#Best Performance in a TV Series

[zambomarti]

This entire article is an attack on my sanity

And that last part made me howl.

Toby, say it louder!

[mariocki]

Play for Today: The Flipside of Dominick Hide (BBC, 1980)

"Complacent with your mission, Dominick? Amusing, the history of transport. We've made a modicum of progress: trips are regulated to microseconds, punctuality taken for granted."

"Yes."

"Why then were you two minutes late on your double return? Machine fault?"

"No. I'm sorry."

"I accept apology. Reason?"

"It was raining. Rain slows everything. I saw an old woman knocked down and I was checking how long before help reached her. The medi-car was blocked in progress, I think she died."

"So?"

"I thought it might be interesting."

"People are not your conspectus, Dominick. If you wish to study people, watch old films."

[killherfreakout]

i’m scared and i’m angry and i’m alone and i’m just. everyone has their shit together but me! look i’m sorry. i’m sorry.

[kizaba]

Kizaba - Live TV Show Belle et Bum ( Télé-Québec )

[bestoftweets]

[doyoulikethissong-poll]

Dolly Parton - Jolene 1973

Dolly Parton is an American singer-songwriter, actress, and philanthropist. With a career spanning over fifty years, Parton has been described as a country legend and has sold more than 100 million records worldwide, making her one of the best-selling music artists of all time. She has had 25 singles reach no. 1 on the Billboard country music charts, a record for a female artist (tied with Reba McEntire). She has 44 career Top 10 country albums, a record for any artist, and she has 110 career-charted singles over the past 40 years. She has composed over 3,000 songs. She has founded a number of charitable and philanthropic organizations, chief among them is the Dollywood Foundation, which manages a number of projects to bring education and poverty relief to East Tennessee where she grew up. In response to the COVID-19 pandemic, Parton donated $1 million towards research at Vanderbilt University Medical Center, which funded the critical early stages of development of the Moderna vaccine.

"Jolene" was released on October 15, 1973, as the first single and title track from her the thirteenth solo studio album Jolene, and became Parton's second solo number one single on the country charts. "Jolene" became Parton's first top ten hit song in the UK, reaching number seven in the UK Singles Chart in 1976. It also re-entered the chart when Parton performed at the Glastonbury festival in 2014.

According to Parton, the song was inspired by a red-headed bank clerk who flirted with her husband, Carl Dean, at his local bank branch around the time they were newly married. In an interview, she also revealed that Jolene's name and appearance are based on that of a young fan who came on stage for her autograph.

During an interview on The Bobby Bones Show in 2018, Parton revealed that she wrote "Jolene" on the same day that she wrote "I Will Always Love You".

"Jolene" was nominated for the Grammy Awards for Best Female Country Vocal Performance twice, in 1975 and 1976. The first nomination was for the original recording, and the second was for a live recording from the TV series In Concert. It did not win either time, but in 2017, a cover by the a cappella group Pentatonix which featured Parton as a guest singer won the Grammy Award for Best Country Duo/Group Performance.

In 2023 she released her forty-ninth solo studio album, Rockstar, a collaborative project with a variety of rock musicians and where "Jolene" is sung by Italian rockband Måneskin, listen to it here!

"Jolene" received a total of 94,3% yes votes!

[guardianspirits13]

Ok. I’m still trying to gather my thoughts and settle my hyperfixation after episode 3 of the Percy Jackson show, but one of my conclusions is that this is one of very few adaptations that actually understands the term ‘adaptation’ and furthermore what makes one successful.

On a fundamental level, understanding and respecting the source material is a must. You need to not just know the bullet points of the story, but you need to know the ‘why’s’- why does this story need to be heard, why do people like it, why does it stand out from the others in it’s genre, etc.

Second, you need to deconstruct the source material and piece it back together in a way that makes sense for the new format. Copy-pasting almost never works, since there will inevitably be discrepancies between the readers’ imagination and the adaptation that can distract from immersion.

Third, you need to provide something new. Why does this story deserve to be told in a different format? What can this add to the original themes of a story? What can we change to make the message come across more on screen? Will this dialogue really be as funny when it’s said out loud?

We’ve seen a lot of terrible “adaptations” of animation and books and musicals into movies/tv shows, and I think even among the better ones there is a dissonance between the desire to stay faithful to the source and the desire to make a good adaptation, with whatever changes that may necessitate.

I think while we’ve watched the casting of this series, the hints here and there, and final the premiere with bated breath, they’ve been playing the long game. They cast Walker as Percy before he was in the Adam Project. Many people expressed…unsavory…feelings when Leah was cast as Annabeth, but those of us that trusted the team behind this project- including the author himself- did our best to welcome her and were repaid tenfold with her performance in this episode particularly.

Most of the scenes in this episode were not at all how I imagined them in the book, but I adored it. They took what they were given and expanded on it. They created a mini-arc for the trio learning to trust each other. They gave Medusa a labyrinthine lair. Annabeth is a 12 year old walking into a convenience store for the first time in 6+ years with $200 in her pocket, of course she’s gonna buy as much as she can carry.

The love and care and artistry that went into this single episode brings me so much joy and gives me so much hope. Like I was already excited for a faithful adaptation, but seeing these characters come to life on screen, once you see their chemistry with each other and how they speak and push and pull at each other’s emotions, it has never been more clear to me the amount of care and foresight that went into this show.

Rick said that these kids are the characters he created and for like 2 years I’ve trusted that that was true, but today it was proven beyond the shadow of a doubt.

I am just…in awe.

[vicsuragi]

iwtv’s pilot was absolutely amazing and i cannot believe that was just the first episode.

[hanahanumana]

From AnaMaria Abramovic on Fb

Paste magazine has done an article about Michael and how underrated he is in Good Omens and I found a transcript since it's behind a paywall. Here's the link if anyone wants to subscribe. 💙

https://www.pastemagazine.com/tv/amazon-prime-video/good-omens-michael-sheen-underrated-performance-explained-streaming

There’s so much to love about Prime Video’s Good Omens. A delightful adaptation of the popular Neil Gaiman and Terry Pratchett novel of the same name, the series is romantic, thoughtful, hilarious, and heartfelt by turns. The story of the almost-apocalypse and what comes afterward, it wrestles with big concepts like destiny, free will, and forgiveness, all framed through the lens of an unorthodox relationship between an angel and a demon whose love for one another is a key to saving the world.

As anyone who has watched Good Omens already knows, nothing about this series works without the pair of lead performances at its center. Stars David Tennant and Michael Sheen—who play the demon Crowley and the angel Aziraphale, respectively—have the kind of lighting-in-a-bottle chemistry that’s the stuff of legend, and their characters’ every interaction conveys both their deep affection for one another and the Earth they’ve made their home. Their romance is the emotional linchpin around which most of the series turns, and their heartbreaking separation in the Season 2 finale is so devastating precisely because we’ve seen how necessary the two are to each other’s lives.

But it’s Sheen’s performance in that final scene that really twists the knife. As Aziraphale’s face crumples following his and Crowley’s long-awaited kiss, the actor manages to convey what feels like every possible human emotion in the span of less than thirty seconds as the angel realizes what he has both had and just lost. The moment is emotionally brutal to watch, particularly after sitting through five and a half episodes of Aziraphale looking as lovestruck as the lead in any rom-com. Sheen makes it all look effortless, shifting from giddy joy to devastated longing and everything in between, and we really don’t talk enough about how powerful and underrated his work in this series truly is.

Though he’s half of the central duo that makes Good Omens tick, Sheen’s role often tends to get overshadowed by his co-star’s. It’s not difficult to see why, given that Tennant gets to spend most of the show swanning around in tight trousers looking like the Platonic ideal of the charming bad boy, complete with flaming red hair and dramatic eyewear. Tennant also benefits from Crowley’s much more sympathetic emotional arc. I mean, it’s hard not to love a cynical demon with a heart of gold who’s been pining after his angelic best friend for literal millennia even after being cast out from Heaven. Of course, viewers are drawn to that—likely a lot more easily than the story of an angel who’s simply trying the best he can to do the right thing as he wrestles with his role in God’s Ineffable Plan. Plus, let’s be real, Tennant’s sizeable Doctor Who fanbase certainly doesn’t hurt his character’s popularity.

