#Best Songs Written by Gulzar

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Harmeet Singh

This Biography is about one of the best Professional Singer of the world Harmeet Singh including his Height, weight, Age & Other Detail… Express info Real Name Harmeet Singh Gulzar Nickname Harry Profession Singer, Music Director and Actor Age (as in 2023) 43 Years old Physical Stats & More Info Height in centimeters- 173 cm in meters- 1.73 m in Feet Inches- 5’ 8” Weight in Kilograms- 73 kg in Pounds- 161 lbs Body Measurements - Chest: 38 Inches - Waist: 30 Inches - Biceps: 13 Inches Eye Colour Brown Hair Colour Black Personal Life of  Harmeet Singh Date of Birth Not Known Birth Place Gwalior, Madhya Pradesh India Zodiac sign/Sun sign Not Known Nationality Indian Hometown Mumbai, Maharashtra, India School The Scindia School, Gwalior College Sydenham College, Mumbai Educational Qualifications Not Known Debut Singing Debut: Boond (2002) TV Debut : Kahani Ghar Ghar Ki Family Father- Not Known Mother- Nirupam Kaur Brother- Manmeet Singh (Elder, Singer and Music Director) Sister- N/A Religion Sikh Hobbies Reading and dancing Controversies • The Meet Brothers faced allegations of coping the song Chittiyaan Kalaiyaan from a Baloch song. • His Ex-wife Shefali Zariwala, once registered an FIR against him in Mumbai, alleging him of assaulting and abusing her. Favourite Things of  Harmeet Singh Favourite Food Kashmiri chicken Favourite Actor Hrithik Roshan, Salman Khan, Akshay Kumar, Farhan Akthar and John Abraham Favourite Actress Priyanka Chopra Favourite Film Final Destination 2 Favourite Musician Kanika Kapoor, Jay K, Sonu Kakkar, Jankee and Jim Morrison Favourite Book Road Less Travelled by M. Scott Peck Girls, Affairs and More of  Harmeet Singh Marital Status Married Affairs/Girlfriends Shefali Zariwala (Model) Sunaina Singh Wife Shefali Zariwala (Model, Divorced) Sunaina Singh Children Daughter- Not Known Son- Not Known Money Factor of  Harmeet Singh Salary 12-13 Lakh/film (INR) Net Worth Not Known  This Biography Written By www.welidot.com Read the full article

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10 Timeless Bollywood Classics By The Legendary Lata Mangeshkar You Should Listen Today

For more than seven decades, Lata Mangeshkar has been an iconic voice of Indian film music. As the most recorded artist in history, she’s had a hand in making some of Bollywood’s most beloved classics. Today, we’re taking a look at 10 of her timeless tracks that have stood the test of time and still inspire listeners.

Introduction to Lata Mangeshkar

Lata Mangeshkar is a legendary Indian playback singer. She has recorded songs for over a thousand Hindi films and has sung songs in over thirty-six regional Indian languages. She is one of the best-known and most respected playback singers in India.

Mangeshkar was born on September 28,1929 in Indore, Madhya Pradesh, into a Marathi family. Her father, Pandit Deenanath Mangeshkar, was a classical singer and her mother, Shevanti, was a homemaker. Mangeshkar’s elder sister, Meena Khadikar, was also a playback singer.

Mangeshkar started singing at an early age and made her film debut when she was just thirteen years old. She has recorded songs for films in various Indian languages, including Hindi, Marathi, Bengali, Assamese, Gujarati, Kannada, Bhojpuri, Malayalam and Oriya. 

Mangeshkar has won several awards for her contributions to Indian cinema, including the Padma Bhushan (1969), the Padma Vibhushan (1999) and the Bharat Ratna (2001). She has also been awarded the National Film Award for Best Female Playback Singer five times.

Mangeshkar’s career spans more than seven decades. She has sung songs for some of the biggest names in B

List of the top ten Lata Mangeshkar songs that have stood the test of time 

Lata Mangeshkar is a legendary playback singer in India who has sung thousands of songs in her career spanning over seven decades. Her voice has been heard in some of the most iconic Hindi film songs of all time. Here is a list of the top 10 songs by Lata Mangeshkar that have stood the test of time:

1. Aye Mere Watan Ke Logo: This patriotic song was composed by C. Ramchandra and written by Kavi Pradeep. The song commemorates Indian soldiers who died during the Sino-Indian War in 1962. The song is still remembered today as one of the most emotional and patriotic songs ever sung.

2. Lag Jaa Gale: This romantic ballad was composed by Madan Mohan and written by Raja Mehdi Ali Khan. It was picturized on  Manoj Kumar, Sadhana and released in 1964. The song is still popular today for its soulful melody and lyrics.

3. Chhup Gaye Sare Nazare: The song is a romantic ballad and is one of the most memorable songs sung by Lata Mangeshkar. Her voice is so beautiful and expressive that it perfectly conveys the emotions of the characters in the song.

4. Tere Bina Zindagi Se Koi: This evergreen love song was composed  by R.D. Burman and written by Gulzar. It was picturized on Sanjeev Kumar and Suchitra Sen from the film “Khamoshi” and released in 1975. The song is still popular today for its soulful composition and meaningful lyrics.

5. Bahon Mein Chale Aao: The lyrics of the song are very heartwarming and describe the feeling of being in love. The song is from the movie Anamika. Bahon Mein Chale Aao is one of those songs that will stay with you long after you’ve heard it.

6. Yeh Galiyan Yeh Chaubara:  This melodious song is from the movie Prem Rog. The song is sung by Lata Mangeshkar, and the music is composed by Laxmikant Pyarelal. 

7. Ek Pyar Ka Nagma Hai: This song is one of the most popular songs sung by Lata Mangeshkar and Mukesh from the movie Shor and was released in 1972. The lyrics of the song are penned by Santosh Anand and the music is composed by Laxmikant-Pyarelal. It is a perfect track to listen to when you’re feeling romantic or missing your loved one.

8. Kora Kagaz Tha Yeh Man Mera: The song  was sung by Lata Mangeshkar and Kishore Kumar, and picturised on Sharmila Tagore and Rajesh Khanna. The song starts off with a simple melody that gradually builds up into a crescendo. The lyrics are written in a simple yet emotive style, which perfectly captures the feelings of love and longing. The two singers have done a phenomenal job of conveying these emotions through their voices. The music is also very catchy and will stay with you long after you’ve heard it.

9.  Yeh Kahan Aa Gaye Hum: This is a classic Bollywood song that has been sung by Amitabh Bachhan and Lata Mangeshkar. The song is from the movie Silsila and is one of the most popular songs of all time. The lyrics of the song are very meaningful and the tune is very catchy. The song has a very strong emotional impact on the listeners.

10.  Tujhse Naraz Nahi Zindagi: This song from the movie Masoom is sung by Lata Mangeshkar.  The song is a beautiful ballad that has a message of hope and resilience. It is a perfect song for someone who is going through a tough time in their life. The lyrics are very relatable and the melody is very soothing. This is one of those songs that you can listen to over and over again and never get tired of it.

