#Anyway they're amazing and I love them

[choppedmint]

If I commit to talking about Morganville Vampires, I need to share a list of OCs before I start claiming someone exists when they don't. If you see any of the below names (baring certain Goldmans mentioned to be canonical) than they are fictious. I love them, but I made them the heck up. XD

Samuel Salinas: A really new vampire. Like really new. Worryingly new. Part of a plot new. And he's also 12. And also heck it, toss him at Myrnin, because having him deal with a child in mental distress was apparently a good idea to younger me and I'm loath to change my post canon plots nooooow. At any rate, I love him dearly, little sunshine boy. Uses he/him.

Pax Salinas: We repeat, worryingly new vampire. Sam's brother. Uses he/him.

Worrying large amount of Goldman vampires. Why? Because RPs. Do I remember which are my OCs anymore? Nooope. Theo and Patience and Patience Jr, and Jakob are the only four I know I didn't make up out of my head, but if the others are appear in the books, I'm assuming I just gave them names? If there are no mention of them (I think for example I gave Theo another kid in Marcel) than they're just made up.

Anyway. Marcel Goldman: Son of Theo Goldman. He's dead by the time my post-canon stories usually take place. Whoops. I ... really wish I'd fleshed him out more, but we're making up for lost time. We'll get there. he/him

Aaron Goldman: Grandson of Theo Goldman. He's an ass. I love him. Another of Bishop's little messed up 'let's change the children' ideas, along with his cousins Jakob and Patience Jr. So fun times there! He's less of an ass than Aurelia. Will protect his family with his life, thank you very much. he/him

Aurelia Goldman: Granddaughter of Theo Goldman. Also a really angry person. But we love her anyway. she/her

Julius Goldman: Human. Married Marcel and into the family. he/him

Penny Goldman: adopted by Julius and Marcel Goldman. she/her

Bella: She sucks. All you need to know. Sam and Pax's mom and a piece of work. she/her

Harquin Day: Not actually a member of Day family, but sort of adopted on somewhere down the line. Their Protector and occassionally will use their roof for star-gazing. General opinion of him is iffy in recent generations, just as a general reaction to all vampires, but he's slowly improving in their books. Not particularly scary on first look, tends to give off cool uncle vibes. But he can stand up for himself in a way that proves how he's managed to survive in this life. Rather impressive scowl. More 'distant' than anything and totally started using the 'Day' last name without permission, but no body remembers a time he didn't, so there's no one around to fight him on it anymore. He's a therapist, usually reserved for vampires, but has been known to take in the occassional other.

Uses they/he pronouns. Not old-old, but certainly has been around several centuries.

Janus: Officer in the police force. Vampire. Shane partners with her sometimes when he needs vampiric backup. I've only used her once, we'll see if I use her again. she/her Arthur Dee:

Historical figure, so technically exists, so heh? Anyway, was a brief fling of Myrnin's back in the early 16th century. I refuse to believe Myrnin is not queer shaped in some way, so I poked around for an old alchemist and found this man and now I've adopted him and writing a book about him. Please ask me about Arthur Dee, I can tell you how he accidently maybe on purpose murdered his in-law, it's great. ANYWAY he's not a vampire. 100% human and died in the mid 16th century. Myrnin does not like mentioning him. It ended very poorly. he/him John Smith:

Not that John Smith. I just lifted him from another story to briefly use as Amelie's bodyguard. I use him for the same purpose now and again. he/him

One would think I'd have more human characters, but noooo, not me. Though Julius is one of my favs, so like, maybe he makes up for it.

I have ART. These characters live on Art Fight, 'cause of course they do. I don't have anything for Harquin, Pax, Aaron, or Aurelia, despite having pages and pages of writing about all of them. Whoopsy. One would think the length of description equated to how much I liked them, but if anything it's the reverse. Don't get me wrong, love Harquin, but I've used them as a character (RP or stories) all of ... three times give or take. While the others are, like, practically main characters. But whatever.

[bluepandadraws-log]

The Amazing Digital COMIC #22-Bullying Aftermath

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[companion-showdown]

Who is the best TARDIS team?