As a performer, Sheen has a long history of playing both real people (Tony Blair, David Frost, Brian Clough) and offbeat villains (Prodigal Son’s Martin Whitly, Underworld’s Lucian, the Twilight Saga’s Aro). In some ways, the role of a fussy, bookish angel is playing more than a bit against type for him—Gaiman himself has said he originally intended for Sheen to be Crowley—but in his capable hands, Aziraphale becomes something much more than a simple avatar for the forces of Good (or even of God, for that matter). With a soft demeanor and a positively blinding smile, Sheen’s take on the character consistently radiates warmth and goodness, even as it contains surprisingly hidden depths. The former guardian of the Eastern Gate of Eden who gifted a fleeing Adam and Eve his flaming sword and befriended the Serpent who caused their Fall, Azirphale isn’t a particularly conventional angel. He enjoys all-too-human indulgences like food and wine, runs a Hoarders-esque bookshop that never seems to sell anything, and spends most of his time making heart eyes at the being that’s meant to be his hereditary adversary.

Given the much more difficult task of playing the literal angel to Tennant’s charming devil, Sheen must find a way to make ideas like goodness and forgiveness as interesting and fun to watch as their darker counterparts. It’s a generally thankless task, but one that Sheen tackles with gusto, particularly in the series’ second season, as Good Omens explores Aziraphale’s slowly evolving idea of what he can and cannot accept in terms of being a soldier of Heaven. His growing understanding that the truth of creation is colored in shades of grey and compromise is often conveyed through little more than Sheen’s deftly shifting expressions and body language.

Our pop culture consistently struggles to portray the idea of goodness as something compelling or worth watching. Explicitly “good” characters, particularly those who are religiously coded, are frequently treated as the butt of some sort of unspoken joke they aren’t in on, used to underline the idea that faith is a form of naivety or that kindness is somehow a weakness. For a lot of people, the entire concept of turning the other cheek is a sucker’s bet, and believing in something greater than oneself, be it a higher power or a sense of purpose, is a waste of time. But Good Omens is a story grounded in the idea that faith, hope, and love—for one another, God, and the entire world—are active verbs. And nowhere is that more apparent than in Sheen’s characterization of the soft angel whose old-fashioned waistcoats mask a spine of steel and who refuses to give up—on Crowley, on humanity, or on the idea that Heaven is still something that can be saved.

Though he and Tennant have pretty much become a matched set at this point (both on and off-screen), Sheen’s performance has rarely gotten the critical accolades it deserves. (Tennant alone was nominated for a BAFTA for Season 2, and Sheen was categorized as a supporting actor when the series’ competed in the 2019 Saturn Awards.) But it is his quiet strength that holds up so much of the rest of the show around him, and Sheen deserves to be more frequently recognized for it. That he makes it look so easy is just another sign of how good his performance really is.

[hotvintagepoll]

Propaganda

Judy Garland (Meet Me In St. Louis, A Star is Born, Summer Stock)— Judy is the GOAT when it comes to classic movie musicals. The voice of an angel who deserved so much better than she got. She can sing she can dance she can act she's a triple threat. Though she had a turbulent personal life (her treatment as a child star by the studio system makes me mad as hell like Louis b Mayer fight me ((she was made to believe that she was physically unattractive by the constant criticism of film executives who made her feel ugly and who manipulated her onscreen appearance by capping her teeth and using discs in her nose to change its shape and Mayer called her "my little hunchback" like imagine hearing that as a child and not having damage)) she always goddamn delivered on screen and in any performance she gave. She began in vaudeville performing with her sisters and was signed to MGM at 13. Starting out in supporting parts especially paired with mickey Rooney in a bunch of films (she's the best part tbh) she eventually transferred to the lead role. She is best known for her starring role in movie musicals like the iconic Wizard of Oz (somewhere over the rainbow still hits hard and is ranked the top film song of all time), meet me in St. Louis (Judy singing have your self a merry little Christmas brings tears to the eyes she is that powerful), the Harvey girls (she looks like a technicolor dream and sings a catchy af song about trains), Easter parade ( dancing and singing with Fred Astaire), for me and my gal, the pirate, and summer stock ( with pal Gene Kelly who she helped when he was starting out and he helped her when she was struggling). But she also does non- singing just as well like the clock ( her first movie where she sings no songs and is an underrated ww2 era romance), her Oscar nominated a star is born ( like the man that got away she put her whole soul in that and I have beef with the fact she lost to grace kelly ((whom I love but like still not even her best work)), and judgement at Nuremberg (a courtroom drama about the nazi war criminal trials). Outside of film she made concert appearances to record-breaking audiences, released 8 studio albums, and had her own Emmy-nominated tv series. She was the youngest (39) and first female recipient of the Cecil B DeMille award for lifetime achievement in the film industry. Girl was a lifelong democrat and was a financial and moral supporter of many causes including the civil rights movement (she was at the March on Washington and held a press conference to protest the 16th street Baptist church bombings). She was a friend of the Kennedy family and would call jfk weekly often ending the calls by singing the first few lines of somewhere over the rainbow (she thought of them as Gemini twins).She was a member of the committee for the first amendment which was formed in response to the HUAC investigations. Though she died far too young and tragically she remains an icon for her work and her life. As a girl who didn't feel like i was as pretty as everyone else I have always felt a connection to Judy and I just really love her.

Natalie Wood (West Side Story, The Great Race)—She went through so much shit which I know can be said for all these women but Natalie really was a star and her death often overshadows her career and life. She could make you cry, but she also had the capacity to be incredibly funny which I think is lost on people.

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Natalie Wood:

Judy Garland:

Judy's voice alone qualifies her for at least top ten hottest HOT VINTAGE MOVIE WOMEN. She was a truly incredible swing singer, with a stunning voice on top of her technique. Her short dark hair looked incredible in just about any style. Have I mentioned her swagger? I can’t do it justice with words. She had swagger. She was funny as hell, and clever too. Incredibly charming and cool. I adore her.

Her eyes, her voice have bewitched me

I mean how can you beat the one and only Judy? She's beautiful, her smile is contagious, the way she sings with her whole body. You can't help but love her.

Beautiful woman, love her singing voice. And she can do everything between happy or silly and angry or heartbroken

[txttletale]

how would you recommend watching doctor who? there are so many different guys idk how it works.

so the thing about doctor who is that there's two shows -- classic who (1963-1989, doctors 1-7) and new who (2005-2023, doctors 9-14). due to a renumber of the seasons and a change in production company, i think it's fair to call the upcoming version of who (2023-??, doctors 15-??) its own, third show. the reason it's been able to run for so long is that when the show's lead actor, (william hartnell as the titular doctor) had to step down in 1966 due to failing health, they made up some sci-fi bullshit: the doctor's species can 'regenerate' instead of dying, instantly healing but changing their appearance and some of their personality. this means that every time a lead actor has walked away (or, in one unfortuante case, been fired) the show's just recast the doctor and moved on, often with notable changes in tone and format.

the easiest option if you don't want to backwatch anything is to start with this year's christmas special, the church on ruby road (2023). it's an obvious jumping on point to the series, introduces you to all the basic stuff (the doctor, the TARDIS, the fact that it's a silly sci-fi show about fighting weird rubber prop critters), and presumably sets up the upcoming season 1 of the disney-bad wolf version of the show that's gonna come out in may 2024.

if you do want to backwatch, you have to decide if you want to start with new who or classic who. i personally would recommend starting with new who, because there's less of it, it's got higher production values, and (imo this is the biggest obstacle to getting into classic who) it's paced in a way that makes much more sense to a modern TV viewer (self-contained 45-minute episodes). also once you're invested in the show, its main character, and some of its classic elements, you get to soyjak at the screen whenever you're watching classic who and you get to see the oirign of a monster you already recognize. you can also skip classic who entirely and never watch it, they don't bring up anything from it in the new series without giving it a new explanation, but if you do this you hate fun.

anyway, starting points for nuwho: the most obvious one is rose (2005). it's the pilot episode for the new show and imo it holds up brilliantly -- it introduces all the most basic concepts of the show, but ultimately it's really all about billie piper and cristopher eccleston's performances and they deliver. the special effects are gonna be pretty terrible for a while because it's early 2000s cg. there's no jumping on point like it for the whole of RTD's run of the show (imo, the best run of nuwho) so if you want to watch seasons 1-4 you've gotta start on rose.