Describe what makes Lata Mangeshkar’s voice so unique and special

Lata Mangeshkar is often referred to as the Nightingale of India and is one of the most celebrated playback singers in Bollywood history. Her unique voice has been described as “honey-coated” and “clear as a bell”, with a wide range and perfect pitch. Lata Mangeshkar began singing at a young age and made her film debut in “Paa laagu kar jori re” from “Aapki Sewa mein” (1947). She went on to record songs for hundreds of Hindi films and has sung in over 20 languages. Mangeshkar’s voice is truly one of a kind and her contributions to the world of Bollywood music are immeasurable.

How Her Songs Are Still Relevant Today

Lata Mangeshkar is often referred to as the Nightingale of India and has been praised for her exceptional vocal abilities. She has recorded songs in over a thousand Hindi films and has sung in multiple languages .

One of the things that makes Lata Mangeshkar’s music timeless is her ability to connect with her listeners. Her songs are full of emotion and resonate with people even today. In a world where Bollywood movies are increasingly becoming more formulaic, her songs offer a much needed respite. They are a reminder of a simpler time when movie songs were truly reflective of the human experience.

Some of Lata Mangeshkar’s most popular songs include “Bhigi Bhigi Rato Me”, “Tum Aa Gaye Ho Noor Aa Gaya”, “Zindagi Pyar ka Geet Hai”, “Gum Hai Kisike Pyar Me” and “Dil To Hai Dil”. These songs are still relevant today because they deal with universal themes such as patriotism, love, heartbreak and longing. No matter what language you speak or where you’re from, these songs will speak to you on a deep level.

The continued influence of her music and how it has impacted subsequent artists

Lata Mangeshkar is one of the most prolific and respected playback singers in India. She has sung hundreds of songs in Hindi and other Indian languages over her career, which spans more than seven decades. Her music has been influential to subsequent generations of Indian artists, both in terms of her vocal style and the choice of songs she has recorded.

Mangeshkar’s influence can be heard in the work of many contemporary Indian singers. For example, Sunidhi Chauhan has cited Mangeshkar as an inspiration, saying “I grew up listening to Lataji’s songs and try to emulate her style in my own singing.” Similarly, Shreya Ghoshal has said that “Lataji is my biggest inspiration… There is no one who can match her versatility or expressiveness.”

Lata Mangeshkar’s work has also been referenced by a number of international artists. In a 2013 interview, Beyoncé said that she was influenced by Mangeshkar when she was growing up: “My mom used to play a lot of Hindi movie music around the house… I definitely remember being fascinated by the sound of Mangeshkar’s voice.” .

Conclusion

Lata Mangeshkar has been an iconic figure in the Indian music industry for over 70 years, and her influence on popular culture will no doubt continue for generations to come. Her timeless songs have touched the hearts of millions, transcending boundaries of language and geography. There is no denying that Lata Mangeshkar was a pioneer when it came to Bollywood music, and she deserves all the respect and admiration that has been bestowed upon her by fans around the world.

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Lyrics Aa Ja Mahiya (Aa Dhoop Maloon Main)

Lyrics Aa Ja Mahiya (Aa Dhoop Maloon Main)

English Lyrics | Aa Ja Mahiya (Aa Dhoop Maloon Main) | Fiza 2000 Maahi Maahi ReMaahi Maahi ReMaahi Maahi Re (4)Aye…. Aa Ja Maahi Mere (2)Aa Ja Mahi Mere AaAa Ja Maahi Mere (2)Aa Ja Mahi Mere Aa Aa Dhoop Maloon MainTere Haathon MeAa Sajda Karoon MainTere Haathon MeHo Subah Ki MehndiChhalak Rahi HaiAa JaAa Ja Maahiya (2)Aa JaAa Ja MaahiyaO…Aa Ja Maahiya Aa Ja Maahi Mere (2)Aa Ja Mahi Mere…

[postoastblog]

21 Bollywood Old Songs That Will Remain Evergreen Till Eternity

Our Bollywood film industry is known for its amazing songs and dance moves. Indian cinema has a long history of music in films. The legendary singers like Kishore Kumar, Lata Mangeshkar, etc have sung some of the evergreen old songs whose lyrics are so beautiful they’ll instantly make you love the song. Maybe that’s the reason your grandfather or dad keeps playing the old classic songs and gets lost in their melody.

Here we have a list of some best old Bollywood songs that tend to stay close to you forever.

Zindagi Ek Safar Hai Suhana: This song was sung by the legendary Kishore Kumar for the movie Andaz in 1971. The song also received the Filmfare for the Best Lyricist. It was written by Hasrat Jaipuri.

Tere Bina Jiya Jaye Na Jaye Na: This iconic old song was sung by Lata Mangeshkar, written by Gulzar for the 1978 film Ghar featuring and stars Rekha and Vinod Mehra. The music direction of Tere Bina Jiya Jaye Na was done by R.D. Burman.

Hamen Tumse Pyar Kitna: This song was sung by Kishore Kumar for the 1981 film Kudrat. Written by Majrooh Sultanpuri, and the Music Director of Kudrat was R.D. Burman. The song was also nominated for the Filmfare.

Abhi Na Jao Chod Kar: This iconic song was sung by Mohammed Rafi and Asha Bhosle for the 1961 film Hum Dono starring Dev Anand and Sadhna. Jaidev was the Music Director and the lyricist was Sahir Ludhianvi.

Roop Tera Mastana: The song was sung by legend Kishore Kumar and he won the Filmfare for the Best Male Playback Singer for this song. The song was sung for the 1969 film Aradhana that featured Sharmila Tagore and Rajesh Khanna. The lyrics were written by Anand Bakshi and the music was composed by S.D. Burman.

Pyar Hua Ikrar Hua: This amazing song was sung by Lata Mangeshkar, Manna Dey. This song was featured in the movie Shree 420 starring Raj Kapoor and Nargis.

Ek Ajnabee Haseena Se: The song was sung by Kishore Da and was featured in the 1974 film Ajanabee starring Rajesh Khanna and Zeenat Aman. The on-screen chemistry of the actors together made this song magical. R.D. Burman was The Music Director of this song.

Kuch Toh Log Kahenge Logon Ka Kaam Hai Kahana: This superhit classic old Hindi song was sung by Kishore Kumar from the blockbuster Hindi movie of Amar Prem (1972) starring Rajesh Khanna and Sharmila Tagore. The music was composed by R.D.Burman and lyrics were penned by Anand Bakshi.

Mere Sapno ki Rani Kab Ayegi Tu: This iconic Hindi classic romantic song was sung by Kishore Kumar and was featured in the 1969 film Aradhana that featuring Rajesh Khanna and Sharmila Tagore. The lyricist of the song is Anand Bakshi.

Lag Ja Gale: Sung by Lata Mangeshkar, this evergreen song features in Who Kaun Thi?. Written by Raja Mehdi Ali Khan, the iconic song was released in the year 1964. It stars Manoj Kumar alongside Sadhna. Madan Mohan Kohli is the music director.

