Thinking of "friends from the psych ward" I remember how we were highly encouraged to interact and support one another while there but also heavily discouraged from remaining friends or in contact to any degree after getting out 🙃 "support and encourage each other! Spend 24/7 together for weeks! Talk about your shared traumas and hobbies that help you cope! But don't like... Bond... Or anything... Don't talk to each other ever again after this... Kay?"
oh yeah!!! felt like I was committing high treason by giving this girl my Instagram lmaooo. but you live with someone for two months at the lowest point in your life, it's hard to say goodbye and never see them again. of course it's a possibility they'll relapse. Still, I'd rather know than wonder endlessly about the 10 other people I left behind there. especially one dude who was put back in scrubs a DAY before he was supposed to go home. but he had a terrible home life and unfortunately, the ward was safer for him. I wonder every day if he's alive.
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I've seen a lot of takes on what would happen if Sonic and Tails returned to West Side Island and confronted the people who were so abusive to Tails, and I had an idea for a somewhat new spin on it.
What if, now that Tails is a world famous hero, the Islanders try to try to basically gaslight him into thinking none of the abuse ever happened? They find out he's coming and they throw a big "Welcome Home" party and give him a medal and stuff, and when confronted about their treatment of him just completely deny or twist it. Like "oh yes I'm so sorry there were a couple kids who were bullies but that happens to everyone you weren't being targeted, and we tried to get them to stop it" or "we didn't know you were alone and homeless, if we knew we would have taken you in" and all sorts of garbage like that
And Tails, who's maybe a tween-young teen now, and no longer has distinct memories from that early in his life, starts to question if maybe he really was blowing things out of proportion. Maybe he really was just bullied by one or two kids, and they weren't really that bad. Maybe people didn't really chase him away and refuse to even let him go through their garbage for food. He knows he has anxiety. Maybe he was just imagining how much everyone hated him. And he almost wants to believe it, to believe that he was never truly hated.
But Sonic remembers. Sonic remembers the gang of older kids beating and violently attacking toddler aged Tails, and only stopping when he physically intervened with his own fists. He remembers questioning the townsfolk about the two-tailed fox he'd seen and being meet with sneers and complete disdain. He remembers how skinny Tails was, how his ribs were visible even through his fur and how he wolfed down the food Sonic offered him so quickly that he nearly threw it up later. He remembers how Tails flinched from any quick movement or attempt at touch. He remembers the long process of gaining the fox's trust, a process that tested his nine-year-old patience as he spent literal weeks urging Tails to come closer, keeping his hands slow and his face friendly, finally getting the fox to join him at the campfire, to walk beside him with dashing away when moved his arm too fast, and then, eventually, to let him touch him. He remembers the first few times Tails let him try to brush out his matted, dirty fur, each knot a testament to neglect, and finding scars and wounds on the skin beneath that spoke of so much abuse. He remembers realizing for the first time that normal, everyday Mobians could be just as cruel as Eggman.
Tails doesn't trust his own memory. But Sonic remembers. And Sonic is not quick to forgive.
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In middle school, I used to draw on myself with sharpie all the way from my fingertips to my shoulder, just small doodles that formed a big sleeve at the end, and for the most part I got away with it, but ONE time during art class I did it again and while my art teacher didn't care (in fact I think he thought it was cool) there was a friend of mine who was suddenly like "look at what you did to yourself. you're gonna get skin cancer with all that sharpie on you. come here so I can wash that off you" and she pulled me to the sink, held me in place, and started scrubbing my whole arm with hand soap in the back of class for like 25 minutes. I was lowkey flustered the whole time like "I wanna sit down already" but she didn't care. she just lightly scolded me a bit more in spanish and kept cleaning me until my arm was completely free of ink. I don't know what my point is. I guess I'm just wondering "did that look gay to the audience? did that event mold me into the person I am today?"
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the pathologic Kin is largely fictionalized with a created language that takes from multiple sources to be its own, a cosmogony & spirituality that does not correlate to the faiths (mostly Tengrist & Buddhist) practiced by the peoples it takes inspirations from, has customs, mores and roles invented for the purposes of the game, and even just a style of dress that does not resemble any of these peoples', but it is fascinating looking into specifically to me the sigils and see where they come from... watch this:
P2 Layers glyphs take from the mongolian script:
while the in-game words for Blood, Bones and Nerves are mongolian directly, it is interesting to note that their glyphs do not have a phonetic affiliation to the words (ex. the "Yas" layer of Bones having for glyph the equivalent of the letter F, the "Medrel" layer of Nerves having a glyph the equivalent of the letter È,...)
the leatherworks on the Kayura models', with their uses of angles and extending lines, remind me of the Phags Pa Script (used for Tibetan, Mongolian, Chineses, Uyghur language, and others)
some of the sigils also look either in part or fully inspired by Phags Pa script letters...
some look closer to the mongolian or vagindra (buryat) script
looking at the Herb Brides & their concept art, we can see bodypainting that looks like vertical buryat or mongolian script (oh hi (crossed out: Mark) Phags Pa script):
shaped and reshaped...
