#Chris Conley

[lazzarachan]

Various bands at Bamboozle and Misshapes from Alternative Press Magazine, August 2006. The spine is still intact so it doesn't look the best.

[basement-vampire]

Fandom: Bandom, Saves the Day

Pairing: Chris Conley/Dave Soloway

Rating: Not Rated

Tags: Eventual Romance, Pining, Unresolved Sexual Tension, Period-Typical Homophobia, Teasing, Jealousy

“Their thighs are touching, and Dave’s hand hovers over his waist. Not quite crossing the line but laced with too much tension to just be friendly. Intoxicating and terrifying. Like they’re going seventy on the freeway, hurtling toward an inevitable crash, but they just can’t slow down.”

Chris gets jealous at the shoot for Through Being Cool.

[monoma-neito]

One night I'll fail to remember / One night apart from my gender / No phallic need for ambition / Help me escape from this kitchen

[equalvision]

Chris Conley from Saves The Day performs in 1999 shortly after the release of 'Through Being Cool'. Source: x

[bakingblues]

It's sunny so it's time for pop punk baby! Well it's time for my nostalgia won't let you down playlist which is now jump-scare of which of these songs have been sung by men who are actually monsters and have to be removed. Literally spending my time googling bands to check they're still okay.

[sinceileftyoublog]

Sunny War Album Review: Anarchist Gospel

(New West)

BY JORDAN MAINZER

A breakup. The death of her father. A decaying Earth. Uprooting and moving to her childhood city. On Anarchist Gospel, Sunny War looks change in the face--some unexpected, some sudden, some gradual--and transforms chaos into her best album yet. The singer-songwriter and blues guitar fingerpicker has long channeled struggles, from personal bouts with substance abuse and addiction, to the overall fight against institutional racism and police brutality, into genre-averse songs of pain and triumph. The all-encompassing Anarchist Gospel expounds on this ethos, along with a cast of collaborators including producer Andrija Tokic (Alabama Shakes, Hurray For The Riff Raff), Americana wunderkind Allison Russell, Gillian Welch creative partner David Rawlings, and My Morning Jacket's Jim James. Still, Sunny shines above all.

Take opener "Love's Death Bed", featuring backing vocals from Russell and Chris Pierce's shimmering harmonica, atop clacking drums and banjo. Sunny, who leads a chorus in a call and response, centers the song's dead-eyed stare into the soul of an ex. "Your mouth is a gun / Got bodies dropping every time you speak," she sings, making our jaws drop from the get-go. On "No Reason", a song built around Sunny's incredible desert blues riff and Jack Lawrence's steady bass, she clarifies that even though her ex might not mean to hurt her, it doesn't matter: "Good intentions that you keep / Don't change the fact that you're a beast." Sunny explores intentionality of destruction throughout the album, both in interpersonal relationships and via the environment, asking us to empathize and reflect on the space we take up. On "Shelter And Storm", she sings from the point of view of Earth itself, albeit one that has managed to survive apocalypse, repeatedly and jubilantly declaring, "The humans are away!" Yet, on "Earth", her tone is mournful and more realistic. A stunning combination of blues and jazz, bolstered by the vocal support of James, Maureen Murphy, Nickie Conley, and Kyshona Armstrong, as well as past collaborator Micah Nelson's slinky 12-string, the song reminds us that the end of the world is closer than we think, tangible if you bother to look around.

At the same time, Sunny battles self-destruction throughout Anarchist Gospel; in the lead-up to its release, she spoke about her music representing a battle between that side of herself and the one trying to make things better. On "New Day", she uses the language of addiction to wax on love, hurt, and obsession: "Believing in magic can be tragic / I'm love's junkie, I'm love's addict." One of the record's true standouts is "I Got No Fight", where pained guitars and screaming organs exemplify Sunny's desire for the days to end, depression that buzzes like a fly in her ear. On the gorgeous country tune "His Love", she sings of an unhealthy relationship, "His love fades, my love grows," and the timbres of her voice and the instruments similarly diverge, her lurking deep vocal register contrasting the spryness of the backing vocals, guitars, and pattering drums.

If Anarchist Gospel is anything, it's honest, an album that both bares its teeth and cowers, that sometimes turns inward in the face of trouble but eventually overcomes with boisterous community. On the Crass-quoting, blues stomp clap jaunt of a closer "Whole", Sunny War sings, "Today could be the last, you know / Happy's how you ought to go." Fully knowing it's easier said than done, and for some folks, impossible, Sunny nonetheless dares to dream to everyone.

