#Bloomed

[grapehyasynth]

nature boy

wille has always been told not to expect to marry his soulmate. others dream of the day they’ll get their soulmate mark – it appears the day after the first meeting and is there every day after, but changing each day to reflect something meaningful from your soulmate’s previous day – but wille’s mother insists he has duties to fulfill, that he can create his own fate and find a partner whether or not she's a soulmate. (and yes, they only ever discuss in terms of she.) 

he's on his way to another one of the dates his mother keeps setting up for him, and it's about thirty minutes before he needs to be at the restaurant, but instead he's at a greenhouse. he approaches the front desk, where a young man in a button-down shirt open over a looney tunes t-shirt with a name tag that reads Simon is nodding off over a textbook.

"i was hoping to buy some flowers for a first date," wille explains, when simon has looked up.

"we don't actually do bouquets," simon says.

"i know, i - i thought i would get something they could plant, afterwards," he clarifies, and he hears himself use they and tries not to make anything of it. he’s trying not to second-guess himself, knows his mother would tell him to go with a traditional bouquet, can picture erik all dashing with a few roses.

simon sets his pen down, looking at wille with a new expression, like he's reconfiguring his impression of him. "that's really thoughtful. i can help you with that."

wille follows him into the greenhouse, winding past tables of ceramic pots and meter-tall fronds, ducking under some vines that boast a sign about an upcoming workshop. simon hovers over a few plants before moving on. every now and then he glances at wille, seeming to size him up and factor this into his considerations. (wille wishes he knew what simon was seeing.) finally he scoops up a medium-sized pot with pale purple flowers, holding it out to wille with both hands.

"spreading bellflower. it's similar to the small bluebell, which is--"

"our national floral emblem,"  wille finishes for him, because of course that's the kind of nonsense his mother has made him learn, though it feels a lot less vapid in this moment.

simon looks impressed. "exactly. everybody wants the small bluebell. we don't sell a lot of the bellflower."

"it's perfect," wille tells him, and as he lifts the flowers to his nose, he sees simon's eyes crinkle with a smile.

his date is lovely, much more unpretentious than he's used to, nervous but striving to be genuine. she's definitely a bit thrown by the flowers, and she sounds apologetic when she explains she doesn't have any outdoor space, not even a balcony or patio, and her windowsills are too slim to host the plant. wille feels a bit wounded, wants to insist that she could just find a small table and set it near the window, but she's already suggested that he take it home with him and care for it "for me, until i can visit," she says, and he doesn't mind the idea, actually - has grown a little attached to the flowers.

he goes to sleep thinking of brown eyes and purple blossoms. he wakes up with them on his chest. the blossoms, that is, not the eyes. the spreading bellflowers bloom across his chest like elaborate watercolor tattoos, and he feels his heart leap behind the flowers as he traces them reverently. so he met his soulmate yesterday, and the bellflowers were meaningful to their day. but is it the boy from the greenhouse, or his date?

he knows who he wants it to be, but maybe fate, like his mother, has its own ideas about his path.

he doesn't want to contact simon or his date until he knows a bit more, so he has to wait a full day. he drags himself through his classes at uni, biting his nails down, the bellflowers burning under his clothes. (he'd been tempted to wear a v-neck shirt, show them off, but he also wants to cradle it to himself for a little while.) he stays up late, skin itching as the clock ticks towards midnight, at which point the bellflowers fade. instead, vines twine up both of his arms, curling like bracelets, embracing his wrists and forearms and the cut of his muscle. he knows those vines - couldn't name them, but he recognizes them from the greenhouse. there'd been a sign next to them, for an upcoming workshop, which he's guessing simon led yesterday.

he has an answer. and if the interest is mutual - which it isn't always, with soulmate marks, but he suspects it might be, if the bellflowers were a meaningful part of simon's day - then he is eager to bloom under this plant boy's touch.

[serenityquest]

[mr45rabbit]

[asherasgayagenda]

LOOK AT HE!!!!!!!!!!!

[doyoulikethissong-poll]

Erwin Beekveld - They're Taking the Hobbits to Isengard 2005

"They're Taking the Hobbits to Isengard" is a video that was published on August 16th, 2005, by Dutch musician and photographer Erwin Beekveld, as a Flash-animation on the website Albino Blacksheep. In 2006, it was re-posted to Youtube, where it gained over 12.5 million views and 38,900 comments in the first seven years. The two-minute video composed of multiple fragments from the film trilogy The Lord of the Rings became an internet meme, and has obtained a cult status mostly among fans of this trilogy. It is built out of scenes from The Lord of the Rings: The Fellowship of the Ring and The Lord of the Rings: The Two Towers. In the video, actor Orlando Bloom is seen playing the elf Legolas, who repeats the line "They're taking the hobbits to Isengard!" He is occasionally interrupted by Gollum (played by Andy Serkis), and also by Marton Csokas as Celeborn, who repeatedly inquires the whereabouts of Gandalf.

The dialogue is rhythmically set to a techno version of music originally composed by Howard Shore for the movies' soundtracks, and contains among others the leitmotif of the song "Concerning Hobbits". The song caught the attention of participants of a discussion forum sponsored by the Association of Literary Scholars and Critics, in which the dactylic quality of the song's prosody was discussed at length. (Read it here!)

In the book Fan Fiction and Copyright: Outsider Works and Intellectual Property Protection, "They’re Taking the Hobbits to Isengard" is mentioned as an example for the amendment on the Digital Millennium Copyright Act, an American law concerning the author's copyright on digital media. The amendment from 2010 made it legal, under certain conditions, to use fragments from movies and television shows in personal videos. Musicologist Michael L. Klein (Professor at the Temple University of Philadelphia) mentions "They're Taking the Hobbits to Isengard" in his book Music and the Crises of the Modern Subject as an example of a meme and mash-up as the pinnacle of creativity in the postmodern age.

In 2013, after Orlando Bloom finished filming his final scenes on the set of The Hobbit: The Battle of the Five Armies, director Peter Jackson published a video in which Bloom, dressed up as Legolas, sings along with "They're Taking the Hobbits to Isengard". In the next five days, the video received more than 6.9 million views and 7,200 comments. In an interview for Rude Tube in 2013, Beekveld says people love or hate him for making the video, due to its catchy tune, and that it made him very happy to see Bloom sing along with his remix eight years later, which he states is the ultimate recognition. On 30 March 2022, Beekveld died of lung cancer at the age of 52.

"They're Taking the Hobbits to Isengard" received a total of 82,5% yes votes!