This first edit of old classic passing Tuesday Mary Jesus Joseph Angels in heaven Princess Pocahontas, Lallie Charles Cowell Portrait, Lou Conter, Amber Rene Hagerman, Opal Jennings, JonBenèt Ramsey, Kelly Ann Fleming, Judith and Maria Barsi, Heather Michele O'Rourke, Lucille Ricksen, Judy Garland and Terry, Dominique and Dominick Dunne, Samantha Reed Smith, Pal, Bessie Barker, Darla Jean Hood, Mona Lisa, Mary G Stinson Smith, Grigori Rasputin, Julia Ann Beauchemin Stinson, COL Thomas Nesbit Stinson, Lydia Ruth Talbot Theobald, Arthur James Talbot, Alton Elbren Theobald, George Eli Talbot Sr., Benjamin Grant “Cotton” Theobald, Crystal Theobald Whitehead, Charles Arthur Theobald, Thomas Benjamin Talbot, Margaret Alice Wiggill Talbot, Eli Wiggill, Rosanna Maria Wiggill Talbot, Isaac Wiggill, Ann Brown Hammer Wiggill, Frances Amelia Wiggill Lowe, Ailsa Georgina Booth-Jones, Edward Booth-Jones, John Percival Booth-Jones, Millichamletton Percival Booth-Jones, Jeremiah Francis “Jerry” Wiggill, Eli Francis Wiggill, Priscilla Jane Talbot Wiggill, Victoria Adelaide Wiggill McLean, John Richard Wiggill, Lavina Ruth Wiggill Ellison, Sarah Good, Salina Talbot Dutson, Charles Henry Talbot, Charles Stuart Talbot, Roseanna Maria Talbot Anderson, Ellen Graham Anderson, 1SGT William Alexander Anderson, Mary Louisa Blair Anderson, Ruth Floyd Anderson McCulloch, Anna Aylett Anderson McNulty, William Dandridge Alexander Anderson, William Dandridge Alexander “Alex” Anderson, Judith Nicoll Anderson, Henry Wayne Blair, Col William Barrett Blair, Mylinda Elizabeth “Mindy” Baker,Michael L. Baker, Carla Jean Eves Baker,Sandra Jane Burch, Patti Jo Baker, Jessie Benton Stinson, Jack Chesbro, Mabel A Shuttleworth Chesbro, Prince Sigismund of Prussia, Ruth Naomi Steward, Truman Cox Steward, Alice Christine Steward Wear, Charles Corwin Steward, Helga Susanne Goebbels, Hildegard Traudel “Hilde” Goebbels, Helmut Christian Goebbels, Holdine Kathrin “Holde” Goebbels, Hedwig Johanna “Hedda” Goebbels, Heidrun Elisabeth “Heide” Goebbels, Harald Quandt, and so much more I'll add Gracie Perry Watson in the second row of edits
All links are Libro.fm affiliate.
Cemetery Boys by Aiden Thomas, narrated by Avi Roque
A Million Quiet Revolutions by Robin Gow, narrated by Salem Corwin
Act Cool by Tobly McSmith, narrated by Shaan Dasani
The Witch King by H.E. Edgmon, narrated by Dani Martineck
Meet Cute Diary by Emery Lee, narrated by Logan Rozos
Bonus: Upcoming in 2022 are Hell Followed With Us by Andrew Joseph White,…
__________
We are all born and someday we’ll all die.
Most likely to some degree alone.
Our aloneness in this world is,
maybe not anymore,
a thing to mourn.
Rachel Corrie
__________
OUTFIT: *HEXtraordinary* Sarah Ball Gown @ Engine Room, Second Life Syndicate (Mar 20 – Apr 20)
NECKLACE: kosmii & raven bell :: Mourning Necklace @ Engine Room, Second Life Syndicate (Mar 20 – Apr 20)
HEADPIECE:…
Li os três primeiros livros de "A Rua do Medo". Veredito: leitura ágil e enredo bem fechadinho, ainda que recorra muitas vezes a recursos semelhantes nos três volumes. O gênero se aproxima bastante dos slashers, mas eu diria que se encaixa mais no conceito "adolescentes cometem e/ou testemunham um assassinato".
As histórias envolvem sempre algum segredo ou mistério, e apesar de sugerir o sobrenatural várias vezes, até agora os horrores são mais reais do que metafísicos. Os personagens não são tão profundos e bem trabalhados, o que é compreensível, dado o número de páginas dos romances. Além disso, muitas vezes são aquele tipo de personagem do qual é difícil de gostar.