another episode that's written as a jumping on-point is (heavy sigh) the eleventh hour (2011). as well as introducing matt smith's doctor and his companion amy, this also does the whole rigamarole of introducing the show's core elements, giving a nutshell recap of its history in the form of the doctor's rooftop speech, and also signal what the oncoming moffat era is going to be like (whimsical, full of complex time travel plots, way more misogynist). i'm biased -- i'm a hater, one of this episode's central plot conceits sucks real bad and i also hate the eleventh doctor's whole run. but it is meant to be a jumping on point.

there won't be another one of those in nuwho until the pilot (2017). this begins moffat's final season with which he made the odd but extremely welcome decision to jettison all his convoluted continuity shit from the last five seasons and refocus the show with the doctor being a professor at bristol university with a mysterious secret. i think season 10 is a hidden gem and if you find starting from rose daunting this is the next best place to pick up. capaldi's doctor is a delightful abrasive eccentric with a heart of gold at this point in his run & the stories are wall-to-wall bangers with only a couple misses.

finally, you could start on the woman who fell to earth (2018), the first episode to feature jodie whittaker's 13th doctor and head writer chris chibnall. i'd recommend this even less than the eleventh hour, because while i actually like it more, i think it's a much worse preview of what the upcoming era is going to be like than that one. if you watch the woman who fell to earth and keep watching from the start of whittaker's run on the show off the back of it, you're going to be severely disappointed as most of the more promising aspects of the episode get instantly abandoned.

so, summary, if you're starting with nuwho, there's five jumping on points, which i'd rank:

rose > the pilot > the church on ruby road > the eleventh hour > the woman who fell to earth

but i want to start with classic who because i'm a contrarian

alright. classic who also has a few jumping off points -- before i mentioned them, let me just talk about that format thing i mentioned earlier. classic who doesn't have self-contained episodes for the most part, but rather for most of its run told each of its episodic narratives across between two and seven 20-minute episodes. this leads to a lot of weird pacing, forced cliffhangers, and infamously a lot of filler shots of the doctor running up and down identical corridors. so obvsies i'm recommending entire stories here nad not individual episodes. that said, let's look at where you could jump on:

an unearthly child (1963). this is, like, the start of the show. that said i don't recommend it as a place to start (funnily enough), for a couple reasons. firstly, because of dreadful fucking archiving by the BBC, a lot of episodes from the show's first six seasons are straight up missing. some of them have been animated by the BBC from surviving audio recordings, but some of them are just straight up lost -- due to the format, this means there's very few full complete stories, which makes this whole era really hard to navigate. if you don't mind that and really want to start in the black and white era, i'd still recommend the tomb of the cybermen (1967) instead -- hartnell's portrayal of the doctor as a haughty, slightly impish old professor is great, but troughton basically defined the character's core traits for the next sixty years.

spearhead from space (1970) is a pretty big format upheaval for the show and so serves as a pretty great classic jumping-on point. it's the first episode to be in colour, and sets up a new status quo for the doctor as being trapped on earth and working for an elite paramlitary organization called UNIT that operates out of a ratty office. it's an interesting premise that the show gets some great stories out of. the special effects are bad in the best way. pertwee has instant charm in the role and it's all around a banger by classic standards.

if you want to jump right to the one all the boomers are nostalgic for, you can also start with robot (1974). i wouldn't recommend it, though--tom baker is electric in the role from the start, but the episode itself kind of assumes a lot of the context of the third doctor's setup and supporting cast which you're not gonna have.

i wouldn't recommend anyone start at any point during the fifth or sixth doctors runs because i want them to actually like the show, so i guess the last jumping on point i could really recommend after robot would be, like, dragonfire (1987), which heralds the show's short-lived renaissance with the seventh doctor and his best companion, ace. but although you'd be watching some of the absolute best the classic show ever gets, it feels like it would be a weird and disorienting place to start.

finally, you could watch tales of the tardis (2023), a limited series produced to celebrate the show's 60th anniversary. each episode follows the same format: through a vaguely handwaved Palace of Memories plot, two much-aged characters from the classic series meet up and fondly remember one of the adventures they shared. the bookends with the original actors are mostly shameless fanservice, but the episodes they're reminiscing about are superbly edited down into a much more watchable format -- it works as a good 'sample platter' for most eras of the show (although, weirdly, there wasn't anything from tom baker's run!) and i think it honestly wouldn't be a bad shout to just start from tales of the tardis and then keep watching from whichever of the stories featured in it you liked most. that all said, if you want to start with classic who, i'd rank these jumping on points as follows:

spearhead from space > tales of the tardis > tomb of the cybermen > dragonfire > robot > an unearthly child

all that shit said it's fundamentally a very episodic show with very few exceptions like trial of a time lord and whatever moffat was doing seasons 6-7 so in the end you can basically just start with any episode and more or less get some of the idea. have fun and make sure to do the most important job of a doctor who fan, update the tardis wiki page for penis whenever one is mentioned

[mariocki]

Stuart Damon guest stars as Texan oil baron (and Simon's new bff) Rod Huston in The Saint: The Ex-King of Diamonds (6.17, ITC, 1969); this episode was the direct inspiration for Roger Moore's subsequent series The Persuaders! (ITC, 1971 - 72)

[adastra121]

TOUCHSTARVED Actor AU

I like these kinds of AUs, so these are my headcanons for an AU where Touchstarved is a show and everyone is an actor playing the main five + DLC!

Casting Call

Ais was the first to be cast, so he had some impact on the actors chosen for the other characters.

For instance, the chemistry readings for Vere and Leander’s parts were extremely important.

Ais and Vere hadn’t met before Touchstarved, but they instantly clicked during their chemistry reading and that cemented Vere in the role. That, and Vere’s ability to capture all of the fox’s complexities, nailing the perfect balance between sexy, funny, asshole-ish, charming and absolutely terrifying.

Ais and Leander have worked together in an underrated TV drama when they were first starting out, before either of them really gained popularity.

Before Touchstarved, Ais acted in various film and TV projects, usually in the action or horror genres.

Vere is mainly a theatre actor, who’s mostly known for his roles in musicals. He’s done some short films, but this would be his first major screen role. He’s a trained vocalist, dancer, pianist, flutist, and cellist. He can also play the lute, having learned for a past role. Went to Juilliard.

Leander is a screen actor known for his lead roles in chick flicks, romcoms and TV dramas. When his casting was announced, a lot of people didn’t think he was the right fit for the gothic horror genre. But his performance blew everyone away.

Mhin is a professional stuntperson, who’s had minor roles in film and television, but their past work is primarily in stunts. Aside from being trained in stage combat, they have a black belt in kung fu and a background in gymnastics. As a lover of horror, Mhin was already a huge fan of Ais’s work before they got cast.

MC had some screen acting experience in minor roles, but they are mainly a voice actor. They did a lot of animation and video game voice acting, as well as mocap, but they’ve always wanted to delve into screen acting.

Kuras is a film and theatre actor. He’s mainly known for his Shakespeare theatre performances. He originally auditioned for Ocudeus — he ended up as the angelic doctor instead.

Although he didn’t initially pursue the role of the doctor, Kuras did a lot of research for the part. He consulted medical experts to prepare and studied historical medical practices alongside the script. He also keeps his accent in between takes so he doesn’t lose it.

Elyon had acted in various TV series, mostly mysteries, thrillers, and period dramas. Outside of acting, he also models. He auditioned for Vere’s role and it was a very close decision. Ultimately, Vere was a better fit. But Elyon did so well in his audition that the casting directors had to ask him to try for the Highborn brothel owner’s role and he was perfect for it. 

Sen is a popular actress known for her roles in sci-fi and fantasy shows and films. Fans were surprised when they learned she was going to star in Touchstarved, since it’s produced by a smaller studio. She got a copy of the script and fell in love with the story and with the character.

Mr. Chokey is actually a childhood friend of MC. They’re working on other projects while filming Touchstarved, but they had a lot of fun in their brief scene with MC. MC kept trying to make them break character during their choking scene, there is at least one part of the mad laughter that is genuine.

On the Set of Touchstarved

Shot during the colder months for the foggy, grey atmosphere. When not shooting, a lot of the cast would be bundled up in their coats, holding hot water packs, and huddling close to the heat lamps. Elyon, Mhin and Ais are the best at handling the cold.

Kuras and Sen are the oldest of the main cast, so the two of them sort of look out for the rest of them, especially the younger actors.

Mhin keeps saying “Zenobium” instead of “Senobium.”

MC swears the most when they mess up or forget a line.

Ais is a menace. Biggest prankster on set and he ad-libs, improvises, and makes faces when the camera isn’t on him to get the others to break character. Leander caught on and now they’re both trying to get each other to break character. Neither have succeeded with Kuras.

