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#Corporate Emcee
sa-blogs04 · 5 months
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Anchoring Success : Corporate Event Anchors In Delhi
organizing a business gathering in Delhi? For all of your anchor needs, look no further! Our anchors for corporate events in Delhi are experts at holding people' attention, so your event will be a huge success. They will maintain the excitement level and the attention of the attendees the entire time with their attracting presence and outstanding communication skills. Whether it's a conference, team-building activity, or product launch, our anchors can modify their style to meet your unique needs. Their ability to introduce speakers and lead interactive sessions will allow them to smoothly manage the flow of your event. Count on our anchors to make a memorable impression on your guests and deliver an outstanding corporate event in Delhi. Get in touch with us now to reserve the ideal anchor for your upcoming event!
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wespeakglobal · 2 years
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(via Gugulethu Mfuphi | Conference Emcee | Event Host)
Gugulethu Mfuphi is an award-winning broadcaster and a well-versed orator with experience behind the microphone and addressing an audience.
Her skill, together with her sound grasp of financial markets, economic data, current affairs issues and the impact that these have on the business community,
Gugulethu makes her the perfect candidate to speak to industry analysts, political leaders and C-suite executives across the globe.
Her experience forms the basis of her tasks and responsibilities as a presenter on Kaya FM’s prime time, award-winning business show, Kaya Bizz and as a Senior Anchor on CNBC Africa.
Gugulethu Mfuphi She serves as a conference chair, panel discussion moderator and programme director at various industry gatherings which impact the investment and business community.
Gugulethu has gained a wealth of experience in South Africa’s media industry. With experience in print, television, radio and online media,
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shilil · 1 year
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Corporate Live Band and Emcee
Are you looking for a Corporate live band and emcee to make your event a memorable one? Look no further than Shili & Adi!
 ShiLi & Adi is a versatile and dynamic live band that has performed at a variety of events, including corporate galas, luxury weddings, and the F1 Singapore Grand Prix for four consecutive years. Their team of talented musicians and singers can perform a range of musical genres, from pop to jazz, and they even offer multilingual singing options in English, Mandarin, Cantonese, and Bahasa.
In addition to their impressive live band performances, ShiLi & Adi also offers professional emcee services for corporate events. Their team of experienced emcees can help to create a lively and engaging atmosphere for your event, ensuring that your guests are entertained and engaged throughout the entire program.
Whether you are looking for a virtual live band or a live band and emcee for an in-person event, ShiLi & Adi has got you covered. With their exceptional musical talent, engaging performances, and professional emcee services, they are sure to make your corporate event a success and leave a lasting impression on your guests.
Also, Shili is the owner of the most popular Live band and emcee provider company Merry Beeswith co-founder John Lye (The best musician and emcee provider in Singapore).
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In Short, Shili & Adi is the best corporate live band and emcee in Singapore for you and your corporate event. You can google it as well. You can check their socials and website for the more info about them. You can directly book them for your special day through the website and also, if you have time or want to enquire more about them you can read the blog as well for better understanding.
Website: www.shiliandadi.com
Blog: www.livebandandemcee.blogspot.com
YouTube: @shiliandadi8
Twitter: @ShiliAdi
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live101blogs · 3 months
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The Ultimate Guide to Hiring an Emcee for Wedding and Corporate Events
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When it comes to planning a memorable event, whether it’s your dream wedding or an important corporate gathering, the role of the emcee is pivotal. An emcee for wedding and corporate events ensures everything runs smoothly, engages the audience, and keeps the energy high. This guide will help you understand what to look for when hiring an emcee for these special occasions.
Understanding the Role of an Emcee
An emcee (Master of Ceremonies) is responsible for hosting the event, making announcements, introducing speakers or activities, and ensuring the event progresses according to the planned schedule. While the core responsibilities are similar, there are distinct differences between an emcee for wedding and an emcee for corporate event.
Emcee for Wedding:
Setting the Mood: The emcee for a wedding sets a celebratory and warm atmosphere, making sure guests feel welcomed and excited.
Personalization: They personalize their script to reflect the couple’s story, adding a unique touch to the event.
Coordination: They coordinate activities such as toasts, first dance, and cake cutting to ensure everything flows seamlessly.
Emcee for Corporate Event:
Professionalism: The emcee for a corporate event maintains a professional tone, aligning with the company’s image and objectives.
Engagement: They engage the audience with relevant content, often incorporating industry-specific knowledge.
Management: They manage the schedule, introduce speakers, and facilitate Q&A sessions, ensuring smooth transitions between segments.
Top Qualities to Look For
When hiring an emcee for wedding or corporate event, certain qualities are essential to ensure the success of your event.
Experience and Expertise:
Experience is crucial. An experienced emcee for wedding and corporate event understands how to handle diverse audiences and adapt to any situation that arises.
Charismatic Presence:
A charismatic emcee captivates the audience, keeping them entertained and engaged throughout the event.
Excellent Communication Skills:
Clear and confident communication is key. The emcee must articulate announcements and instructions effectively.
Flexibility and Adaptability:
The ability to adapt to changes and unexpected occurrences ensures the event continues smoothly without interruptions.
Strong Organizational Skills:
Keeping the event on track requires meticulous organizational skills. An organized emcee ensures all activities happen as planned.