Sinto que talvez as histórias estejam um pouco datadas, se a gente considerar que foram escritas e são ambientadas no final dos anos 80, começo dos anos 90. Há muitas atitudes problemáticas por parte dos personagens, além de quase nenhuma representatividade.
Ainda assim, a leitura é divertida e prende com facilidade. R. L. Stine sabe criar reviravoltas inesperadas e que fazem sentido na história. No mais, estou gostando de acompanhar a mitologia da Rua do Medo ser construída, mas acho que vou gostar mais de "Fantasmas da Rua do Medo".
Se você gosta de histórias ambientadas nos anos 90, repletas de intrigas adolescentes, segredos, mistérios e assassinatos, recomendo bastante os três livros para você.
Segue um breve resumo, com alguns spoilers, de cada um dos livros:
1 - The New Girl
Uma história ágil, bem amarrada, e não tão previsível quanto eu imaginava. No primeiro volume da série Rua do Medo, acompanhamos Cory, um estudante de Shadyside que faz parte do time de ginástica.
Cory é um dos principais atletas da equipe. Entre treinos e sua amizade com sua vizinha, Lisa, acompanhamos um pouco de seu dia a dia, até que tudo muda quando ele conhece Anna Corwin, uma nova estudante na escola.
Anna começa a tomar os pensamentos de Cory, que se vê apaixonado (e obcecado) por ela. O problema é que ela carrega consigo segredos que podem colocar ele e Lisa em perigo.
Dos três, esse foi o que eu achei mais problemático. As atitudes de Cory são basicamente a de um stalker. Sem contar o fato de que ele aparenta ser totalmente sem noção. Achei o livro mais chato dos três, sendo que a primeira metade é bastante cansativa e repetitiva.
2 - The Surprise Party
No volume 2 da coleção, nós acompanhamos Meg, uma adolescente que planeja fazer uma festa surpresa para Ellen, uma amiga que vem passar alguns dias em Shadyside após se mudar há um ano, em razão de um trágico acontecimento.
O problema é que alguém quer impedir que a festa aconteça, e parece disposto a qualquer coisa para alcançar seu objetivo. Meg, então, começa a pensar que talvez tudo tenha relação com o evento de um ano atrás.
Apesar de não ter gostado muito da protagonista devido à sua teimosia, o ritmo da história é muito melhor do que o do primeiro volume da coleção. Além disso, gostei da reviravolta no final. Foi bastante inesperada, porém plausível.
Também gostei que a série continua a trabalhar a mitologia da Rua do Medo, falando sobre suas histórias macabras e violentas. Além disso, Cory, Lisa e outros personagens do livro anterior participam da história como coadjuvantes, o que contribui ainda mais para a construção de um universo compartilhado entre os livros.
3 - The Overnight
No terceiro volume da série, acompanhamos Della e seus amigos em um acampamento na Ilha do Medo. O grupo decide ir até o lugar para passar a noite sem a supervisão de um adulto, mas as coisas dão terrivelmente errado e eles precisam guardar um segredo trágico.
Dos três, esse foi o que apresentou menos reviravoltas. Aqui, a violência é bem mais explícita do que nos outros dois volumes.A estrutura da narrativa também é um pouco diferente, se comparada aos dois primeiros livros.
Se nos dois primeiros volumes o enredo tinha início com um prólogo que nos permitia ter algum conhecimento prévio sobre os acontecimentos da história, isso não acontece no volume 3.
Vemos alguns personagens que foram mencionados em livros anteriores, o que dá continuidade à ideia de um universo compartilhado.
A project made between 10 PM & 10 AM, exploring our thoughts and visions at night.
Over 300 pages, no ad content.
Intended to be experienced like a movie, start at the beginning and flip through in one sitting listening to the soundtrack created, Drowse FM (Eternal Sleepover Soundtrack) available on most streaming platforms.
CD version has 9 alternate tracks. comes with purchase through the By Messy website.
Available in stores worldwide, click here for stockists
-------------------------------------------------
EDITORS & PRODUCERS: Emma Czerwinski, Cybelle Corwin, Shamshawan Scott, Jacob Theriot
PROJECT MANAGEMENT: Nick Black, Jordan Espinoza.