Likhe Jo Khat Tujhe: Sung by Mohammed Rafi, this old Bollywood song was one of the most heartwarming songs of the movie Kanyadan. The film featured legends like Shashi Kapoor and Asha Parekh. The lyrics were written by Neeraj.

Kya Hua Tera Wada: The song was composed by R. D. Burman. Sung by Mohammed Rafi and Sushma Shrestha, the song won both Filmfare best male playback singer and National film award.

Humein Tumse Pyar Kitna: This beautiful Hindi song was sung by the legend Kishore Kumar and was composed by R. D. Burman. The song was featured in the 1981 Indian Hindi drama film, Kudrat. The movie starred Rajesh Khanna and Hema Malini. The song is heard twice in the movie, the first time by Parveen Sultana and the second time by Kishore Kumar.

Kabhi Kabhie Mere Dil Mein: It is an old Hindi song from the movie Kabhi Kabhie released in the year 1976 featuring Amitabh Bachchan and Raakhee. The lyricist of this amazing song is Sahir Ludhianvi. The original song is in literary Urdu and was in fact a poem from his collection Talkhiyan.

Yeh Dosti Hum Nahi Todenge: This is one of the most epic Bollywood songs on friendship. The song was sung by Kishore Kumar and Manna Dey for the popular movie Sholay featuring Amitabh Bachchan and Dharmendra. R. D. Burman composed the music, and the lyrics were written by Anand Bakshi.

Mera Joota Hai Japani: This song is one of the most popular old songs from Raj Kapoor’s film Shree 420 that was released in 1955. The song was sung by Mukesh and Shailendra was the lyricist.

Tera Mujhse Hai Pehle Ka Naata Koi: This song is from Shashi Kapoor and Sharmila Tagore starrer movie Aa Gale Lag Jaa. Kishore Kumar sang the song and the music was given by R. D. Burman. The lyrics are penned by Sahir Ludhianvi.

Ek Radha Ek Meera: Sung by Lata Mangeshkar, this song featured in the 1985 romantic drama movie Ram Teri Ganga Maili that starred stars Mandakini and Rajiv Kapoor. Ravindra Jain was the music director of the film and he received a Filmfare Award for this movie.

Yeh Raaten Yeh Mausam: Sung by legends like Kishore Kumar and Asha Bhosle, this song featured in the film Dilli Ka Thug. The music was by Ravi and the lyrics were penned by Shailendra.

Tum Ko Dekha Toh Ye Khayal: This evergreen ghazal was sung by Jagjit Singh and Chitra Singh for the 1982 film Saath Saath featuring Farooque Shaikh and Deepti Naval in the lead roles.

Tujhse Naraz Nahin Zindagi: The song has a female and a male version that was sung by Lata Mangeshkar and Anup Ghoshal respectively for the 1983 film, Masoom. The song was composed by R. D. Burman and the lyrics of the song were written by Gulzar. He also won a Filmfare Award for Best Lyricist for this song.

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30 June Kalyanji Virji Shah (Kalyanji-Anandji): 92nd Birth Anniversary

By

Siraj Syed

Kalyanji Virji Shah (Kalyanji-Anandji): 92nd Birth Anniversary 30 June 1928-24 August 2000

From sleeve notes written for SaReGaMa’s LEGENDS CD set in 2009: More than half a century after the cobra swayed to the clavioline, masquerading as the been, in ‘Tan dole mera man dole’, its notes still reverberate across India, and in many other parts of the world. It was, and remains, Kalyanji Virji Shah’s best-known musical signature. Kalyanji had first used the instrument in a film called Naag Panchami (1953, music Chitragupta), but that went largely un-noticed. ‘Tan dole’, a Hemant Kumar tune from a box-office hit, was the chart-topper of 1954, so listeners took good notice of its mesmerising been theme. Developed in France by a designer named Constant Martin, the clavioline was introduced in 1947. Five years later, musician Kalyanji was playing it here, in India, in film song takes. Four years after Nagin, Kalyanji had arrived as music director, with Samrat Chandragupta. And the following year, younger brother Anandji, who was a child actor and chorus singer too, joined him to create the K-A team that stood firm for over 40 years. Nevertheless, as Anandji, some four years younger (now 88), is often heard saying, “Kalyanjibhai is watching all this from above. He is very much with us in spirit.” Kalyanji Virji Shah died in the year 2000, at the age of 72.

Born in Kundrodi village of the Mundra taluka in Kutchh, the brothers grew up in Mumbai, where their father ran a food-grain store. Inclined more towards music than academics, they developed the self-taught ability to play a host of instruments, and formed part of school bands. By 1944-45, the teenager siblings had started playing in film song recordings. Big brother set up his own band in 1950, calling it Kalyanji and Party, with Purshottam Upadhyaya singing ‘Too mera chaand maen teree chaandnee’, the super-hit Naushad tune from Dillagi, to thunderous encores. The band performed in Bombay and in other nearby towns. For a while, the businessman in him did surface, and Kalyanji started a tailoring shop in partnership with a friend. Destiny, however, ensured that the shop did not prosper, drawing Kalyanji even closer to a world where a needle was something that played a gramophone record, not a device to stitch clothes with.

Many of us have heard the popular tunes the brothers composed for films like Samrat Chandragupta, Bedard Zamana Kya Jane, Chhalia and Bluff Master, the last two being the earliest directorial forays of director Manmohan Desai, but few would be aware that it was producer Subhash Desai, Manmohan’s brother, who gave Kalyanji his music directorial his break. Impressed with his prowess at song recordings of various recognised composers, Subhash saw a competent future music director in Kalyanji, and made him an offer that was strange, but nevertheless one that he could not refuse. Would he agree to a contract offering him 11 film assignments as music director, with a fee of Rs. 5,000 for the first film, Rs. 10,000 for the second…a recurring Rs. 5,000 increment per film, non-negotiable? The offer was too good to resist, so Kalyanji agreed, but he did ask Subhash, “Why11 films? Why not 10? Or 12?” The reply was convincing, “Eleven is my lucky number.” As it transpired, they did not do 11 films together, but Kalyanji’s career choice was made.

The K-A success story begins with Kalyanji’s kingly debut, Samrat Chandragupta. ‘Chahe paas ho’ is a touching lyric, with a tinge of sadness, as is the next number, ‘Door kahin tu chal’, another Rafi-Lata duet, from Bedard Zamana Kya Jaane, both penned by Bharat Vyas. With a title like Madari, there had to be a snake-charmer and his been in play, and the theme track, penned by Faruk Kaiser and rendered by Lata and Mukesh, indeed provided flashbacks of the legendary Kalyanji patent. Soon after he wrote his first song for them in Chandrasena, Gulshan Bawra penned a real gem in Satta Bazar, and this time the brothers invited their mentor Hemant Kumar to join Lata in the recording room, with amazing results. Who can forget ‘Tumhe yaad hoga’? Not yet the He Man he was to become in his later years, Dharmendra in Dil Bhi Tera Hum Bhi Tere was emoting to Mukesh’s emotion-charged playback, rendering Shamim Jaipuri’s rich poetry. Graduating from smaller set-ups into a Raj Kapoor vehicle, K-A hit big time in Chhalia. Nonsensical verse from a sensible writer, Qamar Jalalabadi, ‘Dum dum diga diga’, with Mukesh providing playback to Raj’s on-screen antics, set the aisles afire.