Taking off his glove with his teeth, that was Leander improvising. The others tease him about that.

Ais, Mhin, and Sen practise action scenes together, since they all have experience in stage fighting. They’re the ones that do most of their stunt scenes. They often help and offer tips and advice to their castmates for their stunt scenes, too, even though the stunt doubles will do the majority of their stunts.

The cast names Leander as the actor with the most energy for the night scenes. He’s usually keeping everyone’s energy high and cheering the others on.

MC, Vere and Leander film the most TikToks and videos in their downtime of the cast’s shenanigans.

Everyone in the cast has really good chemistry with each other. When they do group interviews, they laugh and joke and poke fun at each other, too. Actually, I feel like all their group interviews veer into unhinged territory, lowkey.

For the majority of MC’s scenes where their bandages are meant to stay on, their bandages are part linen wrappings and part gloves. The costume design team made 16 versions of the bandage part of MC’s costumes for multiple scenes, since there are some where MC has to unwrap the bandages.

The Touchstarved costumes are very detailed and intentional, but there are a few wardrobe malfunctions sometimes. Mhin’s cloak and hood refusing to cooperate, flying into their face. And sometimes, after a difficult fight scene, Ais is missing a horn by the end of it. Kuras's long sleeves have snagged on a few items on set. Vere's chain sometimes comes undone, "I'm free!" and he pretends to attack.

A lot of the prop malfunctions happen with Leander, like his dagger getting stuck or accidentally breaking the doorknob to MC's room during a tense scene. The blooper showed the door opening with Leander awkwardly holding the loose doorknob, "I won't leave you and you won't leave me."

There are a lot of bloopers where MC’s bandage comes undone and their scene partner just acts like the curse has taken hold.

The majority of the series uses practical effects and real sets. There’s CG used, of course — some examples include special effects for some characters’ eyes, and Vere’s ears and tail — but most of what you see on screen can be touched or felt.

Which means everyone wants to jump into the Seaspring. Everyone.

After the “That’s a wrap,” they were finally able to.

Additional

Who’s the most like their character? Most of the cast would say that Kuras feels the most like the angelic doctor, in that he’s playful but hardworking, attentive, and super knowledgeable. Maybe it’s just his mom friend and angelic vibes. Kuras looks out for all of them — reminding the others to hydrate, keeping an eye on them during the more strenuous scenes. But he’s a phenomenal actor, so when he’s in a scene, it’s hard to see him as their castmate — he is the fallen angel.

Second would be Ais, he was first to be cast for a reason. Ais feels like he’s comparatively calmer and secure. They’re both dog lovers, Ais has a few rescues himself.

The rest of the cast share more differences with their characters. Vere is ambitious and creative like the fox, but he sees himself as more serious and reserved. Leander believes he’s friendly and humorous like the leader of the Bloodhounds, but like Ais, he feels like he’s more easygoing and secure in himself. And he describes himself as, despite his experience in romance media, massively bad at flirting. Mhin has the hunter’s dry wit and cynicism, but they describe themselves as more humorous and extroverted, and less emotionally constipated than their character.

The cast would name MC as the least like their character. They are more of a gremlin in real life.

Okay. I have two ideas for this.

Either Leander keeps accidentally spoiling things, it’s partly why there are so many theories about his character before the show even aired. The creators lean into it with all the promo about Leander being “totally normal” and “such a good guy.” Or…

Leander is the anti-spoiler, before Touchstarved’s premiere, he described Leander as the one normal human in the middle of the madness who’s, throughout the season, just trying to figure out where he fits in all of this. In the interviews, he talks about how the series is full of horror — his character gets a few cool moments with his magic here and there, but he was definitely envious of the rest of the cast for some of their truly messed up scenes. He wishes the heroic mage could have had some horrifying moments, too. Man, if only he wasn’t typecast as the good-hearted golden retriever type. But it’s alright, because with all the madness and horror, MC probably needs that normalcy, that unconditional support, and Leander provides that for them. :)

And his castmates who are paired with him for those interviews have varying reactions to those bold-faced lies.

MC and Ais are the kind to smile when it happens. Kuras and Vere keep a good poker face, nodding along to Leander’s statements. Mhin tries to keep a straight face, but you can see them dying inside. Sometimes Ais, MC and Vere will play along (“Yeah, very sad for him.” “Whenever we shoot some of the really scary parts sometimes we can see him watch yearningly on the side, a single tear rolling down his face.” “His jealousy fuels me.”).

Mhin often roasts their co-stars — MC and Leander are frequent targets — but as soon as either of them jokingly talk bad about themselves, they give them the most genuine compliments, for example, how they admire how much heart they both throw into their performances and how they inspire Mhin to make their work better.

Elyon’s the cryptid. He’s rarely seen in public or in the behind-the-scenes videos and vlogs, though from the cast’s stories, he does regularly hang out with them, there’s just very little photographic evidence of it. And when he does show up, it’s usually unprepared. Like Vere and Ais could be filming a vlog and then suddenly Elyon passes by in the background — he was in the room the whole time?! Vere and Ais don’t seem surprised at all, so he must have been.

He’s just an introvert.

Sen crochets as a hobby. She actually made something small for each cast member. After the show came out, she shares her handmade Princess, with a little mask that matches her character. The cast and fans love it.

Vere and Ais are very physically affectionate with each other both onscreen and offscreen. They call each other pet names and try to outdo one another with increasingly terrible and cringey names.

Leander is the most physically affectionate of the cast — he’ll give everyone hugs quite often. MC and Mhin receive the most physical affection from everyone. Their co-stars describe the two as very huggable. The cast agrees that Ais gives the best hugs.

The cast still keeps in touch with each other after filming. They have their own group chat.

That’s all I can think of for now! Please feel free to add onto these or share your own Actor AU headcanons!

[queerasian]

Golden Globe for Best Performance by an Actor in a Drama TV Series goes to Kieran Culkin for his role in Succession!

[house-of-lovin]

legally binded - 4

Jenna Ortega x F!Reader

masterlist | series mast. | prev part | next part

Chapter 4: Family Bonding, Festivals and Feelings?

Summary: After getting caught in some hot waters with the press, you are forced into an unexpected agreement with America's sweetheart, Jenna Ortega to save your career.

Warnings/Tags: dual!pov, famous!reader, mentions of hard substances, intoxication, mature language, real people (do not read if any of these makes you uncomfortable)

(this is all fiction!)

Note: Things are gearing up 😮‍💨 (ik i said i was gonna take a break, but i couldn’t help myself, now ill take a break lol, happy readin!)

Word Count: 6k+

“No one’s going to get cancelled — it’ll be fun.” Colin Jost smiles curtly on your flat screen TV.

You sit on the bed with a spoon hanging from your lips, an eye on the bright screen having just finished watching a rerun of Jenna’s SNL episode. You made sure to buy it as soon as it was available; locking yourself away in your room.

Currently, you are watching this week’s episode of SNL and Colin and Che are giving their weekly news update.

“Las Vegas is opening up a pop-up vaccine site in a strip club and don’t worry the strippers say the vaccine comes with singer and actress Y/N L/N. This time she’ll be the designated driver – I heard she’s on a tight leash.”

Your smile instantly drops.

“Speaking of Y/N,” Colin bounces off, reading off the cue cards. “Did you see her last week sitting in the audience during Jenna Ortega’s episode… hey, I wonder if they’re a real thing.”

Colin and Che share a knowing glance, “Nah.” They say in unison then move on to their next bit.

Scowling, you turn the TV off, practically throwing your bowl of cereal on the side table. 

You supposed you can’t be too mad – all too familiar with the snide jabs and harmless jokes from others in the industry. This is what you signed up for, right?

Whatever, you’re sure people are loving it.

It’s been a whole week since you left New York and you haven’t spoken to Jenna. It seems how you two acted back in the Big Apple was a success because it got your managers to back off, for now. You didn’t see a reason to contact the actress so you let the silence pass — you see when she posts on social media. 

You don’t have time to think about it because Coachella weekend is coming up soon. For the first time since Vegas, you will be working and you have been itching – wanting nothing more than to dive head-first into work mode. 

It’s what you do best.

You are invited to do a guest performance on a big producer’s set for the festival. It would be your first ever time performing at Coachella but you were privy to the culture of the festival, having gone as an audience member to support your musician friends.