Steps to Hiring the Perfect Emcee
Define Your Needs:
Determine whether you need an emcee for a wedding or a corporate event. This will guide your search and help you find someone with the right expertise.
Research and Shortlist:
Look for experienced emcees with positive reviews and testimonials. Shortlist candidates who have a proven track record in hosting similar events.
Interview Potential Emcees:
Conduct interviews to gauge their communication skills, charisma, and ability to handle your specific type of event.
Review Their Portfolio:
Ask for videos or recordings of past events they have hosted. This will give you an idea of their style and performance.
Discuss Your Event Details:
Share your event details, including the schedule, key activities, and any specific requests. Ensure they understand your vision and can execute it.
Check References:
Contact previous clients to get feedback on their experience. This can provide valuable insights into the emcee’s reliability and performance.
Finalize the Contract:
Once you’ve chosen the right emcee, finalize the contract, outlining their responsibilities, fees, and any other important details.
Benefits of Hiring a Professional Emcee
Hiring a professional emcee for wedding and corporate events offers numerous benefits:
Smooth Event Flow: They ensure the event progresses seamlessly, keeping everything on schedule.
Audience Engagement: A skilled emcee knows how to engage and entertain the audience, making the event enjoyable for everyone.
Reduced Stress: With a professional handling the announcements and coordination, you can focus on enjoying the event without worrying about the details.
Professionalism: For corporate events, an emcee adds a level of professionalism and credibility, enhancing the overall experience.
Conclusion
Whether you’re planning a wedding or a corporate event, the right emcee can make all the difference. An experienced emcee for wedding and corporate event brings a blend of charisma, professionalism, and adaptability, ensuring your event is memorable and successful. By following this ultimate guide, you can find the perfect emcee who aligns with your vision and delivers a flawless performance, making your event a standout occasion.
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itserviceinindia · 1 year
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Rock your party with energetic performances, infectious rhythms, Book Rock Band for live events, Book Rock Band for event, Book Rock Band for wedding and Hire Rock Band corporate events and powerful melodies from highly talented rock bands. Let AMC Artist Management Company connect you with the best rock band that can make your event truly captivating. Get in touch with us for more information and to book rock bands for events in Delhi, Noida and Gurgaon. https://amcpvtltd.com/book-rock-band
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recentupdates · 1 year
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Creating Unforgettable Moments: The Perfect Wedding DJ and MC in Connecticut
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Your wedding day is one of the most important days of your life, and you deserve to have every moment filled with joy, laughter, and unforgettable memories. When it comes to entertainment, hiring the perfect wedding DJ and MC in Connecticut can make all the difference. With their expertise in music selection, seamless transitions, and engaging announcements, they can turn an ordinary wedding reception into an extraordinary celebration. In this blog post, we will explore the key qualities to look for in a wedding DJ and MC and why they are essential for your big day.
Setting the Mood with Music
When it comes to creating the right atmosphere for your wedding reception, the music sets the tone. A skilled wedding DJ knows how to read the crowd and curate a playlist that appeals to guests of all ages and musical preferences. From romantic ballads for the first dance to energetic beats that keep everyone on the dance floor, they have an extensive repertoire to suit every moment of your special day.
Smooth Transitions and Seamless Flow
One of the hallmarks of a professional wedding DJ and MC is their ability to seamlessly transition between songs and maintain a smooth flow throughout the evening. With their expertise in beat matching and mixing, they can create a continuous musical experience that keeps the energy high and ensures that the dance floor is never empty. Their impeccable timing and attention to detail will make your reception feel like a perfectly orchestrated event.
Master of Ceremonies: Engaging and Entertaining
Beyond playing great music, a wedding DJ who doubles as an MC brings an extra level of entertainment to your celebration. They can make engaging announcements, introduce the wedding party, and keep the momentum going throughout the evening. Their charismatic presence and ability to connect with the crowd ensure that everyone feels involved and excited, making your wedding reception a memorable experience for all.
Personalization and Customization
Every couple is unique, and your wedding day should reflect your personal style and preferences. A top-notch wedding DJ and MC in Connecticut will take the time to understand your vision and incorporate it into their performance. Whether you have specific songs you want to be played or a special theme you want to showcase, they will work closely with you to create a personalized and unforgettable experience.
Creating Lasting Memories
Best wedding photographers in ct, and you want to create memories that will last a lifetime. The right wedding DJ and MC in Connecticut will go above and beyond to ensure that every moment is unforgettable. Their ability to interact with guests, create a vibrant atmosphere, and keep the energy alive will have everyone talking about your wedding for years to come. Their dedication to making your special day extraordinary is what sets them apart.
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When it comes to your wedding day, don't leave the entertainment to chance. Hire a professional wedding DJ and MC in Connecticut who will not only provide exceptional music but also create an experience that you and your guests will cherish forever. With their expertise, seamless transitions, engaging announcements, and personalized touch, they will elevate your wedding reception to new heights of excitement and enjoyment. Trust in their ability to create unforgettable moments and let them be the heartbeat of your celebration.
Source: https://www.blogger.com/blog/post/edit/1013635386166733675/4047923620577197631
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logicthink1rohit · 1 year
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Corporate Live Band and Emcee
Are you looking for a Corporate live band and emcee to make your event a memorable one? Look no further than Shili & Adi! ShiLi & Adi is a versatile and dynamic live band that has performed at a variety of events, including corporate galas, luxury weddings, and the F1 Singapore Grand Prix for four consecutive years. Their team of talented musicians and singers can perform a range of musical genres, from pop to jazz, and they even offer multilingual singing options in English, Mandarin, Cantonese, and Bahasa.