[psyce]

sometimes i decipher a very figurative say anything lyric and feel like the most accomplished peson alive

[kp777]

By Julia Conley

Common Dreams

May 23, 2024

Urging Democratic lawmakers to use the power they currently hold in the U.S. Senate, Rep. Alexandria Ocasio-Cortez on Wednesday night called on party leaders in the upper chamber to launch immediate investigations into the insurrection-linked flags that were seen flying outside Supreme Court Justice Samuel Alito's homes.

Hours after The New York Times reported that last year, an "Appeal to Heaven" flag associated with the baseless claim that President Joe Biden stole the 2020 election from former President Donald Trump had been displayed at Alito's beach house, the New York Democrat appeared on "All In with Chris Hayes" on MSNBC and said the party must waste no time in holding Alito accountable.

"What we are seeing here is an extraordinary breach of not just the trust and the stature of the Supreme Court, but we are seeing a fundamental challenge to our democracy," Ocasio-Cortez said.

The flag, which was carried by pro-Trump rioters who attempted to stop the 2020 election from being certified on January 6, 2021, reportedly flew in July and September 2023 at Alito's beach house in New Jersey—around the time that a case regarding whether January 6 insurrectionists could be charged with obstruction arrived at the Supreme Court.

Last week, it was revealed that an upside down American flag—another historic symbol adopted by right-wing insurrectionists and "Stop the Steal" supporters—was flown at Alito's home near Washington, D.C. The justice claimed the flag was displayed by his wife during a dispute with a neighbor.

Legal experts and Democrats in Congress have repeatedly called on both Alito and Justice Clarence Thomas to recuse themselves from certain cases due to conflicts of interest following reports of luxury travel and gifts they received from right-wing operatives. Advocates have demanded Thomas' recusal from cases centering on Trump and January 6 defendants, considering his wife's support for efforts to overturn the 2020 election in Trump's favor.

Now, critics are demanding Alito's recusal from the obstruction case and one regarding Trump's claim that he has immunity in his federal election interference case, both of which the court is expected to rule on in the coming weeks.

Ocasio-Cortez on Wednesday night said Democrats on the Senate Judiciary Committee should use their current majority to subpoena Alito and demand answers about his affinity for symbols embraced by groups that sought to overturn the 2020 election.

“I don't even think that we have to wait until we have a Democratic House majority because we have a Democratic Senate majority,” she said. "Samuel Alito has identified himself with the same people who raided the Capitol on January 6 and is now going to be presiding over court cases that have deep implications over the participants in that rally. And while this is a threat to our democracy, Democrats have a responsibility for defending our democracy."

"There should be subpoenas going out. There should be active investigations that are happening," she said, adding that Democrats cannot take "for granted" that they will be able to take action after the November elections, after which Republicans could take power.

"Every single minute matters," she said, "and we have to use our power when we have it."

[liusia-piu]

Toba the Tura

[saint-vagrant]

Oh I forgot to ask a question!

😂

Ok, here it is: Who’s your inspirations for your artistry?

Big question, I know.

^__^

hmmmm you're right, that is a big question! since you asked "who" i'm going to assume you mean other artists?

for painting i'm particularly inspired by Anthony Cudahy, Alex Beck, Sterling Hundley, Ashley Wood (all contemporary,) Euan Uglow, Joaquin Sorolla, Sargent, Arkady Plastov, Ivan Shishkin, Konstantin Yuon, Ferenc Pinter, and a number of names in the Brandywine school like Mead Schaeffer and NC Wyeth.

i reformatted my brain a little in 2021 by reading Fujimoto's Chainsaw Man. Other mangaka are Hirohiko Araki, Kosuke Fujishima, Otomo, Inoue, Urasawa, Miura. the 2S artist Brandon Hoax is a HUGE inspiration to me. same for Chase Conley, Peter Chung, Freddy Carrasco, Xia Gordon, Ron Wimberly, Chris Kindred, Mel Tow, Hiro Isono, mozame_mo, Yoshitake Yamane, @maxbanshees @potogawaryuiki @coshkunz @cparrisartand @fourcorneredgod @newjackcole @choodraws @doctop @hirosemaryhello @nocturnalwalkr @fanficciera @oak-n @purenonsens @juangeedraws @plaest2k @blackblobyellowcone @turndecassette2 many more friends and strangers whose work i'm delighted to spend time traveling thru (and whose names i'll add in once i publish this enormous reply lol. rn i'm afraid of tumblr eating it!!)