Soon, they were signed to compose for Mehndi Lagi Mere Haath, a Shashi Kapoor starrer, and Bluff Master. Both films enjoyed reasonable success and the music went around too. In Bluff Master, we find the rare phenomenon of four voices being used for the same actor: Mukesh, Hemant Kumar, Shamshad Begum (Shammi Kapoor in drag) and Rafi. It was Rafi who immortalised ‘Govinda ala re’ and sang the duet ‘Husn chala kuchh aisi chal’ with Lata. Anand Bakhshi wrote inspired lyrics for Phool Bane Angaare, and Mukesh, as usual, delivered them with consummate artistry. By 1964, K-A were in the Premier League. That very year, they came up with such melodious tracks as the lilting ‘Humsafar mere humsafar’ (Purnima), where they teamed up with Gulzar, a rarity, and the two Mukesh solos from Ji Chahta Hai and Himalaya Ki God Mein. The former was written by Majrooh, not a K-A regular. Another infrequent teaming worked very well, as Hasrat Jaipuri wrote and Rafi sang in great style, ‘Dil beqarar sa hai’ (Ji Chahta Hai). Melodious, hummable and catchy. A ghazal on Shammi Kapoor with Bakhshi writing and Rafi singing may not be a common occurrence, but just savour ‘Teri zulfen pareshan’ (Preet Na Jane Reet). Staying with Mukesh on Shashi, after MLMH, the duo came up with a moody duet in Juari, ‘Humsafar ab yeh safar kat jayega’. If there was still any doubt about the standing of the duo in the rankings, Jab Jab Phool Khile laid to rest all criticism. Every track was heard everywhere. The songs had it all: pathos, fun, longing, depression, pep. For both K-A and Anand Bakhshi, the success of JJPK was to remain a milestone forever.

Rafi provided playback for debutant Rajesh Khanna in the theme song of his debut vehicle, Raaz, re-uniting K-A with Shamim Jaipuri, producing haunting results. Indeevar’s lyrics sang of cruel fate in Dil Ne Pukara, and who better to voice them than Mukesh, as ‘Waqt karta jo wafa’. In the same vein was the Suhag Raat lament, ‘Khush raho’. Manna De came in to give playback for Pran in Upkar and Zanjeer, rendering two of his most acclaimed numbers. It took the duo 19 hours to record ‘Mere desh ki dharti’, the patriotic anthem of Upkar. Saraswatichandra, based on a literary classic, needed the linguistic mastery of Indeevar to weave in the songs, and the author of ‘Kasme vaade pyar vafa’ made it count. Filmfare awarded the duo for the best music of the year. It was still pristine K-A, full of melody, working with Lata and Mukesh. Another award followed some years later, for Kora Kagaz, which had a pathos-laden title-track in the voice of Kishore. Not many might realise, but K-A used Kishore Kumar for the first time in the 1968 film Suhag Raat, singing a sad song, a full decade after the duo had started their career. A comic song was rendered by Manna De while Mukesh was called-upon to put across the other sad lyric.

Only Rafi could have set swinging mood for Shashi Kapoor to gyrate on screen in ‘Nain milakar chaen churana’ (Aamne Saamne). Rafi for Shashi it was again in Ek Shriman Ek Shrimati and Raja Saab. Part of the female vocals in Raja Saab came from Suman Kalyanpur. Suman had sung for K-A in MLMH and JJPK too, and was to partner Manhar in his first hit number in Vishwas. Giving Hemlata her break in the same film, K-A paired her with good-old friend Mukesh. Soon, the duo was to show its preference for rotating the strike, training and honing a host of budding singing talent, while reverting to the established names with equal regularity. Like a lot of extremely popular Mahendra-Manoj Kumar, Kishore-Amitabh Bachchan and Kishore-Rajesh Khanna outings. Incidentally, K-A took three days to record the back-ground score of Suhaag Raat, while they needed a whole month for Purab Aur Paschim. For the ‘Om jai Jagdeesh Hare’ bhajan of PAP, the composers used 50 chorus singers to get the effect normally created by violins. They called it human resonance. Delay (natural echo) was the highlight of ‘Mere mitwa’ (Geet). The child-like double speed of ‘Na sun sun sun bura’ (Priya) was simply achieved by recording on spool-tape at a particular speed and playing it back at double the speed. Most of their work was done at the Famous, Tardeo, recording studio.

There is Rafi, and not Kishore, for Rajesh Khanna, oozing sensuality as only he could, in Chhoti Bahu: ‘Yeh raat hai pyasi pyasi’, echoing musician hero Rajendra Kumar’s heart-rending call in Geet and charting a romantic route for Dharmendra in Kab Kyon Aur Kahan? He also offers love lessons in Upaasna; in the Haath Ki Safai duet, he makes a solemn promise of eternal love; and he goes on Dilip Kumar for the intoxicating ‘Peete peete’ duet with Asha Bhosle in Bairaag. As Western as it gets is the rare title chorus ‘Pretty pretty Priya’ (Priya) and as Sanskritised as it can get is the Kishore hilarity ‘Priye praneshwari’ (Hum Tum Aur Woh). Kalyanji-Anandji made Shatrughan Sinha sing in Kashmakash, Amitabh Bachchan in Laawaris and Anil Kapoor in Chameli Ki Shaadi. They also gave ample opportunities to the emerging talent of 70s’ generation, as you can sample on the Shailendra Singh, Suresh Wadkar, Anwar, Alka Yagnik and Kanchan tracks.

Known for their hundreds of stage performances, in India and abroad, both brothers also enjoyed a sturdy reputation as funsters, with a joke for every occasion and a keen sense of self-deprecating humour. They once famously described themselves as medical practitioners. “We offer all lines of treatment. If some producer approaches us with symptoms that demand a classical approach, we recommend the Ayurvedic style of medicine: Slow, but efficacious in the long-term. On the other hand, if some film-maker wants to experiment with the musical score of his film, we suggest Homoeopathic type of tunes: May work, may not. Some element of risk is involved. If, however, he wants the juke-boxes to jingle and listeners to start singing along instantaneously, we churn out Allopathic compositions: Like injections, they have instant, strong effect, but the effect may wear out sooner.” Music, along with laughter, is the best medicine known to mankind. Kalyanji-Anandji have already issued a statutory warning to your troubles to keep away, for there’s no place for them, ‘Mere angne men tumhara kya kaam hae?’

[bollywoodirect]

36 Years of Sadma. (08/07/1983)

Sadma is a romantic drama film, written, directed and filmed by Balu Mahendra. It stars Sridevi and Kamal Hassan in the lead roles. Songs by Ilaiyaraaja and Gulzar.

