#But the feeling wasn't quite right

[sophieswundergarten]

MBS Characters as Neat Words I Like

So. Listen. Some of these words are going to have fitting definitions. And some of them are just based on how they feel/look to me. Do with this what you will, and I hope you at least learn some fun new words :)

Mr. Benedict - Esoteric: requiring or exhibiting knowledge that is restricted to a small group / of special, rare, or unusual interest

It's very green and a bit orangey to me, like the scenes in S1 where he's sitting in the cabin, or a very nice rock. Maybe something with a fossil in it. But it's a good, slightly rough but ultimately quite pleasant texture. It's got the layers of an old book with age-stained pages and uneven edges because of how often it's been read. It's a really comforting word, and it's warm and inviting, like the feeling of walking into Mr. Benedict's house and seeing all the light come through the glass and the smell of books and the very clear evidence that it is lived in and full of love. If it had a physical form, I would keep this word on my shelf and look at it every day because it makes me smile.

Number Two - Librocubicularist: someone who reads in bed

Definitely a yellow word. It's got some nice light blues, like sunlight on a clear day streaming through a window, and a couple hints of green in there, but this word feels very warm and a bit like running your hand along the hard carved edge of a bookshelf. It's very square and cube-y, like a stack of little building blocks or one of those geometric M. C. Escher kind of designs. (Also I can see her just sitting on her bed and reading when people would want her to sleep when she was a kid)

Milligan - Hugger-mugger / Gallimaufry: Respectively, "secrecy" and "hodgepodge"

The first one is an automatic choice, because it basically sounds like a warped version of the words "hug" and "Milligan". It's a very warm, soft word that's a dusky orange-and-pink, like an old jacket or scarf that's being used to muffle a sound. The second word is chosen more for its meaning, as Milligan himself is a bit of a jumbley hodgepodge when we first meet him. It's coloured like moss covered stones along a riverbed, like the colours of that screenshot in Episode 1 where Milligan emerges from the secret tunnel in the yard. The tumbling of the word also mimics the curved brim of his hat.

Rhonda - Sophronise / Kismet: Respectively, "to imbue with moral principles or self-control" and "a hypothetical force or personified power that determines the course of the future events, fate, destiny"

"Sophronise" is because of how wise and quick-witted she is. She's a role model for the younger kids, and it was a really nice sunset- night-sky kind of ombre, a hint of deep magenta (Like that jacket she wore outside the cabin in S1) and the barest touch of yellow-orange, quickly moving into royal and midnight blue, and a whisper of silver that can almost be stars. "Kismet" is similarly multicoloured and beautiful, but more swirly like a wind-chime or suncatcher made of many different pieces hung just so, in such a way to catch the light and reveal glimpses of what's hidden deeper. It's a mostly wine-magenta and blue kind of colours; jewel tones.

Kate - Rawgabbit: somebody who speaks covertly about a subject of which they know nothing

This one's silly, because it just came to me because of its look. The definition doesn't really fit her at all. It's a helter-skelter word that is racing, fast moving and fidgety. It's a full kaleidoscope of colours, red and fierce and yellowy lemon gold and green like sun through new leaves and blue like daubs of fingerpaint all swirled and tumbling over each other, much like Kate's jacket.

Miss Perumal - Pluviophile: one who finds joy and peace of mind during rainy days

This is a very soft word, and it is a soft, watercolour kind of pastel. It's lavender and cherry blossom pink and a light sky blue, and it feels exactly like one of her nice sweaters or jackets. The lapel of a good, strong, felted jacket kind of feeling, like something you'd find at a thrift store and know that it was well loved, but taken care of so respectfully that you'll be able to wear it for years too. A pragmatic word. It is also very round and swooping, in much the same way her cadence of speech is.

Sticky - Uhtceare / Kenning: Respectively, "lying awake before dawn and worrying" and "a metaphorical compound word or phrase (such as swan-road for ocean) used especially in Old English and Old Norse poetry"

The first word is more because of the meaning, but it does have some hints of his shades of blues. The "uhtc" part is like glass as a lens, and the last part is like little round bits of blue sea glass, all tumbled and smoothed. It's a very pensive and reflective word, and it catches light in many different facets, something to be studied from many different angles in the solitary silence away from other people."Kenning" I chose because of its neat, rhythmic sound, like very even stitches through a piece of stormy blue cloth. It is a deceptively simple sounding word, but it has such a deep history, and I think that's something Sticky would really enjoy learning and knowing.

Constance - Fudgel: pretending to work when in reality one is not doing anything

Come on. This word is perfect for her. It has that hint of sweetness with "fudge", and yet it sounds stubborn and obstinate. It's a "fighting word", so to speak. Stout and short and compact, like a dense piece of wood that someone can heft and throw. And while I would not originally say that it has any of Constance's colours, there are parts of it that can be malleable, and there's definitely a hint of pink in the middle, a reflection and glimmer that comes from it being placed next to her name.

Reynie - Wergild: the value set in Anglo-Saxon and Germanic law upon human life in accordance with rank and paid as compensation to the kindred or lord of a slain person

This word came to me immediately. It isn't coloured so much like Reynie (Being mostly kind of deep purple and shaded forest green with the barest hint of gold, like brambles that have grown and woven themselves into an intricate shape), but for some reason it fits him. Maybe it's the complex depth that's hinted at in the heart of it. It's a wild word, but also very warm and trusting in that it expects the other person to honour their promises. Its etymology is basically "man" + "payment", and the idea of it being the value of a person when in relation to Reynie, who values every person as incredibly important is intriguing. Also, the first time I read it was in a fictional context as part of a spell or binding magic that connected people to one another, which is a much more vague and subjective reason, but it's a little more positive than "murder debt"

SQ - Welkin / Wanderlust: Respectively, "the vault of the sky / the upper atmosphere" and "strong longing for or impulse toward wandering"

Now. These words both start with "w" because "w" and "q" are coloured somewhat similarly to me, especially since there's an "s" involved. "Welkin" is a complex word, like running your hand over a particularly detailed and well-crafted mosaic. It's a very light baby blue fading into purple, a very mystical and soft word, like if you could tough fog. It speaks of walking softly down a grassy hill at dusk, looking up at the stars as they wake up and being able to trust that you won't trip. It's also got these kind of two curves, like the top of the "S" right next to the "Q". "Wanderlust" is dreamy and full of stardust. It's got that bluey-purple touch, but it sparks at the end, gold and shimmering and falling out of sight like a shooting star, just beyond the horizon, where you know you can follow it.

