#Condé Nast Building

[rabbitcruiser]

The Longacre Square in Midtown Manhattan was renamed Times Square after The New York Times on April 8, 1904.

[eirene]

Models wear a variety of hats on the roof of the Condé Nast building on Lexington Avenue, New York City.

American Vogue, October 15, 1949.

Photographer: Norman Parkinson

[indiaalphawhiskey]

🌶️ 'Cause I wrote today Snippet

“Permission to continue, Captain?” Louis asked, sarcastically, to which Harry stuck out his tongue. Good enough, he thought. “All I’m saying is, I really don’t think we need to sell it. I mean, for all anyone here knows, we’ve been together thirty years and are in a sexless marriage on the brink of divorce.”

Harry’s scoff was loud and deeply offended. “Okay, first of all,” he argued, gesturing between them, “look at us. We’d never be in a sexless anything—”

And, okay, Louis thought, tipping his head back and forth, fair enough. 

“—and second,” Harry continued without missing a beat, “this is serious, Lou. Mrs. Riaz went all out. I mean, the villa alone is five thousand—”

“What, like, per week?”

Harry looked at him like he couldn’t possibly be serious. “Per night.”

Louis felt like he’d been punched in the stomach, the air flying straight out of his lungs as his eyes bulged out of his head. “Five thousand pounds?” he choked out, feeling his vertigo kicking in. 

“No. Butterflies,” Harry deadpanned, completely unhelpful. He threw up a hand, exasperated. “Yes, pounds.”

“Jesus Christ, Harry,” Louis hissed, panicked and barely above a whisper now, “what the hell did you and Noah do for this place? Build it from the ground?!”

“No, but,” Harry started to explain quickly, “the Kardashians stayed at their competitors’ property last summer, so their sales dipped massively. They didn’t think hiring celebutantes was on brand, so I pitched a twelve-photo spread and negotiated the earliest spot possible in Condé Nast. Then, I just squeezed them into my schedule at the last minute, and it worked.” 

He waved off the story like it wasn’t massively impressive, but Louis would beg to disagree. Despite his mini heart attack, he could feel the smile tugging at the corner of his mouth as he remembered all the odd (and frankly, back breaking) photography gigs Harry had taken with gusto in the early years, to help them make ends meet – everything from children’s parties, to school photos, to low-budget proms; weekends spent setting up lights, and carrying equipment back and forth as a runner for barely-middle-tier photographers who wouldn’t even let him touch a camera. 

And now… now, Harry had flown the world thrice-over, his name printed in the byline of every travel and lifestyle magazine worth reading, had enough pull to his name that he could drop a last-minute photo spread on the lap of Condé Nast and they’d be willing to ‘negotiate’, was apparently gifted £100,000 luxury hotel holidays and yet, when pressed, still thought the very best part of his entire career was that their son actually wanted to do it with him.

Discreetly, Louis pressed his lips together, fighting the full force of his grin and pushing back the flicker of pride that had begun to heat the bottom of his belly, in favor of tuning back into what Harry was saying.

“…and Noah even managed to get the proofs to layout in less than thirty-six hours. Plus,” Harry excused, his tone filled with genuine humility, “Mrs. Riaz is an heiress, so her concept of outrageously expensive is…” he gestured vaguely in the air, “a little different.”

Louis snorted. “Understatement, much?”

Harry ignored him. “Anyway, the point is,” he said, even quieter now, his gaze serious and unwavering as they walked into the shade of the main lobby, “unless you left the UK wondering how you were gonna blow a spare fifty grand, we actually do, absolutely, have to sell this.”

Clutching a hand to his heart, Louis’ jaw dropped theatrically in faux-offense. “Harry Styles,” he chastised in a scandalized whisper, “are you actually making me go halfsies on our thirtieth anniversary? Psh.” His head recoiled on his neck. “Kind of a dick move, dude,” he joked.

“I mean,” Harry chuckled, shrugging sheepishly as he shook his head. He pulled the door to the bar open and motioned for Louis to go ahead. But just as Louis stepped in front of him, fully intending to make a quip about how gallantly opening a door for him wasn’t going to make up for Harry being a cheap date, Harry smirked and leaned in close. His breath was warm, just skating the shell of Louis’ ear as he whispered, “Not if you were planning to put out.”

😏 More from the GAPT AU

For this anon. Sorry it took so long! I hope you see it!