TOURNAMENT MASTERPOST

propaganda under the cut

12, Clara, Missy

Imagine the 3 worst people you know, who are simultaneously exactly the same and completely different. The epitome of the "Wow These People Are So Weird, Thank God I'm the Normal One" meme. Now imagine putting them together in a box and shaking it around. It's so funny, I love them

[swordheld]

hello! do u have any new music recommendations?

of course!!! going to throw some general pop/indie/rock/instrumental all over vibes at you? these are some of the ones that i've been having on repeat a lot lately because they bring something bright and fun into my days - hope you enjoy them !! 💛

if i'm honest (trousdale) – oh the absolute vibes of this one. the harmonies. the beat. the slow downs and build ups? that ending? it's like easy, slow, growing ease and joy. that point 3/4 of the ways through the song, that building of things? the payoff? those background horns? the drums? i cannot sit through it without some kind of air guitar / drums / chair dance type beat. it's too good that you cannot help it, it just goes so hard.

close one (fizz) – i have been writing so much love poetry to this song. it is soft and slow and serene like light, all golden hour, the soft golden hues of almost, of here, like this, with me? that little 'fuck it' before the chorus is so fun. this group is made of insanely popular individuals (dodie/orla gartland/greta isaac/martin luke brown???) and together .... they are so powerful. cannot wait to see what they create next !!

run (maisie peters) – there is such a fun vibe to this song. that line of the chorus, that 'i've been lied to / i've been cut and deleted / i've heard some things i will leave unrepeated' is sooooo good, that rhyme scheme that syllable count balance? it immediately went onto my writing playlist w/ that fun beat, that synth, that catchy repetition? the whole album this comes off of is so very good too, esp. 'the band and i'? i really enjoy her sound!!

like a brother (hey, nothing) – this song feels like a lullaby, in the way of being swung in a hammock? all late summer, early winter winds? but there is such a lyricism that gets stuck in my brain, the whole layout of the chorus and is just so soft. i feel so many things. another easy one for the poetry playlist.

margo (sally boy) – oh the orchestral, string opening? the easy flow of it, instrumental and light, before hitting that small bit of silence before the guitar and lyrics come in? and then the absolute hit that is the beat of the chorus hitting? obsessed. phenomenal. i love the balance of gentle, light instruments and the slow instruction of the drumbeat, it feels like a whole story that you can experience, the flow of it!

eightball girl (maddie zahm) – i can leave this song for a few days and then out of nowhere it'll just be in my head again, the vibes of it, that beat of the chorus? the layered voice effects? sometimes songs have this balance to them that my brain just sucks up like a sponge and this is one of them. soooo good. i'll be in the supermarket and my brain will just go eightball girllll, tell me how you feel about meeee and it's perfect.

snow angel (reneé rapp) – this was one of the first ones i found on my daylist that was just like, how did i go so long without you. how did i not know about you. and since then it's been a daily listen. the slow, gentle breeze of that beginning? there is such a rising and falling to this song, like seasons, like the breeze? all tide, all here and there and back again, all resilience and ferocity, softness and violence? that electric guitar and the piano and the feedback just makes me want to just. aaaaaaa. this whole album is just banger after banger too!!

grace (henrik) – it's so fun!!! it brings me so much joy and energy, the easy breezy pop vibes, it's so hopeful and gentle and loving. i have it set as my alarm rn because i really do think it'll last through the sisyphean task of getting me out of bed in the mornings, it just feels like sunlight.

[jyantabear]

