly an unconventional pick for a book, but since nubuck has a delicate, buffed surface, it’ll actually be able to pick up an aged patina much faster than most other leather finishes. The book feels very luxurious with this leather, I’m sure it’ll age gorgeously too.

Here, I glued the leather directly to the spine, defined the raised bands, and tied it down.

The spine looked absolutely beautiful after untying it! I went ahead and glued the remainder to the boards.

Tooling

I’m applying gilding with the We R Memory Keepers Foil Quill. At the time of purchase, there was a cheaper deal for the Standard Tip even though I wanted the Fine, so I just filed down the tip until I was happy with it. They’re quite overpriced for what they are though, I’d recommend buying an unbranded version with interchangable tips from AliExpress or the like if you can.

I ultimately couldn’t find a great reference for the Celtic knot-style pattern on the game model, so we decided to go with a freehanded border design in a similar fashion.

The model design seems to feature a variation of the trinity knot/triquetra, but as if they’re all strung along a continous rope. After a few attempts to trace over the design in Photoshop to try to figure out the logic, it ultimately seemed like the best bet was to clean this texture up for a real-life recreation.

This was pretty straightforward, just time consuming. I tried to plot approximately where each ‘triangle’ would go with small dots before starting each border edge, to make sure I’d be fitting it in nicely, and added random breaks or continuations of a “rope” connecting the triquetra.

I also gilded the perimeter of the boards with a simple stripe as an aesthetic touch:

The final tooling challenge here is the spine, which appears to be stamped, in a completely different style than the hand-tooled borders. We decided to change this to hand-tooling the vine and swirl motifs freehand for a more cohesive design. In my research though, I considered using the techniques outlined by Ingenius Designs to achieve this with leather stamps instead, it’s a great resource.

We also decided to incorporate type for the title in a Gaelic-style script and the Skyrim logo on the spine. As I don’t have stamps for either of these, I’m using a laser printer to make these designs. Using the technique from this video, I made negatives of the foil designs I want and printed them out on a laser printer.

I first made a template for sizing with a cut Post-it note and a sketch of the intended design. The space between my raised bands was 30x28mm, so I created boxes of that size for my design in Photoshop. This needs to be printed from a laser printer, not an inkjet, because they use toner. Printer toner will become adhesive at a lower temperature than heat foil sheets require for normal transfer, but will still grip to the foil.

This means I can heat transfer foil onto my toner negative at a low enough temp that my positive graphic won’t transfer with the absence of toner. The foil adheres to the toner on the paper, leaving me with foil with only my design remaining!

My toner prints were pretty spotty so my results were not great, but I’d nonetheless recommend printing a few copies of your negatives so you can pick out the best ones. In my case, I struggled to get “THE” to transfer from one sheet, so I ended up using it from another piece as well.

I don’t have a laminator or anything fancy, so I just used my iron. I tried a couple techniques, on and off the ironing board, with wax paper, etc.

For me, here’s what worked best:

iron on rayon setting (heat level 3/7 for my specific iron), you don’t want steam

iron directly onto the foil

place a smooth flat surface (I used chipboard) ontop of ironing board so you can achieve a good press

iron over the foil in a couple different directions

Of course, make sure to print some practice negatives to figure out what works for you if you use a similar technique

You can see that a lot of foil didn’t transfer onto the toner, so I cleaned these up with a hot foil pen on scrap paper.

With this, I can just transfer the design by completely tracing it over with my hot foil pen.

After I got the label type and Skyrim logo transfered, I marked where they were by placing scrap negatives over foil cut for the space and outlining the border of the design.

You can kind of see where I outlined and scratched away at where my transfers are on the 2nd and 6th spaces

From there, I freehanded the spine tooling based on the game model:

Please view the final results here!

Process: Part 1 | Part 2 | Final Results

[jezzzebel]

Hi guys! Welcome to my witchy youtube channel! Remember! You don't need fancy tools and altars to be a witch! You can be a witch with just your intention! And your altars can be simple... Anyways, here is my collection of toootally real (not resin) crystals from some small Etsy business (dropshipper), my pendulum from AliExpress, my 12 decks of offbrand tarot and oracle cards from Amazon, and my series of witchy books full of cultural appropriation! Also, my script and thumbnail are made by AI.