[hometoursandotherstuff]

Small lofted condo is one of 4 units in this converted industrial building in San Diego, California.

From the front door you can see the one bedroom in the loft above. 

Amazing high ceiling, rusty windows and cinderblock walls, with cement floors. 

It looks as if there could be a dining area next to the living room.

Small kitchen has room for a table & chairs. 

The sink is outside the compact bathroom. 

The toilet faces a shower.

Up in the loft is a sitting area. 

The bedroom is behind the sitting area, and I bet you can make another bedroom where the sitting area is.

Access to a small patio.

The patio is tiny, but private.

Condé Nast Traveler, July 2021

[dweemeister]

January 30, 2024

By Paul Farhi

(The Atlantic) -- For a few hours last Tuesday, the entire news business seemed to be collapsing all at once. Journalists at Time magazine and National Geographic announced that they had been laid off. Unionized employees at magazines owned by Condé Nast staged a one-day strike to protest imminent cuts. By far the grimmest news was from the Los Angeles Times, the biggest newspaper west of the Washington, D.C., area. After weeks of rumors, the paper announced that it was cutting 115 people, more than 20 percent of its newsroom.

The Times was once a pillar of the American media establishment, celebrated in David Halberstam’s classic media study, The Powers That Be. Now it has become a national exemplar of what the journalist Margaret Sullivan calls the “ghosting” of the news—the gradual withering of news-gathering muscle as once-proud publications become shadows of their old selves. The biotech billionaire Patrick Soon-Shiong looked like a savior when he bought the Times from its cost-cutting corporate parent in 2018. For a few years, he was; Soon-Shiong invested about $1 billion, by his count, to build up the depleted organization. But he turned out to have his limits. Facing mounting losses, in June last year the Times dropped 74 people from its newsroom. Last week’s even bigger blow was foreshadowed by managerial turmoil: Three top editors, including the executive editor Kevin Merida, resigned just before the news came down. “I won’t fault him for being unwilling to write checks,” Matt Pearce, a Times reporter who is head of the newspaper’s union, told me, referring to Soon-Shiong. But, he added, “we don’t seem to have a clear theory of the case as a business. We need to execute on a strategy. And we don’t have one.” (Soon-Shiong declined to comment for this article.)

The decline of the legacy news media has been playing out for decades, exacerbated most recently by the advent of the internet and the explosion of digital platforms, especially the ad-revenue-gobbling tech giants Google and Meta. Even when the ad-supported model of journalism still worked, the history of American media was punctuated by periods of dramatic expansion and contraction, often coinciding with the arrival of new technologies. The latest round of cuts, however, represents a grim new milestone. The Washington Post, NBC News, ABC News, NPR, Vice, Vox, and BuzzFeed, among others, have shed hundreds of journalists over the past year. (Disclosure: I’m one of them. In December, I took a buyout from The Washington Post.)No corner of national media seems unaffected. Even Condé Nast’s The New Yorker magazine, heretofore seemingly impervious, announced a numerically insignificant but symbolically freighted staff cut in December. All told, job losses among print-, digital-, and broadcast-news organizations grew by nearly 50 percent during 2023, according to the consulting firm Challenger, Gray & Christmas.

[esotericahysterica]

To help her calm down, Gritty offered Diane her choice of Vanity Fair magazines from his 1996 collection. He had a great deal of sympathy for his sister. She was basically a volunteer halfling in a world of compulsory giants. His niece and nephew kept asking why he had a pillow case full of tennis balls.

“It’s because I have a pillow fight at 4:30 with the Houston Orbit,” Gritty admitted. “And while I hesitate to disgrace our family with blatancy in a corked pillow-duel, I also refuse to join the 27 club by ignoring Grandpa’s adage: ‘Never bring down-feathers to a broken ashtray fight!’”

Two years ago, a pair of tennis balls had padded Grandpa’s walker from scratching the hardwood floors. Gritty reflected on tennis as one of only two sports in which the balls became more widespread than the activity itself. The other, he figured, was probably hunting.

