#Bengali Ramayana

[oshtorombha]

অমৃত-মধুর এই সীতা-রাম-লীলা শুনিলে পাষাণ গলে, জলে ভাসে শিলা

"Like an immortal elixir is this story of Ram and Sita"

Epigraph, Shorol Krittivas

[whippersnappersbookworm]

So I saw a lot of criticism by the Sanghis that Hindu mythology is not something one should write fanfiction about or that it's a religion, and therefore people shouldn't interpret and create stories of their own. But let me tell you something: the culture of fanfiction and re-interpretation of Hindu mythology is not at all new; it has been going on for decades.

So, as I said before in the blog, I am a Bengali, so most of the examples I will give are from Bengali literature. So Krishna is a huge part of these fandoms, and a lot of people write and draw things related to him. But this is definitely not a new thing; it has been going on since the time of Joydev's Geeta Govinda and Vidyapati's Vaishnav Padabali. There is a famous poem by Rabindranath Tagore:

শুধু বৈকুণ্ঠের তরে বৈষ্ণবের গান!

পূর্বরাগ, অনুরাগ, মান অভিমান,

অভিসার, প্রেমলীলা, বিরহ মিলন,

বৃন্দাবন-গাথা,—এই প্রণয়-স্বপন

শ্রাবণের শর্ব্বরীতে কালিন্দীর কূলে,

চারি চক্ষে চেয়ে দেখা কদম্বের মূলে

সরমে সম্ভ্রমে, —এ কি শুধু দেবতার!

Which translates to

"Are the songs of Vaishnav for Baikuntha alone?

Courting, attachment, sulkiness, sensitiveness,

Tryst, dalliances, parting and union, theme of,

The songs of Brindaban – this dream of love,

In the Shraban night on the bank of the Kalindi

The meeting of the four eyes under the Kadambatree

In blushing adoration - are these all for the Lord?

Most of the Vaishnav Padaboli and Radha Krishna Leela poets were very much influenced by their personal lives, which makes sense because they never really saw Radha Krishna with their own eyes, so obviously they need some kind of reference and muse for their works. For example, it is said that Vidyapati drew inspiration from the real relationship between a man and woman in that contemporary period for Radha and Krishna. He created the character of Radha from the very image of an adolescent, joyous young girl of that time period. His radha has a lot of human qualities. Then Chandidas, another important poet, apparently based Radha on his own lover, Rami. Rami was a lower-caste woman with whom Chandidas had an affair, but he couldn't marry her because it was not socially acceptable. Chandidas's Radha is portrayed as a sad woman, mourning for her lover from the very beginning, even before she meets Krishna, and it didn't change even when she was united with Krishna, as she was based on Rami, a woman who could never be with the man she loved due to society. Apart from them, the poets who composed Radha Krishna hymns during and after the rise of Sri Chaitanya in Bengal started including Chaitanya in their poetry. They wrote hymns dedicated to Chaitanya alongside Krishna; some of them even started crafting similar descriptions and personalities for both Radha and Chaitanya. It's from their narrative that Radha's love for Krishna symbolises devotees love for god; it was literally Krishna x Chaitanya. CHAITANYA FANFIC!!)

Apart from Vaishnav Padabali, we can also find examples of such works in Sakhta Padabali. For example, the whole concept of Durga pujo in Bengali is inspired by married women visiting their paternal family once a year with their children. The poets basically localised the mighty goddess Durga as a young girl married to Shiva, who is old and penniless. Several poets, like Ramprasad Sen and Kamalakanto (I don't remember his title), wrote hymns from the point of view of Menaka (Parvathi's mother) as she begged Giriraj (Parvati's father) to bring her daughter back. She chides Giriraj for marrying her young daughter to Shiva, who is old and penniless and roams in the crematorium with his ghost acquaintances. She worries about her young daughter suffering all alone in the Himalaya with no one to take care of. Isn't this also a kind of fanfiction? Where goddesses are made into normal women?

Also, if we talk about Mahabharat and the Ramayana, they also had fanfiction even before the rise of Wattpad and Tumblr. All the translations (except a few) adopted these epics in such a way that they could fit into their culture and contemporary society. It's a known fact that Tulsidas's Ramayan deviates a lot from the original one (Maya Sita, vegetarianism, etc.).

So in a way, it can be a retelling of some sort. So if we are shitting upon the culture of retelling and fanfiction, we should also talk about these examples, not only the modern ones. The truth is that retellings and fanfictions are necessary for these types of stories to survive. It makes sense that one modifies these age-old stories so they can fit into contemporary society. Every piece of ancient literature, be it the Greek epics, the Bible, or Hindu mythology, has its own share of retelling and fanfiction. These are not owned by a certain group of people; they don't have the right to gatekeep. People can and should explore these stories from their own point of view. They have the right to rewrite and retell the stories from a modern perspective. So before you chide a blog on Tumblr for writing Mahabharata-inspired fanfiction or incorrect quotes or bully them for writing a canonically incorrect ship,or critices them for writing self insert fic with Krishna stop and think for a second.

[blessed1neha]

What was the age of Rama and Sita when they got married?

Child marriages did not exist in Ancient India. Vedas, Ithihasas, or Puranas do not mention any child marriage. All women in ancient times married after at least attaining 16 years of age, and most weddings were at Swayamvar.

Susruta, the ancient surgeon of India, wrote in his book ‘Susruta Samhita’ that the marriage age of a girl must be above 16 and for boys must be above 25 years. Many pseudo-scholars wrongly claim that Rama and Sita were kids when married, but Valmiki Ramayana proves them wrong.

Since Vedic era, Upanayana or initiation of education was considered as 2nd birth (Dwija). For Brahmins, it was done at age of 8, Kshatriyas at 11 and Vaishyas at 12. They were called Dwija (twice born) after that. Since both Sita and Rama were from Kshatriya families, both of them were initiated at 11. So after their 2nd birth (initiation), their new ages were 6 and 13 respectively, but their biological ages were 18 and 25 at marriage.

In Aranya Kanda of Valmiki Ramayana, Sita tells Ravana that she had stayed at Ayodhya for 12 years after marriage this is when Ravana appears before Sita in the guise of a saint, she entails the details of her family background.

She mentions that after her marriage with Rama, she stayed in Ayodhya for 12 years.

उषित्वा द्वा दश समाः इक्ष्वाकूणाम् निवेशने |

भुंजाना मानुषान् भोगान् सर्व काम समृद्धिनी || ३-४७-४

𝑑𝑣𝑎𝑎 𝑑𝑎𝑠ℎ𝑎 𝑠𝑎𝑚𝑎𝑎𝐻 means two & ten [twelve] years.

Sita says: "On residing in the residence of Ikshvaku-s in Ayodhya for twelve years, I was in sumptuosity of all cherishes while relishing all humanly prosperities. [3-47-4]”

Janaki also reveals that she was 18 at the time of exile while Rama was 25.

मम भर्ता महातेजा वयसा पंच विंशकः || ३-४७-१०

अष्टा दश हि वर्षाणि मम जन्मनि गण्यते |

"My great-resplendent husband was of twenty-five years of age at that time, and to me eighteen years are reckoned up from my birth. [3-47-10b, 11a]”

Sita also repeats the same to Hanuman in the Sundarkanda, stating that he stayed in Raghava’s house for a period of 12 years.

समा द्वादश तत्र अहम् राघवस्य निवेशने || ५-३३-१७

भुन्जाना मानुषान् भोगान् सर्व काम समृद्धिनी |

"I stayed in Rama's house there for twelve years, enjoying the worldly pleasures belonging to humankind and fulfilling all my desires."

On this basis, a simple conclusion has been drawn by popular Bengali authors like Rajsekhar Basu and Upendranth Mukherjee et al [2]. Both of them (and many others) have suggested in their footnotes that Sita was married to Rama when she was only six years of age.

Many great commentators of the Ramayana from the South have tried to analyse the age of Rama and Sita from the prism of spiritualism.

Nagoji Bhatta, whose famous commentry on Ramayana - “Tilaka” (whose views align with the Advaita school of Sankaracharya) [3] explains:

रावणेन त्विति । आत्मानं जिहीर्षुणा परिव्राजकरूपेण रावणेन पृष्टा वैदेही आत्मना स्वयमेवात्मानं शशंस ।। 3.47.1 ।।

ननु पूजामात्रं कर्तव्यं किं प्रतिवचनेनेत्याह ब्राह्मणश्चेति । एष अनुक्त इत्यार्षो ऽसन्धिः । अनुक्तो ऽनुक्तप्रतिवचनः ।। 3.47.2,3 ।।

सर्वकामसमृद्धिनी । व्रीह्यादित्वादिनिः ।। 3.47.4 ।।

राजमन्त्रिभी राज्ञो राज्यनिर्वाहकैर्मन्त्रिभिरित्यर्थः ।। 3.47.5 ।।

संभ्रियमाणे । संपाद्यमानसंभारे इत्यर्थः । भर्तारं दशरथम् ममार्या मम पूज्या श्वश्रूः । "अनार्या" इति क्वचित्पाठः ।। 3.47.6 ।।

मे श्वशुरं सुकृतेन परिगृह्य वररूपेण सुकृतेन वशीकृत्य । यद्वा धर्मेण शापयित्वेत्यर्थः । मम भर्तुः प्रव्राजनं भरतस्याभिषेचनमिति द्वौ वरावयाचत ।। 3.47.79 ।।

Rama’s age was around 25 years at the time of leaving Ayodhya.

Twenty-five corresponds to the twenty-five principles of the Sankhya system, of which the 25th is seen as 𝐂𝐡𝐚𝐢𝐭𝐚𝐧𝐲𝐚 𝐏𝐮𝐫𝐮𝐬𝐡𝐚 – which is Rama himself or as he is perceived to be.

In the Balakanda, Rama has been presented as an avatar of Vishnu. Being Chaityana Purusha, the whole world is pervaded by his life force, and nothing can transcend it.

In the case of Sita, 18 - represents the five subtle elements, five gross elements, five senses of action, and self, intellect and mind. This implies that Sita is the origin of these and represents Prakriti, the primordial nature of the Sankhya system. [4]

Siromani by Sivasahaya another popular commentary from the South have suggested that Rama was 28 years & not 25 at the time he left for the forest.

In the Balakanda (Sarga 20), King Dasaratha says to Viswamitra:

ऊनषोडशवर्षो मे रामो राजीवलोचनः |

न युद्धयोग्यतामस्य पश्यामि सह राक्षसैः || १-२०-२

"Less than sixteen years of age is my lotus-eyed Rama, and I see no warring aptitude to him with the demons. [1-20-2]”

Here, he probably meant that Rama is just shy of 16, could be anywhere between 15-16.

Now, ‘𝘝𝘢𝘺𝘢𝘴𝘢 𝘗𝘢𝘯𝘤𝘢𝘷𝘪𝘯𝘴𝘢𝘬𝘢𝘩’ – could mean someone whose age is 25+3 =28, if we go by the etymology of the word.

It coincides with Sita's narration. If Rama went with Viswamitra at the age of 15, married Sita the following year, then he should be 28 by the time he left the city.

Sita says she was ‘𝘢𝘴𝘵𝘢𝘥𝘢𝘴𝘢𝘷𝘢𝘳𝘴𝘢𝘯𝘪 𝘨𝘢𝘯𝘺𝘢𝘵𝘦’, so she must be 18 when she left Ayodhya. [5]

In the Ayodhyakanda, Kauslaya says to Rama that she had waited 17 years from his second birth after hearing that his son has been banished to the forest.