/satire /joke (don't take it seriously!)

[robertogreco]

Subtle Knives

The Verge tells us that "OpenAI is buying Jony Ive’s AI hardware company." They share a very scripted video from the company's YouTube channel, in which Sam Altman and Jony Ive stroke each others' egos and speak very highly about a device that they never show and never really describe.

The Verge also asks, "So, what are Jony Ive and OpenAI up to?" They speculate.

I have an answer.

Well, the other day we were shown Altman's kitchen. There was some lengthy discussion about the knife:

OK, that’s one fancy-looking knife. Handle appears to be a walnut or ironwood, no rivets. Flat butt with a steel cap, useful for crushing 70 to 80 garlic cloves. Blade’s santoku, the distinctive workhorse of Japanese kitchens, with a bowed spine like the nose of a beluga whale. Bolster’s… hey, wait a minute. There’s a lot of nerdery around knife handles. The Japanese type is light and simple, putting the weight nearer the tip for intricate work such as removing a pufferfish liver. The German type of handle is heavier, so the knife’s balance point is towards the middle, which suits a European kitchen where a lot of the chopping will be in a rocking motion. Traditionally, Japanese knives don’t have a chunky finger protector between the handle and the heel, known as a bolster, or metal that runs all the way to the cap, known as full tang. Altman’s knife definitely has the former and probably has the latter. These regional differences aren’t really fixed any more, with knife makers doing all sorts of east-west hybrids. Nevertheless, the number of design inconsistencies still makes this knife an oddity. (It’s also, because of the blade’s shallow curve, a poor choice for mincing large amounts of garlic.) We couldn’t find an exact match online. Maybe it’s a one-off piece by an artisan steel forger who shuns tradition. Another possibility is that it’s a Chinese mass-produced blade that’s sold under countless names, usually in sets, often in a fancy presentation box or with fake Damascus patterns etched on the side. There are Sino-Niho-Germanic Frankenknives all over Amazon and AliExpress that look a lot like Altman’s. All we can say with confidence is that Altman’s knife is either very expensive or very cheap. It’s impossible to know whether its oddness is the result of individual human creativity, or is an incoherent mash-up of disparate elements that may look impressive at first glance but doesn’t stand up to any kind of scrutiny. See where we’re going with this? Cheap and expensive are not mutually-exclusive categories; Altman might have paid a lot for a bad knife. Whichever way, it looks poor quality because it resembles the machine-milled rubbish that has been flooding the market and poisoning the well.

That is a screenshot of the kitchen video showing the knife, and I am here to tell you that it is the device that Ive and Alman were speaking about in their love-fest video.

Do you recall The Subtle Knife, by Philip Pullman, the second book in the His Dark Materials trilogy? The knife from the title is known for “its power: the ability to cut through any material, even the fabric between worlds.”

You might also recall the the Silver Guillotine from the same world, made from the same material as that knife:

The Silver Guillotine was a device developed by the Church's General Oblation Board, under the supervision of Marisa Coulter, and served as a successor to the Maystadt Process. It was composed of a manganese-titanium alloy blade, the same material that made up the subtle knife, mounted onto a sliding guillotine frame. It used the same general principles as the Maystadt Process, but with even less stress for those involved- instead of physically sawing at the space between human and dæmon, a doctor would only need to press a release for the guillotine and accomplish intercision instantly. This development effectively eliminated the trauma associated with older methods of intercision.

And what is intercision?

Intercision was the process by which a human was separated from their dæmon. The severe trauma this caused usually precipitated death for that person, but, with certain techniques and precautions, it was possible for someone whose dæmon had been cut away to remain alive.

[...]

As dæmons were the physical forms of humans' souls, the separation from their humans would leave humans soulless and extract any real meaning from their lives. Characteristics like creativity and ambition were reduced to minimal levels.

[...]

In addition to castration and circumcision, intercision is also remarkably similar to lobotomy, an early psychosurgical procedure that involved severing the prefrontal cortex from the rest of the brain to produce effects akin to those of intercision.