Curtain - Sanguine: marked by eager hopefulness, confidently optimistic / bloodred / consisting of or relating to blood

It's not quite the correct colour for Curtain, but the feel for it is right. It has a bit of dark blue, but it's also slimly and squelchy the "gui" bit makes it kind of greasy and hard to keep a hold of. It also fits him because of the different meanings; originally, "sanguine" meant "cheerful" because of the medieval concept of the four humours governing the human body, and it came from the Latin "sanguineus" which means bloody. The seemingly jarring differences between "happy" and "bloody" are a good representation of Curtain's duality.

Garrison - Gerrymandering: the practice of dividing or arranging a territorial unit into election districts in a way that gives one political party an unfair advantage in elections

This word also came to me really quickly. I kind of "see" spelling in my head, so even though the "g" in gerrymandering is pronounced like a "j" instead of how it is in "Garrison", it works. The word is coloured very much like her: light, dappled green and a little pink and some specks of orangey-red. It's also a strong word, a tiny bit mischievous but with hard lines that won't be crossed, no matter how much trickery and metaphorical dancing around delicate topics is involved to attain a goal.

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[ofswordsandpens]

it feels like the show is nailing certain aspects about the characters but only at the completely wrong time because Percy saying "she met a pinecone's fate"... don't get me wrong, the moment feels very true to the part of Percy that is a little shit <3 and it is funny, but it just stands in such stark contrast of his canon kindness and sympathy when he first learned of Thalia's fate that I'm just sitting here like ???

Like when Percy learns about Thalia in the book, he's very moved by her fate:

So comparing this reaction to the onscreen portrayal, its just like wild that the writers thought this was a "faithful change" lmao. Even if the line is criticizing the gods, it feels as if it comes at the expense of Percy's sincere empathy. imo the pinecone line feels much better suited to a future season where there's active animosity between Percy and Thalia, not when Percy is learning about a girl who died saving her friends.

[hedgehog-moss]

My top 10 nonfiction reads of 2023 (the asterisked ones are in French with no translation as of yet) :

Belle Greene, Alexandra Lapierre

The Indomitable Marie-Antoinette, Simone Bertière

Reporter: A Memoir, Seymour Hersh

Red Carpet: Hollywood, China and the Global Battle for Cultural Supremacy, Erich Schwartzel

Empire of Pain: The Secret History of the Sackler Dynasty, Patrick Keefe

Servir les riches, Alizée Delpierre*

La Comtesse Greffulhe : L’ombre des Guermantes, Laure Hillerin*

Le Courage de la nuance, Jean Birnbaum*

The Book Collectors of Daraya, Delphine Minoui

Flowers of Fire: The Inside Story of South Korea's Feminist Movement, Hawon Jung

[nyoomfruits]

PLEASE ELLIE

du bist mein schultenbrau

Tell me!! 🤍😂

ITS SO DUMB ITS JUST THE WORKING TITLE for everyone super confused by the context, the title is from this banger of a dutch après ski hit the title has mostly nothing to do with the fic except lando and oscar go on a ski trip in the winter break because oscar was supposed to go with his gf but she broke up with him and lando's like 'i'll go with you' and they spend a whole week on a super romantic couples ski trip As Bros (who fall in love. obviously) anyway thats a terrible explanation here's the first two opening scenes that actually set up the plot perfectly lmao:

Max texts Lando on one of this last days in the MTC, right before winter break is supposed to start. Lando doesn’t even notice at first, spending most of his time in and out of meetings, filming a few last minute promo vids. When he does notice, he sighs, annoyed, a little disappointed.

“Hm?” Oscar says, from across the table, where he’s slouched down in one of the office chairs, scrolling through his own phone.

“Max cancelled our trip,” Lando says, dropping his phone down on his thigh and staring up at the ceiling as he contemplates his options. He could go visit his parents, maybe. Maybe other Max and Martijn wanted to hang out for a bit.

“Verstappen?” Oscar asks, without glancing up from his phone. He’s been quiet all day, more quiet than usual. There’s a downward pitch to his mouth, bags under his eyes. Lando gets it, maybe. It’s been a long season, and even though they ended on a high note, he can understand the exhaustion. He’s feeling it himself, the aftereffects of months of giving it his all. It’s why he’d been looking forward to this trip so much.

“Fewtrell. We were going to the Maldives. But now his girlfriend wants to go visit her family, so.” He tries not to sound bitter about it. He gets it. She hardly gets to see him as it is, and it’s not like Max owes him anything.

He’d just really been looking forward to it.

“Can you cancel?” Oscar asks. He’s put his phone down, and he’s looking at Lando now, the way he always does. Like there’s nothing else in the world more worth looking at than Lando. It had unnerved Lando a little, in the beginning, until he’d realized that’s just how Oscar looks at people. Or, well, he assumes that’s just how Oscar looks at people. He’s never really been able to test this theory, but it makes sense, so. It’s probably true.

“Yeah,” Lando says. “Full deposit back and everything. Still. Rather be on a beach.”

Oscar snorts. “Luckier than me, then.”

“Why?” Lando asks, frowning, wondering if he’s forgetting something.

“I was supposed to go to this ski resort with Lily. But now. Well.” He looks pained, and when Lando sends him a confused look, he adds. “We, uh. We broke up. So.”

“Ah,” Lando says. So maybe it hadn’t all been exhaustion, then. “I’m sorry.”

Oscar shrugs, but his mouth is still pitched down and he’s not looking at Lando, instead focusing on his hands, where he’s fiddling with his phone. “It’s okay. It just wasn’t working out anymore. For either of us. But uh. Yeah. Still sucks. Plus I can’t get my deposit back, so now I either go on this stupid ski trip alone, which is just sad, or I just lose the money.”

Technically, Oscar could probably afford to lose the money. He’s rich enough. But it’s the principal of the thing. Also, Oscar still has that sad puppy look on his face and it’s pulling at Lando’s heart a little bit. It’s the only excuse he has for blurting out. “I’ll go with you.”

“Oh,” Oscar says, looking up, surprised.

“Yeah,” Lando says, thinking about it a little more seriously. “Yeah, why not? Teammate bonding outside of the season. It’ll be good for us. Plus, it solves both of our problems. You don’t lose the money and you don’t look like a sad sack of shit in front of all those fancy ski people, and I get to go on a vacation after all. Win win.”

“I mean,” Oscar says, and he seems to actually consider it now. “It’s no beach.”