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merrybees213 · 1 year
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corporate live band and emcee
Are you looking for a Corporate live band and emcee to make your event a memorable one? Look no further than Shili & Adi! ShiLi & Adi is a versatile and dynamic live band that has performed at a variety of events, including corporate galas, luxury weddings, and the F1 Singapore Grand Prix for four consecutive years. Their team of talented musicians and singers can perform a range of musical genres, from pop to jazz, and they even offer multilingual singing options in English, Mandarin, Cantonese, and Bahasa.
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A profoundly stupid case about video game cheating could transform adblocking into a copyright infringement
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I'm coming to DEFCON! On Aug 9, I'm emceeing the EFF POKER TOURNAMENT (noon at the Horseshoe Poker Room), and appearing on the BRICKED AND ABANDONED panel (5PM, LVCC - L1 - HW1–11–01). On Aug 10, I'm giving a keynote called "DISENSHITTIFY OR DIE! How hackers can seize the means of computation and build a new, good internet that is hardened against our asshole bosses' insatiable horniness for enshittification" (noon, LVCC - L1 - HW1–11–01).
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Here's a weird consequence of our societal shift from capitalism (where riches come from profits) to feudalism (where riches come from rents): increasingly, your rights to your actual property (the physical stuff you own) are trumped by corporations' metaphorical "intellectual property" claims.
That's a lot to unpack! Let's start with a quick primer on profits and rents. Capitalists invest money in buying equipment, then they pay workers wages to use that equipment to produce goods and services. Profit is the sum a capitalist takes home from this arrangement: money made from paying workers to do productive things.
Now, rents: "rent" is the money a rentier makes by owning a "factor of production": something the capitalist needs in order to make profits. Capitalists risk their capital to get profits, but rents are heavily insulated from risk.
For example: a coffee shop owner buys espresso machines, hires baristas, and rents a storefront. If they do well, the landlord can raise their rent, denying them profits and increasing rents. But! If a great new cafe opens across the street and the coffee shop owner goes broke, the landlord is in great shape, because they now have a vacant storefront they can rent, and they can charge extra for a prime location across the street from the hottest new coffee shop in town.
The "moral philosophers" that today's self-described capitalists claim to worship – Adam Smith, David Ricardo – hated rents. For them, profits were the moral way to get rich, because when capitalists chase profits, they necessarily chase the production of things that people want.
When rentiers chase rents, they do so at the expense of profits. Every dollar a capitalist pays in rent – licenses for IP, rent for a building, etc – is a dollar that can't be extracted in profit, and then reinvested in the production of more goods and services that society desires.
The "free markets" of Adam Smith weren't free from regulation, they were free from rents.
The moral philosophers' hatred of rents was really a hatred of feudalism. The industrial revolution wasn't merely (or even primarily) the triumph of new machines: rather, it was the triumph of profits over rent. For the industrial revolution to succeed, the feudal arrangement had to end. Capitalism is incompatible with hereditary lords receiving guaranteed rents from hereditary serfs who are legally obliged to work for them. Capitalism triumphed over feudalism when the serfs were turned off of the land (becoming the "free labor" who went to work in the textile mills) and the land itself was given over to sheep grazing (providing the wool for those same mills).
But that doesn't mean that the industrial revolution invented profits. Profits were to be found in feudal societies, wherever a wealthy person increased their wealth by investing in machines and hiring workers to use them. The thing that made feudalism feudal was how conflicts between rents and profits cashed out. For so long as the legal system elevated the claims of rentiers over the claims of capitalists, the society was feudal. Once the legal system gave priority to profit over rent, it became capitalist.
Capitalists hate capitalism. The engine of capitalism is insecurity. The successful capitalist is like the fastest gun in the old west: there's always a young gun out there looking to "disrupt" their fortune with a new invention, product, or organizational strategy that "creatively destroys" the successful businesses of the day and replaces them with new ones:
https://locusmag.com/2024/03/cory-doctorow-capitalists-hate-capitalism/
That's a hard way to live, with your every success serving as a blinking KICK ME sign visible to every ambitious person in the world. Precarity makes people miserable and nuts:
https://pluralistic.net/2024/04/19/make-them-afraid/#fear-is-their-mind-killer
So capitalists universally aspire to become rentiers and investors seek out companies that have a plan to extract rent. This is why Warren Buffett is so priapatic for companies with "moats and walls" – legal privileges and market structures that protect the business from competition and disruption:
https://finance.yahoo.com/news/warren-buffett-explains-moat-principle-164442359.html
Feudal rents were mostly derived from land, but even in the feudal era, the king was known to reward loyal lickspittles with rents over ideas. The "patents royal" were the legally protected right to decide who could make or do certain things: for example, you might have a patent royal over the production of silver ribbon, and anyone who wanted to make a silver ribbon would have to pay for your permission. If you chose to grant that permission exclusively to one manufacturer, then no one else could make it, and you could charge a license fee to the manufacturer that accounted for nearly all their profit.