That knife in Altman's kitchen? That is the device they are speaking of. It is the prototype, and it is used for the equivalent of intercision in our world. Ive and Altman have both used it on whatever atrophied souls they still had. To repeat a line from above, this is the point of AI:

[...] extract any real meaning from their lives. Characteristics like creativity and ambition were reduced to minimal levels.

The General Oblation Board is here to arm you to do their bidding on yourself.

[scam-alerts]

I appreciate everything that you have done so far! You explain every scam in pretty great detail and it's simple enough for people to read and understand. Keep up the great work!

Hey there! Thank you so much for your kind words. :)

My goal for this blog has always been to make sure that information about scams is free and readily available so people don't have to look real far to find it. In a lot of places online there aren't many concrete explanations of a scam or how they work. Just a lot of 'top 10 ways to avoid this scam' or 'this is a scam going on be warned!' but nobody ever explains how it works, or what the scammers will try to have you do.

I also like making sure that everything is explained in a manner that young people or those with Autism or ADHD can understand.

i myself have ADHD, and the way some scams are worded can easily be misunderstood, and if you ask about it they (scammers) will push you to ignore the typos or absurdity of the situation, all in an effort to make you act before you can think about sending them money.

No matter the circumstance or situation, sending someone money just because they promised you money, money that you have absolutely no way of knowing is real in the first place other then them saying 'trust me', in and of itself is a very silly situation if you step back and think about it. At least to me it is.

I like to think about online situations with scammers like how you would door to door scammers.

You wouldn't give a stranger $200 on the spot after he knocked on your door saying he can 'fix something for you' outside your house, right? You'd want proof he was someone who does that job, right? Surely you'd find it pretty sus that this stranger seemingly came out of no where, and doesn't even have a vehicle, tool belt, or any other proof of their company...right?

Face to face you might have time to think, but online?

Online scammers like to push you so you don't have time to think.

And when it comes to recent scams, some follow a similar script:

You must send [person] money to expand your account. You must send [person] money to unlock your account. You must send [person] money to prove your identity. You must send [person] money to show you're legit. You must send [person] money to verify you want to proceed.

Not only are you being told to send another person money to 'expand' your account in the art commission scam with a fake email, but the scammers who run the sugar baby scam will do the same thing in asking you to 'verify' your legitimacy. To prove you want this.

'You'll get $3000 a month. I just need you to send me $100 to prove you're legit and want to do this so I can verify you're real.

You should never have to pay someone money, to get money.

As for the other scams, maybe it's because I grew up with internet safety 101 that I know better on how to avoid things.

Never click on suspicious links. Never download suspicious files. Never click on anything offering you something 'free'.

Nothing online is free. It will always come with a cost one way or another. Even using those discount websites like shopify and aliexpress can lead to you getting scammed or your information getting stolen. Same with dropshipping websites you see advertised on tumblr all the time.

If it seems too good to be true, it most likely is.

That's just how this world is, sadly.

-----

Thank you again for your ask! <3

Take care and stay safe everyone.

-Bee

[xfce-official]

replying with my own quick thoughts:

tangara seems fun, but is also Fucking Expensive, even compared to the ipods it's supposed to replace. i got my ipod mini for 20 bucks, new battery and flash adapter and 64 gig sd card for another 50 ish, so my total cost in was about 70 dollars. even so, it has some drawbacks. i'm anti bluetooth headphones so no problem there, but the bulk of my library is in FLAC so i spent a few hours whipping up a script with ffmpeg to convert everything to the archaic form of AAC the thing needs and 256kbps. from there, you need to use some sort of impenetrable software, either libgpod based or itunes, to actually load it on-no cli utilities for it sadly.