दश सप्त च वर्षाणि तव जातस्य राघव |

असितानि प्रकान्क्षन्त्या मया दुह्ख परिक्षयम् || २-२०-४५

Kausalya: "Oh, Rama! I have been waiting for seventeen years after your second birth of thread ceremony, with the hope that my troubles will disappear at one time or the other."

Here the word ‘𝘫𝘢𝘵𝘢𝘴𝘺𝘢’ is an indication of Rama’s age. In [1-20-2], King Dasaratha himself claims Rama was less than sixteen years i.e. fifteen years of age when he accompanied the sage Viswamitra and was eventually married to Sita.

According to Sita’s narration, Rama had spent 12 years of his married life before King Dasaratha decided to install him on the throne as Prince Regent. So, Rama’s age can’t be 17 at the time of exile.

‘Jatsaya’ means ‘born for a second time’. It has been interpreted as the second birth of Rama’s thread ceremony which indicates the investiture with the sacred thread. Going by rules laid down in Smritis, it must have taken place at the age of ten to eleven – “𝑒𝑘𝑎𝑑𝑎𝑠𝑒 𝑣𝑎 𝑟𝑎𝑗𝑎𝑛𝑦𝑎𝑚”. [6]

Thus, Rama must have been 27-28 at the time of leaving Ayodhya.

𝗖𝗿𝗶𝘁𝗶𝗰𝗮𝗹 𝗘𝗱𝗶𝘁𝗶𝗼𝗻 [𝐂𝐄]

The Critical Edition of The Ramayana has removed the shloka where Sita suggests that she was 18 years of age. Also, they have found inconsistency in the text regarding Sita’s stay in Ayodhya. The Baroda Edition suggests Sita had stayed for just one year in Rama's house after her marriage.

संवत्सरं चाध्युषिता राघवस्य निवेशने |

भुञ्जाना मानुषान्भोगान्सर्वकामसमृद्धिनी || ४||

Aranyakanda, sarga 45, states clearly that Sita stayed for one year only.

Also note, here Sita says – राघवस्य – in the house of Rama – instead of the Ikshashu family (इक्ष्वाकूणाम्), as given in the Vulgate text.

Critical Edition collected 42 manuscripts (MSS) for studying the Aranyakanda, of which they selected only 29 for use (partial or composite). The North Edition consisting of scripts in Bengali, Nepali, Maithili, Sarada, Newari, Devanagari – had 14 MSS. Likewise, Telegu, Grantha, Malayalam and Devanagari made the South Recension, which contributed to 15 MSS for the study of Aranya Kanda.

The manuscripts are not uniform regarding the event of Sita residing for one year in her in-laws' house. All Southern MSS, plus N1 –S1-D1-5 (1 Nepali script, 1 Sarada script, Five Devnagari script) and the Lahore Edition of the Ramayana have the shlokas - उषित्वा द्वा दश समाः (that is 12 years).

Whereas, N2 – V1 – B – D6-7 (2 Nepali, 1 Maithili, 1 Bengali, and Devaganri) have the shloka - संवत्सरं चाध्युषिता (that is one year). It also appears in Gorresio (Bengal) and Calcutta Editions.

Critical Edition has decided to it keep one year, with Aranya Kanda Editor P.C. Diwanji stating – “it very well suits the context.” [7]

Likewise, CE has removed this shloka - अष्टा दश हि वर्षाणि मम जन्मनि गण्यते | - (that is I am 18 years of age) and made it a three-line stanza, somewhat contrary to Valmiki's rhyme.

मम भर्ता महातेजा वयसा पञ्चविंशकः |

रामेति प्रथितो लोके गुणवान्सत्यवाक्षुचिः |

विशालाक्षो महाबाहुः सर्वभूतहिते रतः || १०||

CE has removed this shloka on the basis of transposition.

So, going by CE’s findings, Rama was 25 when he left Ayodhya. Sita (whose age is not mentioned in CE) stayed just one year with Rama after marriage before moving out, which means Rama was 24 at the time of his marriage.

CE also mentions that in Sundarkanda, Sita tells Hanuman – 5-33-17/18 – she spent twelve years in Raghava’s residence, a place that can satisfy all the objects of desire.

Once again, we see the same disparity. All Southern MSS, plus N1 –S1-D1-5 have suggested that she stayed 12 years, and on the 13th year, Rama was supposed to be coronated.

Whereas, N2 – V1 – B – D6-7 claims that Sita stayed for just one year and it also appears in Gorresio (Bengal) and Calcutta Editions. The Lahore Edition of the Ramayana doesn’t mention this shloka at all.

The Critical Edition follows a critical apparatus of filtering text, but on this occasion even they have failed to weed out inconsistencies.

The North East Recension (whom they have based their shlokas for this particular case) says Rama was 25 years of age at the time of coronation, while the North West Recension says he was 27-28.

The Bengal edition doesn’t mention the age of Rama.

General Editor of Baroda, Dr Bhatt claimed that the North West recension contains the oldest MSS and that it is the oldest composite edition – known as the Lahore edition.

Therefore, a natural question arises -- why in this case, despite having an old MSS and a composite edition, CE chose to go with a relatively later MSS on the basis of apparent logic which they felt suits the context?

It differs markedly from Sita’s version at Sundarkand. Why did the editor of the Sundarkand - G.C. Jhala - not go with Sita’s one year stay (her speech to Hanuman) to maintain the consistency?

Jhala writes in the Appendix of the Sundarkand that Sita’s speech to Hanuman has been kept as it is in line with CE’s methodology, but in Arayankanda, when the issue was raised, General editor, Bhatt, went with one year (despite not all evidence backing up) because he felt that was the most logical deduction of the event.

The CE notes in the Appendix – “The reference to 25 or 27 (regarding Rama’s age) seems to be an interpolation or later edition.”

The reason being, CE focuses on Kausalya’s speech to Rama as the focal point – that he was 17 years of age at the time of the coronation. And yet, they completely ignored the word ‘𝘫𝘢𝘵𝘢𝘴𝘺𝘢’.

CE has also kept Dasaratha’s speech to Viswamitra that is Rama was less than 16. So, if Rama gets married at 24, it’s improbable to think that it took eight years for him in the forest to kill Taraka, saving Ahalya and then moving to Mithila.

CE is implying that Rama was 17-18 years of age when he left for the forest (keeping in tune with Kausalya’s words) and negating Sita’s version of 25 years, although they didn’t remove the shloka, only suggesting it could be an interpolation. They didn't consider the concept of 'second birth' - or the Upanayana when it's clearly mentioned in the text.

Camille Bulcke [8] has suggested in Ram Katha (pg 359) that if Sita had stayed for 12 years in Ayodhya that portion was not properly documented, alluding that an avatar of Vishnu leisurely wasting 12 years of his life is unthinkable, and hence that portion is an interpolation.

So, we have to take a holistic approach here.

Going by the Vulgate, Sita was six years of age at the time of her marriage. However, cross-references and analysing the text on the pretext of the Vedic cult defies logic.

The Vedic and post-Vedic literature like the Mahabharata and the Grhyasutras suggest the minimum age of marriage for a girl is ideally 16, or it is better to say when a girl attains her puberty. [9]

King Janaka says to Viswamitra in front of Rama in Balakanda - 𝘷𝘢𝘳𝘥𝘩𝘢𝘮𝘢𝘢𝘯𝘢𝘢𝘮 𝘮𝘢𝘮𝘢 𝘢𝘢𝘵𝘮𝘢𝘫𝘢𝘢𝘮 – that is – my daughter has come of age. [1-66-24]

Also, Janaka recounts that the Kings of Aryavatra tried their luck lifting the bow to win Sita who was a Viryashulka.

ततः संवत्सरे पूर्णे क्षयं यातानि सर्वशः || १-६६-२२

साधनानि मुनिश्रेष्ठ ततोऽहं भृशदुःखितः |

“Then elapsed is a year and in anyway the possessions for livelihood went into a decline, oh, eminent sage, thereby I am highly anguished [1-66-22b, 23a]”

Does that mean, the Kings were fighting to marry a five-year-old girl at that time?

Also, it is interesting to note what Sita says to Rishi-wife Anasuya.

पति सम्योग सुलभम् वयो दृष्ट्वा तु मे पिता |

चिन्ताम् अभ्यगमद् दीनो वित्त नाशाद् इव अधनः || २-११८-३४

Sita says that her father was anxious as she has reached the age of “𝘱𝘢𝘵𝘪 𝘴𝘢𝘮𝘺𝘰𝘨𝘢 𝘴𝘶𝘭𝘢𝘣𝘩𝘢𝘮” – that means where the husband can have a holy union.

सुदीर्घस्य तु कालस्य राघवो अयम् महा द्युतिः |

विश्वामित्रेण सहितो यज्नम् द्रष्टुम् समागतः || २-११८-४४

लक्ष्मणेन सह भ्रात्रा रामः सत्य पराक्रमः |

Sita says that when all the Kings failed to lift the bow, Rama visited Mithila after “a very long time”. These are found in all MSS (no chance of interpolation) and therefore Sita’s statements here hold paramount importance.

The fact that Sita gave Rama a permanent place in her heart (1-76-14) and that the princes enjoyed pleasures in the palaces after marriage logically points to that Sita can’t be six years of age at that time. [10]

So, there can be a multitude of probabilities. Rama can be 16 or 24 at the time of marriage. However, Sita surely has crossed her puberty at the time of marriage, and can’t be six years of age.

Reference:

[1] – Valmiki Ramayana – Hanumanta Rao

[2] – Valmiki Ramayana – Rajsekhar Basu

[2] – Valmiki Ramayana – Upendranatha Mukhopadhyay

[3] Valmiki Ramayana, CE – Volume 1

[4] Valmiki Ramayana with Tilaka commentary

[5] Valmiki Ramayana – IIT

[6] Manu Smriti – Sacred Text (online)

[7] Valmiki Ramayana, CE – Volume 3

[8] Ramkatha – Camille Bulcke

[9] History of Dharmasastra – P.V. Kane

[10] The Riddle of the Ramayana – C.V. Vaidya

[mohit34434543]

culture of India

India, often referred to as the land of diversity, is a cultural kaleidoscope that has fascinated and enchanted people from across the globe for centuries. Its rich heritage, traditions, languages, art forms, and cuisines reflect a civilization that has evolved over millennia, leaving an indelible mark on the world. In this blog, we embark on a journey to unravel the multifaceted culture ,culture of India delving into its historical roots, religious practices, artistic expressions, and modern-day manifestations.

Historical Background:

The cultural history of India can be traced back to ancient times, with evidence of human habitation dating back to the Stone Age. The subcontinent has witnessed the rise and fall of numerous civilizations, including the Indus Valley Civilization, which flourished around 3300 BCE. Subsequent waves of migration and settlement by various ethnic groups, including Aryans, Dravidians, Greeks, Persians, and Mongols, contributed to the diversity of India's cultural landscape.

Religious Diversity:

India is the birthplace of major religions such as Hinduism, Buddhism, Jainism, and Sikhism, and has also been a melting pot of diverse faiths, including Islam, Christianity, Judaism, and Zoroastrianism. The religious tolerance and syncretism prevalent in India have resulted in a vibrant tapestry of rituals, festivals, and spiritual practices that coexist harmoniously. From the grand celebrations of Diwali and Eid to the solemnity of Buddhist retreats and Sikh gurdwaras, religion permeates every aspect of Indian life, shaping its customs, beliefs, and social structures.