Today, rentiers are also interested in land. Bill Gates is the country's number one landowner, and in many towns, private equity landlords are snappinig up every single family home that hits the market and converting it to a badly maintained slum:
https://pluralistic.net/2024/05/22/koteswar-jay-gajavelli/#if-you-ever-go-to-houston
But the 21st Century's defining source of rent is "IP" – a controversial term that I use here to mean, "Any law or policy that allows a company to exert legal control over its competitors, critics and customers":
https://locusmag.com/2020/09/cory-doctorow-ip/
IP is in irreconcilable conflict with real property rights. Think of HP selling you a printer and wanting to decide which ink you use, or John Deere selling you a tractor and wanting to tell you who can fix it. Or, for that matter, Apple selling you a phone and dictating which software you are allowed to install on it.
Think of Unity, a company that makes tools for video-game makers, demanding a royalty from every game that is eventually sold, calling this "shared success":
https://pluralistic.net/2023/10/03/not-feeling-lucky/#fundamental-laws-of-economics
Every time one of these conflicts ends with IP's triumph over real property rights, that is a notch in favor of calling the world we live in now "technofeudalist" rather than "technocapitalist":
https://pluralistic.net/2023/09/28/cloudalists/#cloud-capital
Once you start to think of "IP" as "laws that let me control how other people use their real property," a lot of the seemingly incoherent fights over IP snap into place. This also goes a long way to explaining how otherwise sensible people can agree on expansions of IP to achieve some short-term goal, irrespective of the spillover harms from such a move. Hard cases make bad law, and hard IP cases make terrible law.
Five years ago, some anti-fascist counterdemonstrators hit on the clever idea of blaring top 40 music during neo-Nazi marches, on the theory that this would prevent Nazis from uploading videos of their marches to Youtube and other platforms, whose filters would block any footage that included copyrighted music:
https://memex.craphound.com/2019/07/23/clever-hack-that-will-end-badly-playing-copyrighted-music-during-nazis-rallies-so-they-cant-be-posted-to-youtube/
Thankfully, this didn't work, but not for lack of trying. And it might still work, if calls for beefing up video copyright filters are heeded. Cops all over the place are already blaring Taylor Swift songs and Disney tunes to prevent their interactions with the public from being uploaded:
https://pluralistic.net/2022/04/07/moral-hazard-of-filternets/#dmas
The same thinking that causes progressives to recklessly argue in favor of upload filters also causes them to demand that web scraping be treated as a copyright crime. They think they're creating a world where AI companies can't rip off their creation to train a model; they're actually creating a world where the Internet Archive can't capture JD Vance's embarrassing old podcast appearances or newspaper editorial boards' advocacy for positions they now recant:
https://pluralistic.net/2023/09/17/how-to-think-about-scraping/
It's not that Nazi marches are good, or that scraping can't be bad – it's just that advocating for the use of IP to address either is a cure that's not just worse than the disease – it's also not a cure.
A problem can be real, and still not be solvable with IP. I have enormous sympathy for gamers who rail against cheaters who use aftermarket hacks to improve their aim, see through buildings, or command other unfair advantages.
If you want to tell a stranger how they must configure their PC or console, IP ("any law that lets you control your competitors, critics or customers") is an obvious answer. But – as with other attempts to solve real problems with IP – this is a cure that is both worse than the disease, and also not a cure after all.
Back in 2002, Blizzard sued some hobbyists over a program called "bnetd." Bnetd was a program that provided a game-server you could connect to with the Blizzard games that you'd bought. It was created as an alternative to Battlenet, Blizzard's notoriously unreliable game-server software that left gamers frustrated and furious due to frequent outages:
https://www.eff.org/cases/blizzard-v-bnetd
To the public, Blizzard made several arguments against bnetd. They claimed that it encouraged piracy, because – unlike the official Battlenet servers – it didn't check whether the copies of Blizzard software that connected to it had a valid license key. Gamers didn't really care about that, but they did respond to another argument: that bnetd lacked the anti-cheat checking of Battlenet.
But that wasn't what Blizzard took to the court: in court, they argued that the hobbyists who made bnetd violated copyright law. Specifically, Section 1201 of the Digital Millennium Copyright Act, which bans "circumvention of access controls to copyrighted works." Basically, Blizzard argued that bnetd's authors violated the law because they used debuggers to examine the software they'd paid for, while it ran on their own computers, to figure out how to make a game server of their own.
Blizzard didn't sue bnetd's authors for pirating Blizzard software (they didn't – they'd paid for their copies). They didn't sue them for abetting other gamers' piracy. They certainly didn't sue them for making a cheat-friendly game-server.
Blizzard sued them for analyzing software they'd paid for, while it was running on their own computers.
Imagine if Walmart – one of the biggest book-retailers in America – had a policy that said that you could only shelve the books you bought at Walmart on shelves that you also bought at Walmart. Now imagine that Walmart successfully argued that measuring the books you bought from them and using those measurements to create your own compatible book-case violated their IP rights!
This is an outrageous triumph of IP rights over real property rights, and yet gamers vocally backed Blizzard in the early noughts, because gamers hate cheaters and because IP law is (correctly) understood as "the law that lets a company tell you how you can use your own real, physical property." Hard cases make bad law, hard IP cases make batshit law.