Lando shrugs. “Bet the gin and tonics still taste roughly the same,” he says, and Oscar laughs, one of those full body things where he folds in half with the force of it. The joke’s not that funny, but it’s the happiest he’s seen Oscar all day, so he’ll take it.

“Sure,” Oscar says. “Why not. Let’s go.”

--

It isn’t until Lando’s standing in the door opening of their little cabin for the weekend, backpack hanging off one shoulder and suitcase at his feet, that he realizes how intimate this is. He should’ve guessed, maybe. Oscar had said it was a trip he’d booked for him and his girlfriend, so. He doesn’t know what he was expecting, perse. But this is. It’s small. It’s cozy. There’s a fireplace.

“Lando, I don’t want to rush you, mate, but it’s like minus ten out here and I’m not wearing my ski jacket yet,” Oscar says, from somewhere behind him, a noticeable shiver in his voice.

“Right, yeah, sorry,” Lando says, moving further into the cabin, dragging his luggage with him. Lando had flown in from Monaco, fresh off celebrating New Year’s with his friends. Oscar had flown in from London, and Lando’s pretty sure he spend both Christmas and New Year’s alone. It shouldn’t tug at his heart strings as much as it does, probably.

Oscar makes his way inside, dumping his suitcase by the couch and looking around. “Quaint,” he settles on.

“All right, big fancy words man,” Lando says, rolling his eyes. “Please tell me you know how to make a fire, it’s fucking freezing in here.”

“I do, actually,” Oscar says, beelining for the fireplace while Lando wanders further into the cabin, darkly muttering ‘of course you do’.

The living room is massive, with a giant L shaped couch in front of the fireplace, and big open windows looking out over the beautiful snowy landscape outside. To the left, there’s an open archway to a kitchen and dining room, and to the right are two doors. One, upon opening it, turns out to lead to a pretty decently sized bathroom. The other-

“Oscar,” Lando says, frowning a little. “Are you aware there’s only one bed?”

“What?” Oscar says, looking up from where he’s fidgeting with something in the fireplace. Lando doesn’t say anything, just holds open the bedroom door and gestures at the frankly giant bed. “Oh, yeah,” he says, looking a little forlorn. “I mean. Yeah. When I booked it- Well. They didn’t have any cabins with single beds, so.” He shrugs a little bashfully. “I’ll uh, take the couch. It’s big enough.”

And he looks so small, and so sad, crouched in front of the fire, shoulders slightly hunched over, that tired, sad expression back on his face, and goddamnit. “Don’t be ridiculous,” Lando says, closing the door resolutely and going to grab his luggage. “We’ll share.”

“But-“ Oscar shares, and behind him, there seems to have appeared an actual fire in the fireplace. Lando raises an impressed eyebrow.

“No. We’ll share. It’s fine, the bed is giant. I think we’d be sleeping closer together if they had given us separate beds, that’s how big it is,” Lando says, grabbing his bags and making his way back to the bedroom.

“Okay,” Oscar says, but he doesn’t look so sad anymore, smiling a little at Lando’s dumb little joke, and that’s. Lando will take that, if anything.

“So,” Lando says, flopping down on the giant couch after he’s managed to ditch all of their luggage. “What’s the plan for tonight?”

[brynnamonroll]

Been going back through Ace Attorney lately while I crochet and

[batsplat]

Is Valentino Rossi the best rider in 1vs1 battles?

ehhhhh *shrugs* I mean. the best ever? like. who knows. the best in the field most years he was competing in the sport? maybe, I guess?

this is one of those questions where I don't really like giving definitive answers but am more interested in how you'd even go about assessing it? like, what metrics are you looking at, what are the criteria, can you put numbers to it or do you have to be super holistic about it or what. I think the 1 vs 1 is already an interesting distinctions, because that is a little different from just talking about wheel to wheel skill. they're related skill sets, but it's not the exact same

so. to bring in an example with a sample set of races I imagine most people reading this are pretty familiar with. let's say we're comparing valentino and marc in direct combat with each other. let's say we put the races where they're fighting one-on-one for basically the entire race in one box, so assen 2015 and catalunya 2016. let's say we have races where one of them is working their way through the field - and it's all building towards the confrontation between the two of them, so say a qatar 2013, a qatar 2014, an argentina 2015. let's say you have a very intense fight that doesn't last the whole race, like sepang 2015, or an extended 'duel' that is basically a defensive ride without any actual overtakes, like silverstone 2015. now, you may have noticed that from this list, valentino... kinda wins a lot of these? not qatar 2014, plus sepang 2015 is in the 'this cost both riders too much to have a winner' camp, but except for that? it's a strong record for valentino. however! the moment you take away the '1 vs 1' qualifier, suddenly the record looks way kinder to marc - you have a catalunya 2014, a phillip island 2015 and a phillip island 2017 go in his favour, while only assen 2017 is a multi-rider dogfight that involves both of them where valentino ends up taking the win. I do think when you're considering 'rivalries' and how a particular dynamic develops over time, it's worth looking specifically at what's happening in extended one-on-one combat and differentiating that from dogfights! because it is a different vibe, because it matters if you're just focused on one guy. but of course both categories still matter in assessing direct combat... even if there are also different skills involved in those different types of fights. valentino, even very late in his career, was still particularly adept at challenging and outsmarting individual riders, and it's a specific format he clearly did thrive in. so. yeah. both of these general categories are indicative of w2w ability, even if they're not quite the same - either in terms of the skills required or in terms of narrative implications

here's another issue. valentino tends to win the race-deciding extended confrontations against marc, but obviously that too isn't entirely reflective of what happened when they met each other on-track. this is because during their time together in the premier class, marc was winning a lot more races than valentino and generally had more pace than valentino, so a lot of on-track confrontations that marc came on top of where typically one-and-done type situations. overtake and move on, overtake and move on. so while you still have a misano 2014 (valentino overtakes marc and marc eventually crashes while attempting to keep up) or a brno 2014 (another valentino overtake where he pulls clear), you then also have laguna 2013 (the corkscrew move is the end of that battle), le mans 2014 (a single overtake around halfway through the race after which marc easily pulls clear), indy 2014 (an early tussle that eventually becomes more marc domination), motegi 2016 (similar, except here valentino ends up crashing), thailand 2018 (valentino can't keep up the pace once marc has gotten past)... like, we get to a place where we're risking penalising marc for 'being very fast' and not sticking around once he's gotten the overtake done, which does also feel wrong? it's an odd balance - because, again, when we're talking Actual Rivalries then it does matter who is winning an extended battle, psychologically if nothing else. like if that's the bit that mattered the most to the outcome of your race, if that's the bit people will remember years to come, if you invested a lot into winning that fight, of course it does matter. but that's narrative, not skill... is this really a good way of assessing how good someone is at 1 vs 1 duels?