“Take care of your Mom this weekend. If she gets arrested at the Condé Nast building, skype the Phanatic for some water-ice money and empty the drier-lint into Mrs. Caldwell’s mailbox—she’s working on a tapestry of the Bristol latex spill.” [To Be Continued…]

[marattsirelson]

The Durst Organization Sets its Sights Outside of New York City

The Durst Organization Sets its Sights Outside of New York City https://ift.tt/AlFRXgC Many real estate professionals have at least some familiarity with The Durst Organization. The organization is one of the oldest and perhaps most successful family-run commercial and residential real estate firms in New York City. Founded in 1915, the company is owned and operated by the third generation of the Durst family, and Forbes magazine estimates the family’s fortune is $8.1 billion. The family-run real estate empire owns, manages, and operates a 13 million-square-foot office portfolio in NYC, along with nearly 3,500 residential rental units. There’s much more to the Durst family than the infamous Robert Durst, who quit the family business in 1992 after Seymour (who died in 1995) picked Douglas, the current chairman, to run the company. The Durst Organization’s business model since the 1950s has been based on assembling building sites, completing them, and owning them. And they own some excellent trophy buildings in New York City.  The Condé Nast building at 4 Times Square was finished in 2000 and is one of the organization’s development projects that remains in its portfolio. Another high-profile project is One Bryant Park, also known as the Bank of America Tower, which was finished in 2010 and is now home to the company’s headquarters. But the Durst Organization’s most significant project in recent memory is One World Trade Center, which it developed along with the Port Authority of New York and New Jersey. Rags to riches The founding of the Durst real estate empire is also a classic rags-to-riches American immigrant story. The post The Durst Organization Sets its Sights Outside of New York City appeared first on Propmodo. via Real Estate Archives - Propmodo https://ift.tt/yFmIVe4 September 01, 2022 at 03:55PM

[gibsonnicholson51]

Utilizing 7 Casino Strategies Like The professionals

Spiegelworld often known as Vegas Nocturne, which featured quite a lot of performers. Lie. debuted Opium, a sci-fi comedy selection present by Spiegelworld. Rose. Rabbit. autoplayvipslot.com . closed in January 2021, on account of a lower in business introduced on by the COVID-19 pandemic. In January 2013, plans had been introduced for the brand new Chelsea theater, to be in-built space that been vacant since the resort's opening. Firms affiliated with Jason Giambi had invested in Wasted Space and Uncommon 120, and the companies filed a lawsuit in 2012, in opposition to Morgans Resort Group, Credit Suisse, Brookfield, and Warner Gaming. Following the Gaming Act 1845, the only playing allowed within the United Kingdom was at race tracks.

The division was absorbed into the UFC following this occasion. Opium additionally closed because of the pandemic, however returned in September 2021. Superfrico, an Italian restaurant with a menu by chef Anthony Falco, was simultaneously opened by Spiegelworld to accompany the present. The area had always been intended for a theater, though such plans had been delayed due to the resort's financing issues throughout building. In 2011, Condé Nast Traveler named the Cosmopolitan to its Scorching Listing of 124 hotels, writing that the resort, regardless of "fulfilling the formulation of any glitzy, behemoth Vegas casino-hotel, manages to feel each distinctive and intimate. The latter is due in part to the hotel's verticality, which spreads the general public areas over three floors instead of one".

In 2012, the Cosmopolitan was deemed "North America's Greatest Hotel" by Gogobot. Later that 12 months, Fodor's named it among the many a hundred finest accommodations on the planet, praising its design, technological innovation and customer support. So, his "codename" was 007, and he performed espionage and counterespionage actions within the Queen's service. On the Cell World Congress in 2016, Lenovo launched Lenovo Connect, a wireless roaming service. In 2017, the resort launched a digital concierge named Rose, designed to help guests and supply recommendations about amenities. Resort and present officials struggled to outline Vegas Nocturne, and guests typically confused it with Rose.

[mcleanennis02]

The Importance Of Casino

One exception exists in Crown Casino for any player with a VIP loyalty card: they can still insert $one hundred notes and use an autoplay characteristic (whereby the machine will robotically play till credit score is exhausted or the participant intervenes). Are you searching for an unforgettable casino expertise that will keep you on the edge of your seat? Once you are snug you may move on to a extra sophisticated sport, Roulette. The loyalty program remains to be in use at present and represents more than $a hundred million awarded to customers annually. Benston, Liz (April 6, 2005). "Hyatt to handle Cosmopolitan lodge". Benston, Liz (March 11, 2005). "Improvement of resort-condo marks investor's first foray into Las Vegas".