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i become more and more convinced that Scully reacts like a person with Rejection Sensitive Dysphoria when Mulder shows signs of being interested in spending time with people who are Not Her. Starting with prime plagiaristic schlub Jerry Lamana, former partner, so it's not just a romantic jealousy. The Lone Gunmen are exempt from this somehow, probably because the guys always support Mulder but also don't monopolize his time. But anyone else, especially a female someone else, makes her spiral painfully.
Yes, there's an element of protectiveness. Everyone around Mulder seems to take advantage of him, he practically goes barrelling out asking to be misused and misled. But it's really, clearly not just that, because she goes into big distress and starts doubting her place in her life, regardless of the rationality of it, or what Mulder has shown or communicated to her about his feelings for her in the past.
It's endearing, but it's not, despite what collective fanon plays on to enhance angst scenarios, grounded in the reality of mulder's actual textual behavior and sentiments towards her, i.e. that he's ever given any indication that there's any way he'd accept someone else as his partner or give anyone else the majority of his attention. Rationally Scully know this, to the point that she was worried that he wouldn't survive if she died of the cancer. But RSD isn't rational, it's a maladaptive reaction, and one that makes a lot of sense with her being some flavor of 'quirky 90s character' ND who's always been socially just as much an outsider as Mulder has.
I don't think it's an intentional portrayal of that specific type of reaction, but i don't think Scully's jealousy/fear of being unseated is meant to show that her place with him is in actuality tenuous. And i personally believe that within the parameters of their indirect communication style and via all the massive gestures and risks they've taken for each other, the security of their bond actually is mutually well established. It's just those reaction flashpoints for her, where he pays attention to another woman in the course of an investigation/crisis incident and despite the fact that they've gone to the ends of the earth for each other, she starts thinking, 'well maybe he's done with me, maybe this is the time he's found someone more interesting he likes better, it's all over.' But even with Diana I don't think this is grounded in Mulder's actual behavior or level of interest in any ~interlopers. It's a reaction that she's having but it's disproportionate.
And I do love some yummy angst fic and love triangles and playing Diana up to the ultimate wedge issue! But I do also think it would be interesting to dig into Scully's jealousy/possessiveness/disproportionate hurt. I think Mulder sees it, at least somewhat, he's not ~afflicted with masculine feelings blindness or just being a self-absorbed ass (as some have accused lol), I think he's just bewildered, and doesn't seem to feel able or even allowed to approach these kind of personal emotional issues with Scully -- and she does also get very defensive about things in this vein so. It's hard to find the inroad to get them to talk about it.
But I do think it would be interesting to see, confronting the actual issues inherent in Mulder having/displaying professional or even casual personal interest in other people/women that he doesn't see as serious or impactful long term in his life, and Scully feeling as though she's in a love triangle, which is a very unsettling, even terrifying feeling even if it's not representative. It would be interesting to see Mulder see and confront that, have him saying, basically, nothing about us has changed and I don't plan for it to change, but i see you catastrophizing this and I don't get it. Why do you even think you'd need to compete?
Though i also don't see Scully being able to respond to that beyond deflection or getting emotional to the point of being unable to articulate anything. But it is something she needs to wrestle with, especially as she and Mulder head deeper and deeper into their relationship.
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Maybe that Mario & Luigi warping footage has driven me mad and now I'm just terminally stuck on MAXIMUM BROTHERLY ANGST but the fact that the Mario movie seems willing to go to a very emotional and sweet place with their relationship is killing me!!! Here are some Mario and Luigi-specific theories/possible moments I've been thinking about for the movie, all nicely compiled (and not just tossed into other people's inboxes, haha) - maybe they'll happen in some way, maybe they won't, but if they DO, oh man, I will be a puddle of goo in the movie theater they'll have to sweep up afterwards:
Mario opening up to Peach and Toad about Luigi, what their life was like in the past, their closeness, and his fears/anxieties about the possibility of not being able to save his brother (some version of this seems EXTREMELY likely in the fire flower scene) (and likewise, Luigi talking to his fellow prisoners about Mario and how much he misses his brother!)