most importantly, my partner Anka @kingfisher-cove charmed and captivated me from day one. the personality and dynamism of their work, specificity of place, time, body, personal effects, there's always been so much life in their art. i have little to no interest in stories/characters without limits, where mobility is never a concern, especially featuring the wealthy. stories where people don't sweat or pee or have "bad" teeth or talk too loud. Anka's always portrayed peeling paint and rusted metal as a fact of life. you get a sense of dimension/volume in their art— the way material hangs off a body, and that body's form, how gravity and weight conform feet to the ground— and the same goes for the personalities and ideas populating it. the viewer too has a home here beyond "representation." it's not just window-dressing, nor ponderous hyperrealism. there's cartoon whimsy and cartoon stakes. i wish i could describe the extent it's meaningful to me. i feel lucky to see it! plus i really making them yell and art is a good way of accomplishing it.

so because this is veering into WHAT inspires me...

other than like, transness and communism and everything that entails, i'm inspired heavily by pornography and leather culture, and (mostly vintage) magazines like Honcho and Juggs, 70s italian erotica/nunsploitation. relatedly, the lush scenes of Pierre et Gilles and Tarsem and Christian Riese Lassen. i'm also deeply inspired by hyperlink/multimedia art, such as that by Olia Lialina of @oneterabyteofkilobyteage or projects like Ted's Cave. places and delights of my childhood like Myst/Riven, Fin Fin, rural river water, rocky beaches, soft glowing glades, sharks in coral outcrops. autonomy and dissociation, too.

with a lot of the artists i mentioned, there is a handiness, a presence in their work, a dedication to indulgence and/or experimentation, in subject, setting, medium, whatever. an interest not feigned. i also love maximalist colour and texture... in drawings, in textiles, anything! worldwide and through history. i'm inspired by golden age illustration and Iranian turquoise and carpets. miniatures. iconography. lotuses. magnolia.

you can fake sincerity of course. when it comes to making art that seems like a waste of precious effort. when i get a sense that the artist really loves People beyond serving up a telephone game of vibe-mood-aesthetic... that is cool to me. if the art isn't well-lived, then it's well-cared for. a lot of the nostalgia fodder is based on a memory of a memory that was sold for mass market consumers, so i'm a bit distrusting of it. which isn't to say that i don't love a tone poem (i do-- Legend is one of my favourite films) nor that it requires "realism" to accomplish either. i love being sold on the ridiculous. i respond well to like, an artist (in whatever respect) showing me something absurd with 100% unbridled earnestness and fearlessness about being silly. my top 3 favourite series are JoJo's Bizarre Adventure, Metal Gear Solid, and Ace Attorney. these are objectively as exaggerated in their drama as they are serious about their intent, and populated by straight freaks. one of my favourite directors is Michael Mann (Miami Vice, Manhunter, Heat, Thief, Collateral) who is known for his obsessive, even illustrative details but also, Audioslave plays during an emotional night drive. they don't let Audioslave play during an emotional night drive anymore. all these things are related lmao. let me go on a further tangent

there's an internal logic, right? and when it's flipped? that's the best. i don't mean a "twist," either. it's something else-- the author/artist revealing that, emotionally, things were always more complex than you were lead to believe, and it recontextualises the entire piece. if surprise is the best part of comedy then i think the same goes for melancholy. i love when the rug is pulled out from under me through something as simple as the reimagined N'doul episodes of the JJBA OVA. (YES! YES! I'LL TALK ABOUT IT FOREVER! I'M CRAZY! BUT I'M RIGHT!) is it a twist? nothing's actually changed about where the story is headed. you know where it's headed. but the meaning of that story has-- by creating an emotional trapdoor like that, it establishes a particular sense of suspense.

i'm mentioning these because i rewatched them recently-- films like Solaris and Sunshine and... you know what? Terminator are bigger to me than their subject matter because the emotional space they create is unnerving, where hope is fragile if it's present at all. something hard to accomplish... the bittersweet potency of ironic regret.

i'll keep adding to this. i could go on and on lol

[novemberhush]

The rules of the game are to write one song for every letter in your URL, and then tag as many people as there are letters in your URL.