Stutz, Howard (October 26, 2005). "Cosmo says whats up: Guests see model of condo-hotel". Stutz, Howard (April 7, 2005). "Hyatt gets first presence on Strip with condo challenge". Bergen, Kathy (April 7, 2005). "Hyatt to operate Las Vegas resort-casino". Las Vegas Solar. April 14, 2004 - by way of NewsBank. Las Vegas Solar. November 22, 2004 - through NewsBank. Green, Steve (March 22, 2010). "Cosmopolitan resort will get new title in settlement of trademark swimsuit". The resort was additionally named to Condé Nast Traveler's 2015 Gold Listing as the most effective resorts on the earth. The Cosmopolitan was the setting for the fourth season of the truth competition sequence Top Chef Masters, aired in 2012. sco88casino.com lived at the resort and competed at its eating places.

The Cosmopolitan is a predominant location within the music video for The Killers' 2013 music "Shot at the Evening". Patel planned to build a timeshare tower on the location, in partnership with an unidentified main casino company, however the plan was scrapped when the associate pulled out. The very first deposit bonus could be cleared out by enjoying Pai Gow Poker. Lara Croft has achieved popularity with each males and females as an motion heroine, although depending on what perspective is utilized she can either signify 'a constructive role model for younger women' or a 'combination of eye and thumb sweet for the boys'.

[forcesmajor]

𝗡𝗮𝘁𝗵𝗮𝗻𝗶𝗲𝗹 𝗖𝗼𝗽𝗽𝗼𝗹𝗮

Condé Nast's Fashion Journalist for Vogue America

Biography

Name: Nathaniel Stein—Coppola

Age: 47 Years Old

Place of Birth: Sicily

Status: Divorced

Nationality: German and English

Current city: New York, United States

Occupation: Fashion Journalist

Backstory

Nathaniel Stein-Coppola, a writing prodigy with German, English, and Jewish heritage, faced horrible challenges transitioning from adolescence to adulthood. This is especially true after losing his greatest inspiration—his mother Abigail Stein, a German woman who nurtured his literary talent. 

After this devastating loss at 18, Nathaniel and his father decided to start fresh by immigrating to America. His diligent railway technician father found work in Texas, while Nathaniel pursued an Ivy League education on the East Coast. Their once-close bond faded as his father found new love with Veronica, a Native Indian woman with two daughters. Having long embraced self-reliance, Nathaniel took their separation in stride, seeing it as a step toward greater independence in his adopted homeland.

By 23, Nathaniel was not only writing for campus and local publications to build his portfolio – he excelled as a virtuoso wordsmith. Soon he co-founded a prestigious New York writer’s club, guiding them to regional, national, and international literary victories. Over two years his star rose meteoric.

Nathaniel’s brilliant works, brimming with astonishing wordplay, earned features in The New Yorker. High-profile magazines recruited him as a lifestyle and global affairs journalist. Yet his fascination with fashion led him to focus on that glamorous industry as his foremost literary canvas. Through it all, Nathaniel’s gift for evocative phrasing and keen insights shone, reflecting a rich, colorful life journey.

Personality

Nathaniel exhibits no shortage of grit. Enduring the devastating loss of his mother while still a teenager could have emotionally paralyzed some. Yet he found resilience in the ashes of mourning—embracing the chance to reinvent himself in a new land. His adaptability became a muscle, not just helping him survive change and loss - but come out the other side stronger.

That grit pairs with intense drive and ambition. Rather than merely take refuge in academia, Nathaniel charged ahead toward literary excellence. Co-founding a writers club and spurring them onto to national awards speaks to discipline and determination rarely seen in one so young. He was hungry for achievement and willing to work tirelessly for it.

Of course, all that ambition would only go so far without creativity lighting the way. What inklings of talent Nathaniel possessed, his mother Abigail expertly nurtured before her untimely death. He honored her gifts by not only harnessing imagination - but fusing it with insight to pen articles earning professional accolades while still a student. His creative finesse only sharpened with time and experience.

However, what truly defines Nathaniel is the courage to stay true to his own compass. Lesser prospects and pay beckoned within prestigious newsrooms—yet he unapologetically pursued his passion for fashion instead. Like the couture designs he wrote lovingly about, Nathaniel crafted a life befitting his sense of beauty and glittering individuality. His self-knowledge provided clarity few achieve in a longer lifetime.

[archiveinseam]

About Archive Inseam

Hello, my name is Jay! I'm an 18 year old student from Perth, Western Australia.

Archive Inseam is a passion project, turned informational web presence centered around archive designer fashion.