Art and Architecture:

Indian art and architecture are renowned for their intricacy, symbolism, and spiritual significance. The ancient rock-cut temples of Ajanta and Ellora, the majestic forts and palaces of Rajasthan, and the exquisite carvings of temples in Khajuraho are testaments to India's rich architectural heritage. The country's artistic traditions encompass a wide array of mediums, including painting, sculpture, pottery, textiles, and performing arts such as dance, music, and theater. Classical dance forms like Bharatanatyam, Kathak, Odissi, and Kuchipudi, with their roots in mythology and spirituality, continue to captivate audiences worldwide with their grace and elegance.

Cuisien:

Indian cuisine is as diverse as its culture, with each region boasting its own unique flavors, ingredients, and cooking techniques. From the fiery curries of the south to the aromatic biryanis of the north, Indian food is a gastronomic delight that tantalizes the taste buds with its rich spices and bold flavors. Staples like rice, wheat, lentils, and vegetables form the foundation of Indian meals, which are often accompanied by chutneys, pickles, and dairy products like yogurt and paneer. Street food is also a ubiquitous part of Indian culinary

culture, offering a tantalizing array of snacks and sweets that cater to every palate.

Literature and Language:

India has a rich literary tradition dating back thousands of years, with ancient texts like the Vedas, Upanishads, and epics like the Ramayana and Mahabharata shaping the cultural consciousness of the nation. Sanskrit, the classical language of ancient India, has been the vehicle for some of the world's most profound philosophical and literary works. Over the centuries, regional languages like Tamil, Telugu, Kannada, Bengali, Marathi, Gujarati, and Punjabi have flourished, producing a wealth of literature in poetry, prose, and drama. The Indian diaspora has also made significant contributions to world literature, with writers like Salman Rushdie, Arundhati Roy, and Jhumpa Lahiri garnering international acclaim for their works.

Modern Cultural Expressions:

While India's cultural heritage is deeply rooted in tradition and history, it is also a dynamic and evolving entity that continues to adapt and innovate in response to changing times. The advent of globalization, urbanization, and technology has ushered in new forms of cultural expression, from Bollywood films and indie music to contemporary art and fashion. Social media platforms like Instagram and YouTube have provided a platform for young Indian artists, musicians, and influencers to showcase their talents and connect with audiences around the world. Despite the challenges of modernization, India remains proud of its cultural heritage, embracing both tradition and innovation in equal measure.

Conclusion: India's cultural tapestry is a testament to the resilience, creativity, and diversity of its people. Across the length and breadth of the subcontinent, from the snow-capped Himalayas to the sun-drenched beaches of Kerala, the spirit of India's cultural heritage continues to thrive, enriching the lives of millions and inspiring generations to come. As we celebrate the vibrant mosaic of traditions, languages, and customs that make up the fabric of Indian society, let us also recognize the importance of preserving and safeguarding this invaluable legacy for future generations to cherish and embrace.

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The Beauty of Kalamkari Sarees: A Timeless Tradition

Kalamkari sarees are a unique blend of art and tradition. Originating from India, these sarees showcase beautiful hand-painted or block-printed designs that tell stories from mythology and nature. The term "Kalamkari" comes from the Persian words "kalam," meaning pen, and "kari," meaning craftsmanship. This art form is primarily practised in Andhra Pradesh and Telangana, making these sarees a true representation of Indian culture.

What Makes Kalamkari Sarees Special?

Kalamkari sarees stand out for several reasons:

1. Artistic Designs

Each Kalamkari saree features intricate designs that often depict scenes from Hindu epics like the Ramayana and Mahabharata. The artistry involved in creating these sarees makes them unique and visually stunning. The designs can range from floral patterns to mythological figures, giving each piece a distinct character.

2. Handcrafted Quality

Unlike machine-made sarees, Kalamkari sarees are handcrafted, which adds to their charm. The process of making these sarees involves a lot of skill and patience. Artisans use natural dyes and traditional techniques to ensure that each saree is beautiful and eco-friendly.

3. Cultural Significance

Wearing a Kalamkari saree is like draping a piece of art. Each saree tells a story, making it an excellent choice for cultural events, festivals, and celebrations. They are also perfect for weddings, as they add a touch of elegance and tradition to any outfit.

The Process of Creating Kalamkari Sarees

The creation of a Kalamkari saree involves several steps, each requiring expertise:

1. Fabric Selection

Kalamkari sarees are usually made from natural fabrics like cotton or silk. The choice of fabric plays a significant role in the overall look and feel of the saree.

2. Design Creation

Artisans sketch the design on paper before transferring it to the fabric. This step is crucial as it ensures that the final product reflects the desired artistic vision.

3. Block Printing or Hand Painting

The designs are either block-printed using wooden blocks or hand-painted using a brush. Traditional colours, derived from natural sources, are used to create vibrant designs. This step requires precision and skill to bring the artwork to life.

4. Washing and Finishing

After the painting or printing process, the saree is washed to remove any excess dye. The finishing touches involve ironing and ensuring that the saree is ready for sale.

How to Style Kalamkari Sarees

Kalamkari sarees are versatile and can be styled in various ways. Here are some tips on how to wear them:

1. With a Classic Blouse

Pair your Kalamkari saree with a plain or contrasting blouse to highlight its intricate designs. A simple blouse allows the saree to take centre stage.

2. Accessorize Thoughtfully

Choose accessories that complement the saree. Traditional jewelry like jhumkas (earrings) and bangles can enhance the ethnic look. Avoid overly flashy accessories, as they can overshadow the saree’s beauty.

3. Footwear Matters

Select traditional footwear like juttis or sandals to complete your outfit. Comfortable footwear will ensure you feel at ease while looking stylish.

4. Experiment with Draping Styles

Try different draping styles to change your look. The Nivi drape is the most common, but experimenting with styles like the Bengali or Maharashtrian drape can give a fresh twist to your appearance.

Caring for Your Kalamkari Saree

To maintain the beauty of your Kalamkari saree, proper care is essential. Here are some tips:

1. Gentle Washing

Always hand wash your saree in cold water with a mild detergent. Avoid using bleach, as it can damage the fabric and colors.

2. Drying

Dry your saree in the shade to prevent colors from fading. Direct sunlight can harm the natural dyes used in Kalamkari.

3. Storage

Store your saree in a cool, dry place. Avoid hanging it, as it may lose its shape. Instead, fold it neatly and keep it in a cotton bag.

Where to Buy Kalamkari Sarees

Kalamkari sarees are available at various places, including:

1. Local Markets

Visit local artisan markets or ethnic stores to find authentic Kalamkari sarees. Buying directly from artisans supports their craft and ensures you get genuine products.

2. Online Stores

Many online platforms offer a wide range of Kalamkari sarees. Look for reputable sites that provide detailed descriptions and images. Check customer reviews to ensure you’re buying from a trustworthy source.

3. Festivals and Exhibitions

Keep an eye out for handicraft exhibitions and cultural festivals. These events often showcase traditional art forms, including Kalamkari sarees, giving you a chance to find unique pieces.

Conclusion

Kalamkari sarees are more than just clothing; they are a representation of India's rich cultural heritage. The intricate designs, handcrafted quality, and cultural significance make them a must-have for any wardrobe. Whether you’re dressing up for a wedding, a festival, or a casual outing, a Kalamkari saree adds a touch of elegance and tradition to your look.

So, embrace the beauty of Kalamkari sarees and celebrate the artistry that goes into creating these magnificent pieces. With proper care, your Kalamkari saree will remain a timeless addition to your collection for years to come.

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Exploring the Rich Tapestry of South Asia

Exploring the Rich Tapestry of South Asia

South Asia, a region in the southern part of Asia, is a diverse and vibrant area known for its rich cultural heritage, historical significance, and breathtaking landscapes. Comprising eight countries—India, Pakistan, Bangladesh, Nepal, Bhutan, Sri Lanka, the Maldives, and Afghanistan—South Asia offers a unique blend of traditions, languages, and experiences. Let’s embark on a journey to uncover the captivating essence of this remarkable region.

A Cultural Mosaic

South Asia is a cultural mosaic, with each country contributing its own distinct traditions and customs. From the intricate dance forms of Bharatanatyam in India to the soulful melodies of Sufi music in Pakistan, the region’s cultural diversity is a treasure trove of art and heritage. Festivals such as Diwali in India, Eid-ul-Fitr in Pakistan, and Buddha Jayanti in Nepal highlight the region’s rich religious and cultural tapestry.

Historical Significance

The history of South Asia is marked by a succession of great empires and kingdoms that have left an indelible impact on the region. The Indus Valley Civilization, one of the world’s oldest urban cultures, flourished here. The Maurya and Gupta empires, followed by the Mughal Empire, shaped much of South Asia’s historical narrative. The colonial period, dominated by British rule, significantly influenced the region’s modern history, leading to the independence movements that eventually created the current nations of South Asia.

Diverse Landscapes

From the snow-capped peaks of the Himalayas to the lush greenery of the Western Ghats, South Asia’s landscapes are as varied as its cultures. The Indian subcontinent features some of the world’s most beautiful natural wonders, including the serene backwaters of Kerala, the desert landscapes of Rajasthan, and the tropical beauty of Sri Lanka. The Maldives, with its stunning coral reefs and crystal-clear waters, offers a paradise for beach lovers and divers alike.

Culinary Delights

South Asian cuisine is a sensory delight, known for its rich flavors, aromatic spices, and diverse dishes. Indian cuisine features a wide array of regional specialties, from the spicy curries of the North to the seafood dishes of the South. Pakistani cuisine offers flavorful kebabs and biryanis, while Bangladeshi dishes highlight rice and fish. Nepalese cuisine, with its momos and dal bhat, and Sri Lankan cuisine, with its hoppers and sambols, further enrich the culinary landscape of South Asia. Each country’s food reflects its history, geography, and cultural influences, making the region a haven for food enthusiasts.

Languages and Literature

The linguistic diversity of South Asia is astounding, with hundreds of languages spoken across the region. Hindi, Bengali, Urdu, Tamil, and Nepali are just a few of the major languages. This linguistic richness is reflected in the region’s literature, which spans ancient epics like the Ramayana and Mahabharata to contemporary works by authors such as Salman Rushdie and Arundhati Roy. The literary tradition in South Asia is a testament to its deep cultural and intellectual heritage.

Challenges and Opportunities

While South Asia is a region of immense beauty and cultural richness, it also faces several challenges, including poverty, political instability, and environmental issues. However, these challenges also present opportunities for growth and development. Initiatives in education, technology, and sustainable development are paving the way for positive change and progress in the region.

Conclusion

South Asia is a land of contrasts and confluences, where ancient traditions coexist with modern advancements. Its rich cultural heritage, historical significance, and natural beauty make it a fascinating region to explore. As South Asia continues to evolve, it remains a testament to the resilience and vibrancy of its people and their enduring legacy. Whether you’re drawn to its bustling cities, serene landscapes, or flavorful cuisine, South Asia promises an unforgettable journey.