“Hey, you got a minute?” Link pops his head in your door, holding a phone up.

–

“Please don’t do this.” Your pleas go underheard.

“I don’t know why you keep trying, the answer is the same Y/N.” Link rolled his eyes, pointing to a house.

“I think this is the one.”

You scan the two-story typical American home tucked away in the boroughs of suburbia up in the desert, otherwise known as Coachella Valley.

Or well, Jenna’s parent’s house at least. 

After Link had dropped the most terrible news; you had to be seen with Jenna in Coachella. Liv and Jake had instructed your team to drive you to stay with Jenna as you prepare for the festival – it was convenient they said.

Convenient my ass.

“Relax... Marcus will be back to pick you up, he’s gonna drop off your bags at the rental house.”

“Why can’t I just go with you then?” You ask.

“Liv said to drive you to this address. Jenna gave explicit directions to drive you here.”

You frown pulling on a loose thread on your sweater.

What could Jenna possibly want that she’d want you here? She looked pretty upset at you, the last time you talked.

You really don’t have it in you to fight with her, again, especially after the long drive from L.A. up to the desert where you thought — you’d be staying in your villa for Coachella weekend.

“Now go see the girl, please.” Link reaches over to open the door.

When you step out, the car is already driving speedily down the street not even giving you a chance to change your mind. You hear a flurry of voices from the side of the house but it sounds far away. Toy cars and trollies litter the grass yard. 

Slowly, you walked up her porch, your shoes scraped as you ascend the concrete steps. Hesitating for a brief moment, you realize: Jenna is inside. Well duh.  But the thought of her on the other side of the door has your heart dropping out of nowhere. You see flashes in your memory of her frown as you explain why you have to leave New York so soon.

Unspoken words as she says ‘well I thought–’

What did she think?

You would probably never know.

The door opens with a creak breaking you out of your thoughts.

“We have to stop meeting like this.” Aliyah leans against the doorframe, smiling.

You laughed, “Yeah, we do.”

She doesn’t say anything else and just yells over her shoulder, “Jenna, she’s here.”

Then walked off. 

“Hi…” Jenna appears, leaning on the doorframe with a hand.

She scans you for a brief moment; not having seen you since New York, a week ago. She had to make sure you’re still alive because she hasn’t heard from you since then.

You also practically ghosted her.

After feeling guilty about how she left things with you, Jenna sent you a text the next day, asking if you made it back to Los Angeles safely.

You liked her message with a thumbs up.

A thumbs up! Not responding would have been better, the actress bitterly thought.

“Hey.” You greet. “How are you?”

“Fine. You?” She answered quickly, smile sealed tight like an envelope.

“I’m… good. Yeah. Just working.” You answer honestly.

“Oh really?” Jenna asked.

“Yeah, something for Coachella actually.”

Jenna raised her brows in surprise. “Like what?”

You send a tight-lipped smile, “It’s a surprise. People don’t know I’m here yet.”

Jenna can’t fight her excitement; giddy about being in on a secret. But then she remembers that she’s supposed to be annoyed at you and not fascinated.

“Why haven’t you texted me?” Jenna sighed, her voice dropping to a lowly whisper, in case someone was walking by.

You raised your brows, surprised by her question. “Oh… um. I’ve been busy like I said, just working, trying to keep my head down and all that.”

“Are you sure that’s it?” She asked accusingly.

You missed her tone and shrugged, reassuring her, “Yeah. Of course.”

“But, I heard you were busy this week too, filming another movie with Barry Keoghan and The Weeknd?” You changed the subject, hoping to talk about something else. She takes the bait after scanning your eyes for a second.

“Yeah, it was just a short role. But it was a lot of fun. Abel actually talked about you.”

“That’s great, I’m happy for you Jen… and yeah he’s an old friend.”

“Sung your praises pretty high, I had to make sure he was talking about the right person.”

You chuckle, “Oh okay, I see how it is.”

Your laugh caused a sudden warmness to manifest in Jenna and she couldn't help but join along. “Come on, my family has been dying to see you again.”

“Really?” You asked, stepping inside her childhood home. “So you think I made a good impression?”

She turned to look back at you, surprised that you care. “Maybe… don’t let it get to your head, though.”

You laughed as you followed her through the house. “Is that jealousy I hear Ortega? Scared you won't be the only movie star around?”

She snorted, rolling her eyes. “Shut up. You’re an idiot.”

“An idiot that may have impressed your family?” You cocked your head and grinned wide.

“Yeah, yeah. Like, I said. Don’t let it get to your head. They could care less about celebrities and Hollywood. They’re pretty grounded.”

You shrugged, looking at the various family pictures hanging on the wall. “It’s fine. There’s only one Ortega I want to impress anyway.”

You’re not sure where that came from and it seemed Jenna shared the same thought because she raised her brows at you – but didn’t comment.

Jenna blocks you from walking when you reached the sliding glass door. “What?”

Jenna chewed her lip anxiously, “My family can be a lot. In numbers and in the other sense too. There’s a lot of us.”

“Oh… that’s okay.” You answered. A bit confused as to why she is telling you this. When you see her genuine concern your gaze softens. “Jenna, relax. I can handle the family… and I can charm anyone’s socks off.”

She relented, rolling her eyes at your joke. “Okay, okay.”

"Wait..."

Jenna turns around.

"Why am I here exactly? At your parents, that is. Link told me that you gave my driver instructions to bring me here."

Jenna bites her lip in contemplation. "Um—like I said my family wanted to see you again and I heard you were going to Coachella anyway so you know, two birds one stone."

You nod, accepting her answer.

Jenna opens the door for you two to step out.

–

Sounds of laughter rang around as you and Jenna sat in lawn chairs in her parent’s backyard.

“What are Timothee Chalamet and Zendaya like in real life?” Markus – Jenna’s brother leaned forward to ask. 

“Markus!” Jenna scolded and threw her brother a glare.

The actress blushed as she sat beside you but all she felt was the vibrations of your laughter, indulging her brother’s question. 

Jenna can’t help but wonder if you have other family members that spend time with you like this. You look so carefree and genuinely happy; comfortable around her family — after knowing you for a couple months now; she guesses it’s a no.

“They’re cool. Just like everyone else to be honest. Especially, Timothee, sweet guy but he’s a bit of a typical frat bro.” You joked, “And Zendaya, well. She’s just as amazing as everyone says she is. Great work ethic, it’s inspiring when you work with someone passionate like that – makes you want to be better and work harder.”

Jenna’s sisters are eating your story up. Secretly she knew they enjoyed the tales of celebrities and pop culture. It’s nearly impossible to live your life without seeing a public figure pop up on an ad on your phone or on the side of a bus stop on your drive home. 

Jenna is barely home enough to be able to have moments like this where she can humour her sister's questions. But they all had their own lives to live. She's has been looking forward to this break for a while, knowing it was coming up after her long week in New York.

She still can’t describe New York.

Something seems to have shifted between you two by the end of the week. But she didn’t know if it was for the better. The two of you have this constant push and pull; where everything is fine one moment, then one of you says something and it turns tense and weird as you both stay silent or you just completely blow up on each other.

Jenna didn’t know if she had it in her to try to decipher what these restrained responses she gets from you could possibly mean.

You are an enigma; a defensive, hot-headed asshole that grinded every gear the actress had.

“Do you like Zendaya, buddy?” You bounced her niece in your lap, enjoying how the baby grabbed at your fingers. 

But then Jenna turns around and you act like this. Sweet, protective, charming. 

How are you the same person?

She can’t fight her smile as she watched the adorable sight.

Jenna didn’t know you were good with babies. 

“I think Z would think you’re just the most adorable thing. Oh my god, Jen, can I send her a picture of us?” You turned to her, with a bright smile.

Jenna didn’t know when you started calling her by her nickname but she certainly won’t say how she enjoys how it sounds when you say it. “Uh–sure, if it’s okay with my sister.”

“Zendaya’s gonna have a picture of my baby on her phone? Uh yes!”

Jenna laughed, nodding. “I’ll take the picture.” She took your phone, opening the camera.

“What are you doing? Get in here with us." You asked with an adorable scrunch in the nose, surprising Jenna.

“Oh, I just thought— okay.” She swallows her growing grin, sliding in beside you.

Her sisters share knowing glances.

You happily scooted in, pressing your chest to her back.

Jenna is suddenly reminded of her you and her, alone in her dressing room.

She presses back into you. 

“Say, cheese guys!” Jenna clears her throat.