COVER ARTIST: Inji Seo
VISUAL ARTISTS: (in order of appearance) Gene Czerwinski, Jheyda McGarrell, Julissa Ramirez, Carlos Semedo, Emma Czerwinski, Cybelle Corwin, Landon Yost, Zoe Gilligan, Brandon McClain, Matenia Altikatis, Shelby Hamilton, Kimari Hazward, Georgia Seizis, Eugene Walela, Izzy Commers, Paige MacCready, Erika Bowes, Jess Farran, Munirah Al-Mehri, Michael C. Thorpe, Shamshawan Scott, Henrik Purienne,
MUSICIANS: (in order of CD) Keithcharles, BbyMattress, Zy Henny, Nouria Bah, Brdgrl, Jmale, The Aquadolls, VideoGirl, Lone, The Ghost, Daydrinker, Kibi James, Dominic James, Bluemarze, Samuel d’Saboia, Clairo, Jamie in Transmission, River and the Lake, Anna Kilmartin, Tatum, Coco & Clair Clair.
WRITERS: (in order of appearance) Jheyda McGarrell, Emma Czerwinski, Micki Visser, Lavinia Woods, Matilda Eker, Nico Ferrall, Michèle Maria Fast, Bunny Hedberg, Emmy Alameda, Beatrice Helman, Martha Seymour, Jack Foley, Lanier Doty, Julia Lagunes, Samantha Riley, Leo Horton, Natalie Pearl, Safiya W, Hitomi Mochizuki, Samuel de Saboia
In an open letter to the Academy, a long list of prominent filmmakers, including Oscar nominees and winners from branches including cinematographers, editors, production designers, sound and VFX, are calling for the decision to be reversed.
A lengthy list of leading filmmakers are blasting the Academy's plan to present four awards categories at the upcoming 91st Oscars during commercial breaks as "nothing less than an insult to those of us who have devoted our lives and passions to our chosen profession." They are calling for the Academy to reverse its decision.
Their remarks are part of an open letter that has been signed by such directors as Spike Lee, Martin Scorsese and Quentino Tarantino; cinematographers including Roger Deakins, Emmanuel "Chivo" Lubeski and Robert Richardson; editors Tom Cross, William Goldenberg and Mary Jo Markey; and additional past and present Oscar nominees and winners from those branches and others including production design, sound and VFX.
With the Feb. 24 awards show, set to air on ABC, just 11 days away, the Academy and the show's producers Donna Gigliotti and Glenn Weiss are now facing what is becoming an open revolt. The Academy did not immediately respond to requests for comment.
Relegating these essential cinematic crafts to lesser status in this 91st Academy Awards ceremony is nothing less than an insult to those of us who have devoted our lives and passions to our chosen profession," the letter reads. "When the recognition of those responsible for the creation of outstanding cinema is being diminished by the very institution whose purpose it is to protect it, then we are no longer upholding the spirit of the Academy’s promise to celebrate film as a collaborative art form."
In an email to the Academy membership on Monday, Academy president John Bailey, who belongs to the cinematographers branch, laid out the plan for this year's show, including the presentation of four Oscar categories — cinematography, film editing, live-action shorts and makeup and hairstyling — during commercial breaks. (This was first announced last year but without details and specific categories.)
Bailey emphasized that the Academy is "still honoring the achievements of all 24 awards on the Oscars." In the case of the four categories that will be announced during commercial breaks, the winners' speeches will air later in the broadcast, he said. The plans call for there to be a rotation each year, meaning that at least four different categories would use this format in 2020.
The complete letter follows. Additional names will be added at filmmakers' request.
An Open Letter to The Academy of Motion Picture Arts & Sciences and The Producers of the 91st Annual Academy Awards Broadcast:
On Monday, February 11, 2019, John Bailey, President of the Academy of Motion Picture Arts & Sciences, announced that this year’s Oscar presentations for Best Cinematography — along with Film Editing, Live Action Short and Makeup and Hairstyling — will not be broadcast live, but rather presented during a commercial break. This decision was made to reduce the length of the show from four hours to three. The vocal response from our peers and the immediate backlash from industry leaders over the Academy’s decision makes it clear that it’s not too late to have this decision reversed.
The Academy was founded in 1927 to recognize and uphold excellence in the cinematic arts, inspire imagination and help connect the world through the universal medium of motion pictures.
Unfortunately, we have drifted from this mission in our pursuit of presenting entertainment rather than in presenting a celebration of our art form and the people behind it.
Relegating these essential cinematic crafts to lesser status in this 91st Academy Awards ceremony is nothing less than an insult to those of us who have devoted our lives and passions to our chosen profession.
The show’s director, Glenn Weiss, has stated that he will determine what “emotionally resonant” moments from the four winners’ speeches will be selected to air later in the broadcast. The show will cut any additional comment from presenters, as well as any recitation of the nominees as they see fit.
We consider this abbreviation and potential censorship to run contrary to the spirit of the Academy’s mission.