Thanks for tagging me, @sofancydancy !❤️

N - Never Be Ourselves by Savannah Conley

O - On & On by Longpigs

V - Vampire Empire by Big Thief

E - Everybody Breaks by Ivan & Alyosha

M - Marriage Ain’t the End of Being Lonely by Emily Scott Robinson

B - Battlescar by Adam Baldwin

E - Everlong by Foo Fighters

R - Run by Morgan Wade

H - Hurtin’ On Me by Chris Carmack (because Nashville was in my head today)

U - Under Pressure by Queen & David Bowie

S - Stay by Hurts (because of that ‘Siri play Stay’ post about Leo x Adam!)

H - Highwayman by The Highwaymen

Okay, that’s 12 letters so I gotta tag 12 blogs. I tag @smowkie @all-or-nothing-baby @guiltypleasurefandomface @slow-burn-sally @portlandwithyou @firemedicdiaz @fireladybuckley @zerokrox-blog @seylaaurora @siflovesbuddie @elysiumwaits @colourfulwatson and anyone else who wants to play. No pressure on anyone who doesn’t! I realise some of your URLs are quite long so no worries if you want to give it a miss. 😘

[kurbcotain]

you guys have got to listen to Through Being Cool by Saves the Day if only to listen to Chris Conley say words all weird and funny-like

[golmac]

Cave Game™ (WIP) thoughts

Technically, my work in progress is a fan fiction.

Anyway, I think I've settled on an approach to conversation in the game: Hybrid Choices by AW Freyr. It's framework for making CYOA-style gameplay. There are some other options--the most popular of them is probably Threaded Conversations by Chris Conley. TC is just overkill for me, with tables and a lot of state tracking. I want convos to be handcrafted rather than variable-driven, and I won't be doing any randomization. Sample code:

OEWstart is a page. "[if oew is a stranger]The orange-eyed woman looks you over. 'Hello, [REDACTED],' she says, rolling her orange-irised eyes. 'Do you prefer chocolate or vanilla?'[otherwise]'Have you decided yet?' she smirks". Chocolate is a page. the cdesc is "Chocolate". it is for OEWstart. "'Wow, you're really crazy about chocolate.'" Vanilla is a page. the cdesc is "Vanilla". it is for OEWstart. "'Wow, you're really crazy about vanilla.'" OEWend is a page. It is for vanilla. it is for chocolate. "'Thank you for your order.' There is an unsettling brightness in her voice." The cdesc is "End conversation." It is an end-page. A page-toggle rule for OEWend: now the OEW is not a stranger.

Basically, you just name "pages," write text for them, and define what choices/pointers can be found there. You can also fire any rules you want (interact with inventory, change variables, etc., etc.). Players choose "pages" via a list of numbered options.

In the example above, the "page-toggle" sets a value indicating that the character has spoken to them before. They are no longer a "stranger."

[literalliterature]

Tagged by @conartisthaiji to post my receiptify for the past month! Thanks Lyz! This set is unhinged.

[ID: A fake Receiptify receipt from the last month, showing the following list of tracks and their corresponding lengths (under "Amt"). The tracks are as follows:

1) Why'd You Come In Here Lookin' Like That -- Dolly Parton (2:33)

2) Free -- Florence + the Machine (3:55)

3) Doctor Worm -- They Might Be Giants (3:02)

4) Scrawny -- Wallows (2:47)

5) Cowboy Dan -- Modest Mouse (6:15)

6) Luminol -- Miracles of Modern Science (4:41)

7) Waka Waka (This Time For Africa) -- Shakira (3:23)

8) People Got A Lotta Nerve -- Neko Case (2:31)

9) Toba the Tura (ft. Chris Conley) -- Forgive Durden (4:25)

10) Passerine -- The Oh Hellos (3:43)

End ID.]