It's more than 20 years since bnetd, and cheating continues to serve as a Trojan horse to smuggle in batshit new IP laws. In Germany, Sony is suing the cheat-device maker Datel:
https://torrentfreak.com/sonys-ancient-lawsuit-vs-cheat-device-heads-in-right-direction-sonys-defeat-240705/
Sony argues that the Datel device – which rewrites the contents of a player's device's RAM, at the direction of that player – infringes copyright. Sony claims that the values that its programs write to your device's RAM chips are copyrighted works that it has created, and that altering that copyrighted work makes an unauthorized derivative work, which infringes its copyright.
Yes, this is batshit, and thankfully, Sony has been thwarted in court to date, but it is steaming ahead to the EU's highest court. If it succeeds, then it will open up every tool that modifies your computer at your direction to this kind of claim.
How bad can it be? Well, get this: the German publishing giant Axel Springer (owned by a monomaniacal Trumpist and Israel hardliner who has ordered journalists in his US news outlets to go easy on both) is suing Eyeo, makers of Adblock Plus, on the grounds that changing HTML to block an ad creates a "derivative work" of Axel Springer's web-pages:
https://torrentfreak.com/ad-blocking-infringes-copyright-ancient-sony-cheat-lawsuit-may-prove-pivotal-240729/
Axel Springer's filings cite the Sony/Datel case, using it to argue that their IP rights trump your property rights, and that you can only configure your web-browser, running on your computer, which you own, in ways that it approves of.
Axel Springer's war on browsers is a particularly pernicious maneuver, because browsers are the best example we have of internet software that serves as a "user agent." "User agent" is an old-timey engineering synonym for "browser" that reflects the browser's role: to go out onto the web on your behalf and bring back things for you, which it displays in the way you prefer:
https://pluralistic.net/2024/05/07/treacherous-computing/#rewilding-the-internet
Want to block flickering GIFs to forestall photosensitive epileptic servers? Ask your user agent to find and delete them. Want to shift colors into a gamut that accounts for your color-blindness? Ask your user-agent:
https://dankaminsky.com/2010/12/15/dankam/
Want to goose the font size and contrast so you can read the sadistic grey-on-white type that young designers use in the mistaken belief that black-on-white type is "hard on the eyes"? That's what Reader Mode is for:
https://frankgroeneveld.nl/2021/08/24/most-underused-browser-feature/
The foundation of any good digital relationship is a device that works for you, not for the people who own the servers you connect to. Even if they don't plan on screwing you over by directing your user agent to attack you on their behalf right now, the very existence of a facility in your technology that causes it to betray you, by design, is a moral hazard that inevitably results in your victimization:
https://pluralistic.net/2023/08/02/self-incrimination/#wei-bai-bai
"IP" ("a law that lets me control how you use your own property") is a tempting solution to every problem, but ultimately, IP ends up magnifying the power of the already powerful, in contests where your only hope of victory is having a user agent whose only loyalty is to you.
The monotonic, dangerous expansion of IP reflects the growing victory of rents over profits – income from owning things, rather than income from doing things. Everyday people may argue for IP in the belief that it will solve their immediate problems – with AI, or Nazis, or in-game cheats – but ultimately, the expansion of a law that limits how you can use your property (including your capital) to uses that don't threaten neofeudalists will doom you to technoserfdom.
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Support me this summer on the Clarion Write-A-Thon and help raise money for the Clarion Science Fiction and Fantasy Writers' Workshop!
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2024/07/29/faithful-user-agents/#hard-cases-make-bad-copyright-law
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cnnmairoll · 3 months
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Night of Victory Pairing: Kozume Kenma x Reader Genre: Fluff, 1.8k words a/n: originally, this is an idea of my persona with Kenma, but I wanted to share it ! so hope you enjoy this :) PLS NOTE THEYRE DATING IN HERE!! IM SORRY IF ITS NOT OBVIOUS ENOUGH 💔
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The Corporate Champions Gala was in full swing, the air buzzing with excitement and anticipation. The grand ballroom was adorned with sparkling chandeliers, opulent floral arrangements, and an array of finely dressed attendees. The evening was a dazzling display of Japan's business elite, each eager to see who would take home the coveted awards.
You stood near the entrance, soaking in the grandeur. Your company, known for its innovative solutions and rapid growth, had been a formidable contender against Bouncing Ball Corp. Tonight, the spotlight was shared between you and Kozume Kenma, Tokyo's youngest and one of the most enigmatic CEOs.
As you made your way through the crowd, exchanging pleasantries and polite nods, you spotted him. Kenma stood by a tall window, his gaze fixed on the Tokyo skyline. He looked striking, his hair now a blend of his natural dark color and remnants of blonde, falling slightly over his eyes. His reserved demeanor only added to his mystique.
You approached him, a playful smile tugging at your lips. "Well, if it isn't Kozume Kenma, the gaming prodigy turned corporate mastermind," you teased lightly, your tone laced with friendly rivalry.
Kenma turned to you, a small smile forming on his lips. "And if it isn't the youngest female CEO in Japan, here to steal the show," he replied, his voice soft yet carrying a hint of amusement.
You chuckled, stepping closer. "I see you've been keeping tabs on me. Afraid I'll beat you tonight?"
Kenma's eyes sparkled with a mix of challenge and admiration. "Maybe. But don't get too cocky. The night is still young."
You raised an eyebrow, leaning in slightly. "Oh, come on. Admit it, Kozume. You know I'm going to win that best CEO award. You might as well start planning how you'll fulfill your end of our bet."
Kenma's smile widened, a rare sight for most but something you had grown fond of. "Don't be so sure, [Y/N]. I might surprise you."