Since its inception, the Academy Awards telecast has been altered over time to keep the format fresh, but never by sacrificing the integrity of the Academy’s original mission.
When the recognition of those responsible for the creation of outstanding cinema is being diminished by the very institution whose purpose it is to protect it, then we are no longer upholding the spirit of the Academy’s promise to celebrate film as a collaborative art form.
To quote our colleague Seth Rogen, “What better way to celebrate achievements in film than to NOT publicly honor the people whose job it is to literally film things.”
For National Read a Book day, DISSENT will be releasing in eBook and paperback!
DISSENT is a charity romance anthology with NEW, never before published content from over 150 authors of all romance genres. All proceeds from the eBook and paperbacks will be donated to organizations benefiting reproductive rights in the United States, particularly in areas where people need them more than ever.
Dissent will only be available for a very limited time, so grab your copy today!
**We are not affiliated nor endorsed by any of these charities. We are simply a community bound by a single cause: protecting the basic human right of body autonomy.**
AUTHORS INCLUDE: Brighton Walsh | Nicole French | Kennedy Fox | A.M. Roark | A.R. Hall | Aarti V Raman | Aidy Award | Alexis Anne | Amanda Richardson | Amelia Wilde | Amie Knight | Amy Quinton | Anna Michael | Aria Wyatt | Ashley Lane | Autumn Jones Lake | B. Celeste | Blair Babylon | Brenda St John Brown | Brenna Aubrey | Bri Blackwood | Cara Dee | Carmen Jenner | C.L. Matthews | Cassie Graham | Celia Kyle | Charity Ferrell | Claire Wilder | Claudia Burgoa | Dakota Willink | Dani René | Daniela Romero | Dee Garcia | Dee Lagasse | Deidre-Ann Anderson | Donna Grant | Echo Grayce | Elena Aitken | Elle Thorpe | Ellis Leigh | Emily Colin | Emily Goodwin | Erica Alexander | Erin Parisien | Eva Charles | Eva Moore | Evelyn Adams | Glenna Maynard | H.D. Carlton | Haley Jenner | Heidi McLaughlin | Holly Mortimer | Hope Jones | Ines Johnson | Iris Morland | J. Saman | J. Sterling | J.H. Croix | J.L. Beck & C. Hallman | J.M. Walker | Jane Blythe | Janet Berry | Jasmin Miller | JD Hollyfield | Jen Stevens | Jenika Snow | Jenna Hartley | Jenna Lynn | Jennifer Sucevic | Jessica Florence | Jillian Liota | Julia Kent | Kait Nolan | Kat Latham | Kat Savage | Kate Canterbary | Kate King and Jessa Wilder | Kate Meader | Kathy Coopmans | K.B. Cinder | K.D. Proctor | Kelly Maher | Kim Loraine | Kym Grosso | Lainey Davis | Laramie Briscoe | Laura Hall | Laura Lee | Lauren Stewart | Lea Coll | Len Webster | Lili Valente | Linnea May | Lisa Shelby | Lissanne Jones | Lucy Lennox | Mary Ann Marlowe | Max Henry | Megan Ryder | Melissa Andrea | Melissa Marino | Melonie Johnson | Mia Harlan | Mignon Mykel | Molly O’Hare | Monica Corwin | Morgan Jane Mitchell | N.A. Moore | Natasha Raulerson | Nicole Blanchard | Nina Levine | Pamela DuMond | Patricia D. Eddy | Persephone Autumn | R.L. Kenderson | Rachel Brookes | Raven James | Rebecca Paula | Rebecca Yarros | Regina Kyle | R. Castro | Roxie Noir | S. Cinders | Sade Rena | Saffron A. Kent | Samantha Lind | Sarah M. Cradit | Scarlett Cole | S.E. Rose | Shaw Hart | Sydney St. James | S.J. Sylvis | Skye Alder | Stephanie Anne | Suzanne Baltsar | Sylvie Stewart | T.K. Leigh | Tabatha Vargo | Tamara Lush | Taryn Quinn | Tawna Fenske | T. Gephart | Toni Aleo | Tracy Krimmer | Tricia Lynne | Trish Milburn | V.F. Mason | V.L. Souders | Vanessa Booke | Vivian Wood | Zoe Ashwood | Zoe York
A project made between 10 PM & 10 AM, exploring our thoughts and visions at night.
Over 300 pages, no ad content.
Intended to be experienced like a movie, start at the beginning and flip through in one sitting listening to the soundtrack created, Drowse FM (Eternal Sleepover Soundtrack) available on most streaming platforms.