The reasons for Archive Inseam are two-fold, the first being practice. Archive Inseam allows me a space to practice content creation and building a community of people with similar interests on different social media platforms. It also gives me an excuse to learn more about my favourite art form!

The second reason for this web presence is to act as a portfolio, to demonstrate my skill and understanding about fashion and graphic design. In the future, I hope Archive Inseam can be used to land a job or contribute to enrolling into a fashion degree.

Archive Inseam isn't constrained to just Tumblr, you can follow me on Instagram, Twitter and YouTube by clicking my linktree below.

Thankyou for dropping by (:

Credit to Condé Nast Archive for runway images.

[awesomeforever]

Front page layout Site theme Scharon Harding - Dec 29, 2022 12:30 pm UTC In a world of shiny clamshells and showy convertibles, laptop releases can feel repetitive. Some of the most successful, well-known designs don't always see massive overhauls from one year to the next. Stick in the latest CPUs or GPUs, maybe claim a slightly cooler build, and call it a day (or year). After all, if it ain't broke, don't fix it, right? The problem with that is, well, it gets boring. And for technology enthusiasts interested in developments that could change how we work, play, repair, and upgrade, it's imperative that PC makers be willing to take risks. The laptops below all tried something more adventurous than a components upgrade in 2022. We'll break down the groundbreaking designs, ideas, and capabilities these systems seek to deliver—and whether or not the risks they took paid off. Premium laptop shoppers are increasingly seeking screens with taller aspect ratios. But Lenovo took things in the opposite direction with its ThinkBook Plus Gen 3, a clamshell with a 17.3-inch, 21:10 primary display. Going even further, Lenovo didn't let the extra-long deck that the display creates—16.3 inches long—go to waste. Instead, Lenovo popped a secondary, 800×1280 LCD next to the keyboard to create a laptop it claims is uniquely designed for multitasking. We haven't seen an ultrawide laptop since 2017's Acer Predator 21 X curved-screen gaming PC. Acer's laptop focused on boosting immersion for gamers by making games appear to wrap around them more than a flat-screen laptop. The 2022 ThinkBook, however, targets its stretched screen at workers obsessed with multitasking. The ThinkBook Plus Gen 3's smaller screen lets users do things like show thumbnails while working in Photoshop, use a calculator, and take notes. It's reminiscent of the ScreenPads that Asus has been using for a while in its touchpads and north of some laptops' keyboards but less advanced. The ThinkBook Plus Gen 3 is a fascinating exploration of the clamshell design that brought variety to laptop selection in 2022. Lenovo didn't expect everyone to want this laptop or to ignite a wave of ultrawide laptops usurping 16:9 and 16:10 rivals. Since Gen 1, Lenovo's ThinkBook Plus laptops have been about offering PCs with features that push the envelope and provide over-the-top features that most could live without. But for the right user, the ThinkBook Plus Gen 3 presents a favorable way to work and organize multiple windows. It also challenges other companies to create designs that aren't just striking but aim for distinct value. We'd like to see Lenovo play with the ultrawide PC's ergonomics. Since it's so long, it can be hard to balance on a lap. We haven't tried the machine but worry about our right hand accidentally brushing against the deck's screen when typing or using the touchpad. The ThinkBook Plus Gen 3 isn't a lefty-friendly design either. But Lenovo has revived the idea of ultrawide laptops while bringing a new multiscreen option to users, presenting greater choice when it comes to balancing tasks. Join the Ars Orbital Transmission mailing list to get weekly updates delivered to your inbox. CNMN Collection WIRED Media Group © 2023 Condé Nast. All rights reserved. Use of and/or registration on any portion of this site constitutes acceptance of our User Agreement (updated 1/1/20) and Privacy Policy and Cookie Statement (updated 1/1/20) and Ars Technica Addendum (effective 8/21/2018). Ars may earn compensation on sales from links on this site. Read our affiliate link policy. Your California Privacy Rights | Do Not Sell My Personal Information The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. Ad Choices source

[subtlesolitude-tailoredtaste]

Art21 proudly presents an artist segment, featuring Theaster Gates, from the "Chicago" episode in the ninth season of the "Art in the Twenty-First Century" series.

"Chicago " premiered in September 2016 on PBS. Watch now on PBS and the PBS Video app: https://www.pbs.org/video/art-21-chic...