You crossed your arms, enjoying the playful banter. "Surprise me? The only surprise would be if you actually enjoyed the spotlight for once."
Kenma opened his mouth to retort, but the sound of the emcee tapping the microphone interrupted him. The room gradually hushed, and all eyes turned towards the stage.
"Ladies and gentlemen," the emcee's voice boomed through the speakers, "we will soon begin the announcements for tonight's nominations. Please take your seats."
Kenma glanced at you, his playful smirk shifting to a more serious expression. "Looks like it's showtime," he said quietly, his eyes flickering with a mixture of excitement and apprehension.
You nodded, feeling a similar swirl of emotions. "Yeah, time to see who takes home the prize."
You both made your way to the reserved seating area, your steps synchronized as you navigated through the crowd. As you sat down, you couldn't help but notice the palpable tension in the room, a testament to the importance of the awards being handed out tonight.
Kenma settled into the seat next to you, his presence a comforting contrast to the competitive atmosphere. "Good luck, [Y/N]," he murmured, his voice barely audible over the murmurs of the crowd.
"Good luck to you too, Kenma," you replied, offering him a genuine smile. Despite the rivalry, there was a mutual respect and admiration that had grown between you, making this moment even more significant.
The lights dimmed slightly, and the emcee began listing the categories and nominees. Your heart raced as the moment drew closer, the anticipation almost tangible. Kenma sat beside you, his calm demeanor a stark contrast to the nervous energy around you.
The emcee's voice echoed through the ballroom, "And now, for the category of Best CEO. The nominees are: Kozume Kenma of Bouncing Ball Corp, [Y/N] [L/N] of [Your Company Name], and…"
As the emcee continued to list the nominees, you glanced at Kenma. His eyes were fixed on the stage, but you noticed his fingers tapping lightly on his knee, a subtle sign of his own anticipation.
You leaned in slightly, whispering, "May the best CEO win."
Kenma turned to you, a small, genuine smile playing on his lips. "May the best CEO win," he echoed softly.
"And the winner for the Best CEO of the year is…" the emcee paused for dramatic effect, his eyes scanning the room. The silence was almost deafening, and you could feel your heart pounding in your chest.
"[Y/N] [L/N] of [Your Company Name]!"
The room erupted in applause, and you felt a surge of adrenaline and disbelief. You turned to Kenma, who was already looking at you with a mix of pride and something else that made your heart skip a beat.
"Congratulations," he said sincerely, his eyes reflecting genuine admiration.
You managed a smile, your mind still processing the announcement. "Thank you, Kenma."
As you stood up and made your way to the stage, the applause grew louder. The spotlight was on you now, and you felt a wave of emotions—pride, joy, and a touch of nervousness. You accepted the award, the weight of it a tangible reminder of your hard work and dedication.
After a brief speech thanking your team, your mentors, and the industry for the recognition, you made your way back to your seat. The applause gradually died down, and the emcee continued with the rest of the ceremony.
Kenma was waiting for you, his expression softening as you approached. "Looks like you won the bet," he said, his tone light and teasing.
The rest of the gala passed in a blur of congratulations and farewells. Before you knew it, you and Kenma were driving through the quiet streets of Tokyo, the city lights casting a warm glow on the car's interior. You couldn't help but keep glancing at the plaque resting on your lap, a proud smile playing on your lips.
Kenma noticed and smirked. "Enjoying your victory a bit too much, aren't you?" he teased, his eyes flicking towards you briefly before returning to the road.
You laughed, unable to hide your glee. "Can you blame me? It feels good to win. And to beat you, no less."
He shook his head, his smile widening. "You're really gloating over that plaque, huh? Don't get too comfortable."
You gave him a curious look. "What do you mean by that?"
Kenma didn't answer right away. Instead, he made an unexpected turn and soon pulled up to a small park, its pathways lit by soft, ambient lights. You looked around, confused. "Why are we stopping here?"
He turned off the engine and looked at you, his eyes twinkling with mischief. "I have a trick up my sleeve," he said cryptically. "Come on, let's take a walk."
Intrigued, you followed him out of the car. The night air was cool and refreshing, a stark contrast to the warmth inside the gala. Kenma led you down a winding path, the sounds of the city fading into the background as you walked further into the park.
After a few minutes, you arrived at a small pond. The water was calm, reflecting the soft moonlight beautifully. The scene was serene, almost magical, and you couldn't help but pause to take it all in.
Kenma stood beside you, his gaze also fixed on the pond. "It's beautiful, isn't it?" he said softly, his voice blending with the quiet sounds of the night.
You nodded, a content smile on your face. "It really is. I didn't know you knew about this place."
He chuckled, the sound low and warm. "I like to keep a few secrets."
You turned to look at him, curiosity evident in your eyes. "So, what's this all about? Why did you bring me here?"
Kenma's expression turned serious, but there was a playful glint in his eyes. "You know, you might have won the best CEO award tonight, but I still have my own ways of being the winner."
You stared at him, confused. "The awards have already ended, Kenma. What are you talking about?"
He smiled mysteriously. "Just trust me on this. Close your eyes."
Though perplexed, you obliged, closing your eyes and waiting, the anticipation building. You could hear Kenma moving slightly, the faint rustle of his clothes and the soft crunch of the grass beneath his feet.