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Unique Telugu Baby Girl Names for Your Little Princess

Choosing the perfect name for your little princess can feel like a monumental task. After all, a name carries significant meaning and shapes one’s identity from the very beginning. With so many options available today, it’s essential to find a unique Telugu baby girl name that resonates with both tradition and modernity. Whether you’re on the lookout for something classic or trendy, this guide will help you navigate through beautiful names that celebrate culture while aligning with current baby name trends. Let’s embark on this enchanting journey together!

Traditional Telugu Names with Modern Meanings

Choosing a traditional Trending Baby Names name can connect your child to their roots while also embracing contemporary meanings. Names like Ananya, which means “unique,” reflect individuality in today’s world.

Another lovely option is Kavya, symbolizing poetry and creativity. This name resonates with the artistic spirit of modern society.

Lakshmi is another classic that embodies wealth and prosperity. It’s timeless yet remains relevant as families strive for abundance in various forms.

Similarly, Saanvi signifies knowledge and radiance. Bengali Names for girl In our fast-paced lives, this name serves as a reminder of the importance of wisdom and enlightenment.

These names blend heritage with present-day significance, Popular Telugu Baby names making them perfect choices for your little princess. They not only honor tradition but also offer a modern twist that parents appreciate today.

Names Inspired by Nature

Nature has a unique charm that often inspires beautiful names for baby girls. These names evoke images of lush landscapes, serene waters, and vibrant flora.

For instance, “Nila” means moon in Popular Baby Names, symbolizing serenity and beauty. Another lovely name is “Pallavi,” which signifies new leaves or sprouts—representing growth and renewal.

Names like “Vasudha” refer to Earth itself, showcasing strength and nurturing qualities. Similarly, “Saraswati,” associated with the river goddess, traditional Bengali baby names, embodies wisdom and purity.

Choosing a nature-inspired name connects your little girl to the world around her. Bengali Baby Girl Names with Meaning It serves as a constant reminder of life’s beauty and simplicity while embracing cultural roots. Each time you say her name, Bengali Girl Names , envision fields blooming or rivers flowing gently; it adds depth to her identity from an early age.

Names Based on Hindu Mythology

Hindu mythology is rich with vibrant stories and characters that inspire beautiful names. Bengali boy Names These names often embody strength, wisdom, and grace.

Consider “Sita,” a name symbolizing purity and devotion, derived from the epic Ramayana. Another enchanting choice is “Radha,” popular baby names in telugu representing love and passion, central to many tales of Lord Krishna.

Names like “Gauri” are also popular; it signifies beauty and brightness while honoring Goddess Durga’s benevolence. Alternatively, “Lakshmi” evokes prosperity and abundance—a wonderful aspiration for any child.

Each name carries deep meanings rooted in tradition yet remains trendy among current baby name trends. Embracing these timeless names connects your little girl to an ancient narrative filled with courage, virtue, and divine femininity.

Names with a Strong and Powerful Meaning

Choosing a name with strength can set the tone for a child’s future. top baby girl names in marathi, Powerful names often carry weight and significance, making them memorable.

Names like Aadhya mean “first power,” symbolizing leadership and resilience. It’s an uplifting choice that resonates with ambition.

Another strong option is Dhruvi, which means “constant” or “steadfast.” This name inspires stability in an ever-changing world.

Vihaan, meaning “dawn” or “new beginning,” Trending Baby Names in Bengali, evokes hope and positivity. Parents who wish their daughters to be beacons of light may find this appealing.

Consider Kavya, which translates to “poetry.” Trending Baby Names bengali  It symbolizes creativity coupled with strength  Bengali Names for Boys a beautiful blend for any little princess destined for greatness.

These names not only sound lovely but also empower your baby girl from the very start of her journey through life.

Unique and Uncommon Telugu Names for Girls

Choosing a name for your little girl is a delightful journey. Unique and uncommon Current Baby Name Trends can add an extra layer of charm to this experience.

Names like Anvisha, meaning “one who is pure,” Trending Baby Names in marathi stand out with their elegant sound and rich significance. Another exquisite choice could be Charulatha, symbolizing beauty intertwined with grace.

For something truly rare, consider Dhanvika, which translates to “wealthy” or “prosperous.” popular baby names in marathi  It not only brings uniqueness but also embodies aspirations for abundance in life.

Each name carries its own story; Amaravati means “immortal city,” echoing the deep historical roots of Modern Baby Names culture. These names are perfect for parents seeking originality while honoring tradition.

Embracing these unique options allows you to gift your daughter a distinctive identity that she will cherish throughout her life.

Tips for Choosing the Right Name for Your Baby Girl

Choosing a name for your Trending Baby Names hindu can be both exciting and overwhelming. Start by considering the sound of the name. Say it out loud to see how it flows with your last name.

Think about meanings, too. Trending Baby Names Indian A name that represents strength or love can have a lasting impact on her identity. Research names from various cultures; you might find hidden gems.

Don’t shy away from uniqueness, Trending Baby Names boy but avoid overly complicated spellings that may lead to confusion throughout her life.

Involve family in the process if that feels right—sometimes, loved ones offer surprising insights that resonate deeply.

Trust your instincts. Trending Baby Names girl The perfect name often feels just right when you find it. Embrace this beautiful journey; it’s an opportunity to reflect your hopes and dreams for her future through something as simple yet profound as a name.

Embracing Your Heritage through Naming Your Child

Naming your child is more than just a choice; it’s an opportunity to celebrate your heritage. Each name carries history, culture, and significance.

When you choose a Baby Names by 2024name for your baby girl, you’re weaving together threads of tradition with the present day. Names can reflect the values and stories of generations past. They connect your child to their roots.

Embracing cultural names also fosters pride in identity. Trending Baby Names india As they grow up, they’ll appreciate the rich legacy behind their name. Sharing its meaning can create bonding moments within families.

Additionally, unique Baby Names by 2025 names often spark curiosity among peers and communities. This not only encourages discussions about heritage but cultivates respect for diversity.

In today’s world, where globalization influences choices, holding onto traditional names enhances individuality while honoring one’s background beautifully.

Conclusion

Choosing the right name for your baby girl is a journey filled with love, tradition, and meaning. The options are abundant when it comes to Telugu names that reflect beauty, strength, and culture. From traditional names with deep roots to modern interpretations inspired by nature or mythology, every choice tells a story.

As you explore unique Telugu baby girl names for your little princess, consider the significance behind each one. Embrace your heritage while ensuring the name resonates with contemporary relevance. Whether you lean toward popular selections or seek something more uncommon, remember that this name will accompany her throughout her life.

Take your time in selecting a name that feels right for both you and your family. It’s not just about following current trends; it’s about honoring past traditions while looking forward to future possibilities. Whatever name you choose will make an indelible mark on her identity—one of love and pride as she grows into herself in years to come.

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HANDLOOM SARIS

Handloom saris are a traditional textile art of Bangladesh and India. The production of handloom saris is important for economic development in rural India.

Completion of a single sari takes two to three days of work. Several regions have their own traditional styles of weaving handloom saris.

The weaving process

A handloom sari is often woven on a shuttle-pit loom made from ropes, wooden beams and poles.The shuttle is thrown from side-to-side by the weaver. Other weavers use a fly-shuttle loom which can produce different types of patterns. The saris can vary in size and quality.

Handloom sari weaving is generally a family business and is one of India's cottage industries. The handloom saris are made from silk or cotton threads. The handloom weaving process requires several stages in order to produce the final product. Traditionally the processes of dyeing (during the yarn, fabric, or garment stage), warping, sizing, attaching the warp, weft winding and weaving were done by weavers and local specialists around weaving villages. However, currently most of the activities are outsourced.

Major regional weaving traditions

Weaving takes place in many regions of India. Each region follows traditions for the motifs, designs and colours. Handloom weaving takes place in villages supporting lakhs (hundred thousands) of families for their livelihoods.

Types of handloom sari

Tant sari is a traditional sari of Bangladesh. "Tant" means "Handloom" in Bengali language. Handloom industry of Tangail is famous for its Tangail saris which are also a type of Tant sari.Some of the well-known Indian handloom saris are Kanchipuram silk saris, Maheshwari saris, Bagh print saris, Chanderi silk saris, Tussar silk saris, Banarasi silk saris, Baluchuri saris, Sambalpuri saris, Kantha stitch saris, Bandhani saris and Munga saris. Some handloom saris are made out of high-quality silk fabric, which is valued for its lustre.

Tant sari

Tant saris are one of the earliest sari weaving techniques. It is the most common cloth used by Bengali women. Bengal Tant handlooms especially thrived during the Mughal period in Dhaka and Sonargaon, where it received immense support from the royalty with muslin and jamdani which are now a Intangible cultural heritage as well as Gi products of Bangladesh.

Tangail saris

Tangail weaving stands as one of Bangladesh’s oldest cottage industries, with Tangail weave sarees gaining global appreciation.The immensely popular Handloom sarees from, Tangail, Bangladesh are known for their finer count and intricate designs, with extra warp designs using coloured yarn.Coloured threads getting dried in the sun in Tangail

Baluchari saris

The designs on Baluchari saris feature mythology stories that can be seen in the temples of Bishnupur & Bankura of West Bengal. The pallus and borders showcase elaborate designs of flowers, animals and royal court scenes. Some feature scenes from the Ramayana and Mahabharata. The most popular colours of Baluchari saris are green, red, white and yellow.Famous Kanchipuram saris

A master weaver usually takes 20–25 days to complete weaving of a Baluchari sari.

Kanchipuram saris

The quality of zari used in weaving Kanchipuram saris in Tamil Nadu is viewed as high quality and attracts foreign visitors. The zaris used are generally gold and silver.Banarasi saris

Tussar saris

Tussar sari are soft to touch and are woven in areas of Chhattisgarh, Jharkhand and Bhagalpur. The bright colour combinations and the breathable nature of the fabric make it unique.

Banarasi saris

Banarasi saris have been a valuable possession for brides. Woven by craftsmen of Uttar Pradesh, they feature intricately woven designs with golden and silver threads. These saris are usually heavy and are traditionally worn in festivals as well as at weddings.A handloom weavers works 10 hours every day at a Bharat Sthali handloom in Banaras, Uttar Pradesh

Impact on the economy and weavers' cooperatives

The handloom sector plays a vital role in India's economy. It is responsible for nearly 22%[of the cloth produced in the country. The handloom sector is the second largest economic activity after agriculture, employing nearly 30 lakh (three hundred thousand) weavers and 4.33 million people in all, according to the Handloom Census of 2009–2010. In the 2010 census, 4.4 million families were engaged in hand weaving. In December 2011, the handloom industry wove 6.9 billion square metres (74.3 billion square feet) of cloth.

The economic policy in India aims to advance the handloom industry from the pre-independence period. The Textile Policy 1985 emphasized the promotion of handloom garments. Andhra Pradesh is said to be the home of 359,212 weaver families who work in primary cooperative handloom societies. Primary Handloom Weavers Cooperatives (PHWCS) includes weavers within certain specific geographical limits and provides production work to the members. The cooperatives also ensure that the weavers receive fair wages and conduct various welfare measures.

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Tgungczyeszenphi: A Celebration of South Asian and Southeast Asian Cultures

Welcome to Tgungczyeszenphi, a vibrant space where the rich tapestries of South Asian and Southeast Asian cultures come alive. Here, we explore the traditions, cuisines, arts, and histories that make these regions so captivating. Join us on a journey through the diverse and colorful landscapes of South Asia and Southeast Asia.