The film tells the story of Nehalata Malhotra (Sridevi), a young woman who regresses to childhood as a result of retrograde amnesia after suffering a head injury in a car crash. Lost, she ends up trapped in a brothel before being rescued by Somu (Haasan), a lonely school teacher who falls in love with her.

The film was a remake of Mahendra's own 1982 Tamil film Moondram Pirai, which also starred Sridevi and Hassan. Sadma was widely acclaimed by critics for its direction, screenplay, music, and performances. Sridevi's performance as an amnesiac woman was widely praised and is considered as one of the finest performances in Indian film history.

Although a commercial failure upon release, Sadma over the years has gained a cultural following and cult status and is considered to be one of the finest Indian movies to be ever made.

At the 31st Filmfare Awards, Sadma received three nominations: Best Actress (Sridevi), Best Actor (Hassan) and Best Story.

[theautomobileindia]

Jeene Ke Liye Socha Hi Nahi song keeps featured in the Bollywood movie “Masoom” and this film arrived in 1983. The Director of the movie is Shekhar Kapur and the star cast in this movie is Naseeruddin Shah, Shabana Azmi, Tanuja, Supriya Pathak, and Saeed Jaffrey Jugal Hansra, and Urmila Matondkar as a child performer featured. This song has been sung in two distinct voices, one in the male performance and the other in the female version Male version is piped by Anup Ghoshal, and the Female version is sung by Lata Mangeshkar. The lyrics of this song are composed by Gulzar, directed by R. D. Burman, and written under Saregampa Music Label. For this song, Gulzar succeeded Filmfare Award for finest lyricist and R. D. Burman succeeded Filmfare Award for Best music director in 1984.

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Bollywood Gossips : Vishal Bharadwaj And Gulzar Ji Come Together For Alia Bhatt’s Production Venture “Darlings!”

‘Darlings’ is a recently announced film and is a production debut of ace Bollywood actress Alia Bhatt and directorial debut of Jasmeet K Reen. According to the latest reports, legendary songwriter and lyricist Gulzar Ji and music director Vishal Bharadwaj have joined hands to make the movie even more lively and fantastic with its magical music.

The legendary lyricist Gulzar and Vishal Bhardwaj, one of the best composers in the Hindi film industry, has created some of the most iconic songs for memorable films like Omkara, Chachi 420, Kaminey, Haider, Ishqiya, Maachis, and more.

This collaboration between the two has resulted in some of the finest tracks known to the film fraternity. With Alia Bhatt’s Darlings, they are now set to create some fantastic moments, enhancing the storyline of the upcoming film co-produced by King Khan.

Featuring actors like Alia Bhatt, Shefali Shah, Vijay Varma, and Roshan Mathew, Darlings is undoubtedly going to be a unique story of a quirky mother-daughter duo who are making their way through the mad circumstances that will come in their way, and they try to find their place in the world. This film is a dark comedy set in Mumbai against the backdrop of a conservative lower-middle-class neighborhood and tracks the lives of these two ladies as they find courage and love in crazy circumstances.

Parveez Shaikh and Jasmeet have written the film, Darlings produced by Shah Rukh Khan’s wife Gauri Khan, Alia Bhatt, and Gaurav Verma. It is a Red Chillies Entertainment and Eternal Sunshine presentation of a Red Chillies Entertainment production; the film goes on floors this month.

We are super excited for the film to go on air. What is your take on the same? Please do comment and tell us your views in the comment box below.

[samirdipalee]

Samir & Dipalee recreate this superhit number from the film Masoom (1983). The lyrics of the song was written by Gulzar, and composed by R. D. Burman. In 1984, Gulzar Sahab won a Filmfare Award for Best Lyricist for this song. The male version of the song captures a father's helplessness and the female version narrates a woman's pain. Like, Comment & Share this Video!! Original Credits: Singer: Lata Mangeshkar & Anup Goshal Music Director: R. D. Burman Lyrics: Gulzar Music Arranger: Sanjay Marathe Keyboards: Chirag Panchal Guitar: Brijesh Shah Bass: Keyur Mangde Dholak/Handsonic: Digamber Mankar Tabla/Octopad: Bhajan Singh Percussion: Santosh Mali Video Production: Mandar Keer, Sameer Kangutkar & Team Sound Design: Nitish Phanse Lights: Yogesh Vala Subscribe our YouTube channel: https://www.youtube.com/user/samirdate70?sub_confirmation=1 Introduction: Samir Date & Dipalee Date are a dynamic real life singer couple based in Mumbai. This duo is often referred to as “India’s favorite singer couple” and have a huge fan base all over the world. They have various hindi film and non-film hits to their credit and have performed over 500 international shows in past 5 years in USA, Canada, UK, Trinidad, Guyana, Suriname, Jamaica, Israel, Netherlands, Kuwait & around the world. Visit our Website: www.samirdipalee.in Like our Facebook Page: https://ift.tt/2qkrzLG Follow us on Instagram: https://ift.tt/2D2qWt7 Follow us on Twitter: http://www.twitter.com/samirdipalee #TujhseNaraaz #Masoom #RDBurman #Gulzar #EmotionalSong #SamirDipalee by Samir & Dipalee Date

[bollywoodproduct]

Lyrics Bole Re Papihara

Lyrics Bole Re Papihara

Lyrics in English | Bole Re Papihara | Guddi (1971) | Jaya Bachchan, Samit Bhanja Bole Re PapiharaPapiharaBole Re PapiharaPapiharaNit Ghan BarseNit Man PyaasaNit Man PyaasaNit Man TarseBole Re PapiharaBole RePapihara PapiharaBole Re Papihara ……… Top 100 Songs written by Gulzar Palkon Par Ik Boond SajaayePalkon ParIk Boond SajaayeBaithi HoonSaawan Le JaayeBaithi HoonSaawan Le JaayeJaaye Pee…

[takeupdate]

Meharma Lyrics – Neha Batra

Meharma Lyrics

Meharma Lyrics by Neha Batra is Latest Punjabi song sung and written by Neha Batra. The music of this brand new song is given by Bawa Gulzar while this video song is released under the label Rehaan Records.