CD version has 9 alternate tracks. comes with purchase through the By Messy website.
Available in stores worldwide, click here for stockists
-------------------------------------------------
EDITORS & PRODUCERS: Emma Czerwinski, Cybelle Corwin, Shamshawan Scott, Jacob Theriot
PROJECT MANAGEMENT: Nick Black, Jordan Espinoza.
COVER ARTIST: Inji Seo
VISUAL ARTISTS: (in order of appearance) Gene Czerwinski, Jheyda McGarrell, Julissa Ramirez, Carlos Semedo, Emma Czerwinski, Cybelle Corwin, Landon Yost, Zoe Gilligan, Brandon McClain, Matenia Altikatis, Shelby Hamilton, Kimari Hazward, Georgia Seizis, Eugene Walela, Izzy Commers, Paige MacCready, Erika Bowes, Jess Farran, Munirah Al-Mehri, Michael C. Thorpe, Shamshawan Scott, Henrik Purienne,
MUSICIANS: (in order of CD) Keithcharles, BbyMattress, Zy Henny, Nouria Bah, Brdgrl, Jmale, The Aquadolls, VideoGirl, Lone, The Ghost, Daydrinker, Kibi James, Dominic James, Bluemarze, Samuel d’Saboia, Clairo, Jamie in Transmission, River and the Lake, Anna Kilmartin, Tatum, Coco & Clair Clair.
WRITERS: (in order of appearance) Jheyda McGarrell, Emma Czerwinski, Micki Visser, Lavinia Woods, Matilda Eker, Nico Ferrall, Michèle Maria Fast, Bunny Hedberg, Emmy Alameda, Beatrice Helman, Martha Seymour, Jack Foley, Lanier Doty, Julia Lagunes, Samantha Riley, Leo Horton, Natalie Pearl, Safiya W, Hitomi Mochizuki, Samuel de Saboia
Director - Ian Pons Jewell Director of Photography - Mauro Chiarello Production company - Reset Content Managing Director - Dave Morrison Executive Producer - Deannie O'Neil Producer - Jon Adams Production Manager - Marketa Husecka Director’s Assistant - Emmanuelle Le Chat Production Designer - Robin Brown Wardrobe Stylist - Ameena Callender Gimbal - Florian Hatwagner Choreographer - Charlie Mayhew 1st AD - James Dyer Casting Director - Kharmel Cochrane Editorial - The Assembly Rooms Editor - Gaia Boretti Assistant Editor - Andre Rodrigues Executive Producer - Daniel Breheny Sound Design and Mix - String and Tins Sound Designer - Lawrence Kendrick Audio Producer - Laura-Leigh Smith Music - KOM Composer - Phil Kay Director/Head of Production - Andy Oskwarek Service Company - Radioaktive Film Executive Producer - Sasha Bevko Producer - Olya Kosenko 1st AD - Val Semko 2nd AD - Vadim Yuzba Production Manager - Yulia Sotnikova Production Coordinators - Val Petyshkin +Max Golubenko PAs - Vova Altsybeev + Anna Refel Chaperones - Roksolana Mudryk, Yura Korotun, Andrew Birch Artem Nadezhyn - Photo BTS Artur Byzhenko - Video BTS Sergey Kolesnik - 1st AC Peter Chetverykov - Focuspuller Vadim Dubas - AC cam A Segrey Trush - AC cam B Yarik Braiko - AC cam C Gaffer - Leonid Sidorenko Chief Electric - Andrey Gorovoy Sparks - Firas Al Rikabi, Dmitry Remez, Artem Tischenko, Aleksandr Kasyanchuk, Evgeny Sherbak, Vova Tsukalo, Sasha Getman, Vova Akulov VFX/Post - The Mill Executive Producer - Alex Fitzgerald, Heath Raymond Producer - Dan Crozier Associate Producer - Kevin Liu Production Supervisor - Colin Blaney, Noan John Vinod Line Producer - Rima Mondal, Bhawesh Upadhyay Creative Director - Dan Williams VFX Supervisor - Adam Droy 2D Lead - Gianluca Di Marco, Antoine Douadi, Vinod Gopinathan CG Lead - Justin Kurtz Matte Painting - Cedric Mernard Color - Damien Vandercruyssen Compositing - Declan Andrews, Jonny Freeman, Malligeswaran K, Richard McKeand, Luke Midgley, Gangadharam Raja, Rich Roberts, Jyoti Tiwari, Giacomo Verri, Rafael Vormittag 3D Supervisor - Gaurav Mathur Asset Lead - Dhanesh Sudhakaran CG - Kartik Arora, Joe Besagni, Kalpesh Bhikhabhai Patel, Harsh Borah, Yong Chan Kim, Maxime Cronier, Joshua