The Diverse Tapestry of South Asia

South Asia, home to a myriad of cultures, languages, and traditions, is a region of immense diversity and historical depth. From the majestic Himalayas to the bustling cities of India, Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan, and the Maldives, each country offers a unique cultural experience.

Traditions and Festivals

Diwali (India): Known as the Festival of Lights, Diwali is celebrated with the lighting of lamps, fireworks, and feasts. It symbolizes the victory of light over darkness and good over evil.

Pohela Boishakh (Bangladesh): The Bengali New Year, marked by vibrant parades, traditional music, and delicious food, is a time for renewal and celebration.

Culinary Delights

South Asian cuisine is a feast for the senses, characterized by its bold flavors and aromatic spices.

Biryani: A fragrant rice dish cooked with spices, meat, and sometimes vegetables. Each region has its own version, from Hyderabadi to Kolkata biryani.

Masala Chai: This spiced tea, made with black tea, milk, and a blend of spices like cardamom and ginger, is a staple in many South Asian homes.

The Vibrant Cultures of Southeast Asia

Southeast Asia, encompassing countries like Thailand, Vietnam, Indonesia, Malaysia, the Philippines, Singapore, Myanmar, Cambodia, Laos, Brunei, and Timor-Leste, is a region of stunning natural beauty and rich cultural heritage.

Traditions and Festivals

Songkran (Thailand): The Thai New Year is celebrated with water fights and rituals to wash away bad luck and usher in good fortune.

Tet (Vietnam): The Vietnamese Lunar New Year is a time for family reunions, traditional foods, and honoring ancestors.

Culinary Delights

Southeast Asian cuisine is renowned for its fresh ingredients and harmonious balance of flavors.

Pho (Vietnam): A flavorful noodle soup made with beef or chicken, herbs, and spices, often enjoyed as a comforting breakfast.

Nasi Goreng (Indonesia): A savory fried rice dish, often served with a fried egg on top, and flavored with kecap manis (sweet soy sauce) and sambal (chili paste).

Artistic Expressions

Both South Asia and Southeast Asia boast rich artistic traditions that reflect their histories and cultural values.

South Asian Arts

Classical Dance: Bharatanatyam, Kathak, and Odissi are just a few of the classical dance forms that tell stories through intricate movements and expressions.

Miniature Paintings: Originating from regions like Rajasthan and Mughal courts, these detailed artworks depict historical events, court scenes, and mythology. Southeast Asian Arts

Wayang Kulit (Indonesia): Traditional shadow puppetry that narrates epic tales from Hindu epics like the Ramayana and Mahabharata. Batik (Indonesia and Malaysia): A fabric dyeing technique using wax to create intricate patterns and designs, recognized by UNESCO as a Masterpiece of Oral and Intangible Heritage.

Connecting the Dots: Shared Heritage and Influences

The histories of South Asia and Southeast Asia are interwoven with shared influences, particularly through trade, religion, and migration.

Buddhism and Hinduism: These religions have deeply influenced the cultural and spiritual lives of many Southeast Asian countries, with ancient temples like Angkor Wat in Cambodia and Borobudur in Indonesia standing as testaments to this shared heritage. Maritime Silk Route: The historical trade routes facilitated the exchange of goods, ideas, and cultural practices, enriching both regions.

Embracing Our Heritage

At Tgungczyeszenphi, we celebrate the beauty and diversity of South Asian and Southeast Asian cultures. By exploring their traditions, arts, and cuisines, we honor the past and inspire a deeper appreciation for these vibrant regions.

Join us on this journey of discovery and celebration, as we delve into the wonders of South Asia and Southeast Asia. Welcome to Tgungczyeszenphi, where cultures converge and heritage thrives.

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Celebrating Diversity: Regional Variations in Indian Traditional Paintings

India is a country with diversity in cultures, languages, and customs; each area adds its own distinct character to the nation's extensive historical fabric. The unique traditional art forms that have developed throughout the nation are one of the most compelling examples of this diversity. Indian traditional paintings are unique among them, providing a visual feast of colours, subjects, and techniques that are specific to each location.

In this blog, we will look at different Indian states and their special contributions to art. From the vivid colours of Rajasthan to the tranquil surroundings of Kerala, every area has its own unique aesthetic that reflects its ethos, history, and culture.

Indian States and Their Popular Painting Styles

Indian paintings are very popular globally for their depiction of culture and mythology. Indian paintings remind us of the love we have for our diverse culture, beliefs, and traditions. All 28 states offer some unique form of art. Let's have a look at some of the Indian states and their popular forms of art.

Rajasthan: The Land of Royalty and Colours

Rajasthan is a state known for its beautiful palaces, long stretches of desert, and rich forms of art like singing, dancing, and painting. The state is well known for its miniature paintings. This style of Indian traditional paintings have gained a lot of popularity globally for its intricate detailing and rich cultural themes.

These paintings usually feature royal portraits, historical events, and mythological scenes.  From the vibrant markets of Jaipur to the imposing forts of Jodhpur, each brushstroke depicts a tale of bravery, passion, and extravagance. You can pair these intense paintings with a simple abstract wall art to create an unorthodox focal point in your room.

West Bengal: The Meeting Point of Nature and Emotions

From the north western state of Rajasthan, we now move towards the eastern state of West Bengal. Patachitra and Kalighat art are two renowned forms of art in West Bengal. Kalighat paintings originated in the Kalighat Kali temple around the 19th century and are known for their bold lines and visually striking composition.

In Patachitra paintings, ‘pata’ means fabric or cloth, and ‘chitra’ means drawing or painting. Originally, this style of painting was crafted on pieces of fabric, but later it was drawn on canvas. Patachitra paintings primarily feature depictions of Indian Gods and Goddesses.  Bengali paintings arouse feelings of spirituality and appreciation for nature, influenced by the lush landscapes of the Sundarbans and the ethereal aura of the Ganga.

Kerala: The Mythical and Divine Land

From the east now, we move to the Southern part of India, Kerala. Aside from a 100% literacy rate, Kerala is also known for its unique style of painting. This God owned land's love for art is evidently visible in its intricate temple architecture. Its traditional mural paintings represent themes from local folklore and Hindu mythology on the walls of old temples and palaces.

The elaborate details, vivid colours, and expansive compositions of these paintings define them. Kerala murals provide an insight into the rich cultural legacy of the state, showcasing everything from the celestial beings of the Ramayana to the fantastical creatures of Kathakali dance.

Gujarat: A Fusion of Innovation and Tradition

Gujarat, a state in western India, has a distinctive style of traditional painting that combines creativity and tradition. Among the most well-known forms are Pithora paintings and Kalamkari art, which are renowned for their elaborate designs and brilliant colours.

Pithora paintings originated in the Pithoragarh region of Gujarat, where members of the Bhil and Rathwa tribes depicted their tribal culture and beliefs in paintings. Kalamkari paintings are known for their intricate details and delicate curves. They usually depict animals, plants, and God portraits. Gujarati paintings honour the spirit of creativity and workmanship, drawing inspiration from the folk customs and tribal heritage of the area.

Conclusion

As our tour of the many regional variations in Indian traditional paintings draws to an end, we are reminded of the incredible art of creativity and culture that make up our country. Every region has a different take on art and aesthetics, from the tranquil backwaters of Kerala to the royal courts of Rajasthan. These are some of the best wall paintings for the living room if you have a traditional Indian decor.

If you are looking to buy Indian traditional paintings for your living room, you can check out Satguru’s. They have an amazing collection of affordable paintings that can serve as amazing focal points in your space. Along with Indian traditional paintings, they also have an amazing collection of Modern art, Spiritual and Landscape paintings. Visit Satguru’s to find a painting that connects with you and your taste.

[brookston]

Holidays 4.14

Holidays

Air Force Reserve Day

American Dictionary Day

Americas Day (Honduras, Mexico)

Anfal Genocide Memorial Day

Black Day (South Korea)

Blessing of the Salmon Nets (Northumbria)

Bon Jovi Day (New Jersey)

Cake and Cunnilingus Day

Children’s Day (Peru)

Children with Alopecia Day

Commemoration of Anfal Genocide Against the Kurds (Iraqi Kurdistan)

Cuckoo Day (Old England)

Day of Mologa (Russia)

Day of (No) Silence (GLSEN)

Day of the Georgian Language

Day of the Skater

Dhivehi Language Day (Maldives)

Dictionary Day

Donate Life Blue & Green Day

Draw MegaMan Day

Dreams of Reason Feast Day

Ex-Spouse's Day

414 Day

Global Roller Day

Grand National Ladies Day (UK)

Gujarat (Fire Service Day; India)

International Goalkeeper Day

International Moment of Laughter Day

International Silambam Day

Kids’ Yoga Day

Kinetoscope Day

Look Up at the Sky Day

Lundkommardagen (Puffin Arrival Day; Norway) 

Meme Appreciation Day

Milwaukee Day (414)

Moirang Day (a.k.a. Victory Day; India)

National Bracelet Day

National Dolphin Day

National Donate a Book Day

National Gardening Day

National Kick Balls Day

National Love Our Children Day

National Not Ashamed of Jesus Day

National Perfume Day

National Reach as High as You Can Day

N'Ko Alphabet Day (Mande)

Orange Day (Japan)

Pan American Day

Pathologists’ Assistant Day

Peregrine Falcon Appreciation Day

Peter Capaldi Day

Pigeon Day (French Republic)

Reach As High As You Can Day

Samjinnal (Arrival of Spring; Korea)

Secret Service Day

Spring Hula Hooping Day

Tempting Fate Day

Takayama Spring Festival (Japan)

Thingyan begins (Water Festival; Burma)

Winnie Madikizela-Mandela Day of Service (South Africa)

World Chagas Day

World Quantum Day

Youth Day (Angola)

Food & Drink Celebrations

Espresso Italiano Day (Italy)

International Laverbread Day

Laverbread Day

National Grits Day

National Pecan Day

Oreo Cookie Cheesecake Day

Saison Day

Tannat Day (Uruguay)

2nd Sunday in April

Air Defense Forces Day (Belarus, Russia) [2nd Sunda

Global Day to End Sexual Abuse [2nd Sunday]

Weekly Holidays beginning April 14 (3rd Week)

Animal Control Appreciation Week [2nd Full Week in April]

Animal Cruelty/Human Violence Awareness Week Week [3rd Week in April]

Astronomy Week — Spring [thru 4.20]

Cleaning For A Reason Week [begins 2nd Sunday]

National Coin Week [3rd Week in April]

National Dog Bite Prevention Week [3rd Week in April]

National Public Safety Telecommunications Week [2nd Full Week in April]

National Student Employment Week [2nd Full Week in April]

National Volunteer Week Week [3rd Week in April]

Neurodiagnostic Week [3rd Week in April]

Organize Your Files Week Week [3rd Week in April]

Pan American Week [Week of 4.14]

Independence & Related Days

Jonja Island (Declared; 2022) [unrecognized]

Lawfords (a.k.a. Kingdom of Lawfords; Declared; 2021) [unrecognized]

New Year’s Days

Hindi New Year (a.k.a. …

Assamese New Year

Baisakhi (Parts of India)

Bisket Jatra (Nepali New Year)

Bohag Bihu (Assam Valley)

Cambodian New Year

Chetti Chand (Parts of India)

Guḍhī Pāḍavā [1st Day of Chaitra]

Hari Raya Yep Tahun Baru (Indonesia)

Malayali New Year (Kerala)