With big bright smiles, you placed your head above her shoulder to get in the frame, repeating, “Cheese!”

Even her niece seemed to be enjoying the attention as she smiled brightly and toothless while standing on your lap with her chubby legs. Jenna snapped a couple for good measure, checking over the pictures. The three of you are squished together as she held it in portrait; you all looked cute Jenna can admit. 

Like a little family.

What?

“Oh Jenna, send me that, please. I want to post it on my Instagram.” Her mom spoke up already reaching for her phone. 

“Okay, okay.” Jenna rolled her eyes but sent herself the pictures first before airdropping them to – everyone – who begged for it. 

“This is adorable, I think I’m gonna make this my lock screen.” You grinned, staring at the photo. She sees you typing a message, indeed sending it to the actress like you said you would. “Just for your niece.”

Jenna felt her heart skip a beat. “Are you saying you’re gonna crop me out the photo?”

“No… but now that’s a good idea, thanks.” You mocked with a smile.

“Mom, how did you already post that picture so fast?” Mia asked.

–

“Don’t be mad.” Jenna begged.

“Mad? Jenna. This isn’t what I signed up for.” You pinched the bridge of your nose.

The two of you were standing in her driveway, in a discord of course. Jenna just forced you into another situation that you wanted no part of.

“You just told Link to call off my driver and now you’re saying don’t be mad. Of course, I’m mad! Why did you say yes to your Mom, Jenna.” You sighed, dropping your hand limply.

“I didn’t know she’d insist.” She groaned walking closer, “She said that you shouldn’t stay in that big house by yourself for the weekend when there is room here, next thing I know she’s forcing me to ask you in front of everybody.”

"I'm sorry." She grabs your arm. “Link said you might be mad.”

You stare at her for a couple of moments. Their hearts are in the right place, you guessed. Eventually, you rolled your eyes and sighed. “Thank you I guess… I appreciate that the sentiment.”

Jenna smiled in relief, “Yeah, of course.” Then scrunched her nose in thought.  “We actually really don’t have the room so I don’t know where she’ll put you.”

She should have known. This is so typical and cliche; sharing a bed trope? Please, can the universe be any more unoriginal? 

“Mom, are you sure?” Jenna whispered as she peaked her head out the small awning of the door – making sure you can’t hear. 

“Jen, go to sleep. We have a packed day tomorrow. Everyone’s coming over for the game.”

Tomorrow is sports night and her uncles, aunts, cousins and grandparents are set to come over. It was a weekly tradition for the extended family to host a gathering to watch the game every Friday; with Jenna’s busy schedule, she hasn’t been to one in months. She’s grateful this one is hosted at her house but then inwardly sighed because she should probably warn you about that too.

“Mom…” She pleaded in a whisper.

“Goodnight and be responsible. I trust you two.”

“Mom!”

Jenna dropped her head in defeat as she listened to her Mom’s footsteps dwindle further away. 

“Hey, you should probably get in there before all the hot water runs out..”

She turns, seeing your freshly showered figure. For a moment, Jenna finds herself stuck. You’re rubbing a towel on your wet hair as grey sweats hung lowly on your hips and she was desperately trying to avert her eyes from the small patch of you skin exposed.

“I already showered.”

“Oh okay.” You shrugged walking over to grab your phone. 

“Which side do you prefer?” You asked absentmindedly,

“What?” Jenna blinks away.

“Of the bed. Which side do you prefer?” 

“Oh. The left.”

“Thank god. Every bed I’ve had to share I’ve had to fight for the right side. You’re perfect.” 

Jenna watched as you jump into your preferred side, getting comfortable under her covers.

She doesn’t know why she feels a mismatched thump fall out of rhythm with her heartbeat at seeing you in her bed. 

“Alright, are you gonna be weird about sharing a bed? ‘Cause I can just take the couch or call my driver to pick me up. I can get a hotel room or something.” You sighed sitting up. 

Jenna furrowed her brows, “What no. Can you please stop jumping to conclusions?”

“I’m not.” You mumbled but don’t argue further. Jenna gets in beside you. 

“You satisfied now?” She throws out but it sounds just shy of playful and maybe even flirtatious – definitely not how she meant for it to sound.

“Uh– sure.” You replied sliding the blanket up to your chin as you tried to get comfortable again.

There’s that weird tension again, Jenna thinks and she thinks it’s starting to annoy her.

“Okay, what’s your deal?” Jenna crossed her arms, turning to you.

You blinked, confused. “What?”

“Why are you being so weird?”

“I’m not.” You sat up to face the other actress.

Jenna frowned, “Yes you are. You have been since New York. Did I do something? Because you still haven’t told me why you just left town like that.”

“I told you. Jake wanted me back for Coachella. Why else would I have just left all of a sudden?” You explained.

“I just– I just feel like you’re not telling me something.” She admits, a bit insecure. “I, at least, thought we’re friends now and when I didn’t see you in the crowd or the dressing room after SNL I was a bit… disappointed? I don't know if it’s dumb but you really did calm me down before my monologue and I wanted to thank you over dinner. But, yeah–” 

Jenna looks away, missing your guilty frown. “Jenna… it’s not dumb. God, I feel like an asshole.”

“Well, sometimes you can be.”

You laugh but it’s dry. “I’m so sorry. I–I should have been there.”

You grab her hands. “Look at me, please.” It gets her to look up, the light from the lamp is bouncing off your eyes making them look softer in the dim light. “I promise, I’ll always be there for the important moments from now on. Before, during and after – we are stuck together until the foreseeable future, so.”

Jenna snorts, looking down at your hands. You begin to rub lines with your fingers on her open palm making her shiver. “Yeah, I guess we are.” She whispers.

She doesn’t know when she makes the bold move to intertwine your fingers. But for the first time since SNL, you two hold hands and this time you don’t pull away. But she doesn’t miss the questioning glint in your eyes as you look down. Jenna ignores the attention and squeezes your hand to make you look at her again.

“You mean it though?”

Your eyes soften. “I mean it.”

–

“Where’s Y/N?” Mia asked over the breakfast table.

“Rehearsals,” Jenna mumbled sleepily shoving spoonfuls of food in her dry mouth – still trying to wake up.

When the actress had awakened, the sun was high above the horizon and the desert heat was already inching inside her cracked window. But she woke up, alone.

Differing from how she went to sleep the previous night with you barely pressed up beside her as you laid with your backs to each other. Jenna only found herself un-tensing after hearing your breathing fall into short even exhales.

When she turned over to grab her phone this morning, you had sent a text:

Sorry for not waking you up. You sleep like a rock but I had to go to rehearsals. I’ll be back by 3 :)

She couldn’t be too annoyed at the smiley face you leave with your occasional messages.

“She’s performing?” Mia asks shocked.

Jenna nods, too tired for words.

“The crowd is gonna lose their minds.” Aliyah laughs. “With who?”

“Won’t say.” Jenna muttered bitterly, thinking back to her incessant begging; you never caved.

“Okay… can we talk about it, now then?”

“Talk about what Mia,” Jenna sighs dropping her fork on her plate.

“You and Y/N.” She says like it’s obvious.

“There is no me and Y/N, it’s all for the cameras. Remember the NDA I had to beg you guys to sign?” The actress rolls her eyes. 

“Then why were you so upset after New York?” She challenges; tired of her sister’s silence over this whole situation. There’s no way she’s just unaffected by this.

“Mia drop it.” Her mom says.

“No. I’m serious, she’s literally staying under our roof, sharing a room with Jenna. And no one is still saying anything? Am I the only one who thinks there’s something going on?”

“Yes.” Jenna says quickly.

Mia rolls her eyes, “You still haven’t answered my question, Jen.”

Jenna crosses her arms, sitting up. “Of course I was upset. She just left town without a warning, if we didn’t catch her in the lobby she was just gonna a send a text. A text! Anyone would be upset at that — but it doesn’t mean what you think it means.”

But her sister doesn’t buy it. She opens her mouth to refute but their Dad swoops in saving the day. “Leave your sister alone, Mia. I’m sure whatever is going on with Y/N and Jenna – they can figure it out themselves.”

Jenna groans, “Dad, not helping.”

He shrugs, sitting at the head of the table with his own plate of breakfast.

Eventually, her family scatters to their own corners of the house to get ready for the day. Her other family members would be arriving soon and the actress had to start getting ready. Crap, she forgot to warn you about game night because you left so early. Jenna decides she’ll send you a text after she gets out of the shower.