Curtis, Amit Das, C Dinesh Reddy, Paul Donnellan, Laurie Estampes, Nicola Gilbert, Ujasgiri Goswami, Girish GR, Andreas Graichen, Shahid Hussain, Doug Johnson, Kieran Jordan, Dinesh Kanakaraj, Pradeep Katta, Fazal Khan, Sparsh Kumar, Alberto Lara, Tatjana Ljubimtseva, Mahesh M S, Keith McMenamy, Vijay Mohan, Robert Moore, Sriram Namana, Umesh Namdev, Melanie Okamura, Loganathan P, Kiran Prabhu, Guru Prasad, Nikhat Praween, Rijo R, Krushna Ramrao Kulsange, Vudatha Sai Krishna, Anil Sarki, Vikas Shinde, Navdeep Singh, Kuldeep Singh Waldia, Sudakshina Sridharan, Renato Suetake, Adem Suleyman, Akshay Suresh Lanjewar, Jadheer T P, Paul Tempelman, Somesh Tiwari, Alek Vacura, Dongili Varaprasad, Roman Vrbovsky Matchmove Lead - Murali Krishna Reddy Design - Wendy Eduarte, Fionna Mariani, Tetsuro Mise, Laura Nash, David Nelson, Sam Singleton Finishing - Michael Almodovar Shoot Supervisor - Aleksandar Djordjevic, Jim Radford, Dan Williams Agency - TBWA/Chiat/Day NY Executive Producer - Tina Lam President - Nancy Reyes Business Lead - Shannon Nunn Business Director - Nora Chivelly Operations Manager - Olivia Scala Business Manager - Nico Rodriguez Chief Strategy Officer - James Sowden Senior Strategists - Katelyn Saks, Sophie Engelstien, Mani Schlisser, Kayla Sredni Chief Creative Officer - Chris Beresford-Hill Creative Director - Jexy Holman Creative Director - Nuno Teixeira Senior Copywriter - Athanasia Efthimiu Senior Art Director - Alyssa Cavanaugh Director of Integrated Production - John Doris Client - Oculus / Facebook Director of Integrated Marketing - Kerry Antos Chief Creative Officer - Josh Higgins Executive Creative Director - Larry Corwin Creative Director - Robbin Ingvarsson Creative Director - Kako Mendez Executive Producer - Angela Fung Producer - Brian Coate Cast Hero Twins + Kaylee + Taitlyn Jaiy POP One Friend (blue) - Ryan Perkins POP One Friend (red) - Malcolm Atobrah Beatsaber - Dreya Mac MoH Player - Jack Morris Walking Dead NPC - Vadim Pavlenko Zombies - Misha Makarov Tonya Romanenko Michael Anyim Sveta Оnopa Pavel Evchin POP One - Akeem Bello Chair Zombie/MoH Stunt/POP One stunt - Andrey Kaba Zombie/MoH Stunt/POP One stunt - Roman Korzhuk MoH / POP One stunt - Ivan Strizhakov Roman Stankevich Evgeniy Poliakov Nikolay Zavarygin Andrey Bezverkhniy Vadim Bezverkhniy Anton Zubchenko
Director - Ian Pons Jewell Director of Photography - Mauro Chiarello Production company - Reset Content Managing Director - Dave Morrison Executive Producer - Deannie O'Neil Producer - Jon Adams Production Manager - Marketa Husecka Director’s Assistant - Emmanuelle Le Chat Production Designer - Robin Brown Wardrobe Stylist - Ameena Callender Gimbal - Florian Hatwagner Choreographer - Charlie Mayhew 1st AD - James Dyer Casting Director - Kharmel Cochrane Editorial - The Assembly Rooms Editor - Gaia Boretti Assistant Editor - Andre Rodrigues Executive Producer - Daniel Breheny Sound Design and Mix - String and Tins Sound Designer - Lawrence Kendrick Audio Producer - Laura-Leigh Smith Music - KOM Composer - Phil Kay Director/Head of Production - Andy Oskwarek Service Company - Radioaktive Film Executive Producer - Sasha Bevko Producer - Olya Kosenko 1st AD - Val Semko 2nd AD - Vadim Yuzba Production Manager - Yulia Sotnikova Production Coordinators - Val Petyshkin +Max Golubenko PAs - Vova Altsybeev + Anna Refel Chaperones - Roksolana Mudryk, Yura Korotun, Andrew Birch Artem Nadezhyn - Photo BTS Artur Byzhenko - Video BTS Sergey Kolesnik - 1st AC Peter Chetverykov - Focuspuller Vadim Dubas - AC cam A Segrey Trush - AC cam B Yarik Braiko - AC cam C Gaffer - Leonid