I picked the example of that specific rivalry not just because it's the one most people are most familiar with or because I love engaging in discourse about that rivalry - but because I think direct rivalry comparisons are probably the most straightforward way you can approach trying to figure out who is 'better'... and marc clocks in just behind casey as the one who has the most balanced record against valentino w2w. like, biaggi is basically a walkover, and honestly you don't really have that many extended 1 vs 1 duels except for welkom 2004. and for sete, obviously a great rivalry (and I've always believed you don't need a rivalry of equals for it to be good and fun), but also once you get past that sachsenring 2003 turning point then the balance does go out of the window. I've been thinking about this in relation to a longer ask I've ended up massively overthinking (surely not), but I was kinda startled looking back at just how one-sided valentino's record is against jorge. like, unless I'm forgetting some major battles, the most extended scrap you can point to that jorge won is for his very first premier class win at estoril 2008 - and that's also pretty much settled by around halfway/two thirds through the race. but the actual 1 vs 1's that last much of the race? catalunya 2009? sachsenring 2009? motegi 2010? well.... hm. races that build to a battle like sepang 2010 also go in valentino's favour, and even extended tussles like le mans 2011 and phillip island 2014 are more valentino W's. hell, even various short and sweet battles like jerez and indy 2008, misano 2009, motegi 2015, aragon 2016, sachsenring 2018 generally have valentino come out on top - though in this category there's some exceptions, like qatar 2008, indy 2009 and jerez 2010 that all involved jorge besting valentino in a short direct fight

which raises another problem... we do need to in some way acknowledge that valentino simply ends up in more of these fights than most of his rivals - and as a direct result ends up winning more of them. like, once jorge clicked into title winning form in 2010, most of his wins became 'shoot off the line and win way ahead of everyone else with metronomic consistency'. I'm not saying all his race wins were like that! and he did win some great duels in his time in the premier class, especially against marc. but of course, he did that kind of dominating races a hell of a lot more than valentino did - whose approach to winning races was more 'qualify wherever, amble off the line, get moving around halfway through the race and figure things out from there'. now, I discussed this point a little bit here in the context of 'was valentino still successfully mind gaming the other aliens' - but just to bring it back, valentino was deliberately approaching his races in ways geared primarily towards being able to fight his opponents, even to the level of how he set up his bike:

you see this most extremely with something like laguna 2008, where valentino flat out knew he didn't have the outright pace to win - his entire strategy was built around not being the fastest but being able to fuck with casey. in that situation, he's not got the speed, he's building his entire strategy for the win around wheel-to-wheel disruption. and this, plus the regularly mediocre qualifying and starts, does just mean that statistically speaking he's overtaking more riders in his average win than any of the other aliens are. like, if that's your primary metric, then yes! he's clearly very good at w2w! by extension he's also very good at 1 vs 1 duels! if you're looking at riders who have clocked in more than a certain number of wins and do the maths of average overtakes per win, then, yes, I would imagine he tops that metric. does that make him the best? ... well, again... it does feel like you're risking penalising the better qualifiers and starters for being better qualifiers and starters and not ending up in seventh place at the end of every single first lap

so, you've got 'how they measure up against their direct rivals' and 'average numbers of overtakes' as ways to begin considering w2w ability as well as 1 vs 1 track record. then you get into increasingly nebulous waters... here's another potential metric for w2w skill I quite like: efficiency in overtaking. not naming any names, but there are certain riders who, when attempting to work their way through the field, will just. get stuck. even though they have a clear pace advantage over the rider directly in front of them. leading to incredible amounts of faffing about rather than just getting the overtake done. obviously, valentino does like to engage in some faffing about too, but generally speaking he's only doing that when he's in close proximity to the race leader and can realistically get himself to the front of the pack fairly quickly. he's very efficient when he's actually working his way through the field. of course, this is something marc is similarly excellent at, as he has shown plenty of times this year... which. well. this is where we run headfirst into another problem: this sport has changed a lot over the years and some things are simply not at the same difficulty level as they were in past years. so, sticking with those two, which of these is a 'better' comeback? 2006 sachsenring, where valentino starts tenth on the grid after tyre problems in qualifying, at a track he doesn't really love and in serious championship trouble, but works his way to the front before having to fend off the chasing pack that is coming back at him all the way until the chequered flag? or 2024 sachsenring, where marc starts thirteenth on the grid after having been impeded in q1, at his speciality circuit that he's visiting for the first time on a new bike, and works his way up to p2 despite his fractured rib and finger in an era where overtaking is a lot harder than it was in 2006? well, first of all, congrats to both of them, very nicely done. but secondly, that's kind of the problem, right? while I'm sure prime valentino in this era would also regularly be doing that marc/pedro thing where they make the commentators go 'oh ho ho they said overtaking was impossible in motogp these days!!' - at the end of the day his approach involved some built-in faffing about that was also more feasible back in the day. if we're assessing w2w ability, we do need to make some kind of allowance for era - which also affects how often riders are likely to find themselves in 1 vs 1 duels in the first place

here's another plausible metric: last lap battles. this is ALSO something that is super era-dependent. casey in his whole time in the premier class gets involved in like? about four battles that are still going on in the final lap? there's definitely a few I'm forgetting, especially if they weren't for wins/podium places, but it's definitely not a lot. compare and contrast with how the 2017 to 2019 era played out. everything back then was tyre management, tyre management and more tyre management, and dovi in particular was big on the 'eh let's win this race at the slowest possible pace' thing, where everyone crawled around the track as slowly as they could get away with before pulling the pin a few laps before the end. obviously, the characteristics of that era were a) very beneficial to dovi, in that they rewarded both those who knew how to make those specific tyres work (and his decline in 2020 was largely linked to the changes in tyres) and those who were very good at managing last lap duels, but b) inherently were more likely to produce last lap duels than a few other eras. like, in the alien era, which regularly featured gaps of. idk. seven seconds between the front runners, the characteristics of those bikes (as well as those riders) just meant you had very few battles that lasted that long. so inherently, it's harder to judge riders like, say, casey on how good they are in that kind of situation, not least because you are working with such a tiny sample size. and those battles are a big feature of how we remember 1 vs 1 duels!! people love last lap duels!!