been playing pathologic throughout the summer and i've enjoyed it a lot and im currently on the changeling campaign and I heard a lot of people say the changeling route is underwhelming and weak but honestly i think it's been really great so far and I think it has tons of depth and I find Clara very interesting Idk im on day 8 of the campaign I feel like I have more thoughts on this route then the haruspex campaign. Perhaps its partly because Clara's subject matter appeals to me a lot but I think it's amazing It's this tragic story about a little girl who so badly wants to be good and do good. She wants to be love and accepted and find her place in the world with all the anxiety she has over her unsureness on her identity and the strange circumstances of her existence. It's about the Saburovs playing this pretend, toxic, nuclear family structure with her. Where a part of them does care about and love her but for selfish reasons. They project their insecurities on her, both of them. They want her to be their salvation and be their key to finally helping the town as they feel they're failures and frauds in that pursuit. So they pressure, love bomb, and abuse their daughter to fit this mold. And Clara is scared but she follows anyway desperate for love. And even without realizing it she's mimicking their teachings and values because It's all she's been given in this world. The only source of guidance It's about Clara and her relationship to the people around her. How she feels sympathy for her bound because she sees herself in them. Because she sees they're people with dimensions and are complicated. And she wants someone to see and grant her mercy and forgiveness as well. And it's so interesting to compare this to her interactions with Daniil and Artemy. Who she's also very similar with but demonizes them. (which I don't think is unjustified btw as they're very horrible to her. But I want to note that while the healers always had some tension between them this route has definitely cranked it up a ton and in the opening play Clara is the one criticizing them for being heartless, selfish, and "not knowing compassion" right off the bat. And even in the few times Artemy and Daniil can have pleasant exchanges with her it's short lived and never sticks with her) And she goes the extra mile to demonize them and deny and dismiss any complexity they might have as she also sees herself in them but doesn't want to admit it. Because it's what she doesn't want to be. It hurts too personally for her to associate with them and makes her feel pathetic even thinking she could be similar to them because she doesn't want to share their loneliness, their struggles, their failures. It makes her feel more stable in her identity to put them down and go "Well at least I'm not like those bloodthirsty horrible useless doctors" And While Clara also feels dislike towards Maria. Maria is someone Clara wants to be. She wants to be that beloved and powerful mistress. Someone who can guide and help others and use her power for good. Which is why she'll say "Her and Capella will be the only ones to understand my loneliness." Clara wants someone to understand her pain but only if she can protect this idealized image of herself she's painted in her mind because she's been hurt too much. It's a tragic story of the unrealistic and harsh standards placed on young teenage girls. And the idea that perhaps humanity is the problem. But taking that message in a rather conservative and violent way then one that acknowledges the complexity and indoctrination society and people have built. A young girl internalizing beliefs of irredeemable ontologically evil people due to all the abuse she's been put under.

[angelhummel]

the teenage girl character that everyone hates bc omg she's sooo annoying & everyone knows that the worst thing a girl can be is kind of irritating so everyone hates her and thinks she's vile and irredeemable (she's 15) and then the show goes on and her personality changes as she grows up and those same people are like omggg they ruined her character she's so different from how she used to be how could they do this it's such a shame 💔💔

[ineffabletheaterkid]

I'm back with my Monroe bs (workin boys scenes)

[psychomusic]

so. I've been reading some posts on the jedi order tag AND i won't talk about my opinion on "are jedi good or bad discourse" BUT i wanna point out some lore to everyone who's complaining about the jedi taking kids into their order: (in the EU) it wasn't always like this.

if you take swtor era (more than 3000 years before the prequels) there were many jedi who joined at an older age. like, for example there was a guy who broke his engagement to become one. most jedi remember their families because they were old enough when they decided to go.

THEN in darth bane's book trilogy (circa 1000 yesrs before the prequels) there is a passage where two sith lords are talking about taking bane, already an adult, to study at korriban. one doubted him because he was too old, ans the other told him he sounded like a jedi, and that ONE DAY jedi will have to accept only kids into their ranks if they really want to find "pure" people that can learn their lessons quicker.

one day!! so it wasn't always like that!! the ongoing wars with the sith, who corrupted and killed many of them, had pressured them into taking always younger people into their ranks.

also, consider a thing that this video explains super well: training to become a jedi is not like exercising, because there is a transformative lesson at the end of the training that changes everything. you can't just do as much as you can, but not finish.

the transformative lesson, as the video explains, is that through the force, everything is the same - from rocks and ships to life and death. at the end of the training you have to understand this fundamental truth.

yoda says "you have to unlearn what you have learned". during times where they were constantly killed off or corrupted by the dark side (and if you haven't learned this lesson you are more susceptible to this corrupting), younger people were taken in to actually finish their training (a training that was ultimately about being a good person AND that you could leave at any point if you weren't sold on that, too)

(remember that for the sith failure = death. like. that was the alternative for force sensitive kids. it's not like sith had any moral problem with taking kids away without consent. sith don't have moral problems: they believe that them being stronger in the force means they can do whatever they want as long as their strong enough to go and do it. there are MANY passages in many different star wars stories, even in different mediums, that say this out loud)

AND (this is more of a critical thought than just stating the lore) the fact that they started doing it out of necessity doesn't mean it's 100% good BUT you know. the whole set up of the prequels is that we're starting off the story in a period of crisis and decadence all around. most of the systems of the times were about to fall. OF COURSE they had problems. if they didn't, we wouldn't have the story to begin with.

that doesn't automatically mean jedi = bad and sith are better, tho. you wouldn't take the last, chaotic and decadent period to jugde something, would you? it's like deciding that the athenian democracy sucked because people at the times of Demosthenes failed at recognizing the new schemes in which the world was evolving into, and still believed that their city would be important as it had been in the previous century. They just didn't fucking expect the Macedons would conquer half the world known and more, and have the subsequent political power. Still, their experiences in the 5th century with democracy were very good, even better than ours on many fronts, if you contextualize a little. the jedi had flaws, and most importantly, they didn't fucking know the future and everything that ever happened, ever, so they made mistakes. that doesn't automatically make the system ill, or bad, or not-working. systems can have setbacks when the world changes. (just like athenian democracy had one when they lost the empire that was funding the democracy. they even had a tyranny for a while and then fixed the problems. that doesn't diminish retrospectively their democracy)

[t-u-i-t-c]

"The story of your redemption will now begin."