Meharma Song Details:

Song: Meharma

Singer: Neha Batra

Lyrics: Neha Batra

Music: Bawa Gulzar

Label: Rehaan Records

Meharma Video Song

Meharma Lyrics 

Ishq Samandar Vich Main

Naal Tere Tarna Ae

Naal Tere Jeena Main Te

Naal Tere Marna Ae

Ishq Samandar Vich Main

Naal Tere Tarna Ae

Naal Tere Jeena Main Te

Naal Tere Marna Ae

Hor Kuch Vi Nahi Disda

Jis Din Da Vekheya Tainu

Meharma Ve Apne Ton

Kade Juda Kari Na Mainu

Meharma Ve Haaniya Ve Sohneya Ve

Mere Diljaaniya Ve

Meharma Ve Haaniya Ve Sohneya Ve

Mere Diljaaniya Ve

Jado Di Hoyi Ae Saddi Pehli Mulaqaat

Tere Khwaab’an Vich Jaga Ve

Main Sari Sari Raat

Ehi Socha Har Pal Kiven Kara Main Bayan

Dil Vich Mere Tere Layi Jo Jazzbaat

Jado Di Hoyi Ae Saddi Pehli Mulaqaat

Tere Khwaab’an Vich Jaga Ve

Main Sari Sari Raat

Ehi Socha Har Pal Kiven Kara Main Bayan

Dil Vich Mere Tere Layi Jo Jazzbaat

Pyaar Main Hadd Ton Wadh Ke Yaara

Tainu Karna Ae

Naal Tere Jeena Main Te

Naal Tere Marna Ae

Pyaar Main Hadd Ton Wadd Ke Yaara

Tainu Karna Ae

Naal Tere Jeena Main Te

Naal Tere Marna Ae

Hor Kujh Vi Nahi Disda

Jis Din Da Vekheya Tainu

Meharma Ve Apne Ton Kade

Judaa Kari Na Mainu

Meharma Ve Haaniya Ve Sohneya Ve

Mere Diljaaniya Ve

Meharma Ve Haaniya Ve Sohneya Ve

Mere Diljaaniya Ve

Tu Ankhiyan Naal Dil Wali Gal Keh Gaya

Mera Dil Meharma Ve Tera Hoke Reh Gaya

Pyaar Vich Tere Ve Main Jhalli Hoyi Aa

Ishq Tera Chain Mera Kho Ke Lai Gaya

Tu Ankhiyan Naal Dil Wali Gal Keh Gaya

Mera Dil Meharma Ve Tera Hoke Reh Gaya

Pyaar Vich Tere Ve Main Jhalli Hoyi Aan

Ishq Tera Chain Mera Kho Ke Le Gaya

Tere Bin Hunn Ik Pal Vi Na Mera Sarna Ae

Naal Tere Jeena Main Te Naal Tere Marna Ae

Tere Bin Hunn Ik Pal Vi Na Mera Sarna Ae

Naal Tere Jeena Main Te Naal Tere Marna Ae

Hor Kuch Vi Nahi Disda

Jis Din Da Vekheya Tainu

Meharma Ve Apne Ton Kade

Judaa Kari Na Mainu

Meharma Ve Haaniya Ve Sohneya Ve

Mere Diljaniya Ve

Meharma Ve Haaniya Ve Sohneya Ve

Mere Diljaaniya Ve

Written by: Neha Batra

Panjabi Song Lyrics, Video 

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Billo Tu Agg Lyrics – Yo Yo Honey Singh | Singhsta

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Thaa Karke Lyrics – B Mohit x Karan Aujla 2020

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Panjabi Song - Matwaliye Lyrics

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via Blogger https://ift.tt/3390Pgp

[srvverms-blog]

10 Songs which brought us back to the Golden Era Of Bollywood

When the Bollywood was back in the Golden Era the songs were just soulful & melodious when people were actually sad or depressed of something they listened to those songs & felt actually good & refreshed as the legendary singers Kishore Kumar, Mohd Rafi, Lata Mangeshkar sang these beautiful songs. As in recent times, Bollywood industry has been facing a lot of criticism for destroying the beautiful old songs by creating the remixes with EDM type of remix, fans are not loving as they have heard the original music & many of the stars in the music industry can’t able to produce music of their own thinking instead of copying it as audience have witnessed that they are not keeping any faith in the power of melodious music. And there are many songs which bring back us to the old times of Bollywood are:

1. Dilbaro (Raazi): A brilliant movie directed by Meghna Gulzar starring Alia Bhatt & Vicky Kaushal who portrayed their role magically as there was one song in the movie which made every daughter & their parents emotional as the lyrics were so emotional that it actually made fans in tears at the theatre fall written by the legendary singer Gulzaar Sahab. Hence they proved the beauty of old music is still alive.

2. Tera Yaar Hoon Mai (Sonu Ke Titu Ki Sweety): Last year all the new upcoming stars acted in this movie & won our hearts as the movie was about love & friendship, one song that made everyone emotional was Tera Yaar Hoon Main as the song was explained the meaning of true friendship.

3. Roke Na Ruke Naina (Badrinath Ki Dulhaniya): In today’s time the most favorite on-screen couple Varun Dhawan & Alia Bhatt showed their sizzling chemistry in the movie as it was a romantic-drama movie. There was one song Roke Na Ruke Naina which explains the emotional moment between the couple.

4. Maana Ke Hum Yaar Nahi (Meri Pyaari Bindu): This song is beautifully sung by the renowned actress Parineeti Chopra as we all are aware that she is a multi-talented actress as her voice was soulful & the song was about the love but not able to confess it.

5. IKK Kuddi (Udta Punjab): Diljit Dosanjh our very own Punjabi Multi-talented actor who is loved by all as he knows how to entertain the audience in the best possible way. This song is about the girl whom he loved as it was Kareena Kapor who was his co-star at the movie as to how the girl is the best for him describing her in some beautiful words.

6. Saathi Rey (Kapoor & Sons): This beautiful movie about family- drama movie as it was a multi-starrer movie and the song Saathi Rey comes when Rajat Kapoor died in an accident in the movie then the whole family misses him badly.

7. Agar Tum Saath Ho (Tamasha): The magical duo of our Bollywood industry Ranbir Kapoor & Deepika Padukone stole the heart of every people who have watched this movie as the song starts when both of them loved each other but were separating as Deepika didn’t want to leave him as she wants to take care of him & the scene was beautifully choreographed as it suited the song perfectly.

8. Nazm Nazm (Bareilly Ki Barfi): This movie was the most talked film of 2017 as the upcoming talented stars Ayushmann Khurana, Kriti Sanon & Raj Kumar Rao were in the movie as Ayushmann & Kriti were confessing their love through written letters. It was a beautiful song.

9. Ae Dil Hai Mushkil- Ae Dil Hai Mushkil: It was a masterpiece film by Karan Johar starring Ranbir Kapoor, Anushka Sharma & Aishwarya Rai Bachchan. It was a one-sided love film as Ranbir was madly in love with Anushka & sang the song for her. This song means he can’t even breath without her.

10. Meere Karwaan (Lucknow Central): It was an underrated film starring Farhan Akhtar, the lyrics were actually magical it was beautifully explained & the actor didn’t fail to make a highlight with his acting.

To book Singer for wedding, please visit StarClinch (India’s No. 1 artist and celebrity booking website).

[bluemagic-girl]

Google honours the 100th Birth Anniversary of the Novelist, Poet Amrita Pritam

Amrita Pritam : Viewed as the first prominent lady Punjabi writer, author and essayist, Amrita Pritam was conceived on August 31st 1919. The leading twentieth-century artist of the Punjabi language created more than 100 books of verse, fiction, histories, expositions, Punjabi folk songs and an autobiography that were converted into a few Indian and foreign dialects. 