now, yes, obviously valentino's record in 1 vs 1 last lap duels is very strong, and there's really only a few he loses over the course of his entire career. dovi is another strong contender in that particular category if we're just limiting ourselves to riders this century (which we are). (unfortunately, those two kinda took turns to be competitive so we didn't really get much of a direct h2h, but off the top of my head I think it's a pleasing 2-2? dovi takes qatar 2008 and le mans 2011, valentino takes qatar 2015 and argentina 2019. I feel like I'm definitely forgetting something.) but again, you do end up in caveat central with this metric. look at marc, who was reliably finding himself in last lap duels specifically at tracks he and/or the honda were quite poor at - again, ragging on that record too much does feel like you're penalising him for managing to get there in the first place. on the other hand, is it really fair to take too much credit away from dovi in handling those situations - surely, at the point where you're arriving in the last lap together, you're at a stage where both riders have a decent chance of winning? on the third hand, it is worth pointing out that dovi is more often than not in the lead going into those last laps, and is fending off a sort of on-the-edge last gasp 'might as well have a go' marc attack. 'last lap battles' is inherently quite a loose term, and how much should who's leading going in be considered a criterion? does it matter if you actually have an overtake or not? does it matter when in the lap the overtake happens? it's obviously quite an arbitrary category... sete makes a mistake headed into the last lap at sachsenring 2005 that gives valentino the lead, while marc makes a mistake on the penultimate lap of catalunya 2016 that essentially ends his victory challenge towards valentino. how do you compare those?

and at a certain point, you need to get away from the headline numbers and start thinking about what it actually means to be good at 1 vs 1 duels. you get into categories like 'race management' - choosing when best to make your attack, balancing risk and reward, not making risky overtake attempts for no good reason when you could just wait for half a minute longer, making sure not to needlessly fuck your tyres while pushing too hard too early. there's ability to actually execute overtakes, which is a question of race craft, creativity, and also about being able to play the opponent. there's various defensive abilities - somebody like pecco exemplifies this, who is both very hard to initially overtake in part due to his ability on his brakes, but is also adept at immediately re-overtaking (a favourite trick of his mentor too, as it happens). to borrow from another sport's terminology, you can contrast 'conversion' and 'steal' rate - if you have the superior underlying pace at crucial stages of the race, are you actually converting that into your maximum achievable result, or conversely if you have inferior pace, can you steal a result your pace doesn't 'merit'? obviously, you get a massive blot in the copy book every time you fail to convert any kind of result by crashing out or by bagging yourself a severe penalty for your race conduct. what about the psychological dimension? your ability to put pressure on another rider, e.g. by showing them a wheel here or there, to force them into a mistake rather than 'just overtaking' them via pure skill? is reputation and intimidation part of your skill set when it comes to wheel to wheel ability? the off-track 'work' you're doing on the opponent, and the prior weight of their expectations for this fight... your ability to study and analyse riders to pinpoint where they are at their strongest and weakest, while also figuring out where they're going to expect an attack and where they won't - maybe even sucker them into thinking it will come from somewhere differently than it actually does... on sheer weight of his track record, you'd have to say valentino is pretty much peerless in some of these categories. and, yes, some of these skills are weighted quite clearly towards the '1 vs 1' element over the 'multi-rider dogfight' element of w2w skills. they're more about terrorising a specific rival than thriving in the chaos

so. what does all of this mean. what's the actual answer. is valentino the best at 1 vs 1 duels. well. who knows. even if we're ignoring the historical dimension and limiting ourselves just to this century, there's too many confounding factors - from different racing eras within that time span to different individual approaches to racing - to allow us to truly evaluate who the 'best' is. I think the cleanest way to summarise it is... from the great riders this century, valentino is the one who most depends on his 1 vs 1 skills (and w2w skills more broadly). that's his unique selling point in a way you wouldn't say it is for any of the others... the guy who gets closest is dovi - but I still reckon his biggest skill is his tyre management and that was the most important differentiating factor that made him so competitive in 2017-19. his ability to scrap w2w comes second (and is absolutely a constant throughout his career), but really that's the bit that allows him to take advantage of the tyre whispering skills... it lets him finish the job, if you will. whereas with valentino, his brains and cunning broadly speaking and his w2w more specifically - and especially the 1 vs 1 stuff - is like, his x factor. I mean... obviously he's also good at the other things - I called him a mid qualifier but of course it's worth remembering he has 55 career pole positions in the premier class, more than jorge or casey or dani. this is primarily a function of his longevity and all of them are definitely better qualifiers than him, but like. of course he's not slow. it's just that relatively speaking, when compared to the other aliens, he's the one who is winning the least via his actual raw pace. here's one metric for that: in valentino's seven premier class title campaigns, he only has the highest average grid position in only three (and during his super dominant 2002 season, it's joint with biaggi). in three of those title-winning seasons, he's the second best qualifier on average, and in one of them he's only third best. the only other seasons this century where the best qualifier on average doesn't win the title are 2015 (marc just beats jorge, valentino is quite a distant third), 2020 (joan mir icon winning a title with an average grid position of NINE POINT FIVE SEVEN lmaoooooo, only seventh best on the grid), 2022 (fabio is a little ahead of martin and then pecco) and... that's it

which kinda means that... can you say valentino's objectively better at 1 vs 1 battles than the other aliens? well, no. I mean, sure, I do feel fairly happy to say he's better than jorge and especially dani, more *wiggles hand* about casey and marc - because with those two there's enough confounding factors in comparing them to valentino and they've also challenged valentino often enough directly that you can make the alternative case. in the end you do kinda go... well, it's very much a 'all these guys were at their best in very different versions of motogp' thing. what you can say is that for valentino, 1 vs 1 prowess is a bigger part of his game than it is for his fellow aliens. his route to victory both on an individual race level and on a title fight level is built around engaging in a lot of these fights and winning them - and, given how successful he's been, of course you do have to conclude that bit of his game is clearly operating on a high level. so when you compare that to both casey and marc, those two really do have other bits of their games that are more important to their success. fewer of their race victories percentage-wise have been won through 1 vs 1 duels. casey is dominating enough races from the front he's not even doing all that much w2w tussling. marc might be losing plenty of these close duels, but he's relentlessly at the front enough that this consistency is what's giving him titles as much as anything else. whereas valentino's entire approach is tailored towards finding himself in those kinds of direct scraps, winning said scraps, and then using those scraps as a way to demoralise the opposition... unsurprisingly, he's got the biggest sample size of that style of battle and has a very high success rate. who knows if he's the best, but he is the most dependent on that specific skill. and he sure has had a lot of practise at those duels, which I imagine will have gotten him just a little closer to being perfect

[disbarredgoose0]

The Kiss.