With the raucous of the day, Jenna forgets to send the text. Her cousins arrived much earlier than anticipated and she was already getting pulled out to living room to talk about her upcoming projects. She gets so lost catching up with her cousins that she doesn’t realize when you arrive.

"Jenna, your novia is here." One of her aunts shouts making her head snap up to you as the front door opens. "Oh wow, and she's brought the whole store!"

Jenna's jaw drops as you walk in, holding multiple large bouquets of different arrangements of flowers. "Y/N?"

"Hey!" You peek your head out from the large flowers. "These are for your family... but I may have overestimated how big these were and Link refused to help me."

"Oh god, these are beautiful Y/N." Jenna's mom gets up from her seat, grabbing as many flowers as she can. "You didn't have to..."

"Oh, it's nothing, really. You guys are letting me stay here, I just wanted to express a little gratitude." You duck your head, all timid now.

Jenna knows it's not nothing. Those flowers cost a fuck ton, she would know she gets gifted those whenever she has an event.

"Well, gratitude expressed. I don't even know where to put these. Mia, Aliyah help the girl, please!"

The two sisters grab all but one smaller bouquet from your hands, walking away with smug smiles.

"Jen, get up," Aliyah whispers in passing as all the women and Jenna's dad filter over to the kitchen to view the gorgeous flowers.

She still hasn't moved from the couch and briefly, she thinks she can feel her cousin's smirking at her reaction.

"You got my family flowers?" Jenna asks dumbly, walking over slowly; ignoring everyone's eyes on them.

"Uh—yeah. Sorry if it's a bit much. I wasn't sure what everyone liked so... I got them all." You scratch your head with a bouquet in hand, catching Jenna's eye.

"These are for you..." You smile, holding out a smaller albeit more personal? flower arrangement. It felt like Jenna, somehow.

“I picked it out myself.” Your smile turns shy.

Like, if she were to walk into a flower shop and see this bouquet, she would instantly grasp it and never let go.

We still talking flowers?

"Thanks..." Jenna mumbles, grabbing the flowers; your fingertips touching sends sparks down her arm.

"Um—you're back early..." Is all she manages to say.

“Yeah… they didn’t need me for a long time so I decided to come back.” You explained, glancing at the new faces in the room. “Uh– what’s all this?”

The actress sends you a sheepish smile, “Family game night, we watch the game every Friday and cook some barbeque, it’s a whole thing. I forgot to text you, I’m sorry. You can call your driver back if this is too much.”

You laugh, squeezing her shoulder. “And miss out on great food? No, thank you.”

Jenna scans your eyes for the truth, “Are you sure? I know this isn’t exactly your scene so I understand.”

“Jen.” Your hand slides down, softly grabbing her hand. “I can’t even remember how long it’s been since the last time I had a home-cooked meal. I’m so in.”

You squeeze her hand for good measure. “Guys close the door.” Someone shouts.

Jenna doesn’t let you drop your hands this time because she’s already gripping them, pulling you to sit with her cousins – introducing you.

She ignores the giddy feeling in her chest that you want to stay.

You don’t say anything even when you’re both sitting and she’s still holding your hand.

–

“Who are you performing with?” Jenna tugs on your arm.

You squint to see her through your sunglasses. The Californian sun was making its presence known today and there are crowds of people everywhere as you tried to find some shade. It’s just past 6 PM and people are already starting to get rowdy – before all the good sets are even on. 

Fish nets, sparkles and bedazzles are all you see in the sea of people and you just know you’re at Coachella.

“I can’t say…” You fight the smile on your face, finding her begging adorable. “It’s supposed to be a surprise.”

“But Aliyah knows! I heard you whisper it to her.” She glares back at her sister standing a fair distance away from you two – who was talking to Mia and her boyfriend.

“I didn’t tell her anything, Jen. We were just fucking with you.” You laugh, sliding your hand in hers. 

An unspoken comfortableness has formed between you two. Light touches are a new development in this… situation Jenna had with you.

Whether it was knees touching under the dinner table, walking shoulder to shoulder on your daily walks around the neighbourhood (there wasn’t much to do as Coachella weekend approached) or leaning her head on your shoulder as she slept when you two watched TV before bed.

And now, it seems like things have escalated to a new level of comfort where you two willingly linked fingers whenever you walked anywhere. Neither of you make a peep when someone eventually reaches for the other’s hand. 

“Rude…” She pinches your side making you flinch away from her.

Jenna’s immediately tugging you back closer.

“Hey… I can’t get an injury before my performance. I’m legally binded to a contract.” You state.

Jenna snorts, “I thought you were friends with the performer? Are you really not gonna tell me who it is?”

“Nope and sure we’re friends but, I’m still contractually obligated to the festival and all that.”

“Come on Y/N!” She groaned unconsciously stepping closer to you. “I’ve been so nice to you, I haven’t called you an idiot all day!”

You laugh, “Is that supposed to win me over?”

“You tell me? Is it working?” The laugh dies in your lips when she tits her head in question.

Jenna misses the gulp you take because she was leaning closer, trying to find your eyes behind the dark-tinted glasses you had on. 

“No…” You replied with a vacant tone.

Jenna steps back when the sun blinds her eye. “You’re no fun.”

“I don’t know what to tell you… you’re gonna have to wait like everyone else.”

“Speaking of everyone else, I’m surprised we’re not surrounded by your groupies.” Jenna eyes the group of people hovering not too far away. 

You snicker, “They are not my groupies. I barely know those people but it happens at every music event. They flock over like geese. I let Link handle them.”

Jenna frowns, “Doesn’t it bother you?”

“What?” You look down.

“That you can’t even enjoy yourself at a festival without someone hovering over your shoulder.”

Since Jenna’s started this PR relationship with you her fame’s only increased overnight. She hates to say it but Sarah was right, being associated with you has only made her more famous and well-known. She felt like a Kardashian or Tom Holland who couldn’t even step out of their own homes without a camera being shoved in their faces. 

It’s getting so bad that Jenna has security with her everywhere she goes. She stopped driving herself to places. A headline even dropped that you two are official and serious now and that you have met her family; paparazzi tried to camp at her parent’s house until they called the police.

“Sometimes.” You answer honestly, shrugging. “But it’s part of the job.”

Jenna’s frown deepens, looking around. “This is not part of the job. At least not what I’ve seen.”

“Yeah, but we learn to deal with it, right?” You nudge her shoulder. Seemingly unbothered that made Jenna bothered for you.

“How?” Jenna couldn’t help her curiosity.

“Surround yourself with people that genuinely care about you. That still picks you even after all your fuck ups. Only got me about three of those, so I try to keep them close.” Then you let out a sad laugh, “I make it very hard for them sometimes, though.”

Jenna looks at Link as he holds a bored hand up when a girl tries to walk up to you. Then he’s shooing her away and whispering to both of your security guards.

She wants to fight the urge to say that you have a fourth person in your corner with her.

Instead, she says:

“I think you got a good one with him.” She nods to Link.

You follow her sight, “Yeah, I do... He’s usually right about most things too.”

“What do you mean?” She looks up in questioning.

Maybe Jenna’s not so bad? Flashes in your memory but you don’t tell Jenna. “Nothing.”

Jenna squints her eyes. “Fine… keep your secrets.” Tone a playfully bitter.

Eventually, you, Jenna and her sisters walk around aimlessly from set to set, taking pictures and enjoying the atmosphere. Jenna would be lying if she said she wasn’t enjoying herself right now. Somehow you all managed to find an empty corner by the Artist section of the performances which meant you had loosened up a bit. 

Jenna decided she liked it when you’re smiling, carefree and happy.

It suits you better than your permanent scowl. 

You’ve been so stressed this last week, taking phone calls and Zoom meetings. She tried not to express her concern at seeing how you obsessively fretted over some project, consuming you some nights. 

Jenna knows obsessive. She knows anxiety. This was different.

She finds herself with more questions than answers when it comes to you.

Why are you so closed off all the time? Is this how you work all the time? Where did this recent streak of bad behaviour start? Is there more to it than what you’re saying?

Are you okay?

But Jenna can’t find the right words to ask, so she doesn’t.

Only offering her warm pressure on top of you to hopefully lull you to sleep when you both drift off in her childhood bed.

Somewhere along the evening, she finds herself close to you.

You've loosened up as the days progressed and somehow, you and Jenna have found yourselves wrapped up in each other's arms as you danced.