Tagging: @kingfisherkink @metamagic-adept @tempestclerics @paladinbaby (no pressure to do it as always)

[cabinet-baldo]

Debriefing ! Setlist de la soirée SIXTIES IMMERSION DiJerk Baldo au Drunken 20/01/2023https://www.mixcloud.com/.../dijerk-baldo-sixties-beat.../DiJerk Baldo au Drunken 20/01/2023 ⁃ Cocoa par MIGHTY TALLISH  ⁃ 
 ⁃ Save the People par BRUCE RUFFIN ⁃ 
 ⁃ Jockey Hinds par MIGHTY CHYPER ⁃ 
 ⁃ The Golden Fleece par JASON & The ARGANOUGHTS ⁃ 
 ⁃ If the Coast Is Clear par Nine Ton Peanut Smugglers ⁃ 
 ⁃ Brandy par JOHN HOLT ⁃ 
 ⁃ Drugs Mule par Nine Ton Peanut Smugglers ⁃ 
 ⁃ Peaches my love par ERIC DONALDSON ⁃ 
 ⁃  You Got Soul par Johnny Nash ⁃ 
 ⁃ The Harder They Come par Jimmy Cliff ⁃ 
 ⁃ Lively Up Yourself par Bob Marley ⁃ 
 ⁃ Chinese children par MIGHTY TERROR (BERT INNIS) ⁃ 
 ⁃ Rub A Dub Dub par The Equals ⁃ 
 ⁃ Bend Me, Shape Me par The American Breed ⁃ 
 ⁃ Life's Too Short par Tony Rivers & The Castaways  ⁃ 
 ⁃ Wooly Bully par THE JALOPY FIVE  ⁃ 
 ⁃ Gotta Wait par The Game ⁃ 
 ⁃ Come On Up par KAMA DEL SUTRA  ⁃ 
 ⁃ I Think We're Alone Now par Tommy James & The Shondells ⁃ 
 ⁃ Hog par THE GROUPIES ⁃ 
 ⁃ Look for Me Baby par The Kinks ⁃ 
 ⁃ I'm a Believer par The Monkees ⁃ 
 ⁃ Dead End Street par The Kinks ⁃ 
 ⁃ The Witch par The Rattles ⁃ 
 ⁃ Gotta Get the First Plane Home par The Kinks ⁃ 
 ⁃ Louie Louie par SIMBA ⁃ 
 ⁃ Too Bad You Don't Want Me par Chris Andrews ⁃ 
 ⁃ Midnight To Six Man par The Pretty Things ⁃ 
 ⁃ 66 5 4 3 2 1 par The Troggs ⁃ 
 ⁃ You Really Got Me par The Kinks ⁃ 
 ⁃ Thirteen Women par The Renegades ⁃ 
 ⁃ Gotta Get Away par The Blues Magoos ⁃ 
 ⁃ Shake par SHADOWS OF KNIGHT ⁃ 
 ⁃ Psyché rock par LES YPER SOUND (Pierre Henry et Michel Colombier)  ⁃ 
 ⁃ Slip Knot par Doug Johnson & the Outlaws  ⁃ 
 ⁃ Happy Times par The Box Tops ⁃ 
 ⁃ Nothin' par The Ugly Ducklings ⁃ 
 ⁃ Dimples par The Del-Rays ⁃ 
 ⁃ No Friend of Mine par THE SPARKLES ⁃ 
 ⁃ Garden of My Mind par The Mickey Finn ⁃ 
 ⁃ Complication par The Monks ⁃ 
 ⁃ Dirty Water par The Standells ⁃ 
 ⁃ Venus par Shocking Blue ⁃ 
 ⁃ Talk Talk par The Music Machine ⁃ 
 ⁃ I Don't Care par The Dirty Shames ⁃ 
 ⁃ 96 Tears par ? and The Mysterians ⁃ 
 ⁃ Soul on Ice par Fire ⁃ 
 ⁃ Bringing Home the Bacon par Queen Eve & the Kings ⁃ 
 ⁃ Do You Believe In Magic par The Lovin' Spoonful ⁃ 
 ⁃ Happy Feet par Robert Parker ⁃ 
 ⁃ I Gotta Go Now par Rex Garvin ⁃ 
 ⁃ The Nitty Gritty par Gladys Knight & The Pipsb ⁃ 
 ⁃ QI Hang Up (Part 1) par Warm Excursion ⁃ 
 ⁃ Highway Blues par Little Daddy Walton and Sons ⁃ 