Both brothers taking moments throughout the movie to think of each other and draw inner strength/resolve from that - for instance, Mario struggling with his training, feeling exhausted and hopeless, but thinking of Luigi in danger and how much his brother needs him and that giving him the burst of strength and determination he needs to finally complete the course
LIKEWISE, Luigi panicking or struggling to act in his scary predicaments but thinking of Mario and what he would do/say in situations like this and being able to keep going/stay brave because of that memory
BOWSER FIGURING OUT THE RELATION AND USING LUIGI AGAINST MARIO AT A CRITICAL MOMENT??? (I'm sorry, but it feels like the interrogation stuff has to lead SOMEWHERE) (Bowser clearly is looking for info/weak points he can use against Mario, and Luigi himself ultimately IS that weak point!!!)
This could play out in a lot of different ways - using an in-danger Luigi as bait for a trap, maybe there's some Magic Shenanigans where Kamek throws Luigi's voice to lure Mario away from the group during a battle, or maybe Bowser just taunts Mario about his brother and how Mario's too weak to save him from the torture he's endured/will endure. Whatever the case is, Mario's anger and Ultra Big Brother Instincts overriding all other common sense could cause him to act too rashly or make some serious mistakes in the heat of the moment. :(
Either brother thinking that the other is dead for any period of time and just being BROKEN but also FULL OF FIERY VENGEANCE because of it!!! I know, I know, put me in Angst Jail but Mario could get blown off Rainbow Road and presumed dead for a little while, which could get back to Luigi through Bowser or his minions, OR maybe Luigi escapes but Bowser lies to Mario and tells that he disposed of his brother already and he's too late. I could just see both of them breaking down at first but ultimately being ANGRY above all else and resolving to avenge the other, no matter what ;___; (and this would also make their eventual reunion even MORE emotional and impactful)
Speaking of, the brothers reuniting with the BIGGEST, MOST DESPERATE, CLINGING HUG YOU'VE EVER SEEN IN YOUR LIFE (this is truly all I care about, I just need the movie to get this right, PLEASE)
Bonus points if there's a big lead-up to it where they maybe they just hear each other at first, or they see one another from a far-away distance and they're just RUNNING and FIGHTING and SCRAMBLING to reach each other, calling out all the while, to the point that they can't even stop, they just TACKLE each other at full speed
(They've never been apart this long before! Ever since they can remember, they've been joined at the hip, and this whole time, it's felt like they were missing a limb, but now THEY'RE BOTH HERE and THEY'RE OKAY and there's a lot of fussing over injuries and frantic questions and THE BIGGEST, TEARIEST SMILES EVER and it finally feels like everything's really gonna be okay, even though there might still be an ongoing invasion/final battle to take care of)
After reuniting, there being a situation where they need to split up again temporarily to accomplish different goals in the name of stopping Bowser and Mario is actually the more anxious one for once who really doesn't want to let Luigi out of his sight after they've just found each other again, but Luigi takes a turn reassuring him that it's gonna be okay (and Mario is quietly impressed by how his brother seems a little braver after his ordeal)
ALSO after reuniting, there being a moment before the final battle with Bowser where Mario is self-doubting and isn't sure he can win, but Luigi doesn't understand that because ever since they were little and dealing with playground bullies, he's ALWAYS thought of Mario as a hero - this new role just fits him so well, at least in Luigi's eyes, and he knows that Mario can do this (I KNOW, I KNOW, A LITTLE CHEESY, but!! i just love the idea of Luigi hearing about/seeing his brother as The Hero and being like "yep, my big bro IS amazing and brave and the absolute best, this makes sense!")
At any point, Mario actually seeing Bowser hurt/threaten Luigi and just going ABSOLUTELY BALLISTIC because of it. RIP BOWSER, YA IDIOT
Possibly related to the above, but it feels like a pretty sure thing that the final battle has to be Bowser VS Mario all the way, that's how so many games end, but! I do think Luigi could provide important assistance at one or two moments. Like maybe Bowser is startling to struggle and goes for the power star, but Luigi has already beaten him to it and manages to throw it to Mario before Bowser reaches him - but then he gets STRUCK HARD or even knocked out by Bowser and Mario's anguished reaction sets off the star's power! (I did see that somewhere else, not my original idea - the concept that the star can only be activated by an intense, pure-hearted emotion - but I love it <3)
That's all I got for now - again, even a FRACTION of these happening would be officially Too Much for my little, feeble heart. I'm just so grateful that from everything we've seen so far, the movie really does seem to be centering the brothers' relationship (even if they're not physically together for most of it) and how much they mean to each other and that is everything!
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