Sidorenko Chief Electric - Andrey Gorovoy Sparks - Firas Al Rikabi, Dmitry Remez, Artem Tischenko, Aleksandr Kasyanchuk, Evgeny Sherbak, Vova Tsukalo, Sasha Getman, Vova Akulov VFX/Post - The Mill Executive Producer - Alex Fitzgerald, Heath Raymond Producer - Dan Crozier Associate Producer - Kevin Liu Production Supervisor - Colin Blaney, Noan John Vinod Line Producer - Rima Mondal, Bhawesh Upadhyay Creative Director - Dan Williams VFX Supervisor - Adam Droy 2D Lead - Gianluca Di Marco, Antoine Douadi, Vinod Gopinathan CG Lead - Justin Kurtz Matte Painting - Cedric Mernard Color - Damien Vandercruyssen Compositing - Declan Andrews, Jonny Freeman, Malligeswaran K, Richard McKeand, Luke Midgley, Gangadharam Raja, Rich Roberts, Jyoti Tiwari, Giacomo Verri, Rafael Vormittag 3D Supervisor - Gaurav Mathur Asset Lead - Dhanesh Sudhakaran CG - Kartik Arora, Joe Besagni, Kalpesh Bhikhabhai Patel, Harsh Borah, Yong Chan Kim, Maxime Cronier, Joshua Curtis, Amit Das, C Dinesh Reddy, Paul Donnellan, Laurie Estampes, Nicola Gilbert, Ujasgiri Goswami, Girish GR, Andreas Graichen, Shahid Hussain, Doug Johnson, Kieran Jordan, Dinesh Kanakaraj, Pradeep Katta, Fazal Khan, Sparsh Kumar, Alberto Lara, Tatjana Ljubimtseva, Mahesh M S, Keith McMenamy, Vijay Mohan, Robert Moore, Sriram Namana, Umesh Namdev, Melanie Okamura, Loganathan P, Kiran Prabhu, Guru Prasad, Nikhat Praween, Rijo R, Krushna Ramrao Kulsange, Vudatha Sai Krishna, Anil Sarki, Vikas Shinde, Navdeep Singh, Kuldeep Singh Waldia, Sudakshina Sridharan, Renato Suetake, Adem Suleyman, Akshay Suresh Lanjewar, Jadheer T P, Paul Tempelman, Somesh Tiwari, Alek Vacura, Dongili Varaprasad, Roman Vrbovsky Matchmove Lead - Murali Krishna Reddy Design - Wendy Eduarte, Fionna Mariani, Tetsuro Mise, Laura Nash, David Nelson, Sam Singleton Finishing - Michael Almodovar Shoot Supervisor - Aleksandar Djordjevic, Jim Radford, Dan Williams Agency - TBWA/Chiat/Day NY Executive Producer - Tina Lam President - Nancy Reyes Business Lead - Shannon Nunn Business Director - Nora Chivelly Operations Manager - Olivia Scala Business Manager - Nico Rodriguez Chief Strategy Officer - James Sowden Senior Strategists - Katelyn Saks, Sophie Engelstien, Mani Schlisser, Kayla Sredni Chief Creative Officer - Chris Beresford-Hill Creative Director - Jexy Holman Creative Director - Nuno Teixeira Senior Copywriter - Athanasia Efthimiu Senior Art Director - Alyssa Cavanaugh Director of Integrated Production - John Doris Client - Oculus / Facebook Director of Integrated Marketing - Kerry Antos Chief Creative Officer - Josh Higgins Executive Creative Director - Larry Corwin Creative Director - Robbin Ingvarsson Creative Director - Kako Mendez Executive Producer - Angela Fung Producer - Brian Coate Cast Hero Twins + Kaylee + Taitlyn Jaiy POP One Friend (blue) - Ryan Perkins POP One Friend (red) - Malcolm Atobrah Beatsaber - Dreya Mac MoH Player - Jack Morris Walking Dead NPC - Vadim Pavlenko Zombies - Misha Makarov Tonya Romanenko Michael Anyim Sveta Оnopa Pavel Evchin POP One - Akeem Bello Chair Zombie/MoH Stunt/POP One stunt - Andrey Kaba Zombie/MoH Stunt/POP One stunt - Roman Korzhuk MoH / POP One stunt - Ivan Strizhakov Roman Stankevich Evgeniy Poliakov Nikolay Zavarygin Andrey Bezverkhniy Vadim Bezverkhniy Anton Zubchenko
Less of a headcanon, more of a character study + background information on Sarah being tried as a witch in 1692 ! I found a mass archive of every official document recording during the Salem trials and translated it from ye old English into something a little more readable. Her arrest warrants and interrogation beneath the cut !