[fircyrk-na-kolkach]

got tickets for the warsaw show :D also i forced my boyfriend to go there with me so this is gonna be funny (he's seen some of their videos and listened to me yap about them a lot so he kinda knows what he's signing up for but still)

[bleaksqueak]

Honestly, I'm really grateful that my brain isn't wired to jump from hyperfixation to hyperfixation. It has its own unique drawbacks, sure, but I've always found it really comforting that I know what to expect from myself.

[kedreeva]

My friend that's been taking me around to the reptile expos just posted up one of her high-white Solomon Island ground boa baby holdbacks from 2019 on morph market and it is killing me. The high white babies like this just keep getting prettier as they get older. Their scales are keeled so it feels like petting a dragon, and they only get like 2-3 feet long (the boys like this) and every time I see one it makes me wish I was still keeping snakes.

She actually posted a bunch of other snakes too, if anyone's interested in acquiring some really cool species! She does ship!

[glitterghost]

I am feeling (abnormally) affectionate today. I want to hug my friends tightly and linger against them and lean on them and drag them around and joke with them and banter with them and tackle them and laugh, laugh, laugh, laugh.

[camellcat]

WTFFF I thought thirteen would be my new girl crush love of my life heart eyes wife you-came-after-twelve-you-must-be-better-than-they're-all-saying bbygirl and then I had to sit down and watch as she told a man who (if he were not a murderer, of course) literally every regeneration before her would've LOVED and FULLY SUPPORTED that "the systems aren't the problem. how people use and exploit the system, that's the problem. people like you" </33333 !?!?

[kgthesillyclown]

I love sm their dynamic

[softquietsteadylove]

Hiii darling, how are you?

I had a promt idea and i wanted to share it with you.

What about thenamesh being broken up 😈.

Like i know thats basically imposible because they can not be apart from each other for a long time ( but relationships are hard you know).

So they haven't seen each other in a very long time, and they completely over one another, they even dated other people, but both are currently single.

They are completely over each other, Gilgamesh is NOT constantly thinking about Thena's beautiful sunshine hair, or how smarth she was or her gorgeous long legs he could stare at all day long of course not, and is not like Thena everyday thinks about how charming Gilgamesh was, or how he could make her feel better just saying something dumb or how she got distracted just by looking at those big and strong arms of his, not at all they are soo over each other and they don't even wanna meet again.

But when they do see each other again it goes like this:

- Thena and Gil walking directly to each other whitout realising.

They make eyecontact and fully stop

They stare at each other intensely

Gil : Thena hello ! - dumb smile

Thena : Hello - small blush

The tension in the air can be cut with a butter knife

"Mamma mia" by ABBA starst playing in the background

And thats about it 😊, sorry for any mistakes english is not my first language, and thank you for sharing your works with us they are so beautiful, i love them all, they make my days better 🩷🤍.

"Come on, Gil, don't get all emo on us now!"

But he'd had enough--more than enough. He had only agreed to a night out with the boys because he had dodged them ten times for every one, and tonight was the eleventh hour. Even with all that, it wasn't enough to keep him in the pub with pounding music and the stink of smoke.

Thena hated the smell of smoke.

His friends would tell him not to think that way. For all the times he had sworn to them that he was over her, here he was thinking of her again?

But of course he was! Thinking about Thena was as natural to him as breathing, and the breakup had done nothing to change that. It still felt almost surreal sometimes, as if the last year and a half of his life was still in the haze of post-breakup blues. All the months spent moping around his apartment, the weeks after of being set up with blank face after blank face. He had even maintained a relationship eventually, only to have called her 'Thena' one time (entirely by accident).

He had omitted that part of the story to his friends when they asked 'what happened to what's-her-name?'.

Gil had tried the dating thing, but it was becoming clearer and clearer that it wasn't working for him. If it wasn't Thena, it wasn't for him. And that didn't bode well, considering they had parted ways with the stark promise that there would be no getting back together.