Nyepi Day (a.k.a. Day of Silence; Bali)

Ougadi (Mauritius)

Pi Mai (Laotian New Year)

Ramayana begins

Sajibu Nongmapanba (Cheiraoba, Manipur, India)

Telgu New Year

Thingyan begins (Burma)

Ugadi (Parts of India)

Vaisakhi (Parts of India)

Kerala New Yea (India)

New Year's Day (Assamese, Bengali, Burmese, Sikh, Khmer, Lao, Nepali, Oriya, Sinhalese, Tamil, Thai, Tuluva; Southeast Asia) [Sidereal Vernal Equinox]

Sidereal New Year (South and Southeast Asian) (a.k.a. …

Aluth Avurudda (Sri Lanka)

Biju Festival (Parts of India)

Bisu (Tulu Nadu region of Karnataka and Kerala, India)

Bizhu (Chakmas in Mizoram, Tripura and Bangladesh)

Bohag Bihu (Assam, India)

Buisu (Tripura, India)

Bwisagu (Bodoland region of Assam, India)

Cheiraoba (Parts of India)

Choul Chnam Thmey (Cambodia)

Jur Sital (Mithila region of Bihar, India and Nepal)

Khmer New Year (Cambodia)

Maha Vusubha Sankranti (Parts of India)

Oriya New Year (Parts of India)

Pahela Baishakh (Bangladesh and West Bengal, India)

Pana Sankranti (Odisha, India)

Pi Mai (Laos)

Puthandu (Tamil Nadu and Puducherry, India and Northern and Eastern regions of Sri Lanka)

Rongali Bihu (Parts of India)

Samjinnal (Korea)

Sangken (Khamti, Singpho, Khamyang, Tangsa in Arunachal Pradesh and Tai Phake, Tai Aiton, and Turung in Assam, India)

Sinhala (Sri Lanka)

Songkran (Thailand)

Tamil New Year (Parts of India)

Thingyan (Myanmar)

Tuluva New Year (Parts of India)

Vaisakhi (Punjab, North and Central India, Nepalese New Year in Nepal)

Varusha Pirruppa (Tamil New Year; Mauritius)

Vishu (Kerala, India)

Water-Sprinkling Festival (Yunnan, China)

Festivals Beginning April 14, 2024

Alphretta Wine Festival (Alpharetta, Georgia)

The Chocolate Expo (Long Island, New York)

International Rose & Wine Festival (Shreveport, Louisiana)

New Haven Restaurant Week (New Haven, Connecticut) [thru 4.19]

Ocean City Restaurant Week (Ocean City, Maryland) [thru 4.19]

Seville Fair (Seville, Spain) [thru 4.20]

Vinitaly (Verona, Italy) [thru 4.17]

ZagreDox (Zagreb, Croatia) [thru 4.21]

Zilker Kite Festival (Austin, Texas)

Feast Days

Abushibarei (Ryukyuan)

Adolph Hitler Day (Church of the SubGenius; Saint)

Albategnius (Positivist; Saint)

Ambedkar Jayanti (India)

Ardalion (Christian; Martyrs)

Bénézet (Christian; Saint)

Bernard of iron (Christian; Saint)

Caradoc, Benezet, John, Antony and Eustace (Christian; Martyrs)

Carpus of Thyatira (Christian; Saint)

Domnina of Terni (Christian; Saint)

Elfin Choirs Congress (Shamanism)

The Extremes (Muppetism)

Gabriel Jacques de Saint-Aubin (Artology)

Galungan (Celebrating Victory of Dharma over Adharma; Bali)

Henry Beard Delany (Episcopal Church (USA))

Justin (Christian; Martyr)

Lambert of Lyons (Christian; Saint)

Lidwina (a.k.a. B. Lidwina of Schiedam or Lydwina; Christian; Saint)

Look Up at the Sky Day (Pastafarian)

Marianne’s Day (Pagan)

Maryamma (Goddess of the Sea; Hinduism; Everyday Wicca)

Peter González (Christian; Saint)

Sommarsblot (Norse)

Three Smiles Day (Celtic Book of Days)

Tiburtius, Valerian, and Maximus (Christian; Martyrs)

Victor Borisov-Musatov (Artology)

Islamic Moveable Calendar Holidays

Eid al-Fitr celebrations continue (Islam)

Lucky & Unlucky Days

Historically Bad Day (Lincoln shot, Titanic hit an iceberg & 9 other tragedies) [1 of 11]

Tomobiki (友引 Japan) [Good luck all day, except at noon.]

Umu Limnu (Evil Day; Babylonian Calendar; 17 of 60)

Premieres

About Damn Time, by Lizzo (Song; 2022)

American Psycho (Film; 2000)

Batman vs. Robin (WB Animated Film; 2015)

Beach Blanket Bingo (Film; 1965)

Beauty and the Beast (WB MM Cartoon; 1934)

The Big Bad Wolf (Disney Silly Symphonies Cartoon; 1934)

British Steel, by Judas Priest (Album; 1980)

Buddy’s Garage (WB LT Cartoon; 1934)

Bye Bye Birdie (Broadway Musical; 1960)

The Candle in the Wind, by T.H. White (Novel; 1958) [Once and Future King #4]

Cannery Roden (Tom & Jerry Cartoon; 1967)

Diver Down, by Van Halen (Album; 1982)

Execution Dock, by Anne Perry (Novel; 2009)

The Fair-Haired Hare (WB LT Cartoon; 1951)

Farewell Waltz, by Milan Kundera (Novel; 1972)

The Fate of the Furious [F&F #8]

Girl Happy (Film; 1965)

Grape Nutty (Color Rhapsody Cartoon; 1949)

The Grapes of Wrath by John Steinbeck (Novel; 1939)

The Hash Shop (Oswald he Lucky Rabbit Cartoon; 1930)

The History of Sexuality, by Michel Foucault (Philosophy Book; 1976)

Iceland's Bell, by Halldór Laxness (Novel; 1943)

Insulin’ the Sultan (Ub Iwerks Cartoon; 1934)

The Invisible Man, by Ralph Ellison (Novel; 1952)

Iron Maiden, by Iron Maiden (Album; 1980)

It Takes a Nation of Millions to Hold Us Back, by Public Enemy (Album; 1988)

Keeping the Faith (Film; 2000)

The King of Torts, by John Grisham (Novel; 2003)

Kinky Boots (Film; 2006)

The Legend of Korea (Animated TV Series; 2012)

Let’s Dance, by David Bowie (Album; 1983)

The Missing Piece Shel Silverstein (Children’s Book; 1976)

Mixed Master (WB LT Cartoon; 1956)

Much Ado About Mousing (Tom & Jerry Cartoon; 1964)

The Notorious Bettie Page (Film; 2006)

Off the Deep End, by Weird Al Yankovic (Album; 1992)

The Pebble and the Penguin (Animated Film; 1995)

Put Me in the Zoo, by Robert Lopshire (Children’s Book; 1960)

Put-Put, Pink (Pink Panther Cartoon; 1968)

Renfield (Film; 2023)

Ripley’s Believe It or Not! (Radio Series; 1930)

Rocket Man, by Elton John (Song; 1972)

Say Anything (Film; 1989)

Shift: First Shift — Legacy, by Hugh Howey (Novel; 2012)

Spark (Animated Film; 2017)

Thank You For Smoking (Film; 2006)

Ultra, by Depeche Mode (Album; 1997)

Webster’s American Dictionary (Book; 1818)

The Wild (Animated Film; 2006)

Today’s Name Days

Elmo, Erna, Ernestine (Austria)

Maksim, Valerijan, Zdravko (Croatia)

Vincenc (Czech Republic)

Tiburtius (Denmark)

Lehe, Lehte, Lehti (Estonia)

Taito (Finland)

Ludivine, Maxime (France)

Elmo, Erna, Ernestine (Germany)

Aristarhos, Thomais (Greece)

Tibor (Hungary)

Abbondio, Ignazio, Lamberto (Italy)

Agape, Gudrite, Strauja (Latvia)

Justinas, Vaišvydė, Vaiva, Valerijonas, Visvaldas (Lithuania)

Ellinor, Nora (Norway)

Berenike, Julianna, Justyn, Maria, Myślimir, Tyburcjusz, Walerian, Waleriana (Poland)

Pahomie (Romania)

Maria (Russia)

Justína (Slovakia)

Lidia, Tiburcio, Valeriano (Spain)

Tiburtius (Sweden)

Martin (Ukraine)

Caradoc, Carey, Cary, Hudson (USA)

Today is Also…

Day of Year: Day 105 of 2024; 261 days remaining in the year

ISO: Day 7 of week 15 of 2024

Celtic Tree Calendar: Saille (Willow) [Day 1 of 28]

Chinese: Month 3 (Wu-Chen), Day 6 (Wu-Shen)

Chinese Year of the: Dragon 4722 (until January 29, 2025) [Wu-Chen]

Hebrew: 6 Nisan 5784

Islamic: 5 Shawwal 1445

J Cal: 15 Cyan; Oneday [15 of 30]

Julian: 1 April 2024

Moon: 38%: Waxing Crescent

Positivist: 21 Archimedes (4th Month) [Hippachus]

Runic Half Month: Man (Human Being) [Day 5 of 15]

Season: Spring (Day 27 of 92)

Week: 3rd Week of April

Zodiac: Aries (Day 25 of 31)

Calendar Changes

April (a.k.a. Aprilis; Julian Calendar) [Month 4 of 12]

Saille (Willow) [Celtic Tree Calendar; Month 4 of 13]

[brookstonalmanac]

Holidays 4.14

Holidays

Air Force Reserve Day

American Dictionary Day

Americas Day (Honduras, Mexico)

Anfal Genocide Memorial Day

Black Day (South Korea)

Blessing of the Salmon Nets (Northumbria)

Bon Jovi Day (New Jersey)

Cake and Cunnilingus Day

Children’s Day (Peru)

Children with Alopecia Day

Commemoration of Anfal Genocide Against the Kurds (Iraqi Kurdistan)

Cuckoo Day (Old England)

Day of Mologa (Russia)

Day of (No) Silence (GLSEN)

Day of the Georgian Language

Day of the Skater

Dhivehi Language Day (Maldives)

Dictionary Day

Donate Life Blue & Green Day

Draw MegaMan Day

Dreams of Reason Feast Day

Ex-Spouse's Day

414 Day

Global Roller Day

Grand National Ladies Day (UK)

Gujarat (Fire Service Day; India)

International Goalkeeper Day

International Moment of Laughter Day

International Silambam Day

Kids’ Yoga Day

Kinetoscope Day

Look Up at the Sky Day

Lundkommardagen (Puffin Arrival Day; Norway) 

Meme Appreciation Day

Milwaukee Day (414)

Moirang Day (a.k.a. Victory Day; India)

National Bracelet Day

National Dolphin Day

National Donate a Book Day

National Gardening Day

National Kick Balls Day

National Love Our Children Day

National Not Ashamed of Jesus Day

National Perfume Day

National Reach as High as You Can Day

N'Ko Alphabet Day (Mande)

Orange Day (Japan)

Pan American Day

Pathologists’ Assistant Day

Peregrine Falcon Appreciation Day

Peter Capaldi Day

Pigeon Day (French Republic)

Reach As High As You Can Day

Samjinnal (Arrival of Spring; Korea)

Secret Service Day

Spring Hula Hooping Day

Tempting Fate Day

Takayama Spring Festival (Japan)