Amrita Pritam is most associated with her poignant poem “Ajj Aakhaan Waris Shah Nu” (Today I Invoke Waris Shah) which addressed to Punjabi Sufi artist Waris Shah in which she wails the deplorability of the segment of Pakistan from India.

She was born in Gujranwala, Punjab (currently in Pakistan). She was named as Amrit Kaur. Her father’s name is Kartar Singh Hitkar, was a scholar and poet 

In 1956, she was the first women to win the Sahitya Akademi Award for her poem, ‘Sunehade’ (Known as messages). In 1981,  Amrita Pritam won the Bharatiya Jnanpith for the novel ‘Kagaz Te Canvas’ ( Known as the Paper and the Canva). In 1969, Amrita Pritam was deliberated with the Padma Shri and in 2004 the Padma Vibhushan. She was likewise granted the most astounding honor given by the Sahitya Akademi – ‘Immortals of Literature’ in 2005. 

In 1986, she was nominated to the Rajya Sabha. Noted lyricist Gulzar published an audio album, ‘Amrita recounted by Gulzar’ in  2007. 

On Saturday, August 31st, Google celebrated Amrita Pritam’s 100th birth anniversary with a doodle by  Vrinda Zaveri, an artist. In the doodle Amrita Pritam is seen sitting before a lot of dark roses as she writes in a journal. The doodle conveys a reference to Amrita Pritam’s life account ‘Kala Gulab’ (Black Rose). 

On the poet’s 100th birth anniversary, here are a portion of her most essential books.

Pinjar 

Written in 1950 by noted artist and writer Amrita Pritam, the Punjabi epic is the narrative of Hindu young lady, Puro, who is kidnapped by a Muslim man, Rashid. Puro’s folks will not recuperate the debased young lady when she figures out how to get back to her her folks from Rashid’s home. Viewed as probably the best writing composed with background of Partition of India, Pinjar was also adopted in Hindi film in 2003 . The book was deciphered in English by Khushwant Singh and Denis Matringe interpreted Pinjar in French.

Raseedi Ticket 

Amrita Pritam’s praised autobiography Raseedi Ticket discusses how she felt bothered at the impact of abhor. The Punjabi author discusses how an essayist ought not fear criticism. It likewise portrays the occasions between her closeness with Sahir Ludhianvi and profound fellowship with Imroz.

Amrita Pritam Death : 

She died on 31st October 2005, in Delhi.

from Moose Gazette https://ift.tt/2HzYQrA via moosegazette.net

[bollywoodirect]

48 Years of Ramesh Sippy (25/06/1971)

Andaz is a 1971 romantic drama film, directed by Ramesh Sippy, and written by Salim-Javed, Gulzar and Sachin Bhowmick. It stars Shammi Kapoor, Hema Malini, Rajesh Khanna, and Simi Garewal.

The film was a considerable success and was important in the career of Malini as an actress. The film features "Zindagi Ek Safar Hai Suhana", one of the best known Bollywood yodels.

The song fetched singer Kishore Kumar a nomination for the Filmfare Award for Best Male Playback Singer. When this film released, films of Shammi Kapoor were not doing well at the box office. The 10-minute cameo of Rajesh Khanna is credited for turning Andaz (1971) into a hit film. This film is counted among the 17 consecutive hit films of Rajesh Khanna between 1969 and 1971, by adding the two-hero films Marayada and Andaz to the 15 consecutive solo hits he gave from 1969 to 1971. Further, this film is the first of the successful scriptwriting that Salim-Javed started.

[gagbrag]

Vaddi Sharaban Song From De De Pyar De: Chemistry Between Ajay Devgn And Rakul Preet Singh Has A Naughty Shade Which We Are Loving Completely

Following to the trailer of the movie De De Pyar De starring Ajay Devgan, now a song has been released also. Title of the song is ‘Vaddi Sharaban’. By hearing the song, we are very excited. It is a song that has a capability to become best wedding track of this year. Background of the song is pretty lavish. Dance steps of the song are groovy enough to make you shake a leg also. The song is a visual treat. However, naughtiness in the song is its highlight without any doubt.

Sunidhi Chauhan has sung the song along with Navraj Hans. Lyrics of the movie have been written by Kumaar while Vipin Patwa has composed it. Through the movie, Editor Akiv Ali will be making his debut as a director. Luv Films is producing the movie in collaboration with T-Series. Modern relationships will be explored through the movie. Some quirky things may be seen here too. The movie has been shot mostly in London and Himachal Pradesh. Apart from Ajay Devgn, Rakul Preet Singh, Tabu and Jimmy Shergill will be seen in the movie too. Release of the movie is scheduled on 17th May.

Currently, Ajay Devgn has been shooting for his home production Tanhaji: The Unsung Hero which will be directed by Om Raut. Budget of the movie is whopping 150 crore. Release of the movie Tanhaji: The Unsung Hero is scheduled on 10th January, 2020. On the same day, Meghna Gulzar’s Chhapaak starring Deepika Padukone is expected to hit the screen also.

So, have you liked the song ‘Vaddi Sharaban’ from De De Pyar De?

Reference Link: https://youtu.be/2-mAfei_824

[urduclassic]

Gulzar

Sampooran Singh Kalra (born 18 August 1934), known popularly by his pen name Gulzar, is an Indian poet, lyricist and director.[1] He primarily writes in Hindustani (Hindi-Urdu) and Punjabi; besides several dialects of Hindi such as Braj Bhasha, Khariboli, Haryanvi and Marwari. Gulzar was awarded the Padma Bhushan in 2004 for his contribution to the arts and the Sahitya Akademi Award in 2002. He has won a number of National Film Awards and 20 Filmfare Awards. At the 81st Academy Awards, he won the Academy Award for Best Original Song for "Jai Ho" (shared with A.R.Rahman), for the film Slumdog Millionaire. On 31 January 2010, the same song won him a Grammy Award in the category of Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media.

 Gulzar's poetry is partly published in three compilations: Chand Pukhraaj Ka, Raat Pashminey Ki and Pandrah Paanch Pachattar (15-05-75). His short stories are published in Raavi-paar (also known as Dustkhat in Pakistan) and Dhuan (smoke). As a lyricist, Gulzar is best known for his association with the music directors Rahul Dev Burman, A. R. Rahman and Vishal Bhardwaj. He has also worked with other leading Bollywood music directors including Sachin Dev Burman, Salil Chowdhury, Shankar Jaikishan, Hemant Kumar, Laxmikant-Pyarelal, Madan Mohan, Rajesh Roshan, Anu Malik, and Shankar–Ehsaan–Loy. Along with lyrics, he has also contributed in many films as script, story and dialogue writer. Films directed by him have also won numerous awards and have been critically acclaimed. He also had worked on small screen by creating series Mirza Ghalib and Tahreer Munshi Premchand ki among others. He wrote lyrics for several Doordarshan serials including Hello Zindagi, Potli Baba ki and Jungle Book.