[nexus-nebulae]

me as a kid: i have all these problems

every adult around me: you're not old enough to know what's wrong with you, you're fine

me as an adult: i still have all these problems

my doctors after i finally got the opportunity to choose them myself: oh my fucking god why have you never gotten help for all these problems. you should have seen me 10 years ago

[outer-edges]

"It wasn't time that did it."

Joel’s voice is so shaky and small, yet somehow full of so much fucking emotion that Ellie thinks she might get crushed underneath it all. If the thought didn’t scare the shit out of her, she thinks she would call it love. Love and care and trust and all of that other gooey shit that made her want to burst into tears at the very thought. Now, Joel sits in front of her, baring his fucking soul to her, and she suddenly gets what Riley meant all those months ago. Ellie didn’t belong anywhere. Not until Joel. Maybe it was fate, maybe it’s just plain luck. Whatever it is, he flinched all those years ago, and she survived that bite, and they’ve been hurtling towards this moment ever since. 

The one where Joel chokes on his words, and she feels every ounce of the unsaid words. Time didn’t heal his wounds. She did. Because she’s his. And he’s hers. Because they somehow found each other in this terrible fucking world, and nobody has ever made her feel like this. Safety. Belonging.

She isn’t sure what to say. Isn’t really sure if there’s anything she can say. Ellie just hopes he can tell how much this fucking means to her. How much he means to her. He’s everything. He’s been everything for months now. The way he’s looking at her now, like she’s his everything too, it might make her start crying. There aren’t words to describe this. Not ones she’s been taught. Not ones anyone has said to her before. Maybe there were words for this twenty years ago. Maybe there are even words for it still, just not used for people like her. She’s too rough for anyone to get too close to. 

Anyone except Joel. They match like that. Too rough and stubborn for their own good. They match. She’ll hurt for him, and he’ll tear up a town for her, and they’ll find their way back to each other. They always do. They always will.

All those months ago, he said she wasn’t his daughter, and he sure as hell wasn’t her dad. That doesn’t really feel true anymore. It hasn’t felt true since Silver Lake. Since she threw herself into his arms and he whispered soft promises and terms of endearment as he held her. It didn’t even really feel true when he said it, if she’s being honest. Things like fathers and daughters, that won’t ever be something she truly understands, but she thinks this is the closest she’ll ever get.

No. She knows this is the closest she'll ever get. Because, even if they don't address, even if the thought makes her feel a bit like she's wearing a too tight-too itchy wool sweater, they're family. They belong.

“Oh,” Ellie breathes out finally. 

The words go unspoken. They both understand regardless. 

[justalittlebluetiefling]

I haven't been involved with coaching for almost 3 months now and somehow I am still getting dragged into the drama.

[seventh-district]

not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go

(aaa quick edit: CW for mention/discussion of Boothill leaks)

[ominous-feychild]

✦ OC Questionnaire Tag 3 ✦

Following tag from @honeybewrites !

Featuring characters from Sun and Shadow: Freya, Crow, Daleira, Valyarus, Soren, and Grimnir! As well as a surprise visit from someone else...

Notes: Valyarus is Daleira's adopted dad, Lynsmouth nobility, and a faerie; Soren is Freya's dad, strongly hinted to be ageless, and worked as a sailor; and Grimnir is Crow's dad, the famous criminal detective of Lynsmouth, and known to work under an alias and masks to hide his identity.

Featured Questions (not all characters will answer): - "Sun or moon?" - "Would you rather drown or be buried alive?" - "How many people have you killed?" from @the-golden-comet - "Do you believe in fate?" kidnapped from the-golden-comet's post

"Sun or moon?"

Freya, the MC of Sun and Shadow who's explicitly sun-coded: Freya: Well... even before I found out about the whole "my dad gave me a magic restraint from a really young age without telling me and I actually have magic" thing... I'd always liked being out in the sun. I'd feel more refreshed, energized. I thought it was just normal, yknow? Like, who doesn't like being out in the sun? But apparently it's A Normal Magic Thing™ to feel better in your element? Even though I felt awful for a while without the restraint... apparently that's something called "magical sickness" from having too much uncontrolled essence? That's what Daleira said at least... I don't know. Regardless, um, sun, obviously, haha. 😅

Crow, the "shadow" of Sun and Shadow: Crow: Moon. The daytime is too bright and it's a lot harder to blend in. I mean--(*pointedly wiggles the sunglasses they're always wearing*)--I need these to be able to actually see thanks to my damned curse and how bright everything is. Then, like, I need to stick to the shadows at day because I just feel worse under sunlight, you know? So, yeah. Moon, easily.

Daleira, the OTHER, secret "shadow": Daleira: Sun! (gotcha 😉) It's thanks to the sun's energy that our world goes round--well, metaphorically speaking--and it would be almost unrecognizable if the sun didn't exist! 😊 Well, I mean, now that I say that... I guess the same applies to the moon, huh? Like, it's thanks to it that we have the tides and-- (*continues rambling about Science*) --wait what was the question again? Oh, right! "Sun or moon?" I would probably still pick sun, haha! 😊

Valyarus: This is an odd question. I would dare to say sun. Nights tend to be much more dangerous, both in the Faewildes and in this world. Criminals adoring the darkness and all, yes? Besides that, I am also weaker at night. So that should be an easy answer for me, no?

Soren: I'm brought back from the dead and/or a potentially disastrous situation in order to answer arbitrary questions? (*heavy sarcasm*) Interesting. How kind of our all-powerful gods to give me this opportunity. (Look do you want this break or not?) ... fine. Yes. (*Clears throat*) My wife and children all had sun- and light-allegiances. I feel that should speak for itself. However... as a seaman, the stars have always been my best friend, and it would be a nightmare to navigate without them. In spite of that, if you told me to choose between my daughter and the night, I would choose my daughter in a heartbeat. Happy? (*he asks, glaring at the camerawoman* Very, great job, Soren! 😉 *he scoffs*)

"Would you rather drown or be buried alive?"

Freya, who in the first chapter of SaS got traumatized by nearly dying in a shipwreck: Freya: Be buried alive. Next question, please and thank you.