I'm working on my own sort of no-frills music player thing at the moment, working with similar hardware to tangara (esp32, i2s dac, eventual capaciative touch wheel) but targeting a lower price and experience threshold, and aiming for the easiest loading of music i can get (rsync a directory onto a fat32 card and off you go). still in very early development stage but i'll probably shill for it on this blog once i get a rolling chassis up and going.

overall, the options on the market are:

15-20 year old hardware, with limited file support and proprietary sync options (ipods and other golden-age mp3 players)

new open hardware, with better file support but a higher cost (tangara)

new proprietary hardware, with worse ui and better file support but still a high cost (audiophile stuff)

new proprietary hardware with even worse ui but a rock-bottom price (aliexpress sludge)

and rockbox. which i don't like but might be nice for some.

I hate when I say things like "oh I want an ipod classic but with bluetooth so I can use wireless headphones" and some peanut comes in and replies with "so a smartphone with spotify?" No. I want a 160GB+ rectangular monstrosity where I can download every version of every song I want to it and it does nothing except play music and I don't need a data connection and don't have to pay a subscription to not have ads and don't have popups suggesting terrible AI playlists all over the menus.

Gimme the clicky wheel and song titles like "My Chemical Romance- The Black Parade- Blood (Bonus Track)- secret track- album rip- high quality"

[anythingisfilm]

HAIR Process of Production Design - Detailed Write-Up

A detailed discussion of the sourcing and construction of Hair's production design, from script breakdown to item placement on set. This is more concisely explained in the final write-up.

First steps into Hair's production design. With the working draft of the script I created a breakdown. Highlighting and seperating the script into props, costume, explicitly mentioned set elements and implied set elements.

The script breakdown was then taken down as separate note, so I had a clear idea of what I needed. I turned this into lists of items relevant to each location and established shopping, sourcing and making lists.

The note version of the script breakdown with a note at the bottom about a tip Andrew gave during a lecture about windows and sheer curtains.

The three element sourcing lists:

Elements to be bought (Specific costume elements, specific props which cannot otherwise be sourced, era specific set design not otherwise obtainable)

Elements to be borrowed (More generic costume elements, background set elements, pre-existing props, recycled materials to be used in crafting)

Elements to be constructed (Set furniture, specific props, IP safe set elements, era specific set elements, specific to location design elements)

The elements to be bought were sourced both new and second hand, for example one cowboy hat was found in a charity shop in Edinburgh and another was ordered from Amazon. We were shooting near halloween which made sourcing cowboy related elements a little easier than it may otherwise have been. The goal was to source as much second hand as possible, this was for three reasons:

1 - Cowboys don't have brand new stuff, the west was a place where reduce, reuse, recycle wasn't an environmental slogan, it was a necessity of life. Almost nothing was brand new, everything was handmade, hand-me-down or repurposed. For us to have cowboys dressed in brand new clothes would give the film a too polished look. The look of the west was defined by mismatching plate sets and outfits cobbled together from a wardrobe collected over decades.

2 - It's more budget friendly. Many items that we needed could be sourced second hand and made to look from the era, this especially more generic items like white shirts and brown photo frames. There's no point spending the extra money to get these brand new when many, many variations of these items can be found much cheaper.

3 - Sustainable and ethical production is important, and we wanted the film to have as small an enviromental impact as possible. It's far more sustainable for me to walk about Edinburgh popping into charity shops on foot than it is to order everything cheaply from companies with dubious working conditions and enviromentally damaging shipping procedures. This is why we used Amazon as a last resort if we couldn't find items in person, and did not use Shein, Aliexpress, Temu or any fast fashion companies in this production.

I did rather extensively study fashion and interior design in the old west for this project, and tried to balance historical accuracy with my limited time and budget. This required some sacrifices to both on occasion. As part of this trade-off between accuracy and budget I looked at various styles of cowboy film, namely contemporary cowboy films, soundstage MGM cowboy films and spaghetti westerns, this allowed me to get a clearer view of the elements of cowboy costume and props that translate well to screen and have pre-established meanings to audiences. This would allow me to save money on certain props by finding something fairly accurate to the era and allowing the audience to fill in the details.

The director's moodboard for the film

I was also working from notes from Gaureeka, the director, on how she wanted the scene to feel and the elements of set design that were impotant to her. She provided a mood board and a document of annotated screencaps of various western films highlighting the features she wanted to replicate, including the set design.