Thingyan begins (Water Festival; Burma)

Winnie Madikizela-Mandela Day of Service (South Africa)

World Chagas Day

World Quantum Day

Youth Day (Angola)

Food & Drink Celebrations

Espresso Italiano Day (Italy)

International Laverbread Day

Laverbread Day

National Grits Day

National Pecan Day

Oreo Cookie Cheesecake Day

Saison Day

Tannat Day (Uruguay)

2nd Sunday in April

Air Defense Forces Day (Belarus, Russia) [2nd Sunda

Global Day to End Sexual Abuse [2nd Sunday]

Weekly Holidays beginning April 14 (3rd Week)

Animal Control Appreciation Week [2nd Full Week in April]

Animal Cruelty/Human Violence Awareness Week Week [3rd Week in April]

Astronomy Week — Spring [thru 4.20]

Cleaning For A Reason Week [begins 2nd Sunday]

National Coin Week [3rd Week in April]

National Dog Bite Prevention Week [3rd Week in April]

National Public Safety Telecommunications Week [2nd Full Week in April]

National Student Employment Week [2nd Full Week in April]

National Volunteer Week Week [3rd Week in April]

Neurodiagnostic Week [3rd Week in April]

Organize Your Files Week Week [3rd Week in April]

Pan American Week [Week of 4.14]

Independence & Related Days

Jonja Island (Declared; 2022) [unrecognized]

Lawfords (a.k.a. Kingdom of Lawfords; Declared; 2021) [unrecognized]

New Year’s Days

Hindi New Year (a.k.a. …

Assamese New Year

Baisakhi (Parts of India)

Bisket Jatra (Nepali New Year)

Bohag Bihu (Assam Valley)

Cambodian New Year

Chetti Chand (Parts of India)

Guḍhī Pāḍavā [1st Day of Chaitra]

Hari Raya Yep Tahun Baru (Indonesia)

Malayali New Year (Kerala)

Nyepi Day (a.k.a. Day of Silence; Bali)

Ougadi (Mauritius)

Pi Mai (Laotian New Year)

Ramayana begins

Sajibu Nongmapanba (Cheiraoba, Manipur, India)

Telgu New Year

Thingyan begins (Burma)

Ugadi (Parts of India)

Vaisakhi (Parts of India)

Kerala New Yea (India)

New Year's Day (Assamese, Bengali, Burmese, Sikh, Khmer, Lao, Nepali, Oriya, Sinhalese, Tamil, Thai, Tuluva; Southeast Asia) [Sidereal Vernal Equinox]

Sidereal New Year (South and Southeast Asian) (a.k.a. …

Aluth Avurudda (Sri Lanka)

Biju Festival (Parts of India)

Bisu (Tulu Nadu region of Karnataka and Kerala, India)

Bizhu (Chakmas in Mizoram, Tripura and Bangladesh)

Bohag Bihu (Assam, India)

Buisu (Tripura, India)

Bwisagu (Bodoland region of Assam, India)

Cheiraoba (Parts of India)

Choul Chnam Thmey (Cambodia)

Jur Sital (Mithila region of Bihar, India and Nepal)

Khmer New Year (Cambodia)

Maha Vusubha Sankranti (Parts of India)

Oriya New Year (Parts of India)

Pahela Baishakh (Bangladesh and West Bengal, India)

Pana Sankranti (Odisha, India)

Pi Mai (Laos)

Puthandu (Tamil Nadu and Puducherry, India and Northern and Eastern regions of Sri Lanka)

Rongali Bihu (Parts of India)

Samjinnal (Korea)

Sangken (Khamti, Singpho, Khamyang, Tangsa in Arunachal Pradesh and Tai Phake, Tai Aiton, and Turung in Assam, India)

Sinhala (Sri Lanka)

Songkran (Thailand)

Tamil New Year (Parts of India)

Thingyan (Myanmar)

Tuluva New Year (Parts of India)

Vaisakhi (Punjab, North and Central India, Nepalese New Year in Nepal)

Varusha Pirruppa (Tamil New Year; Mauritius)

Vishu (Kerala, India)

Water-Sprinkling Festival (Yunnan, China)

Festivals Beginning April 14, 2024

Alphretta Wine Festival (Alpharetta, Georgia)

The Chocolate Expo (Long Island, New York)

International Rose & Wine Festival (Shreveport, Louisiana)

New Haven Restaurant Week (New Haven, Connecticut) [thru 4.19]

Ocean City Restaurant Week (Ocean City, Maryland) [thru 4.19]

Seville Fair (Seville, Spain) [thru 4.20]

Vinitaly (Verona, Italy) [thru 4.17]

ZagreDox (Zagreb, Croatia) [thru 4.21]

Zilker Kite Festival (Austin, Texas)

Feast Days

Abushibarei (Ryukyuan)

Adolph Hitler Day (Church of the SubGenius; Saint)

Albategnius (Positivist; Saint)

Ambedkar Jayanti (India)

Ardalion (Christian; Martyrs)

Bénézet (Christian; Saint)

Bernard of iron (Christian; Saint)

Caradoc, Benezet, John, Antony and Eustace (Christian; Martyrs)

Carpus of Thyatira (Christian; Saint)

Domnina of Terni (Christian; Saint)

Elfin Choirs Congress (Shamanism)

The Extremes (Muppetism)

Gabriel Jacques de Saint-Aubin (Artology)

Galungan (Celebrating Victory of Dharma over Adharma; Bali)

Henry Beard Delany (Episcopal Church (USA))

Justin (Christian; Martyr)

Lambert of Lyons (Christian; Saint)

Lidwina (a.k.a. B. Lidwina of Schiedam or Lydwina; Christian; Saint)

Look Up at the Sky Day (Pastafarian)

Marianne’s Day (Pagan)

Maryamma (Goddess of the Sea; Hinduism; Everyday Wicca)

Peter González (Christian; Saint)

Sommarsblot (Norse)

Three Smiles Day (Celtic Book of Days)

Tiburtius, Valerian, and Maximus (Christian; Martyrs)

Victor Borisov-Musatov (Artology)

Islamic Moveable Calendar Holidays

Eid al-Fitr celebrations continue (Islam)

Lucky & Unlucky Days

Historically Bad Day (Lincoln shot, Titanic hit an iceberg & 9 other tragedies) [1 of 11]

Tomobiki (友引 Japan) [Good luck all day, except at noon.]

Umu Limnu (Evil Day; Babylonian Calendar; 17 of 60)

Premieres

About Damn Time, by Lizzo (Song; 2022)

American Psycho (Film; 2000)

Batman vs. Robin (WB Animated Film; 2015)

Beach Blanket Bingo (Film; 1965)

Beauty and the Beast (WB MM Cartoon; 1934)

The Big Bad Wolf (Disney Silly Symphonies Cartoon; 1934)

British Steel, by Judas Priest (Album; 1980)

Buddy’s Garage (WB LT Cartoon; 1934)

Bye Bye Birdie (Broadway Musical; 1960)

The Candle in the Wind, by T.H. White (Novel; 1958) [Once and Future King #4]

Cannery Roden (Tom & Jerry Cartoon; 1967)

Diver Down, by Van Halen (Album; 1982)

Execution Dock, by Anne Perry (Novel; 2009)

The Fair-Haired Hare (WB LT Cartoon; 1951)

Farewell Waltz, by Milan Kundera (Novel; 1972)

The Fate of the Furious [F&F #8]

Girl Happy (Film; 1965)

Grape Nutty (Color Rhapsody Cartoon; 1949)

The Grapes of Wrath by John Steinbeck (Novel; 1939)

The Hash Shop (Oswald he Lucky Rabbit Cartoon; 1930)

The History of Sexuality, by Michel Foucault (Philosophy Book; 1976)

Iceland's Bell, by Halldór Laxness (Novel; 1943)

Insulin’ the Sultan (Ub Iwerks Cartoon; 1934)

The Invisible Man, by Ralph Ellison (Novel; 1952)

Iron Maiden, by Iron Maiden (Album; 1980)

It Takes a Nation of Millions to Hold Us Back, by Public Enemy (Album; 1988)

Keeping the Faith (Film; 2000)

The King of Torts, by John Grisham (Novel; 2003)

Kinky Boots (Film; 2006)

The Legend of Korea (Animated TV Series; 2012)

Let’s Dance, by David Bowie (Album; 1983)

The Missing Piece Shel Silverstein (Children’s Book; 1976)

Mixed Master (WB LT Cartoon; 1956)

Much Ado About Mousing (Tom & Jerry Cartoon; 1964)

The Notorious Bettie Page (Film; 2006)

Off the Deep End, by Weird Al Yankovic (Album; 1992)

The Pebble and the Penguin (Animated Film; 1995)

Put Me in the Zoo, by Robert Lopshire (Children’s Book; 1960)

Put-Put, Pink (Pink Panther Cartoon; 1968)

Renfield (Film; 2023)

Ripley’s Believe It or Not! (Radio Series; 1930)

Rocket Man, by Elton John (Song; 1972)

Say Anything (Film; 1989)

Shift: First Shift — Legacy, by Hugh Howey (Novel; 2012)

Spark (Animated Film; 2017)

Thank You For Smoking (Film; 2006)

Ultra, by Depeche Mode (Album; 1997)

Webster’s American Dictionary (Book; 1818)

The Wild (Animated Film; 2006)

Today’s Name Days

Elmo, Erna, Ernestine (Austria)

Maksim, Valerijan, Zdravko (Croatia)

Vincenc (Czech Republic)

Tiburtius (Denmark)

Lehe, Lehte, Lehti (Estonia)

Taito (Finland)

Ludivine, Maxime (France)

Elmo, Erna, Ernestine (Germany)

Aristarhos, Thomais (Greece)

Tibor (Hungary)

Abbondio, Ignazio, Lamberto (Italy)

Agape, Gudrite, Strauja (Latvia)

Justinas, Vaišvydė, Vaiva, Valerijonas, Visvaldas (Lithuania)

Ellinor, Nora (Norway)

Berenike, Julianna, Justyn, Maria, Myślimir, Tyburcjusz, Walerian, Waleriana (Poland)

Pahomie (Romania)

Maria (Russia)

Justína (Slovakia)

Lidia, Tiburcio, Valeriano (Spain)

Tiburtius (Sweden)

Martin (Ukraine)

Caradoc, Carey, Cary, Hudson (USA)

Today is Also…

Day of Year: Day 105 of 2024; 261 days remaining in the year

ISO: Day 7 of week 15 of 2024

Celtic Tree Calendar: Saille (Willow) [Day 1 of 28]

Chinese: Month 3 (Wu-Chen), Day 6 (Wu-Shen)

Chinese Year of the: Dragon 4722 (until January 29, 2025) [Wu-Chen]

Hebrew: 6 Nisan 5784

Islamic: 5 Shawwal 1445

J Cal: 15 Cyan; Oneday [15 of 30]

Julian: 1 April 2024

Moon: 38%: Waxing Crescent

Positivist: 21 Archimedes (4th Month) [Hippachus]

Runic Half Month: Man (Human Being) [Day 5 of 15]

Season: Spring (Day 27 of 92)

Week: 3rd Week of April

Zodiac: Aries (Day 25 of 31)

Calendar Changes

April (a.k.a. Aprilis; Julian Calendar) [Month 4 of 12]

Saille (Willow) [Celtic Tree Calendar; Month 4 of 13]

[addawithbalmiki]

What's the story behind your username is your name adda

Hi lol. No my name isn't adda. Adda is bengali for chatting or gossiping. Balmiki was a poet I was obsessed with because of his lore (he wrote ramayana). So addawithbalmiki literally translates to chatting with him.