Crow: Easy! I'd choose to be buried alive! Being encased in a coffin--or even just dirt--would surround me in shadows and I could just teleport out through them, ha! Daleira: Crow, you're supposed to take this at face value. There's no way getting out. If you had to die either way, which would you pick? Crow: (*scowling*) But that doesn't make sense! I could just teleport out! Daleira: Yeah, well that's not the point! It's supposed to, like, find out your personality and stuff! Which you'd, uh... consider to be the least painful death?... hm, that's actually really dark when you think about it... Crow: Exactly! Besides, it doesn't say I have to die through it! Just drown or "be buried alive"--not that I die in the process! (*smug birb.png*) Daleira: Um... actually, "drown" does imply death. Crow: Wait, what? Daleira: It's in the definition! "Drown: verb; to die through submersion in and inhalation of water!" Crow: ... and why do you have the exact definition of "drown" memorized? And where did you get it??? Do you have a dictionary lying around somewhere in your workshop??? Daleira: (*flushed*) Just--answer the question! Crow: I still pick being buried alive. It doesn't mean I can't escape alive, sweetheart. 😘 Daleira: (*groans and puts her face in her hands*)

Daleira: Unlike Crow, I'm actually going to answer this question as intended. 😒 While both are deeply unpleasant ways to die, I'd probably choose to drown just because it's quicker than suffocating in a coffin... or loose dirt. (*shudders*)

Valyarus: (*pleasantly; if not a bit smugly*) I could and would do neither. As a faerie, I could simply teleport out of either situation. Daleira: 😒😒😒 Daleira: (*takes a slow, deep breath... unlike someone in the situations posed in this question!*) Dad, the point of the question is "imagine you don't have any other choice". Like, if you had to pick one, which would you pick? Valyarus: (*quizzical look*) Well that's just incredibly dark, isn't it? Who would pose such a question? Daleira: (*exasperated, throws up her hands*) I don't know! Could you please just answer it, Dad??? Valyarus: (*gives a long, drawn-out sigh... also unlike someone in the situations posed in this question!*) If you insist, dear. I suppose... I would choose being buried alive. In your hypothetical situation, unaware that I was completely doomed, I would likely choose it knowing it took longer and spend a majority of the time I had trying to figure out a way out... only to die. Valyarus: But, Dally, you are aware that even if our bodies die, we do not, yes? Daleira: 😃 (*internal screaming*)

Soren: (*completely unaware of the events of the first chapter of SaS in this case--*) I would choose the sea--or, drowning, that is. I was born by the ocean, was made by the ocean, and lived through the ocean. I see no better way to die. Or a more fitting one.

Grimnir: In those cases, I'd assume I'd be being assassinated by some of my enemies... and so they're planning for it to be as painful as possible. In which case, it would likely look like this: my to-be killers choose to drown me. They repeatedly dunk and pull my head out at intervals maximized for suffering, but just barely below the time my body would force me to inhale. Ideally, none of them would have control over water magic, or they could simply let me breathe it in and draw it from my lungs. Which would likely be doubly as unpleasant as traditional water inhalation. Regardless--they would repeat this process until I finally suffocated or they got bored. And then they would kill me. Alternatively, my captors could've chosen to kill me through burying me alive. In that case, they'd do so without a coffin. That way, I'd be suffocating, buried within whatever material they thought would make me suffer most. Due to the phrasing of this question, I would assume it could not be anything inherently dangerous, otherwise I would die of exsanguination, poisoning, or whatever else. No, instead, I'd suffocate. In this case, it's unlikely my captors could interrupt or pace out my murder--unless they periodically buried, unearthed, and re-buried me, which simply seems like more effort than it's worth and comes with risk of a coma instead. Between the two situations, I would choose to be buried alive. Though, I hope you aren't intending on trying anything... I may be a detective, but I have a lot more tricks up my sleeve.

"How many people have you killed?"

Freya: Nobody??? What???

Crow: What do you mean? I'm a detective, not a murderer! Obviously I haven't killed anyone!

Daleira: (*voice uncharacteristically quiet*) It... depends on what you count as a "person." And... whether you're counting accidents... which you probably are. Regardless?... a lot.

Valyarus: I have killed very, very few people. If they even counted as "people" by the time I killed them is a better question. But... if you consider the fact that I, myself, am not human, and that those of us in my position call all of us sentient beings "people"... then I have killed very, very many people. That's why I'm in the position I am today. I am very powerful. And, sometimes, death is necessary to protect those looking up to you as a leader.

It's been a bit since Elvalen has joined Lynsmouth, though. I think I've gotten a bit rusty. 😄

(note: Valyarus has accidentally killed a lot more people in a similar manner to Daleira, but is not counting them due to it being "part of a faerie's nature", unintentional, and frankly unavoidable to an extent. Up his perceived creepiness/danger level as you deem necessary.)

Soren: Depends who's asking. If this has any possibility of reaching my daughter, none whatsoever. Otherwise... more than I wish. But being what I am, death is sometimes inevitable. Other times, it's simply the only correct choice. Would you rather leave a monster alive, or kill it where it stands to save its victims, both present and future? I think there's only one right answer there, and I have a number of people who'd thank me for it. ... even if my daughter would not.

Grimnir: Depends on what you mean by "killed". Does it count to put them in prison, knowing people can and might target them there? If so: I don't know. Definitely more than I can count. Otherwise... only a few. And only when necessary, in self-defense.

"Do you believe in fate?"

Freya: You mean the idea that our lives are predetermined from the beginning, that our decisions are set in stone before we're born, and that nothing we can do will ever change that? Of course not. And even if it did, I'd assume magic itself would interfere with how Fate wanted to make things.

Crow: I'm... not sure. I've never thought of it before to be honest. I'd guess there's probably some god out there capable of it?... though if you think of it that way, wouldn't all gods be Fate in one way or another? Like, they're all always just... sitting in their godly domains or something, watching us, seeing everything and making decisions off of it right? So from our point of view, wouldn't that make them the puppeteers of our fates? So I'd say it depends on what you consider "fate" to be. Is it an active force keeping things to a certain "timeline" or set of events? In which case I'd say no. Or is it a set of actions carried out by beings that can see so much more than we do, that are capable of comprehending things that we can't, and actively try enforcing their wills on us? In which case... I'd say yes.

Daleira: Fate? Like "things are destined to happen a certain way"? I wouldn't know! Haha, there's so many things in this world that it's impossible to know! Like, there's billions of lifeforms breathing, existing!, making decisions all at once! Could there possibly be a reason behind it, some sort of consciousness pulling everything in a certain direction to make sure different events come true? Possibly!