The director's inspiration document, with annotations for myself, the gaffer and the DoP

Initial budget was set at £100, this lead to a majority of items being sourced from charity shops or from my pre-existing wardrobe and prop collection. Only the gun holster, one cowboy hat, candles, mason jars, locket charms wooden planks and peel & stick wood pattern vinyl and glass bottles of non-alcoholic drinks were bought new. Everything else was either borrowed, bought second hand or custom made by myself (and in the case of the background shelf, my dad).

Although I sourced a wide range of costume elements, the actors ended up wearing their own items to set, and as we were shooting outdoors with no green room space for them to get changed, I decided the best course of action was to only change items I felt were really necessary to change rather than having the actors change in an uncomfortable situation when what they were wearing was already more than suitable. I provided Diana's actress with a waistcoat, cowboy boots (borrowed from Bea), necklace and a stetson hat. I gave Gideon's actor a scarf, waistcoat, jacket, stetson, holster and ammo belt. I brought a range of clothes to the indoor shoot for the two extras we had and to place jackets and scarves over the set to disguise the inaccurate chairs and give the location a more lived in feel. Some of this was already owned by me, but most was bought, totalling roughly £50.

The costuming was a mixture of the actors own clothes and elements from the art dept.

For the props I created the necklace from a chain I already owned and a 2 lockets I ordered from a jewellery supply website for £5. I printed the tintype photos by using photoshop to age some public domain tintype photos sourced from wikimedia, I then printed them on my sprocket mini-printer, which I brought to set and printed multiples as needed in the event a prop was damaged by the action. I ended up using about £7 of printer paper for this.

Exterior recce photos

For the set design of the exterior location, my work was minimal. We were shooting on location at Edinburgh's cowboy lane and so the only set dressing I provided was placing some timber found on location to cover up the edge of a businesses sign and placing some candles in mason jars on the stairs. For these candles, I used actual wax candles but placed fake LED candles provided by Guenole on top of and around them to avoid having any actual fire on set. Although these lights were very dim, they were used as practicals to provide a mild light to certain shots and to justify and ground the lighting set-up. The wax candles were £4 and the glasses were £6.99.

The exterior production design was minimal. The Irn-Bru was a crucial safety device to be deployed if any real fires broke out.

More photos of the exterior location, the locations minimal need for my production design gave me more time to focus on the interior design.

For the set design of the saloon interior, my work was the opposite of minimal. We had to change locations twice, so I had to adapt my plan very last minute. We ended up shooting in a room with large, modern windows and semi-gloss green wall paint. Not ideal for an old west American expansion era bar. I had already planned on custom designing fake alcohol labels, and so had those to hand. I bought 4 soft-drinks and 1 condiment in interesting glass bottles to attach these fake labels to, which cost roughly £20. I also asked one of my friends for the contents of their flats glass bin, which was where I got the remaining beer and soju bottles to attach fake labels to.

The initial recce location, this was what I had in mind while planning the interior set design

The room we ended up filming in, my plans had to be quite significantly adapted

This does bring into the discussion the issue of practicality vs era authenticity. I tried to create era accurate design as far as my budget and time would allow me, one major discrepancy though is the use of glass beer bottles over wooden kegs. Frontier bars wouldn't have used glass bottles for beer for a majority of their existence, as glass was too costly, fragile and difficult to transport for long distances. Kegs and barrels would have been used instead. However, these would be difficult to source and transport through Edinburgh. I made the descision that the implication of beer to give a clear idea that this space was a bar and the drinks were alcoholic was more important than this particular piece of historical accuracy.

The beverages of choice for the production. One small production mistake is that I thought Sauza was a type of tequila, not a brand. I don't drink so I'm not super familiar with these things. After finding this out I smudged the label to avoid IP issues.

I then sourced public domain illustrations and photography to make prints to cover the walls slightly, I put these in frames I got at an edinburgh charity shop for £4 each. I found a decanter and 6 crystal glasses in a charity shop in East Kilbride for £15, and I filled the decanter with a mix of the soft-drinks to create a port coloured liquid and to have the other bottles appear used and drank from to varying degrees rather than the bar miraculously having only brand new unopened bottles. No alcohol was ever present on set, which I felt was very important from a safety perspective. For the bottle that would be used as a prop I designed a tequila label, and filled it with water marking the height on the bottle with a white acrylic pen so it could be refilled to the same exact mark after every take.