[dhambir123]

🧩बन्दीछोड़ सतगुरु रामपाल जी महाराज जी की जय🧩

15/12/23

*🍀Instagram सेवा🍀*

🐚  *क़ुरुक्षेत्र में अंतर्राष्ट्रीय गीता जयंती का प्रोग्राम शुरू हो चुका है इसलिए गीता जयंती के उपलक्ष्य में मालिक की दया से अब गीता का वास्तविक ज्ञान का प्रचार करते हुए Instagram पर सेवा करनी है जी।*

📍📍

📎इंस्टाग्राम पर स्टोरी भी लगानी है और स्टोरी के साथ सत्संग की YouTube लिंक भी लगानी है।

⤵️ इन टैग्स के साथ और आश्रम के टैग्स के साथ Post करेंगें।

#spiritualquotes #yogananda #vishnu #radhakrishna #harekrishna #mahadev #mahabharat #ramayana #bhagavadgita #krishna #lordkrishna #hindu

#HinduSahebanNahiSamjheGitaVedPuran

#SantRampalJiMaharaj

#SaintRampalJi

#bhakti #god #gita #hinduism #quotesdaily #jaishreekrishna #krishnalove #quoteoftheday #shreekrishna #meditation #spirituality #reelsinstagram

#HinduSahebanNahiSamjheGitaVedPuran

#SantRampalJiMaharaj

#SaintRampalJi

🏚आश्रम के टैग है ये 👇🏻 जो  हर पोस्ट में 1-2 टैग यूज़ में लेना

#Satlok

#SatlokAshram

#TrueGuru

#TatvdarshiSant

#SaintRampalJi          

#KabirisGod                 

#SupremeGod    

⭐ Instagram पर आश्रम की Id को भी ज़रूर follow करें और वहाँ की सभी posts को like भी करें।

Sa news channel⤵️

https://instagram.com/sanewschannel?igshid=1i62qh1cup6s8

Spiritual leader Saint Rampal Ji ⤵️

https://instagram.com/spiritualleadersaintrampalji?igshid=1uxkqykueu1j7

Satlok Ashram

https://instagram.com/satlokashram001?igshid=MzRlODBiNWFlZA==

📷''' सेवा से सम्बंधित photo वेबसाइट पर हैं डाऊनलोड कर लें जी।

*Hindi*

https://www.satsaheb.org/gita-saar-pics-hindi-2023/

*English*

https://www.satsaheb.org/english-gita-saar-pics-2023/

*Odia*

https://www.satsaheb.org/odia-gita-saar-pics-2023/

*Assamese*

https://www.satsaheb.org/assamese-gita-saar-pics-2023/

*Punjabi*

https://www.satsaheb.org/punjabi-gita-saar-pics-2023/

*Telugu*

https://www.satsaheb.org/telugu-gita-saar-pics-2023/

*Bengali*

https://www.satsaheb.org/bangali-gita-jayanti-2023/

*Marathi*

https://www.satsaheb.org/marathi-gita-saar-pics-2023/

*Gujarati*

https://www.satsaheb.org/gujarati-gita-saar-pics-2023/

*Nepali*

https://www.satsaheb.org/nepali-gita-saar-2023/

🎯Sewa Points🎯

🎉 गीता अध्याय 17 श्लोक 23 में गीता ज्ञान दाता ने संकेत किया है कि इस सच्चिदानंद घन ब्रह्म अर्थात परम अक्षर ब्रह्म की भक्ति का ऊँ तत् सत् यह तीन मंत्र का जाप है, इसी का जाप करने का निर्देश है।

हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण पुस्तक को Sant Rampal Ji Maharaj App से डाउनलोड करके पढ़ें।

🎉 गीताजी अध्याय 2 श्लोक 17 में कहा गया है कि अविनाशी तो उस परमात्मा को जानो जिस का नाश करने में कोई समर्थ नहीं है।

अधिक जानने के लिए हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण पुस्तक को Sant Rampal Ji Maharaj App से डाउनलोड करके पढ़ें।

🎉 गीता अध्याय 16 श्लोक 23 में कहा है कि शास्त्र विधि को त्यागकर जो साधक मनमाना आचरण करते हैं उनको ना तो कोई सुख होता है, ना कोई सिद्धि प्राप्त होती है तथा ना ही उनकी गति अर्थात मोक्ष होता है।

अधिक जानने के लिए हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण पुस्तक को Sant Rampal Ji Maharaj App से डाउनलोड करके पढ़ें।

🎉 गीता अध्याय 18 श्लोक 62

हे भारत! तू सब प्रकार से उस परमेश्वर की ही शरण में जा। उस परमात्मा की कृपा से ही तू परम शांति को तथा सनातन परम धाम को प्राप्त होगा।

इस श्लोक में गीता ज्ञान दाता अपने से अन्य सर्व शक्तिमान पूर्ण परमात्मा की शरण में जाने को कह रहा है, उसकी शरण में जाने से ही पूर्ण शांति व सनातन परम धाम (सत्यलोक/अविनाशी लोक) की प्राप्ति होगी।

अधिक जानने के लिए हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण पुस्तक को Sant Rampal Ji Maharaj App से डाउनलोड करके पढ़ें।

🎉 गीता अध्याय 15 श्लोक 17

सर्वोत्तम परमात्मा तो कोई और है जो तीनों लोकों में प्रवेश करके सभी का पालन-पोषण करते हैं और उसे अमर परम ईश्वर कहते हैं।

अधिक जानने के लिए हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण पुस्तक को Sant Rampal Ji Maharaj App से डाउनलोड करके पढ़ें।

🎉 श्रीमद्भगवद्गीता अध्याय 15 श्लोक 17 अनुसार सबका धारण पोषण करने वाला परमात्मा कौन है?

जानने के लिए हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण पुस्तक को Sant Rampal Ji Maharaj App से डाउनलोड करके पढ़ें।

🎉गीता अध्याय 15 श्लोक 16

इस संसार में, दो प्रकार के भगवान हैं, नाशवान और अविनाशी और सभी प्राणियों के शरीर नाशवान और आत्मा अविनाशी कही जाती है।

वास्तव में, अविनाशी भगवान इन दोनों से अन्य है जो अमर परमात्मा, परमेश्वर (सर्वोच्च ईश्वर), सतपुरुष के रूप में जाने जाते हैं।

अधिक जानने के लिए हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण पुस्तक को Sant Rampal Ji Maharaj App से डाउनलोड करके पढ़ें।

🎉 गीता अध्याय 18, श्लोक 66

गीता ज्ञान दाता काल कहता है, " मेरी सभी धार्मिक ��ूजाओं को मुझमें त्याग कर, तू केवल उस एक पूर्ण परमात्मा की शरण में जा। मैं तुझे सभी पापों से मुक्त कर दूंगा; तू शोक मत कर।

अधिक जानने के लिए हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण पुस्तक को Sant Rampal Ji Maharaj App से डाउनलोड करके पढ़ें।

🎉गीता अध्याय 18, श्लोक 62

“हे अर्जुन! तू सब प्रकार से उस परम ईश्वर की ही शरण में जा। उस परमपिता परमात्मा की कृपा से ही तू परम शांति और शाश्वत स्थान- सतलोक (स्थान-धाम) को प्राप्त होगा”।

’सब प्रकार से’ का अर्थ कोई अन्य पूजा नहीं करना बल्कि मन-कर्म-वचन से केवल एक भगवान में विश्वास रखना है।

अधिक जानने के लिए हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण पुस्तक को Sant Rampal Ji Maharaj App से डाउनलोड करके पढ़ें।

🎉 गीता अध्याय 16 श्लोक 23 में कहा है कि शास्त्र विधि को त्यागकर जो साधक मनमाना आचरण करते हैं उनको ना तो कोई सुख होता है ना कोई सिद्धि प्राप्त होती है तथा ना ही उनकी गति अर्थात मोक्ष होता है।

अधिक जानने के लिए हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण पुस्तक को Sant Rampal Ji Maharaj App से डाउनलोड करके पढ़ें।

🎉 गीता ज्ञान बताने वाले क्षर पुरुष (ब्रह्म) की भक्ति करनी चाहिए या नही?

श्रीमद्भगवद्गीता अनुसार जानने के लिए हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण पुस्तक को Sant Rampal Ji Maharaj App से डाउनलोड करके पढ़ें।

🎉पुस्तक हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण में तत्त्वज्ञान तथा तत् ब्रह्म की जानकारी दी गई है, जिसके विषय में गीता अध्याय 7 श्लोक 29 में गीता ज्ञान देने वाले प्रभु ने कहा है कि जो साधक केवल वृद्धावस्था तथा मृत्यु के दुःख से छूटने के लिए ही प्रयत्नशील हैं, वे तत् ब्रह्म को तथा सम्पूर्ण अध्यात्म ज्ञान यानि तत्त्वज्ञान को जानते हैं।

तत् ब्रह्म तथा तत्त्वज्ञान को जानने के लिए हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण पुस्तक को Sant Rampal Ji Maharaj App से डाउनलोड करके पढ़ें।

🎉 गीता अध्याय 18 श्लोक 62 में गीता बोलने वाले प्रभु ने अपने से अन्य किस परमेश्वर की शरण में जाने को कहा है?

जानने के लिए हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण पुस्तक को Sant Rampal Ji Maharaj App से डाउनलोड करके पढ़ें।

🎉गीताजी अध्याय 18 श्लोक 62 प्रमाणित करता है कि पूर्ण परमात्मा गीता ज्ञानदाता से भिन्न है।

हे भारत! तू संपूर्ण भाव से उस परमेश्वर की ही शरण में जा। उस परमात्मा की कृपा से ही तू परम शान्ति को तथा सदा रहने वाले अविनाशी स्थान को अर्थात् सतलोक को प्राप्त होगा।”

यही प्रमाण गीता जी अध्याय 18 श्लोक 66 में भी दिया गया है।

अधिक जानने के लिए हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण पुस्तक को Sant Rampal Ji Maharaj App से डाउनलोड करके पढ़ें।

🎉पवित्र गीता जी अध्याय 9 श्लोक 25 में साफ लिखा है कि भूतों को पूजोगे तो भूतों की योनियों में जाओगे और पितर पूजोगे तो पितर योनि में जाओगे।

फिर क्यों आप श्राद्ध कर्म, पिंड दान आदि करते हो? ये मोक्ष मार्ग के विपरीत क्रियाएं हैं।

अधिक जानने के लिए हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण पुस्तक को Sant Rampal Ji Maharaj App से डाउनलोड करके पढ़ें।

🎉गीताजी अध्याय 4 श्लोक 5 में गीता ज्ञान देने वाला भगवान स्वयं को जन्म मरण के अंतर्गत बता रहा है, फिर जन्म मरण से परे अविनाशी व पूजनीय पूर्ण परमात्मा कौन है?

जानने के लिए हिन्दू साहेबान! नहीं समझे गीता, वेद, पुराण पुस्तक को Sant Rampal Ji Maharaj App से डाउनलोड करके पढ़ें।

♦️♦️

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