#CLUCA

[artspaume]

FOIRE SINGULIERS - 11 AVRIL 2024 - 14 AVRIL 2024 / Fonderie Darling (CA)

11 AVRIL 2024 – 14 AVRIL 2024 ENTRÉE LIBRE VERNISSAGE JEUDI 11 AVRIL, 17H À 23H   Créé par et pour les artistes non-représenté.e.s en galerie, SINGULIERS souhaite célébrer une pluralité de pratiques marginalisées et présenter des artistes parfois –ou trop souvent – exclu.e.s de la sphère artistique. Aux abords de la Foire Plural, cet événement ponctuel se tiendra du 11 au 14 avril prochain à…

[therealefl]

Former Mansfield Town Midfielder Released

Former Mansfield Town midfielder Sam Clucas has been released by parent club Stoke City upon the expiry of his contract as announced in the club’s official retained list. Clucas joined former Manchester United player Nick Powell and Phil Jagielka among a who host of players as the Potters look to clear the decks ahead of the transfer window. Who Is Sam Clucas? Clucas began his career with…

[dustedmagazine]

Dan Clucas / Kyle Motl / Nathan Hubbard — Daydreams and Nothing (FMR)

Daydream And Halting by Dan Clucas / Kyle Motl / Nathan Hubbard

One of the pleasures of large group improvisations are the windows they open onto hitherto unimagined next encounters. This session arose from a series of “yeah, we gotta play together sometime” moments experienced in bands led by cornetist Dan Clucas and reeds player Peter Kuhn. The chance to play together as a trio was a while, since Clucas and percussionist Nathan Hubbard are full-time west coasters, and bassist Kyle Motl is not. But perhaps the necessity of waiting contributed to the all-in spirit that the three brought to this session when it finally happened.

This trio’s chemistry derives from a fine balance of concord and difference. Motl is a stylistically wide-ranging musician, but whether it’s classically derived or swinging, his playing is likely to make aware that a strong technician is at work. Clucas, on the other hand, seems to downplay technique, even when he’s exercising it. On cornet, his main horn, he favors melodies drawn in quick, brushed-ink strokes punctuated by pregnant gaps. It takes some kind of control to put just the right sized holes in just the right places; it takes another kind of skill to sound like another guy altogether when you pick up a different instrument. On “Driftscope Reversal,” he plays moxeño, an Andean wooden flute, with a bolder sense of line, which Motl counters with pointillistic gestures, and Hubbard further balances with a ceaselessly morphing rustle. 

Clucas instigates yet another angle on “Before Long After” by switching to violin, which he plays with a disregard for precise pitch and a bold assertiveness that might make both Ornette Coleman and Billy Bang smile from whatever post-passing vantage point they currently occupy, knowing that their torch of raw expression has been passed, received and remains in motion. The simplicity of his playing presents Motl with the opportunity to fill up space, which he does with a brilliantly arranged barrage of snaps and rumbles while Hubbard generates a ceaselessly changing backdrop of motion and color. 

On first listen, this session imparts a strong sense of each player’s character. Each return trip reveals a bit more of the chemistry that makes this a cohesive trio with the potential to keep on creating, not just three guys that sound good together. 

Bill Meyer

[buddiebeginz]

Danny has a whole playlist of children’s books he’s narrated for his son that are on Spotify. It’s super cute. 🥰

[power-fantasies-inc]

destruction

photos by Murray Close (man standing), R. Clucas (explosion). isolation & color grading by me.

[dannymillerfansite]

Danny on Good Morning Britain earlier today,

Danny talked his return to Emmerdale, how he loves the people there, Aaron's new attitude & the reasons for it. Danny listed all the people Aaron has lost, two dead boyfriends, two dead sisters, his Gran plus his husband in prison, now reigniting a feud with Billy from when he was is prison,

And talked a little bit of I'm a Celeb & also his Albert Book Shelf audio books where he reads children's Books.

Also on Danny's GMB interview Danny spoke about I'm a Celeb, they showed a few clips of his time in the castle

Plus as Danny spoke about I'm a Celeb, they showed a few clips of his time in the castle & Danny gave his views on Nigel Farage this years big name contestant & what his experience would likely be, but didn't want to stray into politics too much. Smart man!