"Okay, you can open them now," he said after a moment, his voice barely above a whisper.
As you opened your eyes, you noticed that Kenma had dropped down onto one knee, looking up at you with a mixture of nervousness and determination in his eyes.
In his hand was a small velvet box, opened to reveal a simple yet beautiful ring. He took a deep breath and looked up at you, his voice slightly trembling as he spoke.
"I may have lost the award tonight, but I still feel like the winner. Because I have something far more valuable right here in front of me."
You felt a rush of emotions, tears welling up in your eyes. You couldn't help but chuckle through the tears, shaking your head slightly. "You're such a jerk, you know that?"
Kenma chuckled softly, a wave of relief washing over him as he saw your teary smile. "Yeah, I know I am. But you love this jerk regardless, don't you?"
You laughed, wiping the tears from your eyes, and nodded. "Yes, I do. I love you, Kenma." His face lit up with joy, a smile spreading across his lips as he reached out to take your hand. "You've been my partner, my rival, and my inspiration. And now, I want you to be my everything. [Y/N], will you marry me?" Your heart soared with happiness as you answered, your voice steady despite the tears in your eyes. "Yes, Kenma. A thousand times yes."
Kenma's expression softened further, and he gently slipped the ring onto your finger, his touch tender and loving. He stood up, pulling you into a warm embrace. You could feel his heartbeat against yours, a comforting rhythm that echoed your own emotions.
"Looks like you were right," you whispered, your voice filled with love. "You really are the winner tonight."
Kenma chuckled softly, his breath warm against your ear as he gently tucked a strand of hair behind it. "I love you, you nerd."
You smiled through your tears, teasing back softly, "I love you too, jerk."
He laughed, the sound a symphony of joy and amusement. "You always know how to cut me down to size, don't you? Even when I steal your award and propose to you, I'm still a jerk."
You leaned into his embrace, feeling completely at peace in his arms. "But you're my jerk now," you whispered playfully.
Kenma tugged you closer, his grip on your waist tightening slightly. He leaned in closer, his voice dropping to a whisper. "And you're stuck with this jerk now, love. No take-backs."
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At first glance, the “Ottawa International Food and Book Expo” might sound like any other ordinary event on the social calendars of local foodies and bookworms.
But not only will this year’s event platform several far-right speakers linked to the 2022 Freedom Convoy occupation, a number of the festival’s corporate sponsors and key employees also appear to be misleading or fake.
This year’s event, held at the historic Horticulture Building at Lansdowne Park, is being promoted by Ottawa Tourism as a “celebration of literary culture, crafts, and food.”
The festival is emceed by former Much Music VJ Bill Welychka, features seminars on creative writing and self-publishing and has panels on big philosophical questions — it’s even hosting a “cougar dating event” for singles looking to partner with a “cub.”
While that may sound like your kind of weekend, a closer look does raise a few red flags. One panel features former Ontario PC MPP and anti-lockdown activist Randy Hillier, convoy leader Tom Quiggin and True North’s Andrew Lawton. Another panel features People’s Party leader Maxime Bernier. [...]
Continue Reading.
Tagging: @newsfromstolenland
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sa-blogs04 · 5 months
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Corporate Anchors : Delhi's Event Stars
With the help of Delhi's renowned corporate event anchor, turn your corporate event into an amazing occasion. Every event benefits from the professionalism, charm, and flawless execution of these occasion stars. Image yourself in the middle of an enthusiastically socializing executive suite, with your brand prominently displayed. Our corporate event anchors in Delhi bring the magical finishing touch, generating interest and enthusiasm. What makes them unique? It's their talent for feeling the energy of your event and fitting in with the values of your brand. They effortlessly combine entertainment and information at everything from product launches to gala dinners.
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wespeakglobal · 2 years
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(via Mpho Popps | Black Male Comedian | Corporate Comedy)
Mpho Popps Modikoane is a remarkable South African comedian who is best known to TV viewers for being one of the superstars to compete in the sixth edition of the SABC3 reality dancing competition Strictly Come Dancing, in 2013.
Popps initially got noticed on the SABC1 competition So You Think You’re Funny! in 2009 before going on to  the club scene in Johannesburg, where he swiftly made a name for himself.
He also performed in the miniseries Taxi Ride as Kumba, a man of many faces who is a flamboyant person with a roguish side.
He has consequently appeared on Blacks Only, Mzansi Magic’s Opening Guys and Laugh Out Loud and on the talk show Late Night with Kgomotso.
Popps made his primary appearance on DStv’s Comedy Central station in May 2012 on the first ever episode of Comedy Central Presents… Live @ Parkers.
He was also a reviewer on the second season of the Vuzu show 10 Over 10, in 2013. And in 2014 he hosted the SABC1 reality cooking series The Perfect Sishebo Show.
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shilil · 10 months
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Virtual Wedding Live Band
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I think a lot of people wanna help and simply don't know where to start so here's a how to.
Alright this How To is targeted towards youth and particularly school protests, but 18+ protests follow the same general outline. A good piece, especially if you find yourself in rural territory without activists/organizers to plan anything for you.
Protests are a good way to raise awareness and demonstrate support for an issue. They can also help people feel they are part of a bigger movement and inspire them to action. The goal of protesting isn’t just to yell and hold up signs, it’s to inspire change and influence your community. However, protests can be controversial, so you should think about the pros and cons in your particular situation.