A closer look at some of the label designs in InDesign and on the bottle once I'd used tea and coffee to make the paper a less stark white.

I'd never created a set on quite the same scale as the saloon, and so before I began building any set elements I decided to create a floor plan and a 3d render to understand how the space would flow with various set-design elements in place, and how I would leave enough room for the camera and lighting teams to work. The website I used only had premade assets so the goal was more of a 3D sketch than a completely accurate look at the room.

A 3D render of how I estimated the room to look based off of the photo. I was not at the recce so my sense of scale was completely off, but the render was useful for establishing a general sense of how much of the room I had to fill.

For the larger set elements, I bought large wooden planks at B&Q and cut them in half, using some of them stretched between two bar tables found in Craiglockhart to create a bar top and using the rest as wood panelling to cover the socket strips close to the floor in the classroom. I draped a grey/brown curtain and a lace doylie over the fake bar to cover the gaps between planks and create the illusion of a solid surface. Even though an accurate bar top wouldn't be covered with fabric the materials used are evocative of the fabrics present in the old west, and so I decided the connotations balanced out the inaccuracy. I used a roll of wood printed peel & stick vinyl to cover these sockets further, although I used paint safe tape to attach this to the wall rather than actually using the peel & stick adhesive. and although this was not as successful in it's authenticity it achieved it's goal of removing the stark white plastic from view in wide shots. The planks and vinyl were £30, the fabric was already owned.

For such a small budget with very little prep time, it came together pretty well in camera.

With scrap wood from one of my dad's previous projects, me and him created a collapsable shelf system. This consisted of two staple shaped wooden pieces, one with grooves in the bottom of the legs and the other with pegs on the flat surface for the grooves to fit over. Once I got on set I screwed these pieces together to secure them and attached a large plywood board to the back to create some depth and block some of the green wall from view. This shelf and the fake bar are the two most major elements of set design for this location. They do quite a lot of heavy lifting in the believability of the space. The scrap wood and construction materials where already owned by my dad, and as he built the initial brackets and I put them together on set the labour was free.

The shelf and the fake bar, the back panel gives a little bit of depth to the shelving but in reality this was barely deep enough for the bottles, glasses and lamps to sit stably on. They're hanging off of the back of the shelf by a couple of centimeters. The bottles on the fake bar are strategically placed on the few bits of actual solid surface under the fabric.

The shorter bar tables and chairs were sourced from around Craiglockhart on the day of the shoot, I'd gone round the campus in the weeks before to take notes of the furniture around and what might be useful. On the recce (which I wasn't able to attend), somebody spotted and pointed out to me 3 large wood panelled planters in the meeting room next door. Although they really don't fit the era, they were a last resort in trying to cover up the windowed wall of the room in a way that was somewhat believable. These borrowed items were also free. The detail items on the extras table and on Gideon's table were mostly gathered from existing items or were borrowed. Or in the case of the crystal glasses, bought 2nd hand.

The wooden planters with a railway lamp. We made sure we removed the fake plants without damaging them, and returned everything to it's original condition after wrap. My brother already owned the railway lamp and the camping lamp is my mothers, so these were free.

The cards the extras are playing with are actually from the special edition release of the game Dishonored, I thought their darker backs would be less distracting and fit the film colour scheme better than classic red or blue backed cards. Especially since these are in the background. Both these, the small amount of money and the cook's matches box are never seen in close-up, and so the IP issues that could be raised by their inclusion were addressed by never clearly showing the items.

Gideon's table, the "Death's Head Rum" was Hendrick's Cherry Cola. The ashtray is actually the lid from a tin of Lidl fruit hard candy. The cigarettes are stage cigarettes with the fake filter removed from the outside, one has been wrapped in rolling paper to give it a brown colour.

Not seen in the final film is the curtain I attached to the wall to give the idea of a doorway behind the bar. This was simply a curtain I already owned taped to the wall incase the camera captured anything to the right of the shelf behind the bar to make sure there wasn't any empty space on show.