Also on GMB Danny spoke about Albert's BookShelf & announced he & his friend Nigel Clucas have themselves a children's book out

available for pre order on his website

Danny says it's a modern day Lassie story. Check out the Instagram page @ alberts_bookshelf link to website on their bio.

View this post on Instagram

A post shared by Alberts Bookshelf (@alberts_bookshelf)

[mymp3]

cluca honey bun ^_^

[brokentreeonline]

We're All Going To Die from Stefan Hunt on Vimeo.

We’re All Going To Die takes on the simple task of exploring the meaning of life. Through colour, imagination, humour and fart jokes, Director Stefan Hunt asks you to look at the what ifs, the why nots and the oh wells that might flash before your eyes when paid a surprise visit by Death. With your internal monologue played by Jared Jekyll and Death played by Hugo Weaving (The Matrix, Lord of the Rings), you’re prompted to get existential whilst grinning from ear to ear during this independent short film of fantastical weirdness.

The film is an adaptation from Stefan Hunt's illustrated book 'Were All Going To Die' and part of a multimedia extravaganza of that same name that was launched in October 2017. The project uses death and art to empower its audience to fear less & live more. "Years ago I was crippled by fear. Reminding myself that I'm going to die has changed my approach to life. It's the most powerful force to live by." says Hunt, who independently funded this project alongside a successful Kickstarter campaign.

A huge thank you to everyone who has been part of the journey. Let's keep kicking fear in the balls.

For more information visit - wereallgoingto.com Official book available here - wereallgoingto.com/book

Director - Stefan Hunt Producer - Yingna Lu Director of Photography - Campbell Brown Editor - Stefan Hunt Man - Jared Jekyll Death - Hugo Weaving Production Designer -Ian Kanik Art Director - Mohini Herse Art Director - Courtney Covey Costume Designer - Christina Bouzios Costume Designer - Rosa Spring Voss Hair and Make Up - Katy Clucas Hair and Make Up - Lisa Mangion Sound Composer - Jonny Higgins Casting Director - Felicity Byrne Unit Production Manager - Maren Smith Unit Production Manager - Nicole Hofstädter 1st Assistant Director - Stuart Beedie Stunt Coordinator - Mark Duncan (TwinStar Stunts) Stunt Rigger - Neal Horton Production Assistant - Olivia Carolan Production Assistant - Yasmin Blake Production Assistant/Reader Emele Ugavule 1st Assistant Camera - Joel Eames 1st Assistant Camera - Sid Tinney 1st Assistant Camera - Tim Keith 2nd Assistant Camera - Luke Tysoe 2nd Assistant Camera - Chris Moore 2nd Assistant Camera - Rhavin Banda BTS Jack Shepherd Wardrobe Assist - Amber Theron Gaffer - Mat Wilson (Focus Film Lighting) Gaffer - Steve Schofield (Lumen Arty) Best Boy - Nathan Grant Best Boy - Richard Hawkins Best Boy - Charles Gray Key Grip - Chris Davies Sound Recordist & Boom Operator - Martin Demian Stills Photographer - Sam Shepherd Locations Services - Emelie Fagerman and Alex Intihar from Search Party Locations Online Editor / Colourist - Matt Fezz VFX Supervisor - Matt Fezz VFX Supervisor - Matt Campbell Storyboard Artist - Amber Theron Graphic Designer - Sam Shepherd Designer - Hui Ying Kao Designer - Courtney Brookes Animator - Andrew Khosravani Animator - Michael Chen Post Sound Supervisor - Jonny Higgins Voice Over Recordist - Rob Hughes Voice Over Recordist - Simon Lister VO recorded at Nylon Studios Special Thanks to; Paper Moose Crater Studios Mrs Nina Tattoli Vanessa Marian Helena Rosebery Southern Cross Cameras Australia Stef Smith Matt Pike Whitney Oliver Alexandra Kent Adam Benton Liam Riley Ant Pawley Kei Yokokawa Williams Management Andrew Wilkinson (Sydney Prop Specialists) Alt.vfx

[parasoli]

 jessica mau by nastassia clucas for PANSY.

[grande-caps]

The Fix - Season 1 GALLERY LINK : [x] Quality : HD Screencaptures Amount : 8557 files  Resolution : 1280x720px

-Please like/reblog if taking! -Please credit grande_caps/kissthemgoodbye!