 ⁃ Soul Food par Lonnie Youngblood (& Jimi Hendrix) ⁃ 
 ⁃ I Want Love And Affection (Not The House Of Corrections) par Nathaniel Mayer ⁃ 
 ⁃ B W SOULS par MARVINS GROOVE  ⁃ 
 ⁃ Tell Me What You're Gonna Do par James Brown ⁃ 
 ⁃ Hang Up (Part 2) par Warm Excursion ⁃ 
 ⁃ Little Flea par Prince Buster & The Maytals ⁃ 
 ⁃  Police & Thieves par Junior Murvin ⁃ 
 ⁃  Respect par Norma Fraser ⁃ 
 ⁃ Too Much Too Young par The Specials ⁃ 
 ⁃ Lip Up Fatty par Bad Manners ⁃ 
 ⁃ Ska-Ba par THE SKATALITES ⁃ 
 ⁃ Behold I Come par B. KALPHAT    ⁃ 
 ⁃ Wreck a Pum Pum par LORD CREATOR ⁃ 
 ⁃ Toot Last Train to Sla’Ville par MIXED BLOOD ⁃ 
 ⁃ A Message to You Rudy par THE SPECIALS  ⁃ 
 ⁃ Cool It par BILL CAMPBELL  ⁃ 
 ⁃ He’ll Provide par The Maytals ⁃ 
 ⁃ Express Yourself par Leroy Sibbles  ⁃ 
 ⁃ Feeling Soul par BOB ANDY ⁃ 
 ⁃ Rub Up Push Up par Termites  ⁃ 
 ⁃ Nanny Goat par Larry Marshall ⁃ 
 ⁃ Pain in My Belly par Prince Buster & The Maytals ⁃ 
 ⁃   -    I Can't Explain It par The McCoys ⁃ Sugar Sugar par The Archies ⁃ 
 ⁃ Peace of Mind par Count Five ⁃ 
 ⁃ Brown Eyed Handsome Man par John Hammond, Jr. ⁃ 
 ⁃ What You Gonna Do? par Brian Auger ⁃ 
 ⁃ Come On Baby (Raw Crude Teen Beat) par Al's Untouchables ⁃ 
 ⁃ Mercy, Mercy Baby par Ray Barretto ⁃ 
 ⁃ Funky Street par Arthur Conley ⁃ 
 ⁃ Happy Feet par DAVE ´BABY’ CORTEZ  ⁃ 
 ⁃ Beware of the Dog par Georgie Fame ⁃ 
 ⁃ Gonna Give It to You par PIC AND BILL ⁃ 
 ⁃ You Ain’t Nothing But a Devil par JIMMY McCRACKLIN  ⁃ 
 ⁃ Woo Hoo par TWANGY  ⁃ 
 ⁃ Mony Mony par Tommy James & The Shondells ⁃ 
 ⁃ Tiger par Brian Auger ⁃ 
 ⁃ Sookie par BOVIC (& L'Orchestre African Fiesta) ⁃ 
 ⁃ The Trip par Kim Fowley ⁃ 
 ⁃ Baby Under My Skin par Oscar & The Majestics ⁃ 
 ⁃ Pushin' Too Hard par The Seeds ⁃ 
 ⁃ Shakin' All Over par Johnny Kidd & The Pirates ⁃ 
 ⁃ Whole Lotta Woman par Johnny Kidd & The Pirates ⁃ 
 ⁃ Progress par The Pretty Things ⁃ 
 ⁃ I Get So Excited par The Equals ⁃ 
 ⁃ By My Side par The Elois ⁃ 
 ⁃ Yo Grito par Los Sirex ⁃ 
 ⁃ Getaway par Georgie Fame & The Blue Flames ⁃ 
 ⁃ Inside Looking Out par The Animals ⁃ 
 ⁃ Wild Thing par The Troggs ⁃ 
 ⁃ Commotion par Creedence Clearwater Revival ⁃ 
 ⁃ Baby Jane (Mo Mo Jane) par Mitch Ryder & The Detroit Wheels ⁃ 
 ⁃ The Kangaroo par The Panics ⁃ 
 ⁃ It's One Thing to Say par The Riddles ⁃ 
 ⁃ The Memphis Train par Rufus Thomas ⁃ 
 ⁃ Break It Up par Julie Driscoll & Brian Auger & The Trinity ⁃ 
 ⁃ Take It Off par Groundhog ⁃ 
 ⁃ Peter Gunn par Duane Eddy ⁃ 
 ⁃ (fin)1ere Gnossienne d’ERIK SATIE par CLAUDE HELFFER