Jenna had her back pressed firmly against your chest; her head tucked under your chin as your arms wrap around her waist from behind; hands linked as you jammed along to the music.

“The Met Gala’s coming up.” Jenna speaks up after a few moments of silence. “I’m invited.”

“Me too.” You reveal. She perks up, looking back at you.

“Yeah?” She smiles, pleased with your answer.

“Mhmm. I’m actually a co-chair this year.” You send an embarrassed smile.

She turns in your hold, jaw-dropping. “You are?”

“Yeah… why do you think I’ve been taking those calls all week? I was getting ready for the Met.”

“I thought that was for Coachella?” She snorts but can't help but ask, "Do you ever stop working?"

“Says you. Miss Scream Queen.” You tease making her roll her eyes.

“Be my date.” She says all of a sudden. “and walk the carpet with me this time.”

You raise your brows at her bluntness. This time?

You remember the last time she said those words and a tiny part of you prayed she meant it differently this time. But you can't fight your smile because you couldn't even say no if you wanted to — overwhelmed with the sudden want, to show off the girl in your arms. “I would love to be your date.”

Jenna's eyes sparkled with delight, beaming at you widely.

"Great! I'll talk to Enrique and Thom Browne about it."

"But I'm a Prada Ambassador?"

"I'll handle it." She nods with finality.

But before you can say anything, Link slides in with a whisper in your ear and a knowing smirk in Jenna’s direction.

“Hey, I have to go.” You whisper into her ear, pulling away but Jenna tightens her grip.

“Wait.” She steps forward – much closer than she means to.

“Yeah?” You asked softly and suddenly Jenna can’t hear the loud thumping of the bass anymore.

“Good luck and break a leg.” She says in a whisper.

Her hand reaches up to brush your neck still looking into your eyes. Jenna feels the same overwhelming pressure in her chest that she’s recently felt around you and gives into her sudden impulse; leaning in, parting her lips; meaning for them to connect to your cheek but instead swerve and slot in between your lips instead, in a moment’s haste.

She feels you tense for a moment before giving in, cupping her cheeks too. Kissing her back. Jenna loses it a bit, not expecting your lips to feel so soft and smooth and perfect against hers. Jenna can't help but tilt her head to the side, allowing your lips to press harder.

She feels the same electricity from your first meeting – when you shook her hand. The same electricity she tries to fight off every time she's near you. Except this time, it's by tenfold.

Jenna is so lost in you that she can’t even hear her heart beating loudly in her ears anymore — only feeling your thumb softly stroking her jaw.

The sound of coughing breaks you two apart.

“Sorry but Y/N we need to go.” Link sends a sheepish smile but he's trying to fight his grin at having a front-row seat to the show.

When Jenna pulls away she looks deeply into your eyes searching for some kind of indication of your feelings.

You smile shyly, squeezing her waist and rubbing her back. “I’ll find you after the show?”  

“Yeah…” Jenna whispers, still staring into your eyes.

“I’ll find you!” You yell over her shoulder as Link drags you away.

“Holy shit, finally!” Mia slides in beside her. 

Jenna doesn’t have the energy to shrug off the arm Aliyah throws over her shoulder as she brings her fingers up to her burning lips. “I don't know why I did that...”

“Oh my god, you’re an idiot. The both of you.” Mia rolls her eyes walking back to her boyfriend.

Jenna looks around, blinking, immediately catching the phones held in the air capturing her moment with you.

She walks off, following her sisters.

Unbeknownst to you and Jenna, a headline is about to drop:

New developments in Y/N L/N's Vegas case. Caught with cocaine! Las Vegas PD makes no official comments on possible charges or arrests. But is this the end for the bright star?

-

:)

The strip club and vaccine bit with Colin and Che is from a real line in one of their segments LOL.

yall happy now?

-

@alexkolax @ladey @jjsmaybank20 @werewoofrobinbuckley @chealsib @fanboy7794 @la-douleur-ne-finit-jamais @zelload @natashadeservedmoree @orang3-ish @friedryes @canyonyodeler @nahnahnahwhatt @be-missed @jjuncidio @fearstreetsoloyouandurmom @oksana-moods @theirishmanronan @r-ude @wokethefuxkup @bandaidss @skate-to-breathee @user173781 @frasersgf @natblidaclexa @justafoolinlove @bring-mecoffee @slu7her @haughtsauce21 @wheesunsangel @cyberexpertalienspy-blog @jennaortegasfootrest @zaza11sblog @omega-horus @heroofdeath11 @selluequestrian @justalittledissociation @imaloserbby @catswag22 @sorexhera @smjmgko @acutenobody @raven-ss @canceldevvi @sweetaimu @rockwyn @rwndsana @cheesybacon1 @cvluswnt @secretbackrooms @vixen1006 @zhasmindoesntknow @namesduntmatter @ulicebld @rozmrazaradelfinow @icarly23 @cartierdreamx @thenextdawn @annalestern

[ktempestbradford]

A Story for Star Trek Day

I've told this story on Twitter before. I tell it every Star Trek Day and whenever a Deep Space 9 anniversary rolls around. It's about me and Avery Brooks (aka Best ST Captain Benjamin Sisko).

The college my mother went to specifically started recruiting top Black students in the 60s. Due to this, the Black kids all mostly knew each other as they were in that same program. Avery Brooks went to the same college and they were good friends.

(She once told me he had a huge crush on her and I was like MOM. MOTHER. WHAT. HOW COULD YOU HE COULD HAVE BEEN MY DAD.)

Anyway, many of the students in this program remained friends long after college. So over the years as Avery was getting TV gigs & such we would all watch cuz he was my mom's friend & I thought that was the coolest. There was one particularly fun night when my best friend's uncle, Frankie Faison, guest starred on A Man Called Hawk. TWO people we know on TV!

When I was in middle school Avery was touring his production of "Paul Robeson" and it came through our town, so I got to see him perform in person (awesooooome) and meet him for the first time since I was a baby (which I did not remember, of course).

Now, backing up a little bit: I am a Star Trek fan because of my mom. She loved the original series and I remember being a wee Tempest in front of the TV watching The Wrath of Khan and us excitedly going to see Star Trek IV together.

I watched TNG from the instant it appeared on TV because of her. I watched all of The Animated Series even though everyone looked "wrong". (Man... it took me 4 months to realize that dude in the red shirt was Scotty cuz I'd only ever seen movie Scotty.)

Then... they announced Deep Space 9.

We heard Avery Brooks would be the commander and there was MUCH rejoicing around our house. DS9 turned out to be the best Trek ever and, of course, Avery was awesome. This was around the time my mom dropped that "he had a crush on me but I wasn't interested" bombshell.

I'm still bitter.

I mean, I love my dad he's great. But SISKO COULD HAVE BEEN MY DAD.

I lost my mom in 1999. She was--and I'm not exaggerating--an extraordinary woman and beloved by many. I received so many beautiful messages of condolence from her friends all the way back to those college years, including Avery. So many people remembered her fondly. <3

I kept watching Star Trek and often talked to her as if she was there during episodes. She would have LOVED Discovery. Especially since she took me to RENT the year I started college. I'm sure she would have shared my opinion of Enterprise as well. But she loved her some Scott Bakula, so she would have watched, anyway.

I got the chance to interview Avery Brooks at DragonCon back in 2013 (jeez, it's been almost 10 years omg). Before the interview, I went up to him on the Walk of Fame and I said:

Hi, I'm (name K stands for) Bradford, I don't know if you remember me...

And he looked up and said: Of course I remember you.

We talked for a bit and I asked if I could come back and interview him later and he said yes (he wasn't supposed to; his handler had A LOOK). I didn't want to hold up his line, so I said I'd see him later.

Before I could go, he reached out for my hand and squeezed it before saying: I loved your mama, you know.

And we just stayed like that for a few seconds, missing her together.

...I might have been trying very hard not to burst into tears.

That DragonCon was the last time I saw Avery. Barring an extraordinary circumstance, that's probably the last time I'll see him in person. I'm glad we got to have that moment together. And we had a great conversation!

His contribution to Trek has meant so much to me. SISKO4EVA

And I'm glad that it's another tie between me, my mom, and Trek. I can't watch DS9 without hearing her voice giving color commentary. Even the episodes she didn't live to see.

I think Star Trek is part of what gave her hope for the future. She passed that on to me. ❤️🖖🏾❤️

Happy Star Trek Day to all who celebrate.