[diyeipetea]

JazzX5#352. Halley - Clucas - Reed - Halley: "Corroboration" [Boomslang (Pine Eagle Records, 2021)] [Minipodcast de jazz] Por Pachi Tapiz

JazzX5#352. Halley – Clucas – Reed – Halley: “Corroboration” [Boomslang (Pine Eagle Records, 2021)] [Minipodcast de jazz] Por Pachi Tapiz

“Corroboration” Halley – Clucas – Reed – Halley Boomslang (Pine Eagle Records, 2021) Rich Halley, Dan Clucas, Clyde Reed, Carson Halley. El tema es una creación del cuarteto. © Pachi Tapiz, 2021 Más información acerca de Rich Halley https://www.richhalley.com/ https://www.tomajazz.com/web/?s=Rich+Halley&submit=Search https://richhalley.bandcamp.com/album/boomslang Más información sobre…

[dustedmagazine]

Clucas / Bishop / Smith / Crane — Universal or Directional (Balance Point Acoustics)

Jeb Bishop (l) and Damon Smith (r) Photo by Dan Clucas

Universal or Directional bpaltd 10010 by Clucas / Bishop / Smith / Crane

“Why do I listen to this stuff?” It’s a question that many people never consider, or if confronted with it, actively resist answering. Liking something is an end in itself, right? Maybe. (Non)-response nonetheless communicates values for others to interpret. But it’s also the case that some music invites that question more than others. A record like Universal or Directional will never yield an answer like “if 10,000 Cardi B fans can be wrong, I don’t want to be right,” if only because the label published just 200 hard copies. But why do people want to listen to four guys playing drums, trombone, double bass and either cornet or trumpet figure out what they’re playing as they go along?

One answer lies in the question; because you like to hear people figuring it out as they’re doing it. This album, which comprises three quartet improvisations plus six break-out duos, is a superb example of free improvisation that exposes its process. You can hear Dan Clucas pick up on the technique and tone that Jeb Bishop proposes in the first seconds of “Condition Reports,” and then perceive how he takes those suggestions and warps them, and then hear Bishop respond with a contrasting texture. This stuff may be abstract, but it is pretty transparent about what’s happening. 

Another answer is that it’s pretty damned exciting. Take “Provenance,” where the music grows from a kick drum beat to a whirlwind of smearing brass, shuddering wood, and ringing metal inside of fifteen seconds. To follow it is to feel yourself spinning with it. 

Yet another answer is that you like hearing these instruments sound both like and unlike themselves. Smith’s bass sounds simultaneously huge and enclosing, like you’re inside of it and its sides are half a hockey rink away. Crane’s drums sound unenhanced but detailed; that’s a hi-hat in space that you’re hearing, not some stream of digital reinterpretations of a notion that started with someone’s foot mashing to bits of metal together. And both Clucas and Bishop toggle fluidly between conventionally beautiful and idiosyncratically personal ways of playing. 

So why do you listen to this music (if you’ve read this far, you either must already do so or are about to give it a try)? That’s your business, but I applaud your good judgment. And why do I happily listen to Universal or Directional? Because it’s not only a splendid example of American free improvisation in the first fifth of the century, but a welcome instigator for a bit of personal reflection on why one wants to spend hours of one’s life hearing people make it up as they go along. Somehow, hearing people do it and succeed beautifully feels comforting and hope-inducing in a time when it’s crystal clear that the powers that be can’t pull it off to save their mortgaged souls.   

Bill Meyer

[una-mo]

Yep, its 20th remember? the day is the day

[steveambush]

View this post on Instagram

A post shared by dan clucas (@dan_clucas)

Poo-Bah Record Shop (former location)

[x]

[exyzuk]

Stoke 2-0 Swansea: Sam Clucas and Potters extend hot Championship form and deny Swans a top six spot

Stoke 2-0 Swansea: Sam Clucas and Potters extend hot Championship form and deny Swans a top six spot

[ad_1]

Stoke 2-0 Swansea: Sam Clucas taunts his former club as Potters continue unbeaten league run in 2020 and deny visitors a spot in the play-offs

Sam Clucas helped Stoke beat Swansea 2-0 at the Bet365 stadium on Saturday

The striker scored the opener as his former club missed out on a top six position

Matt Grimes hit the bar for the visitors but James McLean sealed it late for Stoke

The…

[comeonswans]

Swansea City v West Bromwich Albion -09.10.2017