Theaster Gates first encountered creativity in the music of Black churches on his journey to becoming an urban planner, potter, and artist. Gates creates sculptures out of clay, tar, and renovated buildings, transforming the raw material of the South Side into radically reimagined vessels of opportunity for the community.

Establishing a virtuous circle between fine art and social progress, Gates strips dilapidated buildings of their components, transforming those elements into sculptures that act as bonds or investments, the proceeds of which are used to finance the rehabilitation of entire city blocks. Many of the artist’s works evoke his African-American identity and the broader struggle for civil rights, from sculptures incorporating fire hoses, to events organized around soul food, and choral performances by the experimental musical ensemble Black Monks of Mississippi, led by Gates himself.

Learn more about the artists at:

https://art21.org/artist/theaster-gates/

CREDITS | Executive Producer: Eve Moros Ortega. Host: Claire Danes. Director: Stanley Nelson. Producer & Production Manager: Nick Ravich. Editor: Aljernon Tunsil. Art21 Executive Director: Tina Kukielski. Curator: Wesley Miller. Associate Producer: Ian Forster. Structure Consultant: Véronique Bernard. Director of Photography: Keith Walker. Additional Photography: Don Argott, Brian Ashby, Steve Delahoyde, Jeremy Dulac, Damon Hennessey, Sam Henriques, Ben Kolak, Christoph Lerch, Stephan Mazurek, Andrew Miller, Christopher Morrison, Leslie Morrison, Murat Ötünç, Logan Siegel, Stephen Smith, & Jamin Townsley. Assistant Camera: Kyle Adcock, Joe Buhnerkempe, Alex Klein, Ian McAvoy, Sean Prange, & Liz Sung. Sound: Sean Demers, Alex Inglizian, Hayden Jackson, İlkin Kitapçı, Joe Leo, Matt Mayer, John Murphy, Richard K. Pooler, & Grant Tye. Production Assistant: Hamid Bendaas, Emmanuel Camacho, Chad Fisher, Elliot Rosen, Stanley Sievers, Chris Thurston, & Steven Walsh.

Title/Motion Design: Afternoon Inc. Composer: Joel Pickard. Online Editor: Don Wyllie. Re-Recording Mix: Tony Pipitone. Sound Edit: Neil Cedar & Jay Fisher. Artwork Animation: Anita H.M. Yu. Assistant Editor: Maria Habib, Leana Siochi, Christina Stiles, & Bahron Thomas.

Host Introduction | Creative Consultant: Tucker Gates. Director of Photography: Pete Konczal. Second Camera: Jon Cooper. Key Grip: Chris Wiesehahn. Gaffer: Jesse Newton. First Assistant Camera: Sara Boardman & Shane Duckworth. Sound: James Tate. Set Dresser: Jess Coles. Hair: Peter Butler. Makeup: Matin. Production Assistant: Agatha Lewandowski & Melanie McLean. Editor: Ilya Chaiken.

Artworks Courtesy of: Nick Cave; Theaster Gates; Barbara Kasten; Chris Ware; BAM Hamm Archives; Bortolami Gallery; Cranbrook Art Museum; Margaret Jenkins Dance Company; The New Yorker magazine and Condé Nast; James Prinz Photography; Jack Shainman Gallery; Sara Linnie Slocum; Chris Strong Photography; & White Cube. Acquired Photography: Sara Pooley; The Art Channel/Bobbin Productions; & University Art Museum, California State University Long Beach.

Special Thanks: The Art21 Board of Trustees; 900/910 Lake Shore Drive Condominium Association; Michael Aglion; Ellen Hartwell Alderman; Adam Baumgold Gallery; Naomi Beckwith; Biba Bell; Stefania Bortolami; Kate Bowen; Pat Casteel; Chicago Embassy Church; Coachman Antique Mall; Maria J. Coltharp; John Corbett; Department of Theatre & Dance, Wayne State University; Detroit School of Arts; Christina Faist; Bob Faust; Martina Feurstein; Julie Fracker; William Gill; Graham Foundation; Jen Grygiel; Sarah Herda; Jennon Bell Hoffmann; Sheree Hovsepian; Institute of Contemporary Art at the University of Pennsylvania; Istanbul Biennial; Nicola Jeffs; Jenette Kahn; Jill Katz; Alex Klein; Kunsthaus Bregenz; Jon Lowe; Sheila Lynch; Mana Contemporary Chicago; Christine Messineo; Laura Mott; Deborah Payne; Bishop Ed Peecher; Lisa Pooler; Rebuild Foundation; Diana Salier; Tim Samuelson; Amy Schachman; Zeynep Seyhun; Keith Shapiro; Alexandra Small; Jacqueline Stewart; Hamza Walker; Clara Ware; Marnie Ware; & Steve Wylie.