... what do I think of that?... hm. That's a great question. I... don't know honestly. I like the concept of free will, would like to think we all have complete control of our lives and where they go... but that just isn't realistic! Even if fate didn't exist, our lives are all still pushed and pulled in every direction by those of the people around us. And by nature! The world constantly throws things at us, and all we're able to do is react to it! Even if we make our own decisions, they're based on our life experiences and the examples we've seen of others... so it's impossible to say "free will" truly exists, either.

Valyarus: Fate? (*snickers*) Which kind of "Fate", the idea that Grand Destinies follow people, that some people are destined to come together and "complete" one another", or something... Or the cold and merciless goddess known for doing whatever it takes to achieve her goals?

Don't misunderstand me--most gods are "cold, cruel, merciless" and all those good things. But I've heard special things of Fate. She sees everything that has happened, everything that is happening, and everything that will happen at all times. She's able to make decisions with more information than anyone else. She's been able to plan out her actions and puppeteer everyone else from the very beginning of time. She's known for acting irrationally, having her son carry out the most out of place things... for what? What cause? What purpose? We don't know. We can't. What we do know is that she's willing to do anything. She and her son--acting on her behalf as all avatars do--have done some things even the other gods wouldn't dare do. Although, I don't think it's for a lack of willingness so much as it would otherwise get in the way of their goals to actively commit atrocities.

Regardless, oh--I do believe Fate exists. It's very hard not to when you've spoken to her son firsthand and he responds to you before you can even speak. I wouldn't recommend it, by the way. I've met some very disturbing creatures before, but he was... different.

Quinn: Well, that's just rude. Valyarus: Quinn: After I helped you and everything. Valyarus: How... how did you get in here? Quinn: Not telling. 😉 Want to apologize? Valyarus: Valyarus: (*indignant!*) I see no reason to. Quinn: Of course. No problem, then. Just... be careful around birds. Valyarus: (*silent, confused panic???*)

Soren: I believe Fate exists, yes. Whether or not that's a good thing depends on the day... and if you're in her way. Thankfully, it does not seem like I've done anything to cross her... at least, not for a very long time.

Grimnir: (*deadpan*) I would assume so. Otherwise, I'd worry who I gave my eyes to.

Your questions: - What would you do if you watched a starving child steal something expensive without anyone else noticing? - If you could go back in time and say anything to your younger self, what would you say? - What would you sell your soul for? (Metaphorically speaking, doesn't have to be literal. In other words: "What is the most important thing to you, that you would do anything for?")

Tagging (with no pressure) @darkandstormydolls @yourpenpaldee @.honeybewrites @fantasy-things-and-such @themboty @the-letterbox-archives and whoever else wants to join!

Divider from @cafekitsune

[aur0raaura]

Twin Princes AU

LEGEND

Part one | Part two

Buy me a Ko-Fi!

AAAAND SCENE! Wow wow! I didn't expect for what was supposed to be another doodle comic...end up with me putting a lot of effort-!

Life got in the way plenty of times- making me take quite a bit to finish this...even contemplating on just putting this on hiatus and just do something else-

...but I did it! I didn't let any discouragement, nerves and bad feelings get to me.

Now I'm sure many are wondering- HOW did this come to fruition? Simple: my friend pointed out that my next comic should focus on Kyurem's involvement in this! Many were wondering what sort of role the old dragon played after the previous comic (Family) and the art piece that accompanied it (The Giant Chasm)! So I went for a more artistic approach to this, making the artwork look like a tale at first, but then shifting to a more crude and cold atmosphere- I was going to polish these last nine pages, yet my friend would tell me that the sketchiness helps with the narrative- and honestly, she was right! Thus I tried to add some subtle sketchiness on pages 7-11 on part one! I wonder if people noticed that detail...? Anyways, time for some fun behind the scenes stuff...!

Here's the very first concept of my Original Dragon design, including his human form!

You can tell I did some adjustments in the final product, but I really wanted to make sure this dragon had characteristics of the tao trio in some way, plus-- I wished for him to have a unique sort of feel- kinda ethereal? I also gave a teeny bit of eastern dragon influence because...well...tao trio. The tail is actually inspired by a plasma engine!

It's why I gave it a bit of a swirl to it- ...kinda reminds me of ice cream- His human design...well, I wished to make sure he looked like the princes yeah-? He is their dad after all! So I made sure to reflect that- Same with his clothing as well! Ah right...I should show the design of our princes yes...?

WHOA WHOA WHOA-- those faces... Hmm... I wonder if people can start piecing together why this au is called the "Twin Princes AU" with this and what was told in this comic...? The design in itself was conceptualized by a rough idea my friend sent me a whiiiiiile back, but asked me to refine it further! Make it fancy, royal, elegant--!! You get the point. XD Though this is the finalized design i came up with as I brainstormed this comic! I hope I could convey how magical yet refined they are! As for Kyurem....oh my! What a reveal as well huh?

What a throwback....! I drew these a while back!

Well, there's certainly some familiar design choices...! And another clue to this whole puzzle- unless some of you have figured it out! Let me know through my ask box! ;D

I really didn't expect such a warm reception towards this au me and my pal cooked up last year. To think mixing concepts from our ocverse (GUARDiANverse) with pokemon could work so well...! I suppose fantastical elements mixing with another fantastical setting aint such a bad idea...! This AU has kinda expanded since it's conception... to a point of having other stories of other characters that take place in this version of the pokemon world!

Though for now, I may need a bit of a breather. 20 pages was QUITE the endeavor! Yet...that doesn't mean I wouldn't be opposed to tell more of my tale in other ways! Shoot me an ask, tell me! Who knows, I may answer with a doodle comic! For now, I'll just slowly cook my next idea! Maybe I should give the witness to these tales some spotlight...? I dunno...but honestly, feel free to shoot asks. Well, I hope you all can be patient with me in the meantime!

[opens-up-4-nobody]

...

[simgerale]

CHAPTER EIGHTEEN ; 3/3

TRANSCRIPT:

Present Day

magdalena: This is undoubtedly selfish, but... I do not believe I would make it very long without seeing you every day. "Ridiculous," you would say. "Only logical," I would reply.

. . .

m: Perhaps Olette is right. Perhaps I care for you more than I would like to admit. [takes a shaky breath] No… I care for you more than I ever thought possible. The Seam chose us, Luca. After a thousand years of silence, it bonded us. As an Empress, I have to believe that there is a grander scheme than love. But as a woman, I... I cannot help but to wonder...

[she envelops his sleeping lips in hers, but only for a devastating moment]

m: …if what you called fate was simply the Seam, roping us together all along.