Early life

Gulzar was born in a Kalra Arora Sikh family, to Makhan Singh Kalra and Sujan Kaur, in Dina, Jhelum District, British India, in what is now Pakistan. Before becoming an established writer, Sampooran worked in Mumbai as a car mechanic in a garage.[2] His father rebuked him from becoming a writer saying "As a writer you will have to depend on your brothers".[3] He took the pen name Gulzar Deenvi after becoming an author.

Career

Gulzar is best known in India as a lyricist for songs that form an integral part of Bollywood. He began his career under the directors Bimal Roy and Hrishikesh Mukherjee. His book Ravi Paar has a narrative of Bimal Roy and the agony of creation. Gulzar started his career as a songwriter with the music director Sachin Dev Burman for the movie Bandini (1963).[4] Shailendra who has penned rest of the songs of the movie urged Gulzar to write the song "Mora Gora Ang Layle". This was picturised on Nutan. Gulzar's most successful songs as a lyricist came out from his association with Sachin Dev Burman's son Rahul Dev Burman, whom he described as the anchor in his life.[5]Gulzar has had award-winning associations with the music directors Salil Chowdhury (Anand, Mere Apne), Madan Mohan (Mausam) and more recently with Vishal Bhardwaj (Maachis, Omkara, Kaminey), A. R. Rahman (Dil Se.., Guru, Slumdog Millionaire, Raavan) and Shankar–Ehsaan–Loy (Bunty aur Babli).

 Gulzar was a song writer or dialogue writer for several Doordarshan programmes for kids such as Jungle Book, Alice in Wonderland, Guchche and Potli Baba Ki with Vishal Bhardwaj. He has more recently written and narrated for the children's audiobook series Karadi Tales.[6] For the peace campaign (Aman ki Asha) jointly started by India's and Pakistan's leading media houses, he wrote the anthem "Nazar Main Rehte Ho", which was recorded by Shankar Mahadevan and Rahat Fateh Ali Khan.[7]Gulzar has written ghazals for Ghazal Maestro Jagjit Singh's albumbs "Marasim" and "Koi Baat Chale". Both these albums were a great success.

As director

After writing dialogues and screenplay for films like Aashirwad, Anand, Khamoshi and more, Gulzar directed his first film Mere Apne(1971). The film was a remake of Tapan Sinha's Bengali film Apanjan(1969). Meena Kumari played the lead role of Anandi Devi, an old widow caught in between the local fights of unemployed & tormented youngsters. Anandi Devi's death in one of the fights makes them realize the futility of violence. The film was rated "Above Average" at the Box Office.[8] He then directed Parichay and Koshish. Parichay was based on a Bengali novel, Rangeen Uttarain by Raj Kumar Maitra[9] and inspired from the Hollywood film The Sound of Music. Written by Gulzar, Koshish told a story full of struggle of a deaf-dumb couple. Sanjeev Kumar won National Film Award for Best Actor for his performance in it.[10] Year 1973 saw his another directorial venture named Achanak. Inspired by the real-life sensational 1958 murder case KM Nanavati v State of Maharashtra,[11] the story writer K.A. Abbas earned a Filmfare nomination for Best Story.

 Gulzar's Aandhi, based on the Hindi novel "Kaali Aandhi" by Kamleshwar, told a story of a couple separated against the backdrop of politics. Along with various wins and nominations, the film also won Filmfare Critics Award for Best Movie. Although believed to be based on the life of Ex-Indian Prime Minister Indira Gandhi, the film was based on life of Tarkeshwari Sinha.[12] However in the 1975's emergency, the film was banned from theatres.[9] Inspired from Sharat Chandra Chattopadhyay's Pandit Mashay was his next film Khushboo. Mausam that won National Award for 2nd Best Feature Film,[13] Filmfare Best Movie and Filmfare Best Director awards, along with other six Filmfare nominations was loosely based on the story "Weather", from the novel, The Judas Tree, by A.J. Cronin. Sharmila Tagore for her roles of Chanda and Kajli received The Silver Lotus Award at the 23rd National Film Festival. In his 1982's film Angoor, Gulzar took the story of Shakespeare's play The Comedy of Errors.

 None of the Gulzar's film were "Blockbuster Hits" on the Indian Box Office. His films told stories of human relationships entangled in social issues. Libaas was a story of extra-marital affair of an urban couple. Due to its objectionable subject the film never got released in India.[14] Mausam pictured a story of a father who tries to improve the life of his prostitute-daughter. In Maachis, a young Punjabi boy pick up to terrorism to fight the situations only to realize its temporary nature. Hu Tu Tu dealt with corruption in India and how a man decides to fight it.[15]Gulzar uses "flashback" in the narration of his stories very effectively (Aandhi, Mausam, Ijaazat, Machis, Hu Tu Tu). He also has mutual partnerships with various actors and other crew. The Gulzar - Sanjeev Kumar partnership resulted in few fine films (Koshish, Aandhi, Mausam, Angoor, Namkeen) which represent Sanjeev Kumar's finest work as an actor.[16] Actors like Jeetendra (Parichay, Khushboo, Kinara), Vinod Khanna (Achanak, Meera, Lekin) and Hema Malini (Khushboo, Kinara, Meera) worked with Gulzar to gain respectability as artists and delivered some of their best and most introspective work in films.[16] With his situational lyrics and quality music composed by various famous Bollywood musicians in Gulzar's films, his songs have always been the key point. R D Burman composed songs for almost all the movies directed by him in the 1970s and the 1980s (Parichay, Khushboo, Aandhi, Angoor, Ijaazat, Libaas). Many of their popular songs were sung by Kishore Kumar, Lata Mangeshkar and Asha Bhosle. These include "Musafir Hoon Yaron" (Parichay), "Tere Bina Zindagi Se Koi" (Aandhi), and "Mera Kuch Samaan" (Ijaazat). Gulzar says,

"Music has a natural place in our lives. Right from the shloka you recite in your morning puja and the milkman who comes whistling on his cycle, to the fakir singing as he begs for alms and your mother humming around the kitchen...Music fills our spaces naturally. It will always be dear to us." [16]

Although an Urdu writer, Gulzar's directorial venture shows inspiration from various Bengali writers. In 1988, he directed an eponymous television serial Mirza Ghalib starring Naseeruddin Shah, shown on Indian television channel Doordarshan. About the serial he says,

"...My TV serial on poet `Ghalib' was based on history, though the earlier movie version treated him as a myth."[12]

As Poet

Gulzar has vast knowledge of Urdu Poetry. He is creator of a new type of stanza named as Triveni. Few examples of which are, 01-

"... ज़मीं भी उसकी,ज़मी की नेमतें उसकी,

ये सब उसी का है,घर भी,ये घर के बंदे भी,

खुदा से कहिये,कभी वो भी अपने घर आयें!"

02-

"...मां ने जिस चांद सी दुल्हन की दुआ दी थी मुझे,

आज की रात वह फ़ुटपाथ से देखा मैंने,

रात भर रोटी नज़र आया है वो चांद मुझे!"