Types of Protests
When people think of protesting, they often picture a large march, but there’s lots of different ways to get your point across.
Sit-ins involve peacefully occupying a public space by sitting for a designated period of time and are popular in schools and colleges.
Sit-ins for student rights have taken place outside the offices of college presidents and in high school courtyards. A sit-in demanding academic freedom could entail students sitting in on a class they’re not allowed to take, sitting outside a principal’s office, or occupying a school board meeting.
Silent protests can be done as part of refusing to participate in a required activity. You can organize your protest on a specific day and include symbols of solidarity such as wearing a specific color. In 2010, 2,086 students at West High in Madison, Wisconsin gathered for a silent sit-in to protest a change in their curriculum.
Walkouts are often used in schools and colleges where a group simply leaves at a designated time in an effort to express disapproval. They can often lead into a rally or march. They also can occur spontaneously, in response to some event.
Walkouts have a long history in the fight for student rights, including Barbara Johns who organized a walkout to protest poor school facilities and segregated schools in the 1950s and Mexican-American students that protested unfair treatments and corporal punishment in the 60s.
Protest rallies involve people making speeches about an issue. You can invite someone to act as an emcee to lead protest chants and songs and other community members who support your issue. Rallies are often used at the beginning or end of protest marches, but can be used by themselves. Rallies should be creative to bring attention to your cause. In 2014, dozens of students from the Providence Student Union in Providence, RI dressed up as zombies for a rally against standardized testing.
Picketing and protest marches are similar except a picket stays in one place, like in front of a business, and marches go from one location to another. In most places, you will have to remain on the sidewalk or other public areas unless you’ve obtained a permit from your local government.
Boycotts are refusals to buy a product or participate in an activity. Boycotts can happen alongside a protest and are good to use as a last resort- just the threat of a boycott may be enough to make your opposition back down.
Planning Your Protest
Use your protest as part of a larger campaign. Depending on what your issue is, you should make sure that you’ve also used other methods to create change. If you are protesting a law or policy, let the people responsible know your complaint and give them a chance to respond. And since not everyone will be comfortable with protesting, make sure you are being inclusive by encouraging other ways for people to show their support, such as:
making phone calls
writing letters
organizing a boycott.
Holding a protest where not enough people show up might not help your campaign as much as other tactics, so you should make sure you have enough people to participate.
Decide on a time and place. Protests can happen anywhere, but you should arrange your protest where it will be seen by as many people as possible. Some options include:
the sidewalk in front of a business
government offices
your school
a park
If you’re protesting on private property without permission, the owner can ask you to leave and call the police to remove you if you don’t.
You should also pick a time when you can get the most people to attend the protest (like a weekend), unless you want to specifically target someone (such as a legislator) and pick a time when they’ll be around. Obtain a permit, if needed.
Publicize your protest.
Make brightly-colored flyers and posters about the protest and put them up around town and your school
Hand out pamphlets
Publicize in your school newspaper and on social media
Make a press release and send it to local newspapers, to websites and blogs, and to other organizations that may support your message
Call local newspapers and radio stations and ask them to promote the protest.
Be prepared to talk about your issue in case you are asked for an interview. Even if people don’t come, they may be curious and research it.
Make a visual impact
Make brightly colored posters and banners with catchy slogans and bring some extra. Have pamphlets to help spread your message information on what you’re protesting to interested parties. Put the name of your chapter or group with your contact details so that people who are new to the issue will know who to contact to find out more. You can use chalk to write messages on public sidewalks.
Be vocal. Learn or create some chants so that everyone knows what you’re protesting and why. Some examples include:
What do we want? Voting Rights! When do we want them? Now!
Hey, hey! Ho, ho! Curfew laws have got to go!
Youth rights are human rights!
Whose schools? Our schools!
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djpurplehill · 5 months
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Women in the Rap Game pt 3
Female rappers have always been present, and there’s been a collective few that paved the way for women in the industry today. ABC News states, “MC Sha-Rock, known as the “Mother of the Mic,” got her start as the first female emcee of hip-hop in the 1970s when her rhymes earned her a spot as a member of The Funky 4+1. But during its earliest days hip-hop was not taken seriously by older generations and record companies, she said, so artists had to fight for recognition. “They felt as though this was something that just was never going to go any place,” MC Sha-Rock said. “I can tell you how we were told as young teenagers that this was just a fad. It wasn't until corporate America radio stations saw that these young kids with little or no resources created something out of nothing.” Female rappers were not represented during this time and had to take measures into their own hands. They didn’t wait for record companies to release their songs, but they did it themselves. Releasing their cassette tapes at the time was like a form of communication. Women continuously battled for representation in this industry in the 1980s, as it was male dominated even then. Queen Latifah was a powerful female MC who made history with her single “Ladies First.” Female rap groups emerged, and ABC News states, “...it all started with Salt-N-Pepa. The group released their first studio album in 1986, becoming the first female rap group to sell more than a million records and their style distinguished them from other artists on the scene as they brought sex appeal into the game.” This inspired women to express themselves in new and different ways. It was like a revival of confidence for women in this era, they were able to embrace loving themselves, as the lyrics explained from these famous songs by female rappers. The 2000s had few women involved in the rap game, but they most definitely left their mark. Nicki Minaj owned 2010 with her debut album “Pink Friday” as she is now one of the best-selling female artists to ever do it.  
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