Additional Art21 Staff: Maggie Albert; Lindsey Davis; Joe Fusaro; Jessica Hamlin; Jonathan Munar; Bruno Nouril; Pauline Noyes; Kerri Schlottman; & Diane Vivona.

Public Relations: Cultural Counsel. Station Relations: De Shields Associates, Inc. Legal Counsel: Albert Gottesman.

Dedicated To: Susan Sollins, Art21 Founder.

Major support for Season 8 is provided by National Endowment for the Arts, PBS, Lambent Foundation, Agnes Gund, The Andy Warhol Foundation for the Visual Arts, and The Anna-Maria and Stephen Kellen Foundation.

©2016 Art21, Inc.

[josephfebin]

Practice 1: Update 1

Illustrated the characters and poses for each frames. Pose referencing is needed for this and this 3D character pose referencing site PoseMy.Art helped me for the action angles and animation reference.  Even though poses referred town looks like in animated films. In search of this watched some of the famous animated films. Luca is the one of the movie that helped and inspired. Luca is an animated film by Pixar studio. Story of two sea monsters ‘Luca’ and his friend Alberto who helps him to come out to land from sea. This movie has some great examples of streets roads and some action samples. Watching it along my work time this give me inspiration and also action reference. The streets in ‘Luca’ are exceptional. Background and set planning are key things that adds depth and life to our animation. Most of the time perspective drawing helps in drawing background and street drawing. In ‘Luca’ we can see and explore through a fictional town in Italian Riviera. The town named ‘Pontorosso’, much similarly referred to Italian iconic Cinque Terre. we can read the city building story link below.

Bibliography Nast, C. (2021). How Disney and Pixar’s ‘Luca’ Built a Fictional Town Using the Best Parts of Cinque Terre. [online] Condé Nast Traveler. Available at: https://www.cntraveler.com/story/on-location-disney-pixars-luca [Accessed 1 Jan. 2023]. app.posemy.art. (n.d.). PoseMy.Art. [online] Available at: https://app.posemy.art/ [Accessed 1 Jan. 2023].

[sergelineisidore]

Good evening my people! I hope all is well with you. For those of you who have been following me on different outlets, you know that I am currently studying to receive my master's degree in Public Relations! I'm almost near the finishing line, and I'm so excited! This month's course was a Media relations course, and I've enjoyed every moment. Every assignment required critical, creative thinking and made me feel like I had an actual client for whom I was creating content. Amazing right?

Let's talk about the range of course topics. It covers all the fundamental needs of a media relations rep. Building relationships with journalists and key contacts, Sending outreach emails and measuring performance. Monitoring for content from journalists builds brand awareness, increasing credibility and authenticity, and most importantly, establishing relationships with prospective customers. In the short four weeks, there was a lot of information to take on, but it was worth it. 

My aspirations are to one day work for a magazine company. If you're asking me for a top 3, I would be glad to inform you! VOUGE is my first choice, but I'll settle for working for Condé Nast if they accept my talents. Elle would be my next pick & last but not least, Essence. This class has given me the talent to apply my knowledge personally and professionally. While going through the different assignments, I understood why media relations professionals need excellent communication and writing skills. I also understood the duties of a media relations job, which involve providing information and handling communications between a company, organization, individual, or agency and the media. My responsibilities may include responding to comments about your employer or client on social media, and I can honestly say that I am confident that I am fully equipped.

Nonetheless, while still learning myself during this mastery journey, I've learned that gaining more knowledge strengthens my confidence. Quality is repeatedly happening, which is necessary for journalists: self-confidence. One must be assertive and outgoing enough to interview and talk to people they have never met. And they need to be confident enough to explain complicated jargon in everyday, easy-to-understand language. My main takeaway from this course this month is to build a clear foundation and strategy for each client. 

Use storytelling skills, write to compel, and Find your people who can influence choosing the right components to complete the job. Understand who you're pitching. And lastly, always track and measure your efforts. 

Thank you all for keeping up with me! I will be in touch very soon. 

Sergeline Isidore