The Tintype photo used as a prop, I found tintype texturing and used this as an overlay to further age the photo. The photo is part of a public domain archive and is clear of copyright.

Working Title: Hair. Production Design by Morven Thompson.

[migrateshop21]

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[futureailist]

A Revolutionary Breakthrough In the realm of web automation, a groundbreaking innovation has emerged – HARPA AI. This formidable Chrome extension marries the prowess of ChatGPT with the finesse of web automation, revolutionizing the way professionals navigate and interact with the digital landscape. With HARPA AI as your co-pilot, the possibilities are endless, and productivity reaches unprecedented heights. Unleashing Hybrid Power HARPA AI is no ordinary tool; it's a hybrid marvel that merges the intelligence of ChatGPT with the automation capabilities of a copilot. This dynamic duo empowers you to embark on a transformative journey, automating tasks that span from copywriting and summarization to data extraction and real-time monitoring. HARPA AI's adaptive prowess seamlessly integrates AI into your daily workflow. A Symphony of Features Dive into the spectrum of features that HARPA AI effortlessly brings to your fingertips: AI-Assisted Search Bid adieu to conventional searches. With HARPA AI, your queries come alive, with ChatGPT responses enriching your Google Search results. Extract and summarize web pages, engage in insightful conversations, and broaden your horizons effortlessly. Price Tracking Precision Never miss a price drop again. HARPA AI vigilantly monitors product prices across e-commerce giants like Amazon, AliExpress, Walmart, and Ebay. It notifies you when the opportune moment to purchase arises, putting savings at your fingertips. Page-Aware GPT Prompts HARPA AI empowers you with a repertoire of over 100 page-aware commands. Whether you're engaged in Marketing, SEO, Copywriting, HR, or Engineering, these prompts unlock unparalleled efficiency and precision. Unveiling Competitor Insights Stay steps ahead of the competition by monitoring competitor websites for changes. Transform websites into APIs, and even trigger IFTTT actions using the Make.com integration. AI-Powered Content Creation From Twitter tweets to LinkedIn replies, HARPA AI is your creative muse. Craft content, articles, and scripts with the assistance of AI, ensuring your messaging is impactful and tailored to perfection. Masterful YouTube Video Summaries Navigate the labyrinth of lengthy YouTube videos with ease. HARPA AI extracts key takeaways from hours of content, delivering concise and insightful summaries that save you valuable time. Privacy in Focus HARPA AI is rooted in privacy-centric design. It operates locally within your browser, ensuring that your data remains in your control. Your interactions with ChatGPT prompts are seamlessly processed by OpenAI servers, without compromising your confidentiality. Unveiling the Path Forward Eager to harness the prowess of HARPA AI? Embark on a journey of empowerment with these essential steps: Step 1: Integration Seamlessly incorporate HARPA AI into your browser by adding the Chrome extension. This simple act opens the gateway to unparalleled web automation and AI augmentation. Step 2: Unleash AI Experience the potential of HARPA AI on any website. Employ Alt + A to summon the AI agent, magnifying your capabilities across a multitude of tasks. Step 3: Customize and Innovate Explore the extensive library of ChatGPT prompts and automations that HARPA AI offers. Tailor these tools to your unique needs, optimizing your workflow and redefining efficiency. Transforming Industries, One Task at a Time HARPA AI transcends boundaries, catering to a spectrum of industries and professions: Marketing & SEO Maestros Segment audiences, unravel SEO goldmines, devise marketing blueprints, and craft compelling blog content with unparalleled finesse. Copywriting Visionaries Elevate your messaging with captivating content. HARPA AI crafts everything from tweets to video scripts, aligning with your brand's voice. Productivity Pioneers Unearth information effortlessly, summarize web pages, and harness data extraction like never before. HARPA AI simplifies intricate tasks, freeing you to focus on strategic decisions. HR & Recruitment Experts