Warrant for the Apprehension of Sarah Good.
February 29th, 1962.
Mrs. Joseph Hutchinson, Thomas Putnam, Edward Putnam, and Thomas Preston Yeomen of Salem Village in the County of Essex personally appeared before us, and made a complaint on behalf of their Majesties against Sarah Good, the wife of William Good, for suspicion of Witchcraft, and much injury done to Elizabeth Parris, Abigail Williams, Anna Putnam, and Elizabeth Hubert, all within the aforementioned Salem Village. Sundry times within the last two months, and lately, at Salem Village, contrary to the peace of our sovereign land and William and Mary, King and Queen of England.
You are therefore, in their Majesties name, hereby required to apprehend and bring before us the said Sarah Good, tomorrow at ten o'clock in the afternoon, at the house of L't Nathaniel Ingersalls in Salem Village to be examined relating the above premises.
Signed, John Harthorne, Jonathan Corwin, to Constable George Locker.
Officer's Return.
March 1st, 1692.
I brought the person of Sarah Good, wife of William Good, according to the tenor of the warrant as is, attest by me.
Signed, Constable George Locker.
Examination of Sarah Good.
March 1st, 1692.
The examination of Sarah Good before the worshipful John Harthorn and Jonathan Corwin.
HARTHORN: Sarah Good, what evil spirit have you familiarity with?
SARAH GOOD: None.
HARTHORN: Have you made a contract with the devil?
SARAH GOOD: No.
HARTHORN: Why do you hurt these children?
SARAH GOOD: I do not hurt them. I scorn it.
HARTHORN: Who do you employ do it, then?
SARAH GOOD: I employ nobody.
HARTHORN: What creature do you employ, then?
SARAH GOOD: No creature. I am falsely accused!
(HARTHORN: Why did you walk away Mr. Parris' house muttering?
SARAH GOOD: I did not mutter, I thanked him for what he gave my child.
HARTHORN: Have you made no contract with the devil?
SARAH GOOD: No.
Harthorn proceeded to tell the children to look upon her, and see if this were the person that had hurt them. They all did look upon her and said this was one of the persons that did torment them.
HARTHORN: Sarah Good, do you not see what you have done? Why do you not tell us the truth, why do you torment these poor children?
SARAH GOOD: I do not torment them!
HARTHORN: Who do you employ then?
SARAH GOOD: I employ nobody! I scorn it.
HARTHORN: How did they come to be tormented, then?
SARAH GOOD: What do I know? You bring others in here and accuse them, yet now you charge me with it?
HARTHORN: Then who was it?
SARAH GOOD: I do not know, but it was someone you brought into the meeting house with you.
HARTHORN: We brought you into the meeting house.
SARAH GOOD: But you brought in two more!
HARTHORN: Then who was it?
SARAH GOOD: It was Osborne.
HARTHORN: Then what is it that you said, when you go off muttering and walking away from a person's house?
SARAH GOOD: If I must tell, then I will tell.
HARTHORN: Do tell us, then.
SARAH GOOD: It is the commandments; if you must know, it is a psalm.
HARTHORN: Which psalm?
Sarah Good remained silent for a long time before proceeding to mutter some part of the psalm she claimed to have recited.
HARTHORN: Who do you serve?
SARAH GOOD: I serve God.
HARTHORN: What God do you serve?
Sarah Good then claimed to serve the God that created Heaven and Earth, though she was not willing to mention the word God; her answers were in a very wicked, spiteful manner, reflecting and retorting against authority with abusive words and many lies. She was then taken into custody. It was here that her husband had said he was afraid she either was a witch, or would become one soon. Mr. Harthorn asked him his reason and whether or not he had ever seen anything. He said no, nothing of that nature, but it was her bad carriage to him, and that she was an enemy to all good.
Witnesses v. Sarah Good.
June 28th, 1692.
The following names are the witnesses against Sarah Good, proclaiming her as a practitioner of witchcraft:
William Allen, John Hughes, Samuel Brabrooke, Mary Walkut, Mercy Lewis, Sarah Bibber, Abigail Williams, Elizabeth Hubbard, Ann Putnam, Tituba, Richard Patch.