No regrets, they had said. He was going to put the hours into the kitchen that he needed to as the new head chef of a long established restaurant. Thena was going to focus her razor sharp intellect into pursuing her PHD while working at the museum. He had once called her the 'rock star' of the historical world. She hadn't appreciated it at the time.

For their shared declaration of no regrets, there were plenty. He had lamented to his friends how he hadn't expressed enough interest in Thena's work. He didn't watch the historical programs she liked to watch in bed; he fell asleep to them. Although in his defense, Thena never could get through a boxing match without checking a work email or swearing she was paying attention while she read something on her phone.

Thena was on the other side of town, in Sersi's old flat after she and Dane had decided to finally move in together. She had always done best with her own space, after all. Yet another regret; their half-assed compromise - which made neither of them happy - on how to use the second bedroom. Gil wanted a home gym and Thena wanted a home office. It ended up housing his exercise equipment cramped in with all the books she couldn't fit onto the living room shelves.

It was the truest compromise, in the sense that they were both left frustrated and unsatisfied by the results.

Really, it was them making old fights into new ones. He knew she liked having her own space. Anyone would, after growing up with an annoying twin brother like Ikaris their whole life, he could admit. But he hadn't really appreciated her bringing up that he was an only child as a reason for him not sympathising with her more.

It was little things, really. Little things that had just...piled up on them. Him kicking his shoes off hastily, forgetting that Thena had grown up in a preparatory school and liked everything arranged neatly. Her leaving her teabags piled up in the garbage instead of in the organic waste container he kept in the fridge, specifically because the kitchen was his domain and he didn't like unwanted smells hovering around.

Little things piling up; it was for the best, they had agreed.

And now, a year and a half later, here he was, outside a pub, in the snow. He checked his phone; the night was young, but his friends were enough pints in that maybe they wouldn't notice if he decided to just...leave. If they asked, he could say it was way later, they just weren't remembering it right.

He walked slowly, still staring at his phone. It was the blank, default phone background. He hadn't settled on a new one after needing to take down the picture of him and Thena on their trip to Australia. It wasn't any more pathetic than the rest of his life.

"Sorry," a soft voice uttered, scuffling feet in snow filling the air as they narrowly avoided one another.

Her eyes rose to meet his, still a sparkling green that contrasted the hair that was the colour of pure sunshine. She was dressed in all white, as she always was. He had always said it was her colour. "Hey."

The one word was like the cavalry call. Memories flowed through him. Some of the bad times. But the happy ones far, far outweighed them. There were so many happy ones it was a wonder they had ever decided they weren't worth the bad.

Thena was still the most beautiful woman Gil had ever seen. Her edges were so sharp, and yet she still possessed a softness--a fragility to her delicate frame. It was hard to tell under her long white coat if she looked different, but he remembered those long legs entwined with his in the hammock on their balcony. Her lips were still full and succulent like a berry.

"Hey." He smiled, and she smiled as well. There was a lightness to it that hadn't been there when she had left her key with him and closed the door behind her. "How are you?"

"Good," she answered plainly, as she always had. Her eyes darted down to the ground and she tucked some hair behind her ear, still a clear tell of when she was nervous. His heart skipped a beat as he caught a blush in her cheeks. "And you?"

"Yeah," he answered, not that it was much of an answer. He had yet to stop smiling, but she was still smiling too. "Restaurant's doing well--same old."

Thena nodded, some of her hair tumbling from her scarf wound loosely around her. "I read a review of it. Your praises were sung most eloquently."

She had such a poetry to her language. Some found it odd, but Gil had always admired her more elegant word choice in comparison to his easy and casual phrases. He had tried writing poetry, but he was no match for her simply describing how her day was.

"Yeah?" he grinned. The idea of her checking a review of his work was more than he could have hoped for. It felt like hearing that she had asked if he was seeing anyone.

"I'm not surprised," she stated more than confessed. "You have always been an excellent chef. I wouldn't have needed some culinary reporter to tell me that."

Emboldened by her olive branch, Gil stepped closer. "And how's the doctorate?"

Her pleased smile returned, her scarf even picking up in the wind and brushing the front of his army green jacket. She used to always put her hand on his chest for no good reason, whenever she wanted. "I'll be submitting by the end of this year. Nothing is signed yet, but I'm told things look promising."