Refine resumes, generate LinkedIn responses, and formulate compelling cover letters. HARPA AI adds a touch of finesse to every aspect of your HR endeavors. Trailblazing Product Developers Navigate coding complexities, find solutions on Stack Overflow, and even rewrite code across languages and stacks. HARPA AI propels your development journey. Spreadsheet Virtuosos Master Google Sheets and Microsoft Excel with ease. HARPA AI simplifies formulas, generates macros, and unlocks the true potential of these tools. Unshackling Potential: User Testimonials The impact of HARPA AI is evident in the words of those who have embraced its transformative capabilities: "SANNA K" of Heavy Lift News attests, "Very nice to have what feels like a well-spoken expert in just about all topics to add on to what I search for and give me the answer and explanation I was looking for." JASON H from Zalando hails, "HARPA has been the real game-changer for my productivity! I love it because it reliably automates content creation for me. Very impressive!" ASIM A of WISE raves, "We run HARPA monitors to efficiently keep track of updates on our suppliers’ websites. It works flawlessly and saves us a ton of time." Embrace the Future: Join the HARPA Movement HARPA AI beckons you to join a paradigm-shifting journey. Transform the way you navigate the web, automate tasks, and elevate your professional prowess. Embrace the future of web browsing and automation – experience HARPA AI today and shape a more efficient, empowered tomorrow. Navigating Your Queries While the world of HARPA AI unfolds before you, you might have questions. We're here to guide you: What is HARPA AI? HARPA AI is a Google Chrome extension, fusing ChatGPT's brilliance with the power of web automation. Discover its boundless potential here. How Can HARPA AI Transform Your Workflow? From copywriting to data extraction, HARPA AI amplifies your capabilities. Embrace a new level of efficiency as you navigate tasks with finesse. How Does HARPA AI Prioritize Privacy? HARPA AI is built on privacy-centric principles. It operates locally on your device, safeguarding your data from external servers. Is HARPA AI Free to Use? HARPA AI offers a freemium model, allowing access to core features without registration. Unleash its capabilities and explore premium offerings at your pace. The Evolution of AI and Automation HARPA AI bridges the gap between AI and automation. It acts as your virtual assistant, a copilot in your digital journey. Shape Tomorrow with HARPA AI HARPA AI is not just an extension; it's a gateway to limitless possibilities. Experience the fusion of AI and automation, redefine productivity, and embark on a journey of efficiency and innovation. The future of web browsing is here – embrace HARPA AI and reshape the way you navigate the digital frontier.

[ecommercesoftwarepro]

We are professionals in b2b ecommerce software development

[trustedrewiews]

>>>ReviewRevolution review: A Game-Changer in Automated Video Reviews <<<

https://trustedrewiews.com/reviewrevolution-review/

This Software is a cutting-edge tool designed to streamline the process of creating product reviews. With its advanced technology powered by Chat GPT, it offers a unique and efficient solution for generating engaging video reviews effortlessly.

Gone are the days of spending hours scripting, recording, and editing your reviews. Now, all you need is the product link from popular e-commerce platforms like Amazon, AliExpress, or eBay, and ReviewRevolution will handle the rest.

[aliexpressellow-blog]

Aliexpress Clone EllowExpress

Kickoff Your Own B2C Marketplace Business With The Best AliExpress Clone Script & B2B Marketplace ScriptIn The Industry.

AliExpress clone is perfect Multi-Vendor Marketplace website WordPress theme. As a vendor (or) Seller you may think to start an online business, the first thing you have to create a buy-sell marketplace website. Using our aliexpresss clone script, you can create your own marketplace website today, it is a quick and easy to install this script.

Live Demo : https://ellowscripts.com/aliexpress-clone-ellowexpress/#section-demo

View Prices: https://ellowscripts.com/aliexpress-clone-ellowexpress/#section-prices

[laravelvuejs]

AffiliatePRO - Affiliate Store CMS with CSV

AffiliatePRO – Affiliate Store CMS with CSV

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AffiliatePRO is one of the best affilate CMS in envato market. Anyone can start his personal affiliate sotre using this system. If admin wants to make a multivendor affilate store and invite other affiliate marketers then admin can setup it from admin panel or turn off the feature from admin panel and use this as his personal affiliate store. Everything is dynamic and admin can manage…