His grin stretched wider. The word 'rock star' was on his tongue again but he inhaled, drawing up his shouldering instead of wrapping his arms around her and picking her up off the ground. "Hey, that's great! I mean, I knew you'd get it. You're way too good not to."

Thena's eyes drifted downward again. Her smile turned shaky and her hands went to the buttons of her coat. She swayed on the spot, as if unsure of which direction to lean. "Thanks, Gil."

The snow filled in the silence between them, Mamma Mia positively blaring from inside the pub. The flashing, coloured lights inside proved stronger than the tint of the windows, reflecting on the snow already fallen.

Thena broke the silence first. "I'm surprised you're out this late."

Once, that might have been a barb about how he always had to sleep early to get into the restaurant early (especially on nights when she had a work social at the museum). But that was years ago, and now it was a casual - if nervous - question asked in a playful tone.

Gil smiled. "Well, usually I wouldn't. But the guys have really started giving me a hard time about-"

He clamped his mouth shut, suddenly terrified of uttering the truth of his dismal life since her exit. Surely it was pathetic of him to tell his ex-girlfriend about how all he did was lie around watching the same five shows and living almost completely off of leftovers from work.

But Thena laughed. It was gentle, and light, and he still found it really cute. "So, you came out tonight just to appease them?"

Her laughter drew out his as well. His shoulders lowered and his hands shuffled around in his pockets. "Guess so."

Thena looked towards the dark glass of the windows. It took her a few minutes to build up to what she had to say. But rather than eagerly rush her, he waited, happy to admire her. "I have become even less social than before, if you can believe it."

"Wow," he commented outright, earning the mildest form of her glare possible. He chuckled, though. "I can't believe it."

She could have left it there if she wanted. But she kept holding her scarf at the ends, braving on. "It seems I've been a bit reclusive since..."

It was Thena to bridge the unspoken gap, utter those completely forbidden words. But in that way, it was also her extending her hand, asking him to take it.

Gil turned soft, as he always did with her. His voice lowered to nearly a whisper, like it would after she'd had a night terror and needed comforting. "I guess I have too."

She had closed the distance as much as she could. She needed more from him, going quiet again and staring into his chest.

Gil eagerly met her halfway, pulling his hands from his pockets and crushing her against him. It was just a hug, something friends could do (if she decided she would regret this, too). "I missed you."

But she slid her arms around him. She buried her nose in his jacket and he leaned over her, practically engulfing her in his arms. She inhaled, drinking in the scent of him.

"Sorry, I probably smell like fryer oil," he excused. She had always hated that smell.

She shook her head, still buried in him. "I missed it."

How was he not supposed to fall in love with her all over again?

"Hey," he said gently, only encouraging her to pull away enough to look at him. He brushed some hair from the crown of her head. "Would you wanna grab something? We could get a decaf...something--you still don't drink, right?"

Thena beamed as if he had asked her something so much more than just terrible coffee. But small things - like remembering that she didn't really enjoy drinking - always meant the most to her. "I'd love to."

Just hearing the word from her lips made his heart leap in joy. It remembered hearing that word so often from her. It wanted to hear it again.

"So, uh," Gil began, leading her away from the pub with her hand in his. Maybe it was too much to hold hands with someone he had just asked out, but Thena's hand held onto his just as firmly. "That 24 hour place is still open. I heard they have daily specials now."

"Sounds lovely." She hadn't become a conversationalist. But she held onto his hand, letting him go on about the pastries in the window and how it was under new ownership. He didn't mention how he couldn't even look at the place for the first two months after their breakup.

Gil looked at her but didn't stop walking as she leaned against him. "You okay? We don't have to go out, if you're tired. You can just come over and I can make you some tea."

She buried her face in his sleeve. "You think I'm the type to go home with you on the first night we've met?"

He paused for a second before letting out a laugh that would wake anyone out of a dead sleep. "Are you flirting with me?"

"You seem much more the flirtatious type."

Thena was happy to play coy about it, but he knew she was flirting because she was terrible at it when they'd first started dating. "Maybe I am."

"You could take a girl to dinner, first." It was light, witty banter, her favourite kind. She was relaxing more and more.

"How's tomorrow?"

He waited for her response, only able to look at the top of her head with her leaning on him. But it made him think of the beach in Australia when he had first told her he loved her. He had thought it plenty of times before, but that was the first time he had spoken the words. Maybe he would get the chance to say them again.

Thena adjusted their arms, linking them at the elbows, still revealing nothing of her